Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

Showing 26 to 50 of 47 items

Festival Hot Seat... Clairière Urbaine

We caught up with Retouramont to find out more about their UK premiere Clairière Urbaine

Why should someone come and see your show?

The show - and more broadly the artistic work of the company Retouramont - offers new perspectives on the city. It doesn’t consider walls as limits but rather as openings and opportunities - and a means to invent new choreography. In our shows we aim to shift perspectives and invite the audience to discover their neighbourhood in a very new way.

How and where will it be staged?

It will be staged in Lavender Street. Some anchoring will be made on two buildings so the dance can evolve on the wall of one of them and in-between, in the air and over the audience.

Where did the idea and inspiration come from?

It came from the desire to go beyond, but not in the usual sense. As a climber, cliffs or boulders are limits you want to go over. I like when this movement can also be inventive and aesthetic. In the city, I find this desire for crossing and going over particularly joyful and creative.

What sort of person is going to love this show?

Everyone can enjoy this aerial and acrobatic dance show that grabs the city in all its dimensions. We do not try to impose any story on the audience - each person can create their own story. This is our way of inviting the audience to feel and accept a shift of perceptions and take a new look at their surroundings.

What’s going to surprise people about this show?

We propose a different and new use of the city that no one has seen before, not even the architects or inhabitants of the neighbourhood. They may look up for the first time and see buildings differently from now on.

Have you visited Brighton before? What were/are your impressions of the city?

This is my first time in Brighton - I'm curious to discover it.

This year marks 50 years of Brighton Festival. What does it mean for you to be part of the festival in this milestone year?

It’s great to see such longevity in a festival of art, vertical dance is about 25 years old. In this sense, I find it very interesting to question and analyse our practices in the long-term: how did street arts emerge? What is their social role? etc.

Head this way for more info on free event Clairière Urbaine.

Festival Hot Seat... The Last Resort

In the first of a new blog series we caught up with artists Tristan Shorr and Rachel Champion aka Art Of Disappearing to find out more about upcoming Brighton Festival commission The Last Resort

Can you tell us what your show is about?

The Last Resort takes a wry look at a rather bleak future. It throws out questions and ideas and possibilities. It’s an experience that should challenge imagination and thought.

How and where will it be staged?

Two participants at a time embark on a fictional tour of a forgotten resort. They move along the barren stretch of beach, imagining what might or might not have been, led by an immersive score.. The site is near the dock at Portslade which we chose for its bleakness and solitary position, the perfect environment for the imagination to be set loose!

Why should someone come and see your show?

If you enjoy dystopian ideas, beautiful barren landscapes and sci-fi whilst spending time in an imaginative experience then this is the show for you. With an original score, the chance to spend quality time with friend, family or stranger, and a shop to buy The Last Resort goodies...what more could you want!

Where did the idea and inspiration come from?

The outdoor site in Portslade was a perfect fit for certain ideas we have been mulling over for a while. The opportunity to create a work for Brighton Festival gave us the chance to bring the idea to life in a very real and raw way.

How we make the work and what the work is about are intrinsically linked for us. Within the creation of imaginary realities and reinterpreted landscapes the work looks to inspire, challenge and feed the participants imagination and create a space for action rather than passivity.

The context is of a future where our imaginations and our ability to think for ourselves as individuals is placed in doubt. Our inspiration is in the making of a work that encourages both active listening and active participation from our audiences.

Why do you think it’s an important story to tell?

Its both exciting and depressing to think about the future...what will happen, what are we doing and what choices will be made….this work looks at one extreme possibility all wrapped up in the nicest possible experience. It’s important to think ahead…

The Last Resort is a work that hopefully you leave asking a few questions.

What’s going to surprise people about this show?

The nudist beach along the route might be an eye opener!

The show is unusual, in that it uses sound along with the participants imaginations to create an immersive world.

What sort of person is going to love this show?

Anyone who holds a fascination with the future, enjoys being outdoors, loves listening to music in headphones, enjoys the challenge of spending time with a friend, a stranger or a family member and definitely anyone who wants to broaden and challenge their imagination.

What does Brighton Festival mean to you?

Rachel:

I was born locally and have lived near Brighton for the majority of my life. Brighton has always been a place of positive escapism for me, the live music, the great coffee shops and the Brighton Festival. I actually performed in Brighton Fringe with my school 27 years ago! Ouch! It’s always been there...long may it continue!

Tristan:

I think at a time where funding for the arts is dwindling and when challenging audiences and social passivity to the world around us is also taking a step back, it's hugely important that arts and cultural festivals like Brighton Festival exist. It is also important that places that support work and artists pushing the boundaries of the arts exist too and this is what the festival means to us both.

This isn't to say that we view ourselves as particularly radical in our approach, but we definitely appreciate the importance of Brighton Festival giving a place for us artists to call home!

Do you have a favourite festival moment?

It hasn’t happened yet!! The festival is always great, the city wakes up! Can’t ask for more than that! We’re going to be pretty busy this year with the show so it will be a very different experience… we might have to hear about it rather than join in!

Book now for the last remaining slots of The Last Resort.

Brighton Festival celebrates the city's memories with new oral history app

'Jimi Hendrix signed my tambourine and I had to run for my life...'

A free interactive oral history app unfolding the ordinary personal stories of young love, loss and rebellion in the 1940s, 50s and 60s is launching during May as part of Brighton Festival 2016.

The Giddy app, from Brighton arts collective The Nimbus Group and funded with support from the Heritage Lottery Fund, takes users on an alternative walking tour of the city, punctuated by GPS triggered personal histories straight from the mouths of the people who lived them.

From a chance meeting with Jimi Hendrix in the back of a beaten up MG and tales of daytime runaways who never got caught, to stories about sneaking into strip bars and dancing til dawn with the Teddy boys, Giddy offers a view of life in the postwar years that is conspicuously absent from the history books.

All of the content – the stories, photographs, app design – has been gathered and created by teenaged pupils of Brighton’s Longhill School, with the support of a team of archive specialists, oral history interviewers and photographers.

‘Every generation of young people thinks they are the first to experience the intense highs, lows and giddy adventures of the teenage years,’ says Carina Westling of The Nimbus Group. 

‘We wanted to use digital technology to create something that celebrates the stuff of life that unites us as humans, reveals our individuality but also highlights universal themes associated with youth that span the generations,’ she says.

‘Oral history offers a perspective of the past that stands outside the received wisdom of the history books. Our intention for Giddy is to bring history to life in such a way that the young (or not so young) people who hear these stories will never look at older people in quite the same way again.’

Giddy is available for iOS and Android smartphones from May, sign up for a notification of the app’s release at www.giddybrighton.com.

An accompanying online archive and exhibition featuring portraits and archive images gathered during the making of the app will launch at University of Brighton's on 7 May 2016, which will be open to the public till the end of the Festival on 29 May.

The Brighton Commissions

For our milestone 50th Festival, we have commissioned more new works than ever before, including many by Brighton artists or about Brighton itself. Wildly different and each fascinating, the 'Brighton Commissions' below are presented as a tribute to our home and the talent within it.

Brighton: Symphony of a City
One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

Charles Linehan Company
Loved by dancers and dance audiences, Brighton-based choreographer Charles Linehan (The Fault Index/ The Clearing, 2011), brings us a contrasting double bill of new works including one with William Trevitt and Michael Nunn (BalletBoyz). Described by The Guardian as ’one of our classiest choreographers’ Charles’s return to Brighton Festival in our 50th year feels especially appropriate. 

The Complete Deaths
Another match made in Brighton. Leading physical comedy company Spymonkey (Oedipussy, 2012 and Cooped, 2006) and award winning playwright and performer Tim Crouch (I, Caliban, 2003, I, Peaseblossom, 2004, I, Banquo, 2005, An Oak Tree 2006, I, Malvolio, 2010 and what happens to the hope at the end of the evening, 2014) come together to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death. We’re holding onto our hats. 

Digging for Shakespeare
Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up. 

Dr Blighty
One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history.

The Last Resort
Using binaural technology to create a shifting world of sound, Brighton-based artists Rachel Champion and Tristan Shorr (who worked with Charlotte Spencer on Walking Stories, 2013), working as Art Of Disappearing, have created an immersive work set on Portslade beach that takes a wry look at science fiction traditions and dystopian societies. 

Operation Black Antler
Two Brighton Festival Associate Companies come together in an exciting new collaboration. Blast Theory (Rider Spoke, 2008; Fixing Point 2013) are celebrated for their inventive use of technology and their thought-provoking subject matter. Hydrocracker have delighted and terrified audiences with Shakespeare á la Carte (2008), the uproarious The Erpingham Camp (2009), and the chilling production of Pinter plays The New World Order (2007 & 2011). Having these two companies working together has been on all our wish lists for a number of years. 

Stella
Veteran Brighton artist Neil Bartlett (Oliver Twist, 2004, The Maids, 2007; For Alfonso, 2011; What Can You Do?, 2012; Britten: The Canticles, 2013) is one of Britain’s most individual theatre makers and a generous friend of Brighton Festival. We’re honoured that Neil’s wonderful, intense and distilled new play, inspired by the life and death of Ernest Boulton, can open in Theatre Royal Brighton before going on to performances at London International Festival of Theatre and Holland Festival. 

Spotlight: Dr Blighty

Find out more about Dr.Blighty

One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history. 

Video by Ed Inglis and Nutkhut: http://www.nutkhut.co.uk/


Spotlight: Digging for Shakespeare

Find out more from Marc Rees on Digging for Shakespeare in our Spotlight film. Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Film by Echo Video

Sponsorship opportunities for 50th Brighton Festival

Local businesses are being offered a unique opportunity to be part of a major historical landmark next year as Brighton Festival - the largest and most established annual curated multi-arts festival in England – celebrates its 50th year of bringing arts and culture to the city in 2016.

Established in 1967, Brighton Festival become one of the city's most enduring symbols of inventiveness and celebration over the past half century. This milestone year offers a chance for companies to be a part of the celebrations and also to demonstrate the spirit of partnership that will enable the city to thrive for the next fifty years.

With audiences reaching over 460,000 in 2013, Brighton Festival not only encourages visitors the city, but also engenders a sense of pride that increases leisure visits. Audience data demonstrates that 36% of Brighton Festival bookers are from outside the city and of the rest - a third of these local resident bookers - also buy tickets for visiting friends and family.

The annual Children’s Parade - the largest of its kind in Europe - which traditionally opens the Festival is embraced by the whole city, attended by 5,000 children from over 80 schools and community groups from across the region and watched by many thousands of spectators.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: “I believe Brighton Festival has become part of the city’s DNA – one of the things everyone thinks about when they think of Brighton and part of the reason businesses and visitors want to come here. One of the most exciting thing is that the whole city gets involved, from our colleagues in the cultural sector to the city’s hotels and pubs. Together, we make sure the month is not only a cause for celebration, but also one that contributes tens of millions of pounds to our local economy every year.

As a registered arts charity with just 34% of its operational costs covered by regular public funding, Brighton Dome & Brighton Festival has to raise from a variety of sources, the other 66% needed to operate and to continue to successfully run the various strands of the organisation. Sponsoring Brighton Festival not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences and expand their networks, but also meet corporate social responsibility objectives by supporting the local community through outreach work. 

2015 sponsors included University of Sussex, Southern Water, Brighton and Sussex Medical School, London Gatwick, Mayo Wynne Baxter, Class of Their Own, Riverford Organic Farms, DMH Stallard, The Montefiore Hospital, Nutshell Construction Limited, Griffith Smith Farrington Webb LLP solicitors and GM Building.

Confirmed sponsors for 2016 already include Nutshell Construction and SELITS.

Managing Director, Nutshell Construction, Ben Copper said: “We are delighted to be renewing our sponsorship of the Brighton Festival during its 50th anniversary year. Sponsorship of the event gets us in front of potential customers, it raises our profile by associating our business with a gilt-edged brand and it makes real business sense – as well as giving us a chance to support the arts and our home town.”

Andrew Comben continues: “Bringing Brighton Festival together every year is an incredible privilege. We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th celebrations in 2016 - and with the help of new and returning supporters we hope to make it very special indeed.”

To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org
Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival
Listen to our monthly podcast - http://soundcloud.com/brighton-dome

Notes to Editors:

About Brighton Festival:


Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals for artists and audiences, Brighton Festival is known for commissioning and producing an ambitious programme that aims to make the most of the city’s distinctive cultural atmosphere.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre.

• Each year, the work of the Creative Learning team reaches over 15,000 people in Brighton & Hove and beyond through innovative projects such as Miss Represented - an arts collective of vulnerable young women who have been involved with the criminal justice system and isolated young women in the community; the Umbrella Club - a membership club for children and young people with life-limiting conditions and their siblings and carers; and Three Score Dance Company, created to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove.

• Brighton Dome & Brighton Festival is a registered arts charity (registered charity no 249748)

Click here to view the PDF

Brighton Festival 2015 soars to a close

Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.

Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.

Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by regional businesses Class of their Own, Gatwick Airport and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.


The Children's Parade. Photo by Jordan Hughes

During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.


Fleeting on Brighton Beach. Photo by Chris Bethall

At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry Prize and the Young City Reads schemes.


Backstage in Biscuit Land. Photo by Victor Frankowski

Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.

Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month. The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”

In Photos: Brighton Festival Week One

Our 49th Festival with Ali Smith at the helm has been a joy so far. We've had heaps of fun and with a plethora of great theatre, circus, dance, music, classical, outdoor, family, books and debates and visual art and film events still  to come the fun is nowhere near over yet!

Take a look back over our first week of Brighton Festival 2015 right here...

The past week has flown by and lots of exciting events have happened so far at Brighton Festival 2015 and there's still so much more to come! Check out what’s up next at: https://brightonfestival.org/whats_on/

Posted by Brighton Festival on Friday, 8 May 2015

Nun on the run needed!

Award-winning theatre company seek volunteers for Brighton Festival performance

Theatre company Burn The Curtain are URGENTLY NEEDING an additional volunteer ‘nun’ to take part in stewarding their Brighton Festival 2015 performance The Company of Wolves (7 – 9 May). The company are seeking volunteers to don a habit and take part in the promenade theatre adventure created for runners and walkers across Stanmer Park. We need a Nun steward who can lead running audience members through the show. MUST be an experienced/regular runner.

The volunteer would need to be available:

Wed 6th – Sat 9th 18.30 to 11pm at Stamner Park

The performance turns Angela Carter’s macabre imagination into a spine-tingling outdoor experience; the tale unfolds as you progress along a pre-determined route which will be between two and five miles long, depending on which path you take. Those taking part can choose to either run or walk the course… with a warning that should you stray from the path for one instant, the wolves will eat you!

Those interested in getting involved are asked call Joe on 07941 471 917 

Fancy A Spot Of Bird Watching? Do The Brighton Festival Big Bird Trail

We are twitching with excitement about our Big Bird Trail! Take your bird-watching on the move – gather stickers from local businesses and venues, for a chance to win some amazing prizes.

Enjoy a luxurious Lunch for 2 at local bistro, The Manor. Grab some sweet treats from Cybercandy for the sugar enthusiasts. Appendage and Pussy Home Boutique are offering a selection of quirky goodies. Pamper yourself with a range of hair-care prizes from the North Laine Hair Co. Get your hands on a £50 Brighton Dome voucher to spend on the upcoming shows of your choice. Plus, no respectable bird-watcher’s life would be complete without a Bird Feeder from the RSPB! See the full list of prizes

The shops participating are:

• Cybercandy
• EAST
• Oxfam Books
• Fidra Jewellers
• North Laine Hair Company
• Appendage
• Pussy Home Boutique
• Whirligig Toy
• The Manor
• RSPB Shop for Nature
• Gauge
• Ticket Office- Brighton Dome

For more info and the shops addresses head this way.

Grab a copy of the trail in our Family Festival Guide, available at the Brighton Dome Ticket Office to get started.

Photos: Children's Parade

Our 49th Brighton Festival got off to rollicking start with the Children's Parade, co-produced by Same Sky. This year everyone surpassed themselves and the immense talent and creativity of our fair city was made abundantly clear. A plethora of winged creatures and their creators took to the streets in a flurry of colour and sound to mark this year's theme 'taking flight'.


Brighton Festival 2015 took flight with incredible Children's Parade - co-presented by Same Sky. It was truly AMAZING!...

Posted by Brighton Festival on Saturday, 2 May 2015

Feathered Facts: 15 more things you never knew about swifts…

This year we draw inspiration from the avian world - starlings, swifts and nightingales feature in several Brighton Festival events this May. In this series of posts we celebrate our feathered friends with some fascinating facts. This week we explore the lives of swifts - read on to discover 15 more things you never knew about these birds…

  1. Swift nests need to be high-up as the birds legs are too weak to launch themselves into the air. They literally have to fall into flight.
  2. Swifts were once known as devil birds and were believed to nest in pond mud. The name may refer to their scream-like call, their forked tails, dark colouring or the mystic qualities of their lives.
  3. Despite appearances, swifts are not related to swallows or house martins. Their nearest “bird” relatives are the New World’s hummingbirds.
  4. As the sun sets swifts will gather and chase each other, screaming as they go, before rising to an altitude of some 10,000 feet, where they’ll sleep on the wing.
  5. The oldest recorded age for a swift is eighteen years. This individual would have travelled four million miles; the equal of eight trips to the moon and back.
  6. Swifts migrate to the UK around May, staying to lay eggs and raise their chicks, departing for Africa’s warmer climes in August.
  7. Each morning, swifts will descend from their high altitude sleep to fly around their nests and feed their young.
  8. Swifts gobble-up airborne insects and spiders. These bugs are collected into a ball or “bolus” in the swift’s throat to regurgitate for their young back on the nest.
  9. Each bolus (ball of food) brought to the babies weighs just over a gram, and contains 300 to 1000 individual insects and spiders. The average is 300-500 food items per bolus.
  10. The first three to four years of a swift’s life are spent in the air. Only when they’ve reached adulthood will they touchdown on solid ground to nest and raise their first brood.
  11. Swifts are able to navigate through different wind speeds while sleeping, automatically adjusting their flight to stay on a specific course.
  12. In the early days of radar in the 1950s, air traffic controllers would routinely spot unidentified flying objects, referred to as "angels". It’s now thought these blips could have been sleeping swifts.
  13. Approximately 80,000 pairs of swifts migrate to Britain each summer, although the numbers have been declining. 
  14. Originally cave, tree-hole and cliff dwellers, swifts have nested in high man-made structures, (under tiles, in the eaves, in lofts, spires and towers) since Roman times.
  15. The parent birds eat most of their chicks' droppings (possibly to recycle the mineral content); there are no great piles of droppings beneath swift nests

Explore events relating to the theme of art and nature

Facts kindly supplied by the RSPB.

Read even more bird facts.

Feathered Facts: 15 things you never knew about starlings, swifts and nightingales…

Does life imitate art or does art imitate life? This year's Brighton Festival celebrates, in as many ways as birds have songs, the vital crossovers between nature and the arts. Starlings, swifts and nightingales feature in a number of events this May and in this series of posts we celebrate our feathered friends with some fascinating facts…

  1. This years' Big Garden Birdwatch found that the Top Three most common garden birds in Brighton & Hove are, in order of most common first: house sparrows, starlings and feral pigeons.
  2. The highest densities of nightingales in the UK are found in the south east: Essex, Suffolk, Norfolk, Kent and Sussex.
  3. Between 1995 and 2008, the UK’s nightingale population more than halved (53 per cent).
  4. The song of the nightingale has been described as one of the most beautiful sounds in nature, inspiring songs, books, and a great deal of poetry.
  5. Southern England is the northern limit of the nightingales’ range. They breed in forest and scrub in Europe and south-west Asia, and winter in West Africa.
  6. The name nightingale is more than a 1000 years old and means 'night songstress'. Early writers assumed the female sang when it is in fact the male.
  7. Each year during autumn, flocks of starlings form across the skies of Britain, creating 'dark clouds' above fields, woodlands and reedbed, these are called murmurations. As seen annually from Brighton pier.
  8. Single males sing regularly at night to attract a mate. Singing at dawn is assumed to be important in defending the bird's territory.
  9. Homer (not Simpson), Sophocles and Ovid all referenced nightingales in their writings. T.S. Eliot's The Waste Land also evokes the nightingale's song.
  10. Other literary references to nightingales have included John Milton's sonnet To the Nightingale (1632–33) and Samuel Taylor Coleridge's The Nightingale: A Conversation Poem, printed in 1798.
  11. Modern ornithologists dispute the facts behind the popular World War II song A Nightingale Sang in Berkeley Square (published 1939), believing it unlikely to be a nightingale and most probably a blackbird.
  12. Swifts are uniquely aerial creatures, spending almost their entire adult lives in the air; they eat, mate and even sleep on the wing.
  13. Swifts are considered the fastest birds in sustained flight, achieving average speeds of around 70 mph (peregrine falcons can achieve more than 200 mph in a dive).
  14. In a single year the common swift can cover at least 200,000 km, that’s the equivalent of circumventing the earth five times.
  15.  Swifts Latin name is Apus apus, from the Greek ἄπους, apous, meaning ‘without feet’. They have very short legs as they rarely need to stand rely on their wings to manoeuvre in their nests.

Explore events relating to the theme of art and nature

Facts kindly supplied by the RSPB.


Photos: Brighton Festival Street Art by Sinna One

Brighton based artist and illustrator Sinna One has been busy creating some brilliant Brighton Festival pieces and transforming these utilitarian boxes around town. Featured in a number of books and exhibitions, Sinna One’s work ranges across a wide spectrum and includes large-scale murals, live paint display for events, festival sculptures, illustration and more.

Spray painted around our fair city, there are plenty to see. Take a look at the photos below to see how these wonderful beasts take form…






Share your West Pier memories for Brighton Festival 2015 finale event

Brighton Festival and acclaimed visual performance company And Now are looking for members of the public to share their memories and thoughts relating to Brighton & Hove’s West Pier and the evolving nature of the city’s population. The oral histories will be recorded and blended with composed music to create a soundscape to the large-scale performance of Fleeting, which takes place on the beachfront on Sunday 24 May and marks the finale to this year’s Brighton Festival.

Members of the public are invited to Brighton Dome’s Café-bar on Monday 30 (11am – 1pm) and Tuesday 31 (3pm – 5pm) March to share stories – as well as ideas about murmurations and migration – about the history of the city and the derelict pier.

Fleeting is a punctuated installation on the beach created by And Now: artists who specialise in creating unexpected visual experiences inspired by the natural world. Their recent works have taken place at Wakehurst Place, Wilderness Festival, the Royal Botanical Gardens, Kew and also in two Areas of Outstanding Natural Beauty in the Wye Valley River Festival and Inside Out, Dorset. The event will act as a tribute to the West Pier, the people of Brighton & Hove, and the transformative power of nature. 

Nuns on the run needed!

Award-winning theatre company seek volunteers for Brighton Festival performance

Theatre company Burn The Curtain are on the look-out for ‘nuns’ to take part in stewarding their Brighton Festival 2015 performance The Company of Wolves (7 – 9 May). The company are seeking volunteers to don a habit and take part in the promenade theatre adventure created for runners and walkers across Stanmer Park.

The performance turns Angela Carter’s macabre imagination into a spine-tingling outdoor experience; the tale unfolds as you progress along a pre-determined route which will be between two and five miles long, depending on which path you take. Those taking part can choose to either run or walk the course… with a warning that should you stray from the path for one instant, the wolves will eat you!

‘Character Peter the Priest is seeking devoted sisters for light nunning duties,’ explains Joe Hancock, Artistic Director of Burn The Curtain. ‘One nun will run with runners, one nun will float between runners and walkers and one will walk with the walkers. Your role is simple - keep the Hunters and Gatherers in line, keep them from straying from the path. A sense of rhythm and great dance moves may be useful but not essential, and devotion to any deity optional. Look of grim determination or abject fear an asset’.

Those interested in getting involved are asked to email Joe on info@burnthecurtain.co.uk – deadline for applicants is Tuesday 31 March 2015.

Burn the Curtain are a group of performers, artists and educators based in the South West who create unique hands-on site specific events where audience and performers travel together, work together, and build the performance together. They won an Argus Angel at Brighton Festival 2013 for their promenade performance of The Adventures of Don Quixote by Bicycle which saw audiences ride across the South Downs alongside the titular hero and his reluctant squire Sancho Panza.

Brighton Festival 2015 announces full programme of events

Clear your diaries in May as England’s largest mixed arts festival returns with award-winning author Ali Smith as its Guest Director

Brighton Festival – under the watchful eye of award-winning author Ali Smith as this year’s Guest Director – has announced its full programme of events.

Over the three-week Festival - which runs from 2-24 May 2015 - many of Ali Smith’s ideas, interests and passions will be explored in a programme which spans music, theatre, dance, visual art, film, literature and debate from a wide range of national and international companies and artists; from a rare UK visit by 86-year-old legendary film maker and artist Agnès Varda to rising stars Kate Tempest, George the Poet and Hollie McNish.

With three central themes at its heart - Art and Nature, the Crossing Places between art forms, and Taking Liberty - this year’s Brighton Festival challenges visitors to look again, featuring an eye-opening array of artists and performers with the power to deliver the world we think we know to us re-seen, renewed, with a visionary twist in the tale.

Ali Smith says: “It's tremendously exciting to have been asked to help programme the 2015 Brighton Festival. I'm delighted and honoured – what a gift, to be asked to do this, imagine – the biggest international multi-arts spectacular in England. I've always loved Brighton's sense of fun and friendliness, its vibrant open-mindedness, the way it opens to sky, the way the rest of Europe is so close it's almost visible. It's a city that's always known how to live on the edge, a place full of endless energy, argument, possibilities, light. No matter the wildness or mildness of the weather, no matter the zigzag of zeitgeist elsewhere north or south of it, Brighton is always itself, and always uniquely welcoming.”

Posing questions about whether life imitates art or art imitates life, Art and Nature is explored in a host of events including an exclusive nightingale walk, with Mercury-nominated folk singer Sam Lee; an immersive multi-screen film installation of Marcus Coates’ entitled Dawn Chorus, featuring singers who uncannily recreate birdsong and bird movement; a discussion of the urgent conservation issues that face us today with celebrated author and bird enthusiast Margaret Atwood and her partner and fellow writer Graeme Gibson; and Fleeting, an outdoor spectacular over the West Pier by And Now, in which hundreds of individual points of fire create shapes and swathes of glowing light and shade.

Central to the programme is the notion of Crossing Places - where poetry meets music meets theatre meets dance – from works that defy categorisation such as The Measure of All Things, a new live cinema performance by Academy Award-nominated filmmaker Sam Green to Claudia Molitor’s part installation part performance Vast White Stillness in the maze of tunnels beneath the Old Ship Hotel. In Being Both, acclaimed mezzo soprano Alice Coote, English Concert’s Harry Bicket and Susannah Waters stage a theatrical journey into the heart of Handel’s sublime vocal music, which, in a nod to Smith’s own prize-winning work How to Be Both, explores and challenges the experience and perception of gender.

Set against the backdrop of the General Election, Liberty, equality and freedom is celebrated in all its shapes in an astonishing cutting-edge line-up of artists, performers, thinkers and commentators - all contemporary game changers in their chosen forms. These include Liberty Director and author Shami Chakrabati who hosts an evening in celebration of the Human Rights Act featuring a dazzling collection of writers and performers such as Billy Bragg, Neil Bartlett, Rachel Holmes and Jackie Kay; Tony award-winning playwright Richard Nelson who brings the European premiere of his highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York; award-winning Pakistani/British author Kamila Shamsie; celebrated Russian-American journalist, author and activist Masha Gessen, Turkish writer Elif Shafak and Turner Prize nominated artist Nathan Coley, whose new commission Portraits of Dissension explore ideas of unrest, edge and shift, space and occupation.

Other highlights include Peter Strickland’s daring masterpiece The Duke of Burgundy accompanied by a one-off live performance of its seductive score by Cat’s Eyes - the collaborative project of The Horrors’ frontman Faris Badwan and Italian-Canadian singer and composer Rachel Zeffira; a series of screenings and accompanying talks by prominent female directors including Joanna Hogg, Carol Morley and the legendary Agnès Varda who will also create a special installation at Brighton University Gallery for the duration of the Festival; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; the UK premiere of Lucia’s Chapters of Coming Forth by Day, a theatrical ode to the life - and afterlife – of Lucia Joyce, the adored daughter of James Joyce created by legendary New York theatre ensemble Mabou Mines; the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene; and Laurie Anderson: All the Animals, a specially curated performance by one of America’s most daring creative pioneers.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “Ali Smith, as Guest Director this year, has been a wonderful inspiration to us all in programming the festival. In her writing, Ali is renowned for pushing form and working with her has taught us to think differently about how we programme and the work that we bring. She has also brought an incredible range of artists to the festival who are responding to the world in a particular way, both people she knows well, and also people she has loved for many years and perhaps longed for an opportunity to work with - from Agnès Varda to Elif Shafak, Jeanette Winterson, Margaret Atwood and Mabou Mines - the list is long and extensive and I think thrilling. I look forward to welcoming audiences to experience another exciting and innovative month of events in May.”

The annual celebration of music, theatre, dance, circus, art, film, literature, debate, outdoor and family events will take place in venues across the city and beyond from 2 to 24 May 2015. Brighton Festival 2015 features 396 performances taking place across 150 events including 42 exclusives, premieres and commissions.

Brighton Children’s Parade 2015 theme announced

Brighton Dome & Brighton Festival and Same Sky are delighted to announce that the theme for the 2015 Children’s Parade is ‘taking flight’.

Supported by local businesses Class of their Own and Riverford, the annual parade marks the start of Brighton Festival – three weeks of unrivalled live performance and art installations across the city and beyond – and is attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they have specifically designed and made for the event.

The parade – which takes place on Saturday 2 May 2015 – also sees thousands of spectators take to Brighton’s streets to cheer on those taking part.

Each year the parade celebrates a different imaginative theme. Previous years have seen participants dress up as everything from letters of the alphabet and Brighton street names to books, mermaids and even slices of cake. This year’s event will ask those involved to explore the idea of taking flight – be that flights of fancy, the flight of birds, the process of flying or the act of leaping into the unknown.

Pippa Smith, Head of Creative Learning, Brighton Dome & Brighton Festival says: 

‘Taking flight symbolises the many imaginative leaps and creative flights of fancy that teachers, parents and children invest in the Children’s Parade each year. This year we will be exploring everything from Pegasus to phantom jets and sparrows to spaceships.’

‘Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, the leading section will represent the huge variety of bird life that exist on our planet, while subsequent sections will represent flying machines, flight, fantasy and fable and Bugs, bees and butterflies.’

Jointly produced with award-winning community arts organisation Same Sky, the Children’s Parade has delighted participants and spectators for over 25 years and officially launches Brighton Festival - England’s largest multi-arts festival - on the first Saturday in May.

Following last year’s inaugural partnership, the organisers will once again join forces with Brighton & Hove Music & Arts - the music education hub whose key mission is to enhance and further develop music education across the city. This year they will be working with young people to create Brighton’s first Balkan Brass Band which will feature in the parade.

Peter Chivers, Head of Brighton & Hove Music and Arts, Brighton & Hove City Council says: ‘The annual Children’s Parade is one of the highlights in our cultural calendar and a celebration of the creative talents of children across the city. This year’s Parade is set to be another triumph and SoundCity is delighted to be creating an exciting new music project for 2015.

One of the most spectacular community events in the UK, Same Sky spends six months working behind the scenes to create the event, with creative teams instructing teaching staff how to teach dance and parade chants, run free masterclasses, help develop design ideas and encourage imagination to flow.

John Varah, Artistic Director, Same Sky says: Same Sky is delighted to continue its long partnership with Brighton Festival and with all the schools who have come to trust our artistic and management skills as we work together to deliver an annual celebration which announces the beginning of the Festival.’

The event will be sponsored in 2015 by Class of Their Own - who return for a second year as sponsors of the event – and Riverford Organic Farms.

Class of their Own’s Tanya Petherick and Sam Thomson says: ‘We are continuing our support is it is such a fantastic community event and further develops our links with children, parents and local schools. We look forward to seeing you on the day.’

Stephen Spears from Riverford Organic Farms says: ‘We at Riverford Organic Farms are supporting the wonderful Children’s Parade this year. Riverford delivers organic fruit, veg, dairy, deli and meat to your door. Through this sponsorship we hope to promote the benefits of delicious, pesticide and chemical free produce to families across Brighton, Hove and Sussex.’

‘Visionary’ Brighton Festival 2014 comes to a close

Brighton Festival 2014 - with critically acclaimed choreographer, dancer, musician, composer and performer Hofesh Shechter at the helm as Guest Director - came to a close this week. Described as ‘visionary’ by the Daily Telegraph, the wide-ranging programme of quality performance, visual arts, literature and debate from international, national and home-grown companies and artists has been acclaimed by audiences, artists and critics alike, with attendance across the Festival exceeding 81% of capacity.

With Hofesh Shechter as Guest Director, this year’s Brighton Festival programme was truly genre defying; and featured the highest number of premieres and commissions to date, including the world premieres of Vanishing Point’s Tomorrow and Lost Dog & Lucy Kirkwood’s dance piece Like Rabbits, alongside UK premieres of international theatre company Berlin’s multi-media work Perhaps All the Dragons and contemporary circus from Feria Musica in Sinué

Opus No.7 by acclaimed Russian theatre director Dmitry Krymov - which also had its UK premiere at the Festival - received 4 stars across the board from all the major broadsheet critics. Matt Trueman, writing in the Daily Telegraph, described the work as ‘visionary stuff, utterly singular’; Lyn Gardner in the Guardian said it was ‘unbearably poignant’, ‘visually stunning’ and ‘more like alchemy than theatre’; Dominic Maxwell in The Times praised the work for being ‘merry and macabre in a memorable mix’; while Maxie Szalwinski, in the Sunday Times referred to the piece’s ‘almost paranormal intensity’ and William McEvoy in The Stage described it as ‘unforgettable’.

One of the Festival’s biggest hits was William Forsythe’s interactive choreographic installation Nowhere and Everywhere at the Same time, no.2 in Circus Street Market with more than 12 500 visitors dancing in the piece during the three week period. Visitors described it as ‘amazing’, ‘hypnotic’ and ‘better than brilliant’, popular social networking site Instagram spread word about the installation to 32million international followers via its weekly ‘ArtThursday’ blog and a video documenting its installation attracted 60 000 views.

The 80th birthday of legendary composer Sir Harrison Birtwistle was celebrated with a series of events, headlined by a revival of his 1969 Brighton Festival commission Down by the Greenwood Side. Set in a disused brewery depot in Lewes, this unique production continued the Festival’s tradition of pioneering site-specific and immersive performances in unusual locations.

Other Brighton Festival 2014 exclusives included a new visual arts co-commission by Yinka Shonibare MBE titled The British Library, which has now been extended until 22 June due to popular demand, Tangled Feet’s immersive, free outdoor performance One Million and much more.

Brighton Festival also played host to an eclectic mix of names across contemporary music; from iconic country music singer Emmylou Harris to a rare live performance from Cat Power and a tour de force performance from Peaches in her one woman rendition of Peaches Christ Superstar – of which Caroline Sullivan in the Guardian wrote simply ‘what a woman. What a show.’

The books and debate strand of the programme boasted a number of high-profile events included a sell-out lecture by best-selling author and designer David McCandless, conversations with Irvine Welsh, Jeremy Deller, Viv Albertine alongside discussions and talks about maths, migration and dementia.

Events for all the family this year included a UK premieres of Tanzfuchs Produktion’s dance extravaganza Munch! for the under 4s and Enhanced Dance to Disguised Music; Belgian choreographer Thomas Hauert’s first piece for young people accompanied by a prepared piano soundtrack by John Cage. Meanwhile, on film the Cinema of Childhood (throughout May) - curated by Mark Cousins - looked at the depiction of children in cinema.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2014 saw 13 shows - including six Brighton Festival exclusives like Wim Vandekeybus in conversation with Hofesh Shechter and a debate on immigration chaired by Simon Fanshawe - live-streamed to audiences around the world, for free. Brighton Festival 2014 also saw the launch of a new initiative Collidescope. Designed for artists and creators to intensively engage with the Brighton Festival programme, the scheme offered seven artists who have been making work for at least five years the opportunity for peer-to-peer creative development, with the goal of potentially creating new marriages of minds for future explorations.

As Guest Director, Hofesh Shechter followed in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012) and poet, author and former Children’s Laureate Michael Rosen (2013) in shaping the Brighton Festival programme. Resident in Brighton throughout the month, Hofesh was actively engaged in the programme – attending countless events and appearing in many, including leading in-conversations with Williiam Forsythe, Wim Vandekeybus and Yinka Shinbare. He also challenged audiences to respond to the world’s ugly injustices in the Brighton Festival co-commission Sun which “came home” to Brighton after touring globally.

This year’s Brighton Festival featured 448 performances and 147 events in 34 venues across the city. In total there were 37 premieres, exclusives and co-commissions and 26 free events. 

Help us do more...

Did you know that we run a comprehensive outreach arts programme in order to encourage participation?

During the festival we deliver:

- The Children's Parade, the annual grand opening of the Brighton Festival which involves nearly 5,000 children from over 80 schools.

- Adopt an Author, a project which links children from local schools with well-known authors in order to promote literacy and the love of books.

- many free events during the Brighton Festival so everyone can get involved, look out for Safe House on 17 May at Hove Park and One Million on 23 & 24 May at Black Rock, Madeira Drive

Throughout the year we deliver::

- the Umbrella Club, a new project which is for children with life- shortening conditions. It allows access to the arts through the provision of free tickets and participation in the arts through workshops.

- a ground-breaking arts programme called Miss Represented which works with vulnerable young women within youth services across the city. It aims to inspire these young women to work towards a more positive life trajectory.

You can make a donation of £2 or more - It’s easy

Text BDFL14 £2 to 70070

Thank you

Arts Accolade for 80 local schoolchildren for their contribution to Brighton Festival Children’s Parade

On Tuesday 4th February, over 80 local schoolchildren from Westdene and Fairlight Primary schools will visit Brighton Town Hall to receive their Arts Award from The Right Worshipful the Mayor of the City of Brighton & Hove, Councillor Denise Cobb.

The children gained their Arts Award - a nationally recognised qualification for young people’s achievement through the arts - as part of their contribution to the 2013 Brighton Festival Children’s Parade. The award recognises their success in areas of art, design, creativity and music and is a fitting reward for their hard work and in helping to ensure that the 2013 parade was a vibrant celebration of the collective creativity of the city.

For over 25 years the Children’s Parade has opened Brighton Festival, with local school children stepping into show stopping costumes they have designed and made themselves. It is the largest annual children’s event in the UK and is produced on behalf of Brighton Dome and Festival by community arts organisation, Same Sky. In 2013, poet, writer, broadcaster, former Children’s Laureate and Arts Award Champion, Michael Rosen guest-directed Brighton Festival and inspired the theme of the parade which was the alphabet.

With the additional support from Artswork – the national Youth Arts Development Agency and South East Bridge Organisation - Brighton Dome & Brighton Festival and Same Sky were able to include Arts Award in the parade for the first time, with many more schools signing up to deliver the award as part of their parade contribution for 2014. 2014’s theme for the Children’s Parade is “the arts”.

Michael Rosen, talking about Arts Award - 'I like the way Arts Award is based on a reflective model of learning, encouraging teachers and leaders to focus on children and young people as individuals and as creative artists in their own right. Arts Award is a flexible framework, rather than a set curriculum, which ignites ideas rather than dictating answers.'