Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

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Thank you for being part of the story!

This year’s Brighton Festival was all about celebrating stories – exploring their ability to intrigue us, challenge assumptions and bond people together.

Whether you came to one show, or took part in events throughout the Festival, we’re so glad you could join us for another incredible year of talent, expression and artistic invention.

We’re so thankful to everyone who helped make this year so memorable, especially all our audiences, artists, participants, volunteers, sponsors, members, patrons and staff. A special thank you also to our 2019 Guest Director Rokia Traoré, who brought immeasurable time and talent curating this year's Brighton Festival edition.

We look forward to seeing you again next year! Save the dates: 2 - 24 May 2020

Video by Summer Dean, Savanna Gladstone and Jen O'Brien

Round-up: Audience Reactions

Wow – what a month we have had! We’ve enjoyed every second of Brighton Festival 2019, and we hope you had a blast too. Here's a quick look back at what audiences had to say...

Flight

Flight was deeply moving, breathtakingly beautiful and utterly necessary work of storytelling. Everyone should see it to understand the real-life experience of young people fleeing war and oppression and seeking shelter in Europe. Good art should leave you questioning the world – Flight made me want to take immediate action”


A Child of Our Time

“An outstanding performance, full of intense emotion, context and meaning”


Rokia Traoré: Dream Mandé: Djata

"Captivating. Magical. She had the whole theatre spellbound and listening with complete focus. Beautiful. Thank you, Rokia."


Still I Rise

"Another refreshingly free from boring stereotypical gender roles. Hooray! A diverse and talented group of female performance who were skilful, graceful and powerful. I loved this show."


True Copy

"Utterly absorbing, a calm and gentle story which gradually unwinds revealing more and more layers. The brilliant BERLIN create another very human, real world gem."


The Nature of Why

"It was mesmerising and aurally and visually beautiful. I felt so close to the performance and the performers. It felt intimate and personal.”


Silence

“A stunning and powerful portrayal of war, invasion and terror. It’s one of the best things I’ve seen on this subject”


A Midsummer Night’s Dream

“Fabulous performance! Brilliant cast, beautiful voices and some truly hilarious moments. Laughed till I cried”


Backbone

“Absolutely amazing! Beautiful, poignant, funny and totally breathtaking! A dramatic showcase of human physicality, which was a joy to watch! The performers really looked like they were living their best lives!”


My Left Right Foot: The Musical

“Genuinely blown away by how good this show was. Hilarious performances from everyone, and so well written with some really thought-provoking ideas on inclusion”


To relive your Brighton Festival experience, look back at our videos here

Brighton Festival Live Streams: Incredible Events to Watch Wherever You Are

You can’t always make it to all the events you’d like to go to – but with Brighton Festival Live Stream we’ve got you covered.

In partnership with Greater Brighton Metropolitan College and their incredible staff and students, we stream some of our exciting events so you can watch them live from wherever you are, or later in your own time. Click on the ‘Get Notified’ button on the events you want to watch. Here’s a quick rundown…


Backbone
Wed 15 May 7.30pm
Backbone explores the limits of emotional and physical endurance. A stripped-back, raw showcase of human ability and connection. With a powerful live soundtrack and beautiful lighting design.


Flavour Migrations
Fri 17 May 8pm

Get some cooking inspiration from Masterchef winner Shelina Permalloo. She’ll be discussing how her culture, heritage and loved ones have shaped her cooking.


Dream Mandé: Bamanan Djourou
Sat 18 May 8pm

Once again Rokia Traoré will be performing at Brighton Dome’s Concert Hall. Prepare to hear adaptations of traditional Bambara songs, popular French and international tunes as you’ve never heard them before.



Malian Dance Night

Mon 20 May 7.30pm

This is an evening of dance you will not want to miss. Enjoy a special presentation of three new dance pieces by Mali’s next generation of extraordinary choreographers.


Ariwo and Resonators
Wed 22 May 8pm

Take your ears on a musical adventure. You’ll be listening to rural west African heritage with the energy of the vibrant city of Bamako with a mix of other genres such as jazz, electronic and Cuban rhythms.


Chineke!
Thu 23 May 7.30pm

Chineke! bring their extraordinary energy and enthusiasm to this evening’s performance, taking us on a journey through the 1920s from New York to Weill’s Vienna.


Varhung: Heart to Heart

Fri 24 May 8pm

Experience Ancient Taiwanese culture traditions brought up to date by one of the Pacific Island’s premier indigenous dance-theatre companies Tijmur.


BOYS

Sun 26 May 7.30pm

Celebrating male tenderness, silliness, vulnerability and community with a cast of young men of colour from England, BOYS is a joyful and tender dance that hopes to unravel preconceptions and uncover the endless possibilities that can make up a man.


Né So - Rokia Traoré

Malian musician and Brighton Festival Guest Director, Rokia Traoré shares her highly personal sixth album, Né So, an unmissable experience. 


Highlights: Brighton Festival Opening Weekend

We had a wonderful opening weekend at Brighton Festival. Check out what we got up to...

Discover what is happening this weekend at Brighton Festival 

Behind the scenes at this year’s Children’s Parade

We’re giving you a glimpse behind the scenes of Brighton Festival’s marvellous and entirely free Children’s Parade. Thousands of teachers, parents and students are working tirelessly to create the incredible sculptures and costumes that will take to the streets of Brighton to mark the start of the Festival on Saturday 4 May.

Moulescoomb Primary School gave us special permission to visit them as they prepare to be the lead school in the Parade with the West African folk tale, The Hunterman and the Crocodile, written and illustrated by author Baba Wagué Diakité. The characters take turns being captive and captor in a humorous story that teaches the importance of living in harmony with nature. 

Read our interview with Pippa Smith and Sarah Parsons to learn more about the Children's Parade 

Producer Picks | Young Literature

Learn more about the Young Literature events taking place this year, from our Young Literature producer, Hilary Cook. 

Find out more or book tickets 
Read our interview with Ella Burns Director of Little Green Pig


Chineke! / Philharmonia Orchestra / Brighton Festival Chorus

Our Classical Music Producer, Gill Kay discusses two shows coming to Brighton this May featuring Chineke!Philharmonia Orchestra and Brighton Festival Chorus.

Producer Picks | Dance, Theatre and Spoken Word

Learn more about the contemporary performance events taking place this year, from our Theatre & Dance Producer, Philippa Barr.

Find out more about our Dance and Theatre programme 

Brighton Festival Live: The Cult of Water

The Cult of Water will be live streamed from 7.30pm on Sat 5 May.


Join ‘masterful storyteller’ (Radio Times) Dr. David Bramwell for a candle-lit journey in search of the supernatural secrets of our waterways....

Aided by a witch, Jarvis Cocker, and magician-author Alan Moore, David Bramwell battles his own thalassophobia (the fear of ‘what lurks beneath’) to unearth little-known stories and myths that surround our rivers.

The River Don is the focal point for this psycho-geographical journey that blends music, animation and film with captivating monologue. You’ll also learn about Brighton’s lost River Wellsbourne in a post-show Q&A.

Filmed and edited in partnership with Brighton Metropolitan Colleg

Brighton Festival Live: Brownton Abbey

Brownton Abbey will be live streamed from 8pm on Fri 25 May


With Big Freedia, Rachael Young, Ria Hartley, Malik Nashad Sharpe, Lasana Shabazz & DJ Sets from Sista Selecta

From the folks that brought Mykki Blanco to Brighton Festival 2017 comes Brownton Abbey - a new Afro-futurist collective that will take you to church!

For this pastoral performance party, celestial beings from queer dimensions will transform Brighton Dome into a kaleidoscopic off-world temple. Congregate with your fam, drench yourself in contemporary ritual, and get transcendental on the dance floor!

Headlining will be New Orleans ‘Queen of Bounce’ Big Freedia, who you’ll know from Beyonce’s Formation, her collaborations with Diplo and RuPaul, and her own Netflix series. Plus performance interventions throughout the evening by a heavenly constellation of Queer Artists of Colour.

Brighton Festival Live: Elephant and Castle

Elephant and Castle will be live streamed from Wed 23 May at 7.30pm


The first time my wife and I shared a bed I told her, ‘I want to get in a wardrobe and take you to Elephant and Castle.’ I was asleep. Do people tell the truth when they talk in their sleep? Could anyone be on the verge of admitting some dark desire, or telling the person beside them what they really think?

That’s the dangerous premise behind Elephant & Castle, the result of three years of Tom Adams’ recorded sleep-talk. With original songs performed live by Adams and Henley, this is a tender, funny and entirely unique gig theatre show about the joy and terror of talking in your sleep

Brighton Festival Live: Ezra Furman

Ezra Furman will be live streamed from Sat 26 May at 8pm


Plus support from Du Blonde & Honey Harper
‘The kind of performer that makes you feel like a teenager all over again’ The Guardian

Tears. Heartbreak. Unbridled joy. Ezra Furman is the real deal.

Fans of Chicago’s rock’n’roll hero will testify as to the electric energy of his live shows that teeter on the edge of hysteria.

His onstage presence, hook-laden garage-punk (think Jonathan Richman meets Spector-era Ramones meets the E Street Band), and confessional lyrics about sexuality, depression, faith and politics, have all earned him a legion of followers on both sides of the Atlantic.

Back with his newly re-christened band The Visions, and hot on the heels of the release of latest album Transangelic Exodus, this is a performer that must be seen to be believed.

Du Blonde
Du Blonde, AKA Beth Jeans Houghton, is a multidisciplinary artist and musician, working with animation, illustration, sculpture, video editing, songwriting and music production.

Honey Harper
Honey Harper is both an old and a new project. The songs were written in the past three years but they’ve been around for much longer. They resist temporality and eschew spatial specificity. Whether they were written on a lake in northern Ontario, a haunted hotel room in Atlanta, or in a car at 5AM in east London makes little difference as they all reside within. Honey Harper is intrinsically honest, pure, universal country.

Brighton Festival Live: The World of Moominvalley

The World of Moominvalley will be live streamed from Sunday 20 May at 3:00 PM.


The World of Moominvalley with Philip Ardagh & Daniel Hahn

Join award-winning children's author, Philip Ardagh, and Daniel Hahn as they introduce The World of Moominvalley. This beautiful new book is filled with illustrated maps and family trees, facts about Moomin behaviour and habits, all you could wish to know about each beloved character, the world in which they live and their creator Tove Jansson. A family event for Moomins fans young and old.

Over 60’s dance troupe recreates Pina Bausch's 1982 masterpiece – the NELKEN-Line - on Brighton's seafront

Three Score Dance, the Brighton-based contemporary dance company for over 60s, will re-create Pina Bausch’s masterpiece, The NELKEN-Line, with a team of around 200 volunteers along the Brighton beachfront this weekend (Saturday 19th May, 6.30pm) as part of Brighton Festival.


The legendary Spring, Summer, Autumn, Winter sequence is from one of Pina Bausch’s best-known works, the 1982 piece Nelken, and features West End Blues by Louis Armstrong and his Hot Five.

The Three Score Dance company will be joined in the participatory performance by around 200 people, many of whom attended workshops to learn the four iconic movements led by Three Score Artistic Director Jason Keenan-Smith

The aim is to create the most fabulous and colourful NELKEN-Line on Brighton seafront, becoming a part of an exciting world-wide project run by the Pina Bausch Foundation and ARTE which invites people to submit their own NELKEN-Line video to the Foundation’s website.


In France, Ireland, Chile, Cyprus, Spain and Germany, dance lovers of all ages – professionals and amateurs – have responded to the call and danced their own individual NELKEN-Line, with performance videos from around the world posted on the NELKEN-Line website. Three Score has already uploaded their own Company version, the film made by Company member Vincent with long term collaborator DOP Patrick Duval.

Three Score Dance Volunteer Management Group member Vicki Crowther says: “Being part of Three Score Dance means we are standing up for the older dancer and we’re looking forward to leading a glorious celebration of Pina Bausch with people from all walks of life as we dance The Nelken Line along the beach from the i360 to the peace statue on Saturday.”

NELKEN-Line - Three Score Dance, Brighton from Pina Bausch Foundation on Vimeo.

Three Score Dance, founding company members, Saskia Heriz and Christina Thompson, were inspired by The Company of Elders at Sadler’s Wells to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove. Although many of its members have had no prior dance training, their wealth of life experience brings a unique quality to their work.

The company is led by Rehearsal Director, Jason Keenan-Smith, with professional choreographers commissioned to create bespoke pieces for performance. As an associate Brighton Dome company, Three Score have a history of commissioned pieces 50th Brighton Festival celebration Tall Tales - a special reconstruction from memory of a series of performed paintings believed to have been presented at some time during the Festival’s history.  

Discover more about this exciting dance event...

Brighton Festival Live: The Last Poets

The Last Poets will be live streamed from 7.30pm on Tue 15 May


Legendary Godfathers of hip hop and creators of influential albums - The Last Poets (1970) and This is Madness (1971) – The Last Poets fuse politically outspoken lyrics with inventive percussion in an electrifying celebration of 50 years of the power of words and music. The Last Poets are modern day griots, with withering attacks on everything from racists to government to the bourgeoisie, their spoken word albums preceded politically laced R&B projects such as Marvin Gaye's What's Going On and foreshadowed the work of hard-hitting rap groups such as Public Enemy.

Now in a rare appearance, Umar Bin Hassan, Abiodun Oyewole and Donn Babatunde - legendary Godfathers of hip hop - bring an electrifying celebration of 50 years of powerful words and music to Brighton Festival.

Brighton Festival Live: KAYA

KAYA will be live streamed from 8pm on Mon 14 May

Join us for an inside viewing of KAYA, a moving new performance that explores human experiences of displacement, drawing on the strength and resilience of those searching for belonging in a new community.

Ceyda Tanc is a Brighton-based choreographer creating dynamic dance influenced by her Turkish heritage and highlighting the intersection of modern Britain’s diverse cultures. With a unique movement vocabulary fusing traditional Turkish folk dance with contemporary styles, Ceyda’s work challenges gender stereotypes by utilising the virtuoso movements of male Turkish dancers for her all-female company, conveying striking shapes and an emotive and sensual energy.


Brighton Festival Live: The Boy, The Piano and The Beach

The Boy, The Piano and The Beach will be live streamed from 3pm on Mon 7 May

Slot Machine Theatre - The Boy, The Piano and The Beach
World premiere & Brighton Festival commission

A little boy is playing on the beach when, all of a sudden, he is magically transported to another world. His adventures through this enchanting land are packed full of extraordinary encounters with curious and mystical creatures. The question is: can the boy find his way back home?

This enchanting tale is told through puppetry, dance and light projections, all accompanied by stunning live music played on a grand piano. A sensory feast, the show will captivate children of six and upwards, who are welcome to stay and play after the performance to explore the dreamy world of the boy on the beach.


Brighton Festival Live: Cuckmere: A Portrait & Environmentalism

Cuckmere: A Portrait & Environmentalism will be live streamed from 7.30pm on Sat 5 May

Join us for a live screening of this powerful collaboration of film and live music. 

Cuckmere: A Portrait
Ed Hughes -Composer
Cesca Eaton - Filmmaker

Score played live by The Orchestra of Sound and Light. For centuries the Cuckmere River has inspired artists, sheltered smugglers and preserved a host of rare wildlife as it charts a course through the evocative landscapes of southern England.

Filmmaker Cesca Eaton and composer/conductor Ed Hughes trace the changing moods of the Cuckmere, from its source in the High Weald to the sea at Cuckmere Haven.

Environmentalism 2.0
Caroline Lucas discusses the future of the environmental movement with author Tony Juniper, whose new book, Rainforest, draws on his many years' experience as a frontline campaigner.

Spotlight on Contemporary Music at Brighton Festival: Part Two

From jazz to alt-rock to folk, we've got some epic gigs coming up this May. We shine a light on just a few of the many amazing contemporary music events at this year’s Festival.

Deerhoof + s t a r g a z e

Deerhoof, an american experimental rock group, was formed in San Francisco in 1994. In a career that has spanned nearly 25 years and showing no signs of letting up, these revered rockers seem to change course on every album they release, displaying breathtaking originality, and creating a genre all of their own.

In an exclusive performance from Brighton Festival, they will be collaborating with orchestral collective S t a r g a z e. In the first half, Deerhoof’s founding member and drummer Greg Saunier presents special compositions for individual musicians based on tracks from the seminal 1993 album In on the Kill Taler by post-hardcore band Fugazi. The second half sees Deerhoof perform songs from their extensive back catalogue, before members of S t a r g a z e rejoin the band onstage for a stunning finale. Take a look at ticket availability for Deerhoof. 

Xylouris White


Xylouris White is firmly rooted in the past and future. Playing Cretan music of original and traditional composition, the band consists of Georgios Xylouris on Cretan laouto and vocals and Jim White on drum kit. Xylouris is known and loved by Cretans and Greeks at home and abroad and has been playing professionally from age 12. Jim White is an Australian drummer known and loved throughout the world as the drummer of Dirty Three, Venom P Stinger and now Xylouris White. For the last four years these two men have been performing as Xylouris White, the culmination of 25 years of friendship forged through music and place. Now they’re back with their third album Mother, more elegant and thoughtful than its predecessors yet still retaining a palpable spirit of adventure. Take a look at ticket availability for Xylouris White.

This Is the Kit

This Is The Kit is the musical project of Kate Stables, one of the most thrilling voices in contemporary folk, and whoever joins her!  In a special one-off event for Brighton Festival - Kate joins forces with multi-talented orchestral collective S t a r g a z e - one of today’s most adventurous ensembles. Retaining the intimacy of its well-loved predecessor 2015’s Bashed Out, This is the Kit and S t a r g a z e will perform a specially re-imagined version of Kate’s latest 2017 album Moonshine Freeze, the paris-based songwriter’s loosest, wildest music to date.Take a look at ticket availability for This is the Kit.

Played Twice: Miles Davis Kind of Blue and Electric Miles: Miles Davis through the ‘70s

If you haven’t been to east London’s joyous concept night Played Twice, now's your chance. The concept is simple: take a landmark album, listen to it all the way through, then hear a top-notch band reinterpret that same recording live on stage. And if this is your first time, they don’t come more masterly than Miles Davis’s pioneering jazz fusion . The band will be led by David Okumu of The Invisible and features Byron Wallen on trumpet. Take a look at ticket availability for Played Twice's performances.

Problem in Brighton 


First there was a Problem in Toulouse, then there was a Problem in New York, and now that problem is coming to Brighton. Well, Hove actually. Problem in Brighton is an alt-rock/pop pantomime written and directed by Guest Director David Shrigley exclusively for Brighton Festival. Shrigley's artwork is brought to life by the Problem Band (led by Brighton musician Lee Baker) using instruments created from his illustrations. Take a look at ticket availability for Problem in Brighton.

Discover more information on the many other amazing performances including Amanda Palmer, Nakhane and Lankum.

 You can also explore more great gigs in the first part of our Brighton Festival Music blogs.

Shrigley on Shrigley

Guest director David Shrigley talks us through his events at the Brighton Festival 2018. 

Best known for his darkly humorous works that comment on the inconsequential, bizarre, and disquieting elements of daily life, the artist’s offbeat take is reflected in his own events at this years festival. There's Festival commission Problem in Brighton, a brand new alt rock/pop pantomime, written and directed by Shrigley himself, and Life Model II, a follow-up to the artist’s Turner Prize-nominated installation of the same name which invites visitors to take part in a life drawing class with a sculpture of a nine-foot-tall woman as the ‘model’. Shrigley will also be doing an also an illustrated talk billed as ‘containing numerous rambling anecdotes… not in the slightest bit boring’, and a screening of a documentary about his work titled A Shit Odyssey. 

Head to our Whats On page to see the full programme
Video edited by Summer Dean

Five Brighton Festival Spoken Word artists to check out before May

Take some time out to enjoy some of the magnificent wordsmithery and acts you can expect at Brighton Festival this May...

The Last Poets
Energised by the civil rights movement, The Last Poets were formed in 1968. As latter day griots, they fused politically outspoken lyrics with inventive percussion. Their albums have influenced generations of hip-hop & soul artists.

Yomi Sode
Yomi Sode balances the line between Nigerian and British cultures, which can be humorous, loving, self-reflective and, at times, uncomfortable. Tackling immigration, identity and displacement, his new performance COAT is a humorous and moving response to the mistakes made by elders that leave the next generation uncertain of what is expected of them.


Travis Alabanza
Travis Alabanza is a performance artist, theatre maker, poet and writer. In the last two years they have been noted by numerous publications as one of the most prominent emerging queer artistic voices, and also listed in OUT as an influential queer figure.


Hollie McNish
Hollie McNish’s poems have challenged stigmas around sex, breastfeeding and young motherhood, earning her a worldwide following. McNish will perform as part of Poets & Illustrators, a one-off event, that pairs some of the finest, freshest poets around with live illustrators. 



Toby Thompson
Toby Thompson is a writer and performer of thoughts and feelings. His poetry displays his delight in life’s uncertainties and absurdities and his uniquely rhythmic and musical style is lyrical, beguiling, playful and poignant. In Brighton Festival, Toby Thompson boldly re-imagines Herman Hesse’s classic fairy-tale I Wish I Was A Mountain

For more amazing Spoken Word, check out our full programme with Bang! Said the GunBridget Minamore, Toby Campion & Theresa Lola and more!

Spotlight: Cuckmere: A Portrait

Discover more about Cuckmere: A Portrait, a Brighton Festival Co-commission.

For centuries the Cuckmere River has inspired artists, sheltered smugglers and preserved a host of rare habitats and wildlife as it charts a course through some of the most evocative landscapes in southern England.

In a work of beauty and eloquence, the filmmaker Cesca Eaton and the composer/conductor Ed Hughes trace the changing moods of the Cuckmere river, from its source in the Sussex Downs to its dramatic twists and turns as it meanders to the sea at Cuckmere Haven. The score, specially composed by Ed Hughes, is played live by The Orchestra of Sound and Light in this world premiere.

Head to our event page to find out more about ticket availability
Video edited by echovideo.co.uk

Spotlight: Calixto Bieito: The String Quartet’s Guide to Sex and Anxiety

In a co-commission with the Birmingham Repertory Theatre and Holland Festival, the Brighton Festival presents The String Quartet’s Guide to Sex and Anxiety.

In this exciting production, the tempestuous relationship between sex, anxiety and music is explored and examined by one of Europe’s most exciting theatre directors, Calixto Bieito.

Music and drama collide as the award-winning string powerhouse The Heath Quartet perform alongside an equally stunning quartet of actors to deliver an unmissable montage of melody and madness. These eight artists will take you on a journey through time to explore how our innermost thoughts battle with our artistic impulses.

Head to our event page to find out more about ticket availability
Video edited by echovideo.co.uk

Spotlight: The Arms of Sleep

Discover more about The Arms of Sleep, a Brighton Festival Co-commission with Norfolk and Norwich Festival.

In one of its most ambitious and magical productions to date, The Voice Project takes us on an epic 10-hour immersive overnight experience of choral music, film and animation set in the beautiful grounds of historic stately home Firle Place.

Through dusk and darkness to dawn, drift and dream with The Voice Project Brighton Choir as you travel into the space of sleep.

Head to our event page to find out more about ticket availability
Video produced by echovideo.co.uk
Stills by JMA Photography

Spotlight: Gob Squad: Creation (Pictures for Dorian)

Creation is the realm of gods and artists, who create beauty through sheer will and their own bare hands. But who decides what is beautiful?

British/German arts collective Gob Squad have performed all over the world for 25 years. Now middle-aged, they have no desire to exit the stage just yet. UK Premiere and Brighton Festival co-commission, Creation (Pictures for Dorian), is inspired by Oscar Wilde’s iconic character Dorian Gray, who remains eternally youthful at a terrible cost to his soul. 

There’s probably a little bit of Dorian in all of us. Joined onstage by older and younger local performers, Gob Squad peeps behind the vanity mirror to question beauty, morality and power - and ask why we so crave the eye of the beholder.

Head to our event page to find out more about ticket availability
Video edited by echovideo.co.uk

Spotlight: Your Place

Your Place returns to the Brighton Festival with another exciting programme of free theatre, art, dance, music, outdoor games and workshops. For the past year, the community steering committees of East Brighton & Hangleton have been working together to create a vibrant weekend of arts and activities for their local communities.

Brighton Festival, Brighton People’s Theatre and the community steering groups are proud to bring back Your Place for a second year following its wonderful success in 2017. Expect new and exciting additions including bouncy castles, delicious food and more activities for people of all ages.

Artists joining us this year include David Shrigley, The Ragroof Players, The Future is Unwritten Theatre Company, Herringbone Arts, Joanna Neary, Kate McCoy, Culture Clash, Touched Theatre, Dundu and Worldbeaters, Brighton & Hove Music & Arts and many more.

Video produced by echovideo.co.uk

Meet David Shrigley, our 2018 Guest Director

We're delighted to welcome visual artist and Brighton resident David Shrigley as the Guest Director for Brighton Festival 2018.

Best known for his distinctive drawing style and works that make satirical comments on the absurdity of 21st-century society, his work also spans an extensive range of media including sculpture, large-scale installation, animation, painting, photography and music.

Nominated for the prestigious Turner Prize in 2013, Shrigley’s Really Good, a 7 metre-high elongated bronze sculpture of a thumbs-up, is the current incumbent of Trafalgar Square's Fourth Plinth.

David Shrigley says:
“The great thing about Brighton Festival is that you see things that are really thrilling and wonderful that you’ve never heard of before. What I’m looking forward to about the role of Guest Director is having the opportunity to not only see a lot of stuff and programme stuff but also make some artwork myself and have it presented in the place where I live. I think it’s a really nice way to communicate with people, to meet people and to invite people to come to Brighton.”

British Council Arts created a great 'About the Artist' video, which sees David discussing his working practices and briefly discussing his career as you can watch below. 

Brighton Festival 2018: 5 – 27 May
Full programme announced: Thu 15 Feb
Members’ priority booking opens: Fri 16 Feb
Public booking opens: Fri 23 Feb

Brighton Dome & Brighton Festival retains Arts Council NPO funding

Brighton Dome & Brighton Festival is pleased to be confirmed as a continuing part of Arts Council England’s National Portfolio for 2018-2022.

Funding has been maintained at current levels during the period, equating to £1,149,921 per year.

As custodians of the Grade 1 Listed Brighton Dome at the cultural heart of the city, Brighton Dome & Brighton Festival is the major arts and cultural provider in Brighton & Hove with an audience reach of over 666,000 annually.

Funding from Arts Council England (ACE) – along with Brighton & Hove City Council and a number of other supporters and donors - allows the delivery of an innovative year round programme spanning music, theatre, dance, comedy, literature, spoken word, visual arts, film, digital and more, as well as Brighton Festival each May; the largest curated annual multi-arts festival in England. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness over the past half century, renowned for its pioneering spirit and experimental reputation.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “We welcome the continued support and strong endorsement from Arts Council England for our work and our exciting plans ahead. We are also pleased to see continued funding for partners throughout the city and across the region.”

A registered charity, Brighton Dome & Brighton Festival is committed to offering imaginative new ways to discover and participate in the arts. Each year, the work of our Creative Learning team reaches over 22,000 people in Brighton & Hove and beyond.

Find out more about the work of our Creative Learning department.

Brighton Festival 2017 goes down a storm

The 51st Brighton Festival - with acclaimed recording artist, poet, playwright and novelist Kate Tempest as Guest Director - came to a storming conclusion last weekend. 

The three-week celebration of the arts saw events take place in more venues across the city than ever before - from the South Downs to Brighton Marina to Woodvale cemetery - drawing a ticketed audience of over 81,000, the largest ever in the Festival’s 51-year-history.

At a political and social moment that feels particularly precarious, the wide-ranging programme paid homage to what Tempest calls the ‘Everyday Epic’ - art that helps us connect to ourselves and others, explores our individual stories and differences, and encourages audiences to take a walk in someone else’s shoes.

None did this more successfully than the UK Premiere of The Gabriels, Tony-award-winning playwright Richard Nelson’s extraordinarily, intimate depiction of one American family, written and set in real time during the turbulent US election year. The plays received a series of 5* reviews and were lauded by critics as ‘deeply moving portraits of the dissolving American dream’ (The Guardian), ‘a quietly stunning theatrical achievement’ (The Stage), and ‘miraculous, almost invisible craft’ (The Arts Desk).

Kate Tempest herself featured in a plethora of performances both large and small: including an exclusive opening gig of music and spoken word, her largest full band performance to date; and a live orchestration of her recent album Let Them Eat Chaos, produced in collaboration with Oscar-nominated artist Mica Levi. All were rapturously received by sell-out audiences – with fans taking to Twitter to proclaim the likes of: “Transcendent doesn't even cover it: Kate you blew my mind. Thank you”.

Reflecting on the experience Tempest says:

“It’s felt crazy - the things that I’ve been doing have been things that I never would have had the opportunity to try out, had it not been for this particular Festival, for example getting the opportunity to play with a string and woodwind ensemble. That was an experience that I’ve dreamed of, but was completely impossible. 

To get that many players of that calibre together, and to do it in a way that felt like it was providing something new for the work. It felt like a real moment of artistic endeavour and true collaboration." 

With an audience of 15,000 over 16 evenings, one of the Festival’s biggest talking-points was For the Birds, a spectacular night-time trail of sound and light installations at a secret woodland location. The largest ticketed event ever presented at Brighton Festival, this unique event set social media abuzz throughout the month, with audiences dubbing it ‘mesmerising’, ‘fascinating’ and ‘beautiful”.

Reflecting Tempest’s belief that: ‘The arts should be in our communities, not only on elevated platforms or behind red velvet ropes’, two new ventures ensured Brighton Festival 2017 did just that: The Storytelling Army, a dynamic collective of people from all walks of life popped up in unusual locations across the city to tell their ‘Everyday Epic’ stories - in turn humorous, inspiring, thought-provoking, emotional, and rousing; and new initiative Your Place, in partnership with Brighton People’s Theatre, brought a diverse line-up of free performances, workshops and activities Festival artists and local residents to the Hangleton and East Brighton communities. A resounding success, 1500 people took part in Your Place across two weekends.

Brighton Festival audiences were also encouraged to join the Pay-It-Forward movement for the first time in another new initiative which offered the chance to donate £5 on top of ticket prices which was match-funded to create a £10 Festival ticket voucher for someone unable to afford the opportunity. The response was phenomenal with over a thousand people choosing to pay tickets forward in the lead up to the Festival.

As Tempest herself said:

"One of my big hopes was that we could do just what we have done, which is to bring the Festival out a little bit, open it up, and have some events going on in the communities, so people who can’t make it into town for whatever reason, still get to access some of the great programming and some of that feeling of this Festival.”

Other Brighton Festival 2017 highlights included an ethereal promenade performance through Woodvale Cemetery for Circa’s Depart; Kneehigh’s acclaimed production of Emma Rice’s staging of Tristan & Yseult; a special performance from legendary folk singer Shirley Collins; a major new co-commission from sculptor Cathie Pilkington; a virtual exploration of the Australian outback with Lynette Wallworth’s thought-provoking Virtual Reality film experience Collisions; two special events to mark the 450th anniversary of the birth of Monteverdi: and an inspirational sold-out book tour event from US Senator Bernie Sanders.

As ever this year’s Festival has been a triumph of partnership working, made possible through collaborations with many major organisations across the city and beyond including Attenborough Centre for Creative Arts, Lighthouse, Fabrica, University of Brighton, Onca Gallery, Theatre Royal Brighton and Without Walls amongst others.

2017 also saw the highest number of shows yet live-streamed to audiences around the world for free, thanks to the on-going partnership with Greater Brighton Metropolitan College with highlights including Kate Tempest’s collaboration with Mica Levi and Orchestrate, an extravaganza of music and performance by queer artists of colour headlined by Mykki Blanco, and playful dance theatre by Joan Clevillé Dance with Plan B for Utopia.

Sponsorship and corporate support has also been vital this year with generous contributions from new and returning sponsors and supporters including London Gatwick Airport, University of Sussex, Brighton and Sussex Medical School, GM Building, Griffith Smith Farringdon Webb, Lulu.com, Nutshell Construction, Yeomans Toyota Brighton, Selits, and ZSTa.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “Bringing Brighton Festival together is a great privilege and this year with Kate Tempest’s inspiration we’ve been thrilled to have reached new audiences and achieved some fantastic new records. But it is only possible because of the extraordinary support we have from funders, patrons, supporters, sponsors, members, partners and artists. We are also blessed with one of the most adventurous, curious and experimental audiences anywhere. I would like to thank everyone for their invaluable contributions, for making Brighton Festival what it is and for bringing this wonderful city and its wonderful festival to life.”

Brighton Festival Live: Bernie Sanders - Our Revolution: A Future to Believe In

Bernie Sanders - Our Revolution: A Future to Believe In will be live streamed on Thur 1 June, 8.30pm

Join us for an inside account of Sanders' extraordinary campaign with Our Revolution: A Future to Believe In, and a blueprint for future political action.

Bernie Sanders stormed to international headlines after running an extraordinary campaign for the Democratic primaries that saw over 13 million people turn out to vote for him, and thereby changed the global discussion surrounding US politics. But how did a relative unknown and a democratic socialist make such waves?

Sanders provides a unique insight into the campaign that galvanised a movement, sharing experiences and the ideas and strategies that shaped it. Drawing on decades of experience as an activist and public servant, Sanders outlines his ideas for continuing this revolution, arguing for a progressive economic, environmental, racial and social justice agenda that creates jobs, raises wages and protects the planet.

Filmed and edited in partnership with Brighton Metropolitan College

Brighton Festival Live: Mykki Blanco

with Travis Alabanza + Lasana Shabazz

This Brighton Festival Exclusive will be live streamed from 9pm on Sat 27 May, from The Spire

Co-produced in partnership with The Marlborough Theatre

‘Mykki Blanco is the most compelling rapper of his generation’ i-D

Hold tight for an extravaganza of music and performance from pioneering queer artists of colour from both sides of the Atlantic.

We’ve teamed up with The Marlborough Theatre to offer a chance to party, show solidarity, and vent some artistically expressed rage against the status quo.

US rapper Mykki Blanco will blow your preconceptions away with his fast, ferocious style – as much influenced by punk and riot grrrl as hip hop. The performance artist-turned-rapper has toured with Bjork, Tricky and Basement Jaxx, and counts Florence Welch and Grimes amongst his many fans. This past autumn saw the release of the long-awaited debut Mykki album, the most personal collection of work yet from the gender-bending queer pioneer.

Mykki is joined by two fierce performance artists: Travis Alabanza (currently artist in residence at the Tate), and Lasana Shabazz, a regular performer with Duckie, the V&A and Southbank Centre, who both recently featured in Scottee’s acclaimed Roundhouse show, Putting Words in Your Mouth.

The Spire Programme supported by GM Building. 

Brighton Festival Live: Kate Tempest plus REMI

Kate Tempest plus REMI will be live streamed on Fri 26 May, 8.30pm

Hot on the heels of a headline tour in support of second studio album Let Them Eat Chaos, Kate Tempest and her band bring a specially extended live show to kick off the final weekend of Brighton Festival in fine style.

A poet, rapper, playwright, and impassioned performer, Kate Tempest is an artist who refuses to conform to genre boundaries. Whether it’s her self-performed epic poem Brand New Ancients (winner of the 2013 Ted Hughes Prize), her electrifying debut novel The Bricks That Built The Houses, or her Mercury Music Prize-nominated album Everybody Down, when you experience her powerful oratory, you’ll know why she is being hailed as the voice of a jilted generation.

Support comes from Melbourne MC REMI, who, with musical collaborator Sensible J, has become one of the fastest-rising hip-hop acts in Australia. REMI's sophomore LP Divas and Demons was released last year through his own label and included the widely loved single For Good featuring Sampa the Great.

Filmed and edited in partnership with Brighton Metropolitan College

Star of The Gabriels actor Maryann Plunkett announced as narrator of Copeland’s Lincoln Portrait for Brighton Festival finale

Britten Sinfonia and Brighton Festival Chorus bring Brighton Festival 2017 to a resplendent close with Aaron Copland's rousing Lincoln Portrait, alongside John Adams's glittering symphony, Harmonium.

We're delighted to announce that our narrator will be actor Maryann Plunkett, who plays Mary Gabriel in Richard Nelson’s trilogy The Gabriels, which has garnered a clutch of five-star reviews since its Brighton Festival UK premiere last weekend.

In 1942, shortly after the USA entered WW2 Copland was commissioned to write a work to fortify and comfort people during the time of national distress. The resulting Lincoln Portrait is a stirring setting of extracts from great speeches made by Abraham Lincoln, including the Gettysburg Address.

Other famous narrators have included the likes of Neil Armstrong, Alec Baldwin, Tom Hanks, Katharine Hepburn, and Barack Obama.

Maryann Plunkett also played Barbara in Richard Nelson’s The Apple Family Plays (Brighton Festival 2015), while her Broadway credits include Agnes of God, Sunday in the Park with George and Me and My Girl (for which she received a Tony Award). 

Britten Sinfonia and Brighton Festival Chorus are at Brighton Dome Concert Hall on Sun 28 May, 7.30pm

Brighton Festival Live: Lyrix Organix

Lyrix Organix with Kojey Radical & UnFold will be live streamed on Tue 23 May, 7.30pm

Lyrix Organix explore what it means ‘To Be Human’ with a double-headliner live show, Kojey Radical & UnFold.

UnFold is a critically acclaimed live show that champions the next young stars of spoken word, in collaboration with a contemporary classical string section. This edition shines a spotlight on Toby Thompson (described as ‘the future’ by Kate Tempest), Laurie Ogden and Solomon OB (National Slam champion 2016), in a collection of live performances threaded by a soundscape from London String Collective.

In a special for Brighton Festival, the event is co-headlined by Kojey Radical, an extraordinary 24 year-old poet, musician and striking visual artist. His explosive live shows have led to sold out performances at London’s Jazz Cafe, MOBO Award nominations.

The night also features a special guest talk by internationally acclaimed poet Deanna Rodger exploring 'The Art Of Words’.

Filmed and edited in partnership with Brighton Metropolitan College

Brighton Festival Live: Boys Don't

Boys Don't will be live streamed on Sun 21 May, 4pm

What’s a boy to do? From the playground to the classroom, from home to the uncharted waters of online, boys learn that displaying their feelings is a no-no. But what happens to emotion that can’t be let out?

Through funny, familiar and sometimes heartbreaking stories drawn from the real-life experiences of its cast of poets and spoken word performers, Boys Don’t delivers insights into male experiences of growing up, and offers the possibility of more open communication for us all.

Age 8 -12 and adults (not suitable for under 8s)

Filmed and edited in partnership with Brighton Metropolitan College

Brighton Festival Live: An Evening with Picador Poetry

An Evening with Picador Poetry will be live streamed on Fri 19 May, 8pm

Featuring Glyn Maxwell, Lorraine Mariner, Hollie McNish, Richard Osmond & Kate Tempest

The Picador Poetry list is 20 years old. Since its inception, its mission has been simply to publish the best work from across the art form. For this celebratory event, An Evening with Picador Poetry, Editor Don Paterson presents a wonderful line-up of established names and new voices from this broad church.

Picador is the home of Guest Director Kate Tempest’s poetry. Kate will read from her passionate, political verse from Picador collection Hold Your Own, and long poems Brand New Ancients and Let Them Eat Chaos.

Glyn Maxwell is one of Britain’s most respected and awarded contemporary poets, whose book On Poetry was described by Guardian critic Adam Newey as ‘the best book about poetry he has ever read’.

You may already know the work of rising spoken word star Holly McNish from one of her viral YouTube videos (collectively now at 4 million views), as well as her Brighton Festival 2015 performance with Kate Tempest and George the Poet.

Described as a Dorothy Parker for the internet age, Lorraine Mariner’s much loved wry style is demonstrated in her latest collection, There Will Be No More Nonsense.

The line-up is completed by poet and forager Richard Osmond, one of the Evening Standard’s ‘new guard’ of young poets, whose Useful Verses follows in the tradition of the best nature writing.

Filmed and edited in partnership with Brighton Metropolitan College

Brighton Festival Live: The Furrow Collective and Anna & Elizabeth

The Furrow Collective and Anna & Elizabeth will be live streamed on Mon 15 May, 8pm

A double bill featuring rising stars of contemporary folk from both sides of the Atlantic, The Furrow Collective and Anna & Elizabeth.

Described by MOJO as ‘a mouth-watering collaboration’ The Furrow Collective is Lucy Farrell, Rachel Newton, Emily Portman and Alasdair Roberts – four fine soloists whose shared love of traditional songs and playful musicianship has earned them two BBC Radio 2 Folk Award nominations. This ‘quietly classy young folk band’ (The Guardian) move with ease from jaunty stories to poignant laments and supernatural ballads.

Anna & Elizabeth are two truly inspiring artists from Southwest Virginia and a rare treat for lovers of Appalachian roots music. As storytellers, they are almost single-handedly resurrecting the lost art of ‘crankies’ – cloth and cut-paper scrolls depicting stories and scenes from the great ballads, unfurled to musical accompaniment. Witness this culture carried forward with mastery and love.

Filmed and edited in partnership with Brighton Metropolitan College

Brighton Festival International Programme supported by London Gatwick. 

The deadline for entries to Lulu.com Short Story Competition has been extended

The short story writing competition launched by Lulu.com, sponsor of Brighton Festival commission the Storytelling Army, is now open to entries until Wednesday 24 May.

The publisher invites all Sussex residents over the age of 18 to respond to Brighton Festival Guest Director Kate Tempest’s theme Everyday Epic, the observations and achievements of our daily lives which we piece together to celebrate and share our common humanity.

Four lucky competition winners will be announced during the last week of the Festival. The winning stories will be combined into an anthology, alongside stories from the Storytelling Army, and published as a paperback book. UK based marketing and PR company Authoright will also be supporting the book with a publicity campaign once it is published; ensuring the Everyday Epic stories reach as many readers as possible after the competition ends.

Brighton Festival is working with nabokov theatre company and Guest Director Kate Tempest to assemble and mobilise the Storytelling Army: a dynamic collective of people from all walks of life - including those who are homeless and vulnerably housed – who will perform in unexpected locations throughout Brighton over the last weekend of this year’s Festival.

Entry is free and stories must be no more than 4,000 words (there is no minimum word count) and must be received electronically by midnight GMT on 24 May 2017. Entries must be submitted electronically as a word or pdf document and the document must contain: your name, your address, your age, your e mail contact details, the title of your submission, the word count, your twitter handle (if relevant). Entries should be emailed to social_uk@lulu.com.

For full Terms and Conditions visit lulu-uk.blog. Alternatively email social_uk@lulu.com for the competition entry rules.

New app The Hum invites festival-goers to view Brighton in a new light

The Hum, a free app which highlights the beauty in the everyday, is now available to download.

A Brighton Festival co-commission conceived and directed by Nic Sandiland, The Hum is a reflection and meditation on our own everyday interactions with the city. Half cinema, half reality, the piece weaves together visuals with a specially composed soundtrack.

Festival-goers will be invited to follow a trail on their smartphone screen, guided by the app to 15 locations within walking distance, around the city, and on arrival a narrated soundtrack will be played.

The Hum incorporates text from four diverse artists including: international dance artist Wendy Houston, dance writer for The Times Donald Hutera, Maria Oshodi director of Extant Theatre Company of visually impaired people and live artist Pete Phillips, to a sound score by musician James Keane. These writers explore the subtle qualities of observed and experienced movement to create their own idiosyncratic narratives ranging from the poetic and humorous through to the ironic and subversive.

Director Nic Sandiland says ‘The Hum gives audiences a new perspective on the everyday happenings in Brighton. Set to an emotive musical score with thought provoking text the piece takes you on a journey through 15 often-overlooked places in the city, places that we take for granted. The Hum makes us look at the mundane acts which take place in these places and by elevating them to the status of a feature film. At times profound yet often personal it is an immersive work that reveals an alternative view of the city through the movements that take place within it.’

Click here to download The Hum on Apple and Android devices

Brighton Festival Live: Kate Tempest with Mica Levi & Orchestrate

Kate Tempest with Mica Levi & Orchestrate will be live streamed on Thur 11 May, 7.30pm

Hip-hop inspired storytelling meets cinematic orchestration as Kate Tempest teams up with musician and composer Mica Levi and ensemble Orchestrate. Known to many as the frontwoman of Micachu and the Shapes, Mica Levi is also an accomplished composer of film scores, most recently Pablo Larrain’s Jackie for which she received both BAFTA and Oscar nominations. She has long collaborated with Orchestrate, a network of some of the UK’s most accomplished and adaptable young musicians, whose work in the studio and on stage includes performances with The National, SBTRKT, Ghostpoet and Christine and the Queens.

For this special one-off performance, Orchestrate will perform a selection of Levi’s works, followed by a special performance with Kate Tempest of Let Them Eat Chaos, re-worked for string orchestra. Released late last year to universal acclaim, the album has been described as Tempest’s state-of-the-nation address: over the course of 13 tracks, we meet seven sleepless Londoners in the small hours, whose individual stories of dissatisfaction are set against a backdrop of global crisis.

An unmissable Brighton Festival collaboration.

Filmed and edited in partnership with Brighton Metropolitan College

Supported by Chalk Cliff Trust

Your Place brings diverse line-up of music, dance, theatre and spoken word events to Hangleton and East Brighton communities

As part of a new partnership with Brighton People’s Theatre, Brighton Festival has been working with local residents and festival artists to programme an exciting and diverse line-up of free music, dance, theatre and spoken word in the Hangleton and East Brighton communities.

Hosted by local community centres, Your Place is coming to East Brighton and Hangleton with free workshops, performances and activities for the whole family over two weekends, beginning with Hangleton 13-14 May, then East Brighton 19-21 May. Along with community steering groups in partnership with the Hangleton and Knoll Project and Due East in East Brighton, this year’s inspiring Guest Director Kate Tempest and local company Nutshell Construction to create the space, we have selected and shaped an events programme with these communities in mind.

This programme plays a critical part of Kate Tempest’s vision for this year’s Brighton Festival of enabling as many people in the city as possible to access the festival. In her words: 'The arts should be social, not elitist. They should be part of our everyday life. They should be in our communities, not only on elevated platforms or behind red velvet ropes.'

Highlights from the Your Place Hangleton programme (13 to 14 May) include:

Acclaimed photographer Eddie Otchere’s Pinhole Camera Workshop (14 May), teaching families how to build their own pinhole camera and document local history; Guest Director Kate Tempest (13 May) performing poetry from her incredible back catalogue; Culture Clash (13 May)with award winning poetry slam champion Tommy Sissons and rapper and battle MC Ceezlin, who will both also be coaching rap, poetry and comedy; a special one-off showcase from AudioActive (13 May) a music organisation working with young people at the meeting point of technology and contemporary urban culture; a singing workshop from Appalachian folk artists Anna and Elizabeth (14 May); a performance of Tighten Our Belts, a theatre show about the cost of austerity by Brighton People’s Theatre; and an array of workshops for all ages including a workshop run by Nutshell Construction to make Book Swap Boxes (13 May), as part of the City Reads city-wide project.

Highlights from the Your Place East Brighton programme (19-21 May) include:

A night of Spoken Word (20 May) as Kate Tempest performs poetry from her latest anthology, also with performances by national poetry slam champion Tommy Sissons, and Ceezlin (on tour with Rag ‘n’ Bone Man); Tales of Birbal (19 May) where Mashi Theatre’s travelling storytellers tell ancient stories from across the Indian subcontinent; Virgin Territory (20 May) workshop delivered by Vincent Dance Theatre for young people and adults to investigate the challenges that young people face in a selfie-obsessed world; Three Score Dance & Ceyda Tanc Dance (20 & 21 May), Three Score Dance a company for people aged 60+ perform a new Brighton Festival commission choreographed by Ceyda Tanc and her youth company; an oral history workshop by acclaimed photographer Eddie Otchere; Help! I think I might be Fabulous! (20 May) a hilarious and heart-warming show from Alfie Ordinary; other workshops include building and decorating Book Swap Boxes (20 May) with Nutshell Construction, and Hidden Mazes (21 May) which uses art and drama to explore the experience of navigating the world with an invisible disability.

Kate Tempest, Brighton Festival 2017 Guest Director says 'I thought it was important that as well as having this very exciting, cosmopolitan festival happening in the city centre, with all this buzz and hype and all this energy that gets built up from people seeing something, spilling out on to the street, I wanted it to also represent the wider population of Brighton who maybe can’t afford to get in to the city centre. I wanted to bring a bit of what was happening in the Brighton Festival out to a bit more of Brighton. We’ve got this really cool initiative called Your Place – which is probably the thing I’m most excited about. There will be performances from Brighton Festival artists and also participatory events and workshops. Everything completely free, programmed in conjunction and consultation with people that run some of the community programmes out of those community centres.'

Naomi Alexander, Artistic Director of Brighton People’s Theatre says 'The community has been really hands on engaged from start to finish in the overall planning and management of the project. I think the arts and creativity are important to everyone, I think everyone is creative but not everyone gets the opportunity to express that creativity.'

All Your Place events are free but ticketed. To book call Brighton Festival Ticket Office on 01273709709 or download a comprehensive guide 

Brighton Festival Live: Plan B for Utopia

Plan B for Utopia will be live streamed on Mon 8 May, 7.30pm 

You have a plan, and then you don’t. You have a dream, and then you wake up. You fall in love, and your heart gets broken. The question is: do you pick up the pieces and try again?

Plan B for Utopia is a playful dance theatre work by Dundee-based company Joan Clevillé Dance. Charismatic performers Solène Weinachter (Scottish Dance Theatre, Gecko) and John Kendall (balletLORENT) explore the notion of utopia and the role that imagination and creativity can play as a driving force for change in our personal and collective lives.

Filmed and edited in partnership with Brighton Metropolitan College

Brighton Festival International Programme supported by London Gatwick. 

Brighton Festival Live: Kate Tempest Opening Gig

Kate Tempest Opening Gig will be live streamed on Sat 6 May, 6.30pm

As Guest Director of Brighton Festival 2017, it is only fitting that Kate Tempest should take to the stage on the very first evening. Giving the audience a taster of what we can expect over the following three weeks this Opening Gig will be full of music and spoken word to open your minds and grant you an insight into Brighton Festival, Tempest-style. Tickets are sold out (returns only) but you can still join us here for a live streaming of the gig.

Filmed and edited in partnership with Brighton Metropolitan College



Brighton Festival welcomes Bernie Sanders for special Festival Extra event

Former Democratic candidate for President of the United States Bernie Sanders will speak about his new book Our Revolution at a special Brighton Festival Extra event on Thursday 1 June, with tickets on sale from Wednesday 3 May at 10am (members pre-sale Tuesday 2 May at 10am).

Bernie Sanders will join Brighton Festival’s diverse Books and Debate programme, which includes Gary Younge discussing the role of guns in Trump’s America; Tariq Ali on his portrait of Lenin, and how we might challenge capitalism today; Palestine’s leading writer Raja Shehadeh on the Israeli occupation of Palestine; celebrated novelist Hanif Kureishi looking back on a career in which he has explored identity, cultural difference, and religious fundamentalism; and Democracy Debate: What Comes Next? in which Guardian columnist Polly Toynbee chairs a panel of top thinkers and politicians to debate the future of our political system.

Bernie Sanders stormed to international headlines after running an extraordinary campaign for the Democratic primaries that saw over 13 million people turn out to vote for him, and changing the global discussion surrounding US politics. But how did a complete unknown and an avowed socialist make such waves?

In Our Revolution, Sanders provides a unique insight into the campaign that galvanized a movement, sharing experiences from the campaign trail and the techniques that shaped it. And it wasn't just his use of new media; Sanders' message resonated with millions. His supporters are young and old, dissatisfied with expanding social inequality, struggling with economic instability and who rebelled against a political elite who has long ignored them. This is a global phenomenon, driving movements from Syriza in Greece to Podemos in Spain and Jeremy Corbyn in the UK.

Drawing on decades of experience as activist and politician, Sanders outlines his ideas for continuing this political revolution. He shows how we can fight for a progressive economic, environmental, racial and social justice agenda that creates jobs, raises wages and protects the environment. Searing in its assessment of the current political and economic situation, but hopeful and inspiring in its vision of the future, this book contains an important message for anyone tired of 'same as usual' politics and looking for a way to change the game.

Bernie Sanders ran to be the Democratic candidate for President of the United States. He is currently serving his second term in the U.S. Senate after winning re-election in 2012 with 71 percent of the vote. Sanders previously served as mayor of Vermont's largest city for eight years.

Bernie Sanders Our Revolution: A Future to Believe in is coming to Brighton Dome Concert Hall on Thursday 1 June. 

Brighton Dome and Brighton Festival Members pre-sale: Tuesday 2 May at 10am. Tickets go on general sale: Wednesday 3 May at 10am

Record-breaking 50th Brighton Festival comes to a dazzling conclusion

The three week celebration of the arts was the most successful in its history with more people engaging with the festival, both as audiences and participants, and more tickets sold than ever before.

Drawing inspiration from Brighton Festival’s origins as a celebration of the new and the avant-garde, as well as Guest Director Laurie Anderson’s own multidisciplinary career, the 2016 programme featured the highest number of commissions, co-commissions, exclusives and premieres to date, by some of the most innovative national and international artists the world over: from the UK premiere of Anderson’s own Music for Dogs, a concert specially developed for canine ears to the world premiere of Minefield by acclaimed Argentinian theatre-maker Lola Arias, developed with and performed by veterans of the Falklands conflict.

Laurie Anderson: "I'm so happy to have served as Guest Director of Brighton Festival in its historic 50th year. I have been at the Brighton Festival a few times now and it’s always been fun. I always feel like I’m part of the town and that’s a crazy feeling because at many festivals maybe only theatre people come…. but here everybody comes. I was really struck by that."

The Festival’s biggest talking point was Nutkhut's Dr Blighty; an ambitious, large-scale, immersive outdoor experience co-commissioned in partnership with Royal Pavilion & Museums, Brighton & Hove and 14-18 NOW: WW1 Centenary Art Commissions, which highlighted the story of wounded Indian soldiers hospitalised in Brighton during the First World War. Ending each night with a spectacular light display using projection-mapping, Dr Blighty captivated audiences and critics alike. With audiences reaching almost 50,000 over its five day run, it set the city and social media abuzz. A video clip of the projections went viral, attracting over 500,000 views and accolades such as ‘spectacular’, ‘incredible’, ‘unique’ and ‘best festival event ever’.

At the heart of the 50th programme was the theme of ‘home’, with an abundance of work both about Brighton and by some of the artists who make the city their home. Highlights included The Complete Deaths, a re-enactment of every onstage death from the plays of Shakespeare from Brighton-based artistic powerhouses Spymonkey and Tim Crouch; Digging for Shakespeare - Marc Rees’ site-specific homage to 19th Century Brighton eccentric and world-renowned Shakespearean scholar James Orchard Halliwell-Phillipps; Blast Theory & Hydrocracker’s immersive undercover police drama Operation Black Antler and specially-commissioned film Brighton: Symphony of a City, screened to a new orchestral score by Ed Hughes.

Brighton Festival 2016 also explored universal issues and ideas around home, via new work such as experimental composer and musician Yuval Avital’s potent and thought-provoking new work, Fuga Perpetua, which reflected the stories of refugees; and the UK premiere of Berlin’s Zvizdal, a filmic portrait of an elderly couple’s solitude in the region affected by the 1986 Chernobyl disaster.

From the annual Children’s Parade on the opening weekend featuring 5000 participants from schools and community groups from across the region, to Onca’s FutureGazers, which asked school pupils to imagine the city in 50 years’ time, to the city-wide City Reads and Young City Reads produced in partnership with Collected Works, Brighton Festival 2016 also saw a record number of community-focussed events throughout the programme with participants of all ages and from all walks of life. And it wasn’t just the humans – 50 dogs found themselves immortalised on a mural on Kensington Street painted by Brighton-based artist and illustrator Sinna One in homage to Anderson’s own dog-oriented events.

Anderson continues: "I think Brighton is really a one-of-a-kind festival. First of all because it’s very sophisticated in terms of what experimental art it brings in but it’s very inclusive in other ways. I can’t really think of another festival that has that broad a base so I would have to say it’s unique.”

Andrew Comben, Chief Executive of Brighton Festival says: “From over-50s company Three Score Dance’s performance of Lea Anderson’s work Tall Tales at the West Pier, to Giddy Brighton’s intergenerational encounter between students from Longhill High School and men and women in their 70s and 80s reflecting on their teenage selves, the 50th Brighton Festival has been a wonderful celebration of our community.  We’ve also had more people engaging with the festival, both as audiences and participants, than ever before." 

This year’s Festival has once again been a triumph of partnership working, made possible through collaborations with many major organisations across the city and beyond including Lighthouse, Fabrica, HOUSE, University of Brighton, University of Sussex, Onca Gallery, Theatre Royal Brighton, Without Walls, LIFT and 14-18NOW amongst others. 2016 also saw the highest number of shows yet live-streamed to audiences around the world for free, thanks to the on-going partnership with City College Brighton and Hove. Still available to view on brightonfestival.org, highlights include stand-up from Alexei Sayle, magical a cappella singing from choir Vox Luminis and thought-provoking debate Let’s Talk about Death.

2016 also saw Brighton Festival work with Guardian Live in a special partnership to deliver the Books and Debate programme with an impressive line-up of writers and commentators that included a panel debate on the forthcoming EU Referendum and a visit from former Greek finance minister Yanis Varoufakis as well as appearances from an Orange Prize winner (Lionel Shriver) and two Booker Prize winners (Marlon James and Howard Jacobson). Brighton Festival 2016 also saw the return of Caravan, a three-day industry showcase of the best new theatre from across England, which this year featured eight performances open to the public.

Sponsorship and corporate support has been critical to our success this year. New and returning sponsors and supporters include Rampion Offshore Wind, University of Sussex, Gatwick Airport, Brighton & Sussex Medical School, Class of Their Own, Riverford Organic Farmers, Hamptons International, ZSTa, Nutshell Construction, SELITS, GM Building, Griffith Smith Farrington Webb LLP and The Big Lemon. 

Andrew Comben continues: "Artist and musician Laurie Anderson, as Guest Director, has been a fitting figurehead for this special milestone having been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. She also told some beautiful and unforgettable stories. In fact, in helping us put together this year’s festival, themed around home and place, Laurie wanted us to help everyone tell their own stories and to focus on some of the people whose stories are less often heard. That we’ve seen such wonderful examples of that during Brighton Festival is something I believe the whole city can be very, very proud of. Here’s to the next 50 years!”

Brighton Festival celebrates 400th anniversary of Shakespeare's death

The 400th anniversary of Shakespeare’s death falls on Saturday 23 April, and Brighton Festival 2016 is marking four centuries since the death of the most prominent playwright in the English language with a spectacular line up of events

Digging For Shakespeare takes place at Roedale Allotments Sat 7 - Sun 22 May. This promenade piece explores the story of James Orchard Halliwell-Phillipps - a 19th Century polymath, eccentric and Shakespeare Scholar - who lived on what is now Roedale Valley Allotments in Brighton.

Next up we have The Complete Deaths at Theatre Royal Brighton Wed 11 - Sun 15 May. Directed by Tim Crouch, clowning troupe Spymonkey will perform all 74 onstage deaths in the plays of William Shakespeare – sometimes movingly, sometimes messily, always hysterically.

Shakespeare Untold at Brighton Dome Studio Theatre Sat 21 May & Sun 22 May gives a glimpse of people behind the scenes of Shakespeare's iconic plays. This show features two famous stories told from the perspective of not-so-famous characters – the Capulet’s party planner, and Titus Andronicus’ pie maker.

Globe Theatre on Tour return to Brighton Open Air Theatre Wed 25 - Sun 29 May to hurl Shakespeare's anarchic comedy into the 21st century in this riotous production of The Two Gentlemen of Verona.

Danny Wallace introduces Young City Reads 2016, Brighton & Hove

Brighton Festival and Collected Works CIC are rather excited for the 2016 Big Read. The concept is simple: one book, by one author is selected for the whole community to read, explore, discuss and creatively engage with. This year's featured book is Danny Wallace’s Hamish and the Worldstoppers

Watch the video and see what Danny Wallace has to say about this year's Young City Reads and head over to Collected Works CIC website and find out more.

More on the Young City Reads Big Event

The 50th Brighton Festival launches with Laurie Anderson as Guest Director

The full programme for the 50th Brighton Festival (7-29 May 2016) - the largest and most established curated annual multi-arts festival in England - was unveiled today with experimental artist and musician Laurie Anderson as Guest Director.

Renowned for her inventive use of technology, Anderson is one of America’s most daring creative pioneers. In roles as varied as artist, composer, poet, photographer, filmmaker, vocalist and instrumentalist, she has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. Anderson takes the helm as Brighton Festival marks its milestone 50th year of commissioning and producing innovative arts and culture by exploring the theme of ‘home and place’ across its 2016 programme.

Taking inspiration from Anderson’s multidisciplinary career as well as the original intentions of Brighton Festival to celebrate the new and the avant-garde, the eclectic programme - which spans music, theatre, dance, visual art, film, literature and debate - features work from some of the most innovative national and international artists. It includes 54 commissions, co-commissions, exclusives and premieres such as two exclusive performances from ‘folktronica’ pioneer Beth Orton, choreographer and dancer Akram Khan’s new full-length production Until The Lions; and the world premiere of a global collaborative work by Turner Prize-winning British artist Gillian Wearing.

Anderson’s own events include the UK premiere of her unique Music for Dogs, a concert specially designed for the canine ear; a screening of her acclaimed new film Heart of a Dog, described by Anderson herself as: “full of stories about how you make a story . . . nominally a film about me and my dog but really it’s not, it’s about love and language”; an exclusive new performance monologue about place and places called Slideshow; and a freewheeling walk through sonic spaces with fellow musician-composers, pianist Nik Bärtsch and guitarist Eivind Aarset.

Many of Anderson’s interests, passions and achievements are also explored including the UK premiere of Lou Reed Drones, an installation of her late husband’s guitars and amps in feedback mode which she describes as “kind of as close to Lou’s music as we can get these days”; a special screening of critically acclaimed Sans Soleil (Sunless) - an elegiac masterpiece by her favourite director Chris Marker; and a series of events that explore innovation and technology in the arts, including Complicite /Simon Burney’s acclaimed The Encounter and Brighton-based Art of Disappearing’s outdoor adventure The Last Resort.

With the theme of ‘home’ at the heart of the programme, Brighton Festival 2016 will celebrate its relationship with the unique, energetic and creative city of Brighton, its artists, its characters, its sense of place and spirit whilst also considering universal issues and ideas around home, our communities and places of safety. Highlights include a new work from Argentinian artist Lola Arias developed with and performed by veterans of the Falklands conflict; experimental composer and musician Yuval Avital’s potent and thought-provoking new work, Fuga Perpetua, which reflects on the situation of refugees; and the UK premiere of Berlin’s Zvizdal, a filmic portrait of an elderly couple’s self-imposed solitude in the region affected by the 1986 Chernobyl disaster.

The rich diversity of home-grown artists and companies are celebrated in a series of special commissions that include two works marking the 400th anniversary of William Shakespeare’s death: The Complete Deaths, a re-enactment of every onstage death from Brighton-based artistic powerhouses Spymonkey and Tim Crouch, and Digging for Shakespeare by Marc Rees, a site-specific homage to 19th Century Brighton eccentric and world-renowned Shakespearean scholar James Orchard Halliwell-Phillipps; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by playwright Neil Bartlett; and the world premiere of Blast Theory & Hydrocracker’s immersive undercover police drama Operation Black Antler.

Other city-inspired highlights include a specially commissioned film Brighton: Symphony of a City, screened to a new score performed by Orchestra of Sound and Light, and the entire Royal Pavilion Estate playing host to Dr Blighty; an ambitious, large-scale, immersive outdoor experience which highlights the untold story of wounded Indian soldiers hospitalised in Brighton during World War One. Kicking off with the Children’s Parade - the largest of its kind in Europe – Brighton Festival 2016 will also see a record number of community-focussed events throughout the programme including the annual City Reads and Young City Reads produced in partnership with Collected Works and Future Gazers which asks school pupils to imagine the world in 50 years’ time.

2016 also sees Brighton Festival work with Guardian Live in a special partnership to deliver the Books and Debate programme with a series of events including Yanis Varoufakis, Lionel Shriver, Marlon James and Mark Haddon. It will also see the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances open to the public. 

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. I've been part of the Festival several times and it is so big and sprawling and exciting and there’s so many different things going on - it really has a kind of celebratory, crazy, art party feel to it. And I love the theme of home and place. It is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. Maybe because I’m a working musician and often on the road, the idea of home is pretty appealing to me. It’s also a great idea for a festival - trying to find out who and where you are. See you there!” 

Andrew Comben, Chief Executive of Brighton Festival says: “It’s very special for us to be marking the 50th Brighton Festival with Laurie Anderson as Guest Director. Every year since 1967 some of the greatest artists, performers and thinkers have come together with some of the most open-minded and enthusiastic audiences anywhere for a festival whose home is one of the most artistically rich and geographically blessed places in the country. Laurie is well-known and well-loved by the city and has been has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. Alongside the startling international and newly commissioned work that we’re bringing, she has been particularly enthusiastic about finding ways in which the festival can invite the participation of the whole community – time and again throughout the programme we see opportunities to get involved to explore our own creativity and to celebrate, together, this wonderful festival in its 50th year.”

Hedley Swain, Area Director, South East, Arts Council England, said: “It is very fitting that the theme for Brighton Festival’s 50th programme is ‘home and place’. The Festival, and more widely arts and culture in general, have long been synonymous with Brighton. Collectively they deliver inspiring performances and exhibitions for local communities, attract people from far and wide to drive cultural tourism and make a strong contribution to the local economy. This success is built on strong partnerships across the city, including Brighton & Hove City Council, and is a great example of collaborative investment and working that others can learn from. Brighton Dome & Brighton Festival’s forthcoming capital project will help to build on the success to date, ensuring Brighton remains one of England’s cultural leading lights.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Its original intentions as set out by the first Director Sir Ian Hunter were: “to stimulate townsfolk and visitors into taking a new look at the arts and to give them the opportunity to assess developments in the field of culture where the serious and the apparently flippant ride side by side”. The inaugural programme included the first ever exhibition of Concrete Poetry in the UK, a ‘Kinetic labyrinth’ on the West pier, and a site specific project which attempted to ‘change the colour of the sea’ alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere.

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press & PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Christoforou, Freelance Broadcast PR (national) - anna@annachristoforou.com | 07818 035 690
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

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NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

Click here to view the PDF 

Laurie Anderson photo © Tom Oldham

Spotlight: Digging for Shakespeare

Find out more from Marc Rees on Digging for Shakespeare in our Spotlight film. Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Film by Echo Video

Spotlight: Stella

Hear more from veteran Brighton artist Neil Bartlett, one of Britain’s most individual theatre makers. We’re honoured that Neil’s wonderful, intense and distilled new play Stella, inspired by the life and death of Ernest Boulton, can open in Theatre Royal Brighton before going on to performances at London International Festival of Theatre and Holland Festival.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Echo Video

Spotlight: Brighton: Symphony of a City

Discover more from Lizzie Thynne and Ed Hughes, as they discuss Brighton: Symphony of a City

One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Catalina Balan with Neil Whitehead

Spotlight: The Complete Deaths

We cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival. Tim Crouch and Toby Parks discuss their work The Complete Deaths

Another match made in Brighton. Leading physical comedy company Spymonkey (Oedipussy, 2012 and Cooped, 2006) and award winning playwright and performer Tim Crouch (I, Caliban, 2003, I, Peaseblossom, 2004, I, Banquo, 2005, An Oak Tree 2006, I, Malvolio, 2010 and what happens to the hope at the end of the evening, 2014) come together to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death. We’re holding onto our hats.


Video by Echo Video

Spotlight: Dr Blighty

Find out more about Dr.Blighty

One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history. 

Video by Ed Inglis and Nutkhut: http://www.nutkhut.co.uk/


Brighton Festival: Fifty years on the edge

For 50 years this popular seaside destination has been the incomparable setting for Brighton Festival, a magnet for culture loving visitors and artists from all corners of our Globe.

Long known as a haven for ‘dirty weekenders’, the festival’s arrival in 1967 ushered a new era of cultural sophistication for Brighton. But it was one that embraced its raffish spirit! In the words of inaugural director Sir Ian Hunter, it was to be a festival where ‘the serious and the apparently flippant ride side by side’.

Now entering its milestone 50th year the festival’s trail-blazing traditions proudly continue with 2016’s eclectic programme featuring a dazzling array of some of the most innovative artists and companies from the UK and around the world. And with pioneering artist and musician Laurie Anderson at the helm as Guest Director, it’s really going to be something worth celebrating.

This footage of the very first Brighton Festival in 1967 was discovered recently in an attic. The long lost material, shot by former Brighton College of Art students Ian Beck and Tim Grimes, captures the inaugural festival’s many different events alongside unseen footage of Eric Clapton, The Who and more. Read more on the discovery of this footage. 

Made by Echo Video, with Ian Beck and Tim Grimes’ original footage and featuring footage from Screen archive South East. With voiceover from Spymonkey's Toby Park.

Welcome from Laurie Anderson

'I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. 

'Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year.'

Spotlight: Minefield

Learn more from Lola Arias on her latest work Minefield

Argentinian writer and director Lola Arias brought her acclaimed show My Life After to Brighton Festival 2013. Now she returns with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival

Video by Echo Video

Brighton Festival 2016 Listing Highlights

Contemporary music


Laurie Anderson: Music for Dogs

UK Premiere
Tue 10 May, 7.30pm
‘Wouldn’t it be great if you’re playing a concert and you look out and everyone’s a dog?’ Laurie Anderson mused while waiting backstage with cellist Yo-Yo Ma. True to form, Anderson made her outlandish dream come true: first at the Sydney Opera House, and again in New York’s Times Square in January, making headlines the world over. The 20-minute piece has been specifically designed for the canine ear, including higher pitches audible only to them, as well as other sounds for humans to enjoy.

Laurie Anderson, Nik Bärtsch & Eivind Aarset: Song Conversation, Song as a Place.
Brighton Festival Exclusive
Tue 17 May, 7.30pm, Brighton Dome Concert Hall
Laurie Anderson is joined by fellow musician-composers, Zurich-based pianist Nik Bärtsch and one of Norway’s most in-demand guitarists, Eivind Aarset, for a freewheeling walk through sonic spaces. These master improvisers will take on the idea of space in songs, while dissecting song structure, melody, lyrics, inspiration, dedication, and improvisation. 

Laurie Anderson, Slideshow
World Premiere

Brighton Festival Exclusive
Wed 18 May, 7.30pm, Brighton Dome Concert Hall.
In the second of two exclusive performances for Brighton Festival, Laurie Anderson presents Slideshow, a specially created performance monologue about place and places, described by Anderson herself as a “collection of adventure stories about love, cities, diners, Mars, how we see, living by rivers, Dollywood, my home town and many other places along the way.”

Yuval Avital & Ensemble Meitar, Fuga Perpetua
Co-commissioned by Brighton Festival
Fri 20 May, 8pm., Brighton Dome Corn Exchange.
Fuga Perpetua - musical terms meaning ‘always running’ - reflects on the situation of refugees compelled always to move on. In this potent and thought-provoking new work, Yuval Avital, a unique voice in the contemporary and experimental scene, creates an immersive environment using a combination of music, sound recordings, visual projections and movement. With contemporary music group Ensemble Meitar. Produced by Magà Global Arts, Ensemble Meitar &Third Ear. Supported by Arts Council England.

Haçienda Classical: House and club classics
Fri 20 May, 9pm
Brighton Dome Concert Hall
The DJs who shaped the Haçienda sound, Graeme Park and Mike Pickering, will perform a continuous set of house and club classics alongside the Manchester Camerata Orchestra and special guests. Taking the euphoria of the legendary club nights to a whole new level, Haçienda Classical is a unique meeting of styles.

Beth Orton
Brighton Festival Exclusive
Fri 27 & Sat 28 May, 8pm. Attenborough Centre for Creative Arts
Beth Orton returns to the UK for two shows at Brighton Festival premiering highly anticipated new material exploring her electronic roots. Orton has been one of the country’s most unique and beguiling voices in contemporary music for the past two decades - from debut LP Trailer Park in which she pioneered the synthesis of electronic beats and acoustic song writing to her follow-up Central Reservation which brought international acclaim and a BRIT award. These one-off shows will feature new material performed live for the first time.

Floating Points Live
Sun 29 May, 8pm. Brighton Dome Concert Hall
Dance music trailblazer Sam Shephard – otherwise known as Floating Points – is renowned for his ambitious, forward-thinking DJ sets around the world. His debut album Elaenia draws upon classical, jazz, electronic music, soul and even Brazilian popular music. At times delicate and intense, with moments of utter stillness, it provides the bridge between his rapturous dance music and his classical roots. Performing with a full live band, don’t miss what promises to be a remarkable live performance from one of electronic music’s most perceptive new artists.

Visual Art


Gillian Wearing: A Room With Your Views

Co-commissioned by Brighton Festival, World premiere
Sat 7 – Sun 29 May, 10am – 5pm (Thu 10am –8pm), University of Brighton Gallery
Turner Prize-winning British artist Gillian Wearing – the invited artist for HOUSE 2016 - will present Your Views, a global collaborative work which captures a snapshot of 'views' from windows across the world. Wearing’s work examines our public personas and private lives, describing her working method as ‘editing life’. Drawing on fly-on-the-wall documentaries, reality TV and theatrical techniques, she explores how we present ourselves to the world, as well as her involvement with extensive self-portraiture. Co-commissioned with HOUSE 2016.

Ron Haselden: Luminary
Co-produced by Brighton Festival
Sat 7 – Sun 29 May, 12pm – 7pm, Fabrica
A series of beautiful LED light-drawings at locations across the city by respected British artist Ron Haselden that range in scale from the monumental, presented as a walk-through installation at Fabrica, to the intimate, shining out from homes in several of the city’s neighbourhoods. Stemming from Haselden’s love of drawings produced by the ‘untutored hand’, sketches by young children and older people have provided the inspiration for Luminary, scaled up with LED ropelight, to amplify their spontaneous, uninhibited style. Co-produced by Fabrica and Brighton Festival in partnership with MSL Projects, Hastings.

Lou Reed Drones
UK Premiere
Fri 13 – Tue 17 May, 12pm – 5pm. The Spire
A visceral, emotional and spiritual experience, Lou Reed Drones is an installation of Lou Reed’s guitars and amps in feedback mode: 24 strings set in motion from the push of magnetically driven cones; 360 partial harmonics colliding against each other. Introducing gain and sculpting sonic frequencies, a feedback loop is created with each guitar and its respective amplifier. Their overlapping harmonic structures produce pseudo-acoustic notes in which a beating sensation is then set in motion. 

Film


No Home Movie

(2015, Belgium/France, cert. U), Directed by Chantal Akerman
Sun 8 May, 1.30pm, Duke’s at Komedia
The final film of the great Belgian film-maker Chantal Akerman is a moving memoir of her mother’s last months. Confined to her Brussels apartment, Natalia’s harrowing past as an Auschwitz survivor and her chronic anxiety, greatly influenced Akerman’s art. This special preview screening ahead of the film’s UK release is a tribute to one of the most original and influential figures in feminist cinema, who died last year.

Heart of a Dog
Plus Q&A with Laurie Anderson
(2015, USA), Directed by Laurie Anderson
Tue 10 May, 9pm. Duke of York's Picturehouse
Visually rich and poetic, Laurie Anderson's Oscar nominated Heart of a Dog sees her reflect on love, language and death - inspired by the affection she had for pet Rat Terrier, Lolabelle, who died in 2011. Essayistic in style, and constructed like a collage of original musical compositions, contemporary footage, narration, animation and 8mm home movies, it deftly flits between the serious and the playful, the funny and heartfelt.

Sans Soleil (Sunless)
(1982, France, cert. 15), Directed by Chris Marker
Sun 15 May, 1.30pm., Duke of York's Picturehouse
This elegiac masterpiece by Laurie Anderson's favourite director Chris Marker is a poetic documentary tour of Tokyo, Guinea-Bissau, Iceland and San Francisco. Sans Soleil is a hugely influential essay film in which the spoken word and haunting visuals conjure the disorientation of a world traveller, journeying through cultures, secret rituals and confusions of time.

The Human Face
(1990, UK, cert. 12A), Directed by Nichola Bruce.
Sun 22 May, 4.30pm, Duke’s at Komedia
Nominated for a BAFTA, The Human Face is a documentary made for the BBC series Arena. Laurie Anderson presents, narrating an examination of mankind’s obsession with its own image, looking at the use of heads and the human face in art and sculpture, and at the prejudices applied every day based solely on a person’s appearance.

THEATRE


Blast Theory & Hydrocracker: Operation Black Antler
World Premiere. Co-commissioned by Brighton Festival
Sat 7 & Sun 8, Tues 10 - Sat 14, Tues 17 - Sat 21, Tues 24 - Sat 28. Every 15 minutes from 6pm - 9pm (timed entry allocated on booking).
For 40 years British police officers have been operating undercover inside protest groups, ‘deep swimming’ by forming relationships and even having children with their targets. This ground-breaking piece of immersive theatre by Blast Theory and Hydrocracker will give audiences a chance to go undercover for the night in a thrilling and unforgettable walk in someone else’s shoes. Visit the safehouse to meet your police handler and build up your identity, choose your cover story and meet the rest of the team then head out to the gig to use your new skills.
Commissioned by Brighton Festival and Ideas Test. In partnership with Dramatic Resources. 

Spymonkey & Tim Crouch: The Complete Deaths
World Premiere. Commissioned by Brighton Festival
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm. Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. Directed by Tim Crouch, The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Berlin (Antwerp): Zvizdal (Chernobyl – so far so close)
UK Premiere.
Mon 23 – Wed 25 May, 8pm. Brighton Dome Corn Exchange
Co-produced by Brighton Festival.
26 April 1986, Pripyat, Ukraine. A nuclear reactor explodes and some 90 towns and villages are evacuated. But one couple, Pétro and Nadia, refuse to leave. Without running water, electricity, telephone or mail, they hold on indestructibly in the infected zone for 30 years. Berlin returns to Brighton Festival with a filmic portrait of one elderly couple’s self-imposed solitude. Featuring interviews with Pétro and Nadia filmed between 2011 and 2016, Zvizdal tells a poignant story of survival. Co-produced with Brighton Festival; Het Zuidelijk Toneel, Tilburg; PACT Zollverein, Essen; Dublin Theatre Festival; Kunstenfestivaldesarts, Brussels; BIT Teatergarasjen, Bergen; and CENTQUATRE, Paris.

Neil Bartlett: Stella
World Premiere. Co-commissioned by Brighton Festival.
Fri 27 & Sat 28 May, 8pm. Theatre Royal Brighton.
A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – this new work from Neil Bartlett is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A co-commission by LIFT, Brighton Festival and Holland Festival.

Lola Arias (Buenos Aires): Minefield
World Premiere. Co-commissioned by Brighton Festival.
Sat 28 May, 8pm. Sun 29 May, 2pm & 7pm. Brighton Dome Corn Exchange
Argentinian writer and director Lola Arias returns to Brighton Festival with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict. Merging film, re-enactment and documentary theatre, Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Co-commissioned by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm.

OUTDOOR


Art of Disappearing: The Last Resort
World Premiere. Commissioned by Brighton Festival
Sat 7 – Sun 29 May (no performances Mon & Tue), Wed – Fri, 2pm – 8pm, Sat & Sun, 11am – 9pm
Amidst a barren landscape, a neon light stands bleak and stark. Welcome to The Last Resort. For those brave enough to return to this long deserted resort, beauty, science fiction and history merge to create a unique outdoor experience. Using binaural technology to create a constantly shifting world of sound, artists Rachel Champion and Tristan Shorr have created an exciting immersive work that takes a wry look at science fiction traditions and dystopian societies.

Marc Rees: Digging for Shakespeare
World Premiere. Commissioned by Brighton Festival
Sat 7 & Sun 8 May, Sat 14 & Sun 15 May, Sat 21 & Sun 22 May, 10.30am & 2.30pm. Roedale Allotments.
Meet James Orchard Halliwell-Phillipps, 19th century joker and world-renowned Shakespearean scholar who lived on the outskirts of Brighton. There in his 'rustic wigwam' (a series of conjoined sheds), he obsessively curated a huge hoard of Shakespearean rarities. Marking the 400th anniversary of Shakespeare’s death, director Marc Rees has devised a unique promenade performance through Roedale Allotments, close to the site of this eccentric recluse's former home. 


Nutkhut: Dr Blighty
World Premiere. Co-commissioned by Brighton Festival
Tue 24 – Sat 28 May, 2pm – 10pm. Royal Pavilion Gardens.
Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front were brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. In a major new collaboration with Nutkhut and a creative team that includes designer Tom Piper (Tower of London Poppies), Dr Blighty recalls this unexpected episode in Brighton’s history. Bringing the experiences of the soldiers - inspired by letters they sent home - and the locals who came to care for them, the Royal Pavilion Gardens will host a dreamlike environment of immersive installations, soundscapes and theatrical interludes, alongside concerts featuring Philharmonia Orchestra with Kala Ramnath, Debashish Bhattacharya and Gurdain Rayatt within Brighton Dome. A Nutkhut Production co-commissioned by 14-18 NOW, WW1 Centenary Art Commissions, Brighton Festival and Royal Pavilion and Museums, Brighton & Hove

BOOKS AND DEBATE
Presented in partnership with Guardian Live


Guardian Book Club: Howard Jacobson
Sun 8 May, 5pm. Sallis Benney Theatre
Perhaps the leading observer of Jewishness in modern Britain, Howard Jacobson examines Shakespeare’s most controversial character in his new novel, Shylock is My Name. Including a shocking twist on Shylock’s infamous demand for a pound of flesh, the novel examines contemporary questions of Jewish identity and the relationship between fathers and daughters. Join him for a discussion with Guardian Book Club host John Mullan about the novel and the endlessly fascinating play that inspired it.

Yanis Varoufakis
Tue 10 May, 7.30pm. Brighton Dome Concert Hall
In his new book, And the Weak Suffer What They Must?, former Greek finance minister Yanis Varoufakis assesses the history of the European monetary union. A passionate campaigner against austerity, Varoufakis argues that it is a fundamental threat to Europe and to the global economy. He also shows that the origins of the Eurozone crisis lie not with governments or the banks but in its founding structure. He will talk to Channel 4 economics editor and Guardian columnist Paul Mason about the current crisis and present his case for economic reform.

Lionel Shriver
Wed 11 May, 8pm. Brighton Dome Corn Exchange.
Orange Prize-winning writer Lionel Shriver talks about her new novel, The Mandibles – a dark, witty and frightening dystopia about a nation in decline. Set during a fiscal crisis in near-future America, the book follows three generations of a family as they cope with the loss of their fortune and learn how to survive as America’s economy spirals into dysfunction.

The Guardian Newsroom: The EU Referendum
Thu 26 May, 7pm. Attenborough Centre for the Creative Arts
David Cameron's promised referendum on the UK's membership of the EU could be called as early as June 2016. As both the EU exit and pro-Europe campaigns gather momentum, Britain faces profound questions about its future. Business leaders claim that withdrawal would lead to economic calamity, while others on the left and the right argue the case for Britain to govern itself. Join a panel of Guardian writers, including Brighton Festival Chair Polly Toynbee, to analyse and discuss both sides of the debate.

Marlon James
Thu 26 May, 7.30pm. Brighton Dome Studio Theatre.
Join us for an evening with 2015 Man Booker prize winner, Marlon James. A Brief History of Seven Killings is a fictional account of an attempt to assassinate Bob Marley in 1976, a novel described by the New York Times as a ‘Tarantino remake of The Harder They Come…sweeping, mythic, over-the-top, colossal and dizzyingly complex’. Spanning three decades, the novel uses multiple voices - CIA agents, drug dealers, ghosts, beauty queens - to explore the turbulent world of Jamaican gangs and politics.

DANCE AND CIRCUS


Charles Linehan Company: Double bill
World Premiere. Co-commissioned by Brighton Festival.
Sat 7 & Sun 8 May, 8pm. Brighton Dome Corn Exchange
Charles Linehan returns to Brighton Festival with a contrasting double bill of new works. My Mother’s Tears mines the personal history of William Trevitt and Michael Nunn (BalletBoyz) performing classical ballet mime from The Royal Ballet repertoire with unpredictable consequences. In A Quarter Plus Green ideas of transformation are applied to movement, light and sound in a unique new setting at Brighton Dome Corn Exchange. Co-commissioned by Brighton Festival, Dance4, South East Dance, Trinity Laban Conservatoire of Music & Dance and Tanztendenz, Munich.

The Ricochet Project (New Mexico): Smoke and Mirrors
Mon 9 & Tue 10 May, 8pm.
Brighton Dome Corn Exchange
Circus as you’ve never seen it before: audacious and thought-provoking, technically brilliant and profound. The Ricochet Project is pushing the boundaries of contemporary circus using poetic acrobatics, contemporary dance, contortion and high flying feats to explore the human condition. Revealing the inner workings of the mind and our search to find a place of realness and connecting in an enduring culture of illusion, Smoke and Mirrors is a mesmerising and intimate two-hander for grown-ups.

Nederlands Dans Theater 2
Fri 13 - Sat 14 May, 7.30pm. Brighton Dome Concert Hall.
Nederlands Dans Theater is one of the world's most celebrated dance companies, wowing audiences with their unique brand of breath-taking dance, awe-inspiring skill and passionate creativity. Artistically directed by award-winning choreographer Paul Lightfoot, NDT2 presents 18 international dancers aged 18-23. For their long awaited return to Brighton Festival, they bring a vibrant mixed programme including works by Sol León & Paul Lightfoot, Edward Clug, Hans van Manen and the international hit Cacti by Associate Choreographer Alexander Ekman. Presented in partnership with Dance Consortium.

Akram Khan Company: Until the Lions
Co-commissioned by Brighton Festival
Thu 26 & Fri 27 May, 7.30pm. Brighton Dome Concert Hall.
One of the most respected figures in the dance world, Akram Khan returns to Brighton Festival with his new, full-length production Until the Lions - his most arresting work to date. Khan is joined by two of his company dancers alongside four musicians providing haunting vocals and soundscape. Together they give a breath-taking performance in this partial adaptation of poet Karthika Naïr’s original reworking of the epic Mahabharata, bautifully combining the classical Indian dance form kathak with contemporary dance. Initiated by the 360° Network of round artistic venues across the world and produced during residency at Sadler's Wells London and Curve Leicester. 

CLASSICAL


London Symphony Orchestra
Sat 7 May, 7.30pm. Brighton Dome Concert Hall.
A rare opportunity to hear the LSO outside of London, this unique opening concert reflects the Festival’s strong classical tradition over the past 50 years with some of the most remarkably talented performers of today. One of the most brilliant pianists of our time (Leif Ove Andsnes) basks in the lyrical genius of Mozart (Piano Concerto No.20 in D minor K466). Bruckner’s Third Symphony (Symphony No. 3 in D minor) with its grand and majestic orchestration is directed here by the LSO’s Principal Guest Conductor. 

La Nuova Musica: Dido and Aeneas
Sun 8 May, 7.30pm, Theatre Royal Brighton
Ann Murray DBE, one of the great singers of her generation, brings her magisterial artistry to the role of Dido. She is joined by Benjamin Appl, who is fast establishing a major career; and La Nuova Musica, noted for its rigorous yet sparkling approach to the Baroque repertory embellished here by Zack Winokur's evocative dancers. One of the first operas in English, Dido and Aeneas is a tale of love and loss, as Dido, Queen of Carthage, is abandoned by the Trojan prince Aeneas and dies overwhelmed by grief.

Brighton: Symphony of a City
World Premiere. Commissioned by Brighton Festival.
Wed 11 May, 7.30pm. Brighton Dome Concert Hall
Brighton in all its festive, bohemian, campaigning, glory has inspired a remarkable fusion of silent film and live music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive film of the lost glories and contemporary events that have defined Brighton’s profile as the UK’s most vibrant location. This kaleidoscope of local identity is accompanied by a sumptuous symphonic score performed live by Orchestra of Sound and Light. 

City of Birmingham Symphony Orchestra & Brighton Festival Chorus: The Dream of Gerontius
Sun 22 May, 7pm. Brighton Dome Concert Hall.
Lush orchestration, massed forces and profound subject matter: The Dream of Gerontius is an overwhelming musical experience. This is the kind of music that Brighton Festival Chorus was created to perform, and which is woven into the identity of the renowned CBSO, whose very first performance in 1920 was conducted by Elgar. A truly stellar cast (Alice Coote: mezzo-soprano, Robert Murray: tenor, Matthew Rose: bass), led by the eminent British conductor Edward Gardner, luxuriates in music of rare power and eloquence that etches the vision of the journey of a pious man’s soul from his deathbed to his judgment before God.

CHILDREN AND FAMILY


Globe Theatre on Tour: The Two Gentlemen of Verona
Wed 25 – Sat 28 May, 6pm, Thu 26, Sat 28 & Sun 29 May, 1.30pm. Brighton Open Air Theatre.
Hidden identities, cross-dressing and subterfuge crisscross in a tale of love, friendship, betrayal and reconciliation. This riotous new production hurls Shakespeare’s anarchic comedy into the 21st century, in the perfect setting of Brighton Open Air Theatre. Remember to bring a picnic and dress for the weather.

A Weekend Without Walls
Sat 14 May, 12 – 5pm. Easthill Park, Portslade, Sun 15 May, 12 – 5pm. East Brighton Park, Whitehawk
Get ready for a weekend of fun and adventures as Easthill Park and East Brighton Park host five extraordinary new performances: Les Enfants Terribles’ Dr Latitude and his team of misguided misfits in The Fantastical Flying Exploratory Laboratory, NOWish's Le Cheval Solitaire, Miss High Leg Kick's Audition Project and H.O.H. by Far From the Norm. Bring a picnic and all the family.

26 LETTERS


Michael Morpurgo
Wed 11 May, 6pm. Brighton Dome Corn Exchange
Former Children’s Laureate Michael Morpurgo is spellbinding company, a master storyteller who has created some of the most brilliant children’s books of recent years. Join him as he talks about his work, which includes War Horse, Private Peaceful and Why the Whales Came, and hear all about his latest book, An Eagle in the Snow, the extraordinary story of the man who could have stopped World War Two before it even began.

Chris Riddell Children's Laureate in residence
Winner of two Kate Greenaway medals for illustration, Brighton’s own Chris Riddell (The Edge Chronicles, Goth Girl) joins 26 Letters for no less than three events: Ask the Laureate (Sat 14 May), 6pm. Sallis Benney Theatre, Poems and Pictures Live (Sun 15 May, 2.30pm. Sallis Benney Theatre) and Picture Book Masterclass (Sun 22 May, 10am. Brighton Dome Founders Room.

Young City Reads 2016
Thu 19 May, 1.30pm. Brighton Dome Concert Hall.
Brighton & Hove’s Big Read for young people returns. This year young story-lovers are invited to read and discuss Hamish and the World Stoppers by Danny Wallace. For the Young City Reads Big Event, the award-winning author and presenter, together with the book’s illustrator Jamie Littler, will take centre stage for a live, interactive schools event to talk about their book and tell us more about Hamish, Alice and some disgusting creatures called ‘The Terribles’, who might come from outer space — or maybe France…

Notes to Editors:


About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

Brighton Festival 2016 Listing Highlights

Contemporary music


Laurie Anderson: Music for DogsUK Premiere
Tue 10 May, 7.30pm
‘Wouldn’t it be great if you’re playing a concert and you look out and everyone’s a dog?’ Laurie Anderson mused while waiting backstage with cellist Yo-Yo Ma. True to form, Anderson made her outlandish dream come true: first at the Sydney Opera House, and again in New York’s Times Square in January, making headlines the world over. The 20-minute piece has been specifically designed for the canine ear, including higher pitches audible only to them, as well as other sounds for humans to enjoy.

Laurie Anderson, Nik Bärtsch & Eivind Aarset: Song Conversation, Song as a Place.
Brighton Festival Exclusive
Tue 17 May, 7.30pm, Brighton Dome Concert Hall
Laurie Anderson is joined by fellow musician-composers, Zurich-based pianist Nik Bärtsch and one of Norway’s most in-demand guitarists, Eivind Aarset, for a freewheeling walk through sonic spaces. These master improvisers will take on the idea of space in songs, while dissecting song structure, melody, lyrics, inspiration, dedication, and improvisation. 

Laurie Anderson, Slideshow
World Premiere

Brighton Festival Exclusive
Wed 18 May, 7.30pm, Brighton Dome Concert Hall.
In the second of two exclusive performances for Brighton Festival, Laurie Anderson presents Slideshow, a specially created performance monologue about place and places, described by Anderson herself as a “collection of adventure stories about love, cities, diners, Mars, how we see, living by rivers, Dollywood, my home town and many other places along the way.”

Yuval Avital & Ensemble Meitar, Fuga Perpetua
Co-commissioned by Brighton Festival
Fri 20 May, 8pm., Brighton Dome Corn Exchange.
Fuga Perpetua - musical terms meaning ‘always running’ - reflects on the situation of refugees compelled always to move on. In this potent and thought-provoking new work, Yuval Avital, a unique voice in the contemporary and experimental scene, creates an immersive environment using a combination of music, sound recordings, visual projections and movement. With contemporary music group Ensemble Meitar. Produced by Magà Global Arts, Ensemble Meitar &Third Ear. Supported by Arts Council England.

Haçienda Classical: House and club classics
Fri 20 May, 9pm
Brighton Dome Concert Hall
The DJs who shaped the Haçienda sound, Graeme Park and Mike Pickering, will perform a continuous set of house and club classics alongside the Manchester Camerata Orchestra and special guests. Taking the euphoria of the legendary club nights to a whole new level, Haçienda Classical is a unique meeting of styles.

Beth Orton
Brighton Festival Exclusive
Fri 27 & Sat 28 May, 8pm. Attenborough Centre for Creative Arts
Beth Orton returns to the UK for two shows at Brighton Festival premiering highly anticipated new material exploring her electronic roots. Orton has been one of the country’s most unique and beguiling voices in contemporary music for the past two decades - from debut LP Trailer Park in which she pioneered the synthesis of electronic beats and acoustic song writing to her follow-up Central Reservation which brought international acclaim and a BRIT award. These one-off shows will feature new material performed live for the first time.

Floating Points Live
Sun 29 May, 8pm. Brighton Dome Concert Hall
Dance music trailblazer Sam Shephard – otherwise known as Floating Points – is renowned for his ambitious, forward-thinking DJ sets around the world. His debut album Elaenia draws upon classical, jazz, electronic music, soul and even Brazilian popular music. At times delicate and intense, with moments of utter stillness, it provides the bridge between his rapturous dance music and his classical roots. Performing with a full live band, don’t miss what promises to be a remarkable live performance from one of electronic music’s most perceptive new artists.

Visual Art


Gillian Wearing: A Room With Your Views
Co-commissioned by Brighton Festival, World premiere
Sat 7 – Sun 29 May, 10am – 5pm (Thu 10am –8pm), University of Brighton Gallery
Turner Prize-winning British artist Gillian Wearing – the invited artist for HOUSE 2016 - will present Your Views, a global collaborative work which captures a snapshot of 'views' from windows across the world. Wearing’s work examines our public personas and private lives, describing her working method as ‘editing life’. Drawing on fly-on-the-wall documentaries, reality TV and theatrical techniques, she explores how we present ourselves to the world, as well as her involvement with extensive self-portraiture. Co-commissioned with HOUSE 2016.

Ron Haselden: Luminary
Co-produced by Brighton Festival
Sat 7 – Sun 29 May, 12pm – 7pm, Fabrica
A series of beautiful LED light-drawings at locations across the city by respected British artist Ron Haselden that range in scale from the monumental, presented as a walk-through installation at Fabrica, to the intimate, shining out from homes in several of the city’s neighbourhoods. Stemming from Haselden’s love of drawings produced by the ‘untutored hand’, sketches by young children and older people have provided the inspiration for Luminary, scaled up with LED ropelight, to amplify their spontaneous, uninhibited style. Co-produced by Fabrica and Brighton Festival in partnership with MSL Projects, Hastings.

Lou Reed Drones
UK Premiere
Fri 13 – Tue 17 May, 12pm – 5pm. The Spire
A visceral, emotional and spiritual experience, Lou Reed Drones is an installation of Lou Reed’s guitars and amps in feedback mode: 24 strings set in motion from the push of magnetically driven cones; 360 partial harmonics colliding against each other. Introducing gain and sculpting sonic frequencies, a feedback loop is created with each guitar and its respective amplifier. Their overlapping harmonic structures produce pseudo-acoustic notes in which a beating sensation is then set in motion. 

Film


No Home Movie

(2015, Belgium/France, cert. U), Directed by Chantal Akerman
Sun 8 May, 1.30pm, Duke’s at Komedia
The final film of the great Belgian film-maker Chantal Akerman is a moving memoir of her mother’s last months. Confined to her Brussels apartment, Natalia’s harrowing past as an Auschwitz survivor and her chronic anxiety, greatly influenced Akerman’s art. This special preview screening ahead of the film’s UK release is a tribute to one of the most original and influential figures in feminist cinema, who died last year.

Heart of a Dog
Plus Q&A with Laurie Anderson
(2015, USA), Directed by Laurie Anderson
Tue 10 May, 9pm. Duke of York's Picturehouse
Visually rich and poetic, Laurie Anderson's Oscar nominated Heart of a Dog sees her reflect on love, language and death - inspired by the affection she had for pet Rat Terrier, Lolabelle, who died in 2011. Essayistic in style, and constructed like a collage of original musical compositions, contemporary footage, narration, animation and 8mm home movies, it deftly flits between the serious and the playful, the funny and heartfelt.

Sans Soleil (Sunless)
(1982, France, cert. 15), Directed by Chris Marker
Sun 15 May, 1.30pm., Duke of York's Picturehouse
This elegiac masterpiece by Laurie Anderson's favourite director Chris Marker is a poetic documentary tour of Tokyo, Guinea-Bissau, Iceland and San Francisco. Sans Soleil is a hugely influential essay film in which the spoken word and haunting visuals conjure the disorientation of a world traveller, journeying through cultures, secret rituals and confusions of time.

The Human Face
(1990, UK, cert. 12A), Directed by Nichola Bruce.
Sun 22 May, 4.30pm, Duke’s at Komedia
Nominated for a BAFTA, The Human Face is a documentary made for the BBC series Arena. Laurie Anderson presents, narrating an examination of mankind’s obsession with its own image, looking at the use of heads and the human face in art and sculpture, and at the prejudices applied every day based solely on a person’s appearance.

THEATRE


Blast Theory & Hydrocracker: Operation Black Antler
World Premiere. Co-commissioned by Brighton Festival
Sat 7 & Sun 8, Tues 10 - Sat 14, Tues 17 - Sat 21, Tues 24 - Sat 28. Every 15 minutes from 6pm - 9pm (timed entry allocated on booking).
For 40 years British police officers have been operating undercover inside protest groups, ‘deep swimming’ by forming relationships and even having children with their targets. This ground-breaking piece of immersive theatre by Blast Theory and Hydrocracker will give audiences a chance to go undercover for the night in a thrilling and unforgettable walk in someone else’s shoes. Visit the safehouse to meet your police handler and build up your identity, choose your cover story and meet the rest of the team then head out to the gig to use your new skills.
Commissioned by Brighton Festival and Ideas Test. In partnership with Dramatic Resources. 

Spymonkey & Tim Crouch: The Complete Deaths
World Premiere. Commissioned by Brighton Festival
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm. Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. Directed by Tim Crouch, The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Berlin (Antwerp): Zvizdal (Chernobyl – so far so close)
UK Premiere.
Mon 23 – Wed 25 May, 8pm. Brighton Dome Corn Exchange
Co-produced by Brighton Festival.
26 April 1986, Pripyat, Ukraine. A nuclear reactor explodes and some 90 towns and villages are evacuated. But one couple, Pétro and Nadia, refuse to leave. Without running water, electricity, telephone or mail, they hold on indestructibly in the infected zone for 30 years. Berlin returns to Brighton Festival with a filmic portrait of one elderly couple’s self-imposed solitude. Featuring interviews with Pétro and Nadia filmed between 2011 and 2016, Zvizdal tells a poignant story of survival. Co-produced with Brighton Festival; Het Zuidelijk Toneel, Tilburg; PACT Zollverein, Essen; Dublin Theatre Festival; Kunstenfestivaldesarts, Brussels; BIT Teatergarasjen, Bergen; and CENTQUATRE, Paris.

Neil Bartlett: Stella
World Premiere. Co-commissioned by Brighton Festival.
Fri 27 & Sat 28 May, 8pm. Theatre Royal Brighton.
A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – this new work from Neil Bartlett is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A co-commission by LIFT, Brighton Festival and Holland Festival.

Lola Arias (Buenos Aires): Minefield
World Premiere. Co-commissioned by Brighton Festival.
Sat 28 May, 8pm. Sun 29 May, 2pm & 7pm. Brighton Dome Corn Exchange
Argentinian writer and director Lola Arias returns to Brighton Festival with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict. Merging film, re-enactment and documentary theatre, Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Co-commissioned by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm.

OUTDOOR


Art of Disappearing: The Last Resort
World Premiere. Commissioned by Brighton Festival
Sat 7 – Sun 29 May (no performances Mon & Tue), Wed – Fri, 2pm – 8pm, Sat & Sun, 11am – 9pm
Amidst a barren landscape, a neon light stands bleak and stark. Welcome to The Last Resort. For those brave enough to return to this long deserted resort, beauty, science fiction and history merge to create a unique outdoor experience. Using binaural technology to create a constantly shifting world of sound, artists Rachel Champion and Tristan Shorr have created an exciting immersive work that takes a wry look at science fiction traditions and dystopian societies.

Marc Rees: Digging for Shakespeare
World Premiere. Commissioned by Brighton Festival
Sat 7 & Sun 8 May, Sat 14 & Sun 15 May, Sat 21 & Sun 22 May, 10.30am & 2.30pm. Roedale Allotments.
Meet James Orchard Halliwell-Phillipps, 19th century joker and world-renowned Shakespearean scholar who lived on the outskirts of Brighton. There in his 'rustic wigwam' (a series of conjoined sheds), he obsessively curated a huge hoard of Shakespearean rarities. Marking the 400th anniversary of Shakespeare’s death, director Marc Rees has devised a unique promenade performance through Roedale Allotments, close to the site of this eccentric recluse's former home. 


Nutkhut: Dr Blighty
World Premiere. Co-commissioned by Brighton Festival
Tue 24 – Sat 28 May, 2pm – 10pm. Royal Pavilion Gardens.
Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front were brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. In a major new collaboration with Nutkhut and a creative team that includes designer Tom Piper (Tower of London Poppies), Dr Blighty recalls this unexpected episode in Brighton’s history. Bringing the experiences of the soldiers - inspired by letters they sent home - and the locals who came to care for them, the Royal Pavilion Gardens will host a dreamlike environment of immersive installations, soundscapes and theatrical interludes, alongside concerts featuring Philharmonia Orchestra with Kala Ramnath, Debashish Bhattacharya and Gurdain Rayatt within Brighton Dome. A Nutkhut Production co-commissioned by 14-18 NOW, WW1 Centenary Art Commissions, Brighton Festival and Royal Pavilion and Museums, Brighton & Hove

BOOKS AND DEBATE
Presented in partnership with Guardian Live


Guardian Book Club: Howard Jacobson
Sun 8 May, 5pm. Sallis Benney Theatre
Perhaps the leading observer of Jewishness in modern Britain, Howard Jacobson examines Shakespeare’s most controversial character in his new novel, Shylock is My Name. Including a shocking twist on Shylock’s infamous demand for a pound of flesh, the novel examines contemporary questions of Jewish identity and the relationship between fathers and daughters. Join him for a discussion with Guardian Book Club host John Mullan about the novel and the endlessly fascinating play that inspired it.

Yanis Varoufakis
Tue 10 May, 7.30pm. Brighton Dome Concert Hall
In his new book, And the Weak Suffer What They Must?, former Greek finance minister Yanis Varoufakis assesses the history of the European monetary union. A passionate campaigner against austerity, Varoufakis argues that it is a fundamental threat to Europe and to the global economy. He also shows that the origins of the Eurozone crisis lie not with governments or the banks but in its founding structure. He will talk to Channel 4 economics editor and Guardian columnist Paul Mason about the current crisis and present his case for economic reform.

Lionel Shriver
Wed 11 May, 8pm. Brighton Dome Corn Exchange.
Orange Prize-winning writer Lionel Shriver talks about her new novel, The Mandibles – a dark, witty and frightening dystopia about a nation in decline. Set during a fiscal crisis in near-future America, the book follows three generations of a family as they cope with the loss of their fortune and learn how to survive as America’s economy spirals into dysfunction.

The Guardian Newsroom: The EU Referendum
Thu 26 May, 7pm. Attenborough Centre for the Creative Arts
David Cameron's promised referendum on the UK's membership of the EU could be called as early as June 2016. As both the EU exit and pro-Europe campaigns gather momentum, Britain faces profound questions about its future. Business leaders claim that withdrawal would lead to economic calamity, while others on the left and the right argue the case for Britain to govern itself. Join a panel of Guardian writers, including Brighton Festival Chair Polly Toynbee, to analyse and discuss both sides of the debate.

Marlon James
Thu 26 May, 7.30pm. Brighton Dome Studio Theatre.
Join us for an evening with 2015 Man Booker prize winner, Marlon James. A Brief History of Seven Killings is a fictional account of an attempt to assassinate Bob Marley in 1976, a novel described by the New York Times as a ‘Tarantino remake of The Harder They Come…sweeping, mythic, over-the-top, colossal and dizzyingly complex’. Spanning three decades, the novel uses multiple voices - CIA agents, drug dealers, ghosts, beauty queens - to explore the turbulent world of Jamaican gangs and politics.

DANCE AND CIRCUS


Charles Linehan Company: Double bill
World Premiere. Co-commissioned by Brighton Festival.
Sat 7 & Sun 8 May, 8pm. Brighton Dome Corn Exchange
Charles Linehan returns to Brighton Festival with a contrasting double bill of new works. My Mother’s Tears mines the personal history of William Trevitt and Michael Nunn (BalletBoyz) performing classical ballet mime from The Royal Ballet repertoire with unpredictable consequences. In A Quarter Plus Green ideas of transformation are applied to movement, light and sound in a unique new setting at Brighton Dome Corn Exchange. Co-commissioned by Brighton Festival, Dance4, South East Dance, Trinity Laban Conservatoire of Music & Dance and Tanztendenz, Munich.

The Ricochet Project (New Mexico): Smoke and Mirrors
Mon 9 & Tue 10 May, 8pm.
Brighton Dome Corn Exchange
Circus as you’ve never seen it before: audacious and thought-provoking, technically brilliant and profound. The Ricochet Project is pushing the boundaries of contemporary circus using poetic acrobatics, contemporary dance, contortion and high flying feats to explore the human condition. Revealing the inner workings of the mind and our search to find a place of realness and connecting in an enduring culture of illusion, Smoke and Mirrors is a mesmerising and intimate two-hander for grown-ups.

Nederlands Dans Theater 2
Fri 13 - Sat 14 May, 7.30pm. Brighton Dome Concert Hall.
Nederlands Dans Theater is one of the world's most celebrated dance companies, wowing audiences with their unique brand of breath-taking dance, awe-inspiring skill and passionate creativity. Artistically directed by award-winning choreographer Paul Lightfoot, NDT2 presents 18 international dancers aged 18-23. For their long awaited return to Brighton Festival, they bring a vibrant mixed programme including works by Sol León & Paul Lightfoot, Edward Clug, Hans van Manen and the international hit Cacti by Associate Choreographer Alexander Ekman. Presented in partnership with Dance Consortium.

Akram Khan Company: Until the Lions
Co-commissioned by Brighton Festival
Thu 26 & Fri 27 May, 7.30pm. Brighton Dome Concert Hall.
One of the most respected figures in the dance world, Akram Khan returns to Brighton Festival with his new, full-length production Until the Lions - his most arresting work to date. Khan is joined by two of his company dancers alongside four musicians providing haunting vocals and soundscape. Together they give a breath-taking performance in this partial adaptation of poet Karthika Naïr’s original reworking of the epic Mahabharata, bautifully combining the classical Indian dance form kathak with contemporary dance. Initiated by the 360° Network of round artistic venues across the world and produced during residency at Sadler's Wells London and Curve Leicester. 

CLASSICAL


London Symphony Orchestra
Sat 7 May, 7.30pm. Brighton Dome Concert Hall.
A rare opportunity to hear the LSO outside of London, this unique opening concert reflects the Festival’s strong classical tradition over the past 50 years with some of the most remarkably talented performers of today. One of the most brilliant pianists of our time (Leif Ove Andsnes) basks in the lyrical genius of Mozart (Piano Concerto No.20 in D minor K466). Bruckner’s Third Symphony (Symphony No. 3 in D minor) with its grand and majestic orchestration is directed here by the LSO’s Principal Guest Conductor. 

La Nuova Musica: Dido and Aeneas
Sun 8 May, 7.30pm, Theatre Royal Brighton
Ann Murray DBE, one of the great singers of her generation, brings her magisterial artistry to the role of Dido. She is joined by Benjamin Appl, who is fast establishing a major career; and La Nuova Musica, noted for its rigorous yet sparkling approach to the Baroque repertory embellished here by Zack Winokur's evocative dancers. One of the first operas in English, Dido and Aeneas is a tale of love and loss, as Dido, Queen of Carthage, is abandoned by the Trojan prince Aeneas and dies overwhelmed by grief.

Brighton: Symphony of a City
World Premiere. Commissioned by Brighton Festival.
Wed 11 May, 7.30pm. Brighton Dome Concert Hall
Brighton in all its festive, bohemian, campaigning, glory has inspired a remarkable fusion of silent film and live music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive film of the lost glories and contemporary events that have defined Brighton’s profile as the UK’s most vibrant location. This kaleidoscope of local identity is accompanied by a sumptuous symphonic score performed live by Orchestra of Sound and Light. 

City of Birmingham Symphony Orchestra & Brighton Festival Chorus: The Dream of Gerontius
Sun 22 May, 7pm. Brighton Dome Concert Hall.
Lush orchestration, massed forces and profound subject matter: The Dream of Gerontius is an overwhelming musical experience. This is the kind of music that Brighton Festival Chorus was created to perform, and which is woven into the identity of the renowned CBSO, whose very first performance in 1920 was conducted by Elgar. A truly stellar cast (Alice Coote: mezzo-soprano, Robert Murray: tenor, Matthew Rose: bass), led by the eminent British conductor Edward Gardner, luxuriates in music of rare power and eloquence that etches the vision of the journey of a pious man’s soul from his deathbed to his judgment before God.

CHILDREN AND FAMILY


Globe Theatre on Tour: The Two Gentlemen of Verona
Wed 25 – Sat 28 May, 6pm, Thu 26, Sat 28 & Sun 29 May, 1.30pm. Brighton Open Air Theatre.
Hidden identities, cross-dressing and subterfuge crisscross in a tale of love, friendship, betrayal and reconciliation. This riotous new production hurls Shakespeare’s anarchic comedy into the 21st century, in the perfect setting of Brighton Open Air Theatre. Remember to bring a picnic and dress for the weather.

A Weekend Without Walls
Sat 14 May, 12 – 5pm. Easthill Park, Portslade, Sun 15 May, 12 – 5pm. East Brighton Park, Whitehawk
Get ready for a weekend of fun and adventures as Easthill Park and East Brighton Park host five extraordinary new performances: Les Enfants Terribles’ Dr Latitude and his team of misguided misfits in The Fantastical Flying Exploratory Laboratory, NOWish's Le Cheval Solitaire, Miss High Leg Kick's Audition Project and H.O.H. by Far From the Norm. Bring a picnic and all the family.

26 LETTERS


Michael Morpurgo
Wed 11 May, 6pm. Brighton Dome Corn Exchange
Former Children’s Laureate Michael Morpurgo is spellbinding company, a master storyteller who has created some of the most brilliant children’s books of recent years. Join him as he talks about his work, which includes War Horse, Private Peaceful and Why the Whales Came, and hear all about his latest book, An Eagle in the Snow, the extraordinary story of the man who could have stopped World War Two before it even began.

Chris Riddell Children's Laureate in residence
Winner of two Kate Greenaway medals for illustration, Brighton’s own Chris Riddell (The Edge Chronicles, Goth Girl) joins 26 Letters for no less than three events: Ask the Laureate (Sat 14 May), 6pm. Sallis Benney Theatre, Poems and Pictures Live (Sun 15 May, 2.30pm. Sallis Benney Theatre) and Picture Book Masterclass (Sun 22 May, 10am. Brighton Dome Founders Room.

Young City Reads 2016
Thu 19 May, 1.30pm. Brighton Dome Concert Hall.
Brighton & Hove’s Big Read for young people returns. This year young story-lovers are invited to read and discuss Hamish and the World Stoppers by Danny Wallace. For the Young City Reads Big Event, the award-winning author and presenter, together with the book’s illustrator Jamie Littler, will take centre stage for a live, interactive schools event to talk about their book and tell us more about Hamish, Alice and some disgusting creatures called ‘The Terribles’, who might come from outer space — or maybe France…

Notes to Editors:


About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

caravan 2016 programme announced

caravan, a partnership between Farnham Maltings and Brighton Festival presents a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers. This press release announces its 2016 programme.

  • caravan 2016 will take place on 15-17 May 2016 as part of the 50th Brighton Festival, which is celebrating its 50th anniversary in May
  •  The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  •  In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  •  Eight of the performances within the showcase will be open to the public to attend, as part of the Brighton Festival programme.

caravan 2016 follows the success of the showcases in 2008, 2010, 2012 and 2014 building on the ambition of previous years. The showcase aims to strengthen international networks and expand the range of opportunities for performing artists and companies based in England to work abroad.

The 2016 programme will be presenting a selection of the best new English performance, selected by a curatorial group drawn from some of the country’s leading directors and producers. The 2016 curatorial group included Andrew Jones, Fiona Baxter, Gavin Stride, Gabriella Triantafyllis, Jo Verrent, Lorne Campbell, Orla Flanagan and Sally Cowling.

2016 artists
Full performances


Eric MacLennan – A Voyage Around My Bedroom

An interactive journey, in a bedroom, in a glass box, in a field with audience input shaping the narrative

Christopher Brett Bailey – This is how we die
A highly verbose collage of spoken word and storytelling: tales of paranoia, young love and ultra-violence

Lost Dog – Paradise Lost (Lies unopened beside me)
Inspired by Milton, a re-telling of the story of the beginning of everything using words, music and dance

Greg Wohead – Comeback Special
Jam sessions and dance numbers combine in a re-enactment of Elvis Presley's 1968 Comeback Special

Jo Bannon – Alba
Influenced by her albinism, Jo Bannon blends light, proximity, movement and sound into a visual poem

Still House – Of Riders and Running Horses
A stirring and visceral new dance event created as a communal animation of urban spaces

Dickie Beau - Blackouts: Twilight of the Idols
Drag fabulist Dickie Beau conjures the spirits of celebrated Hollywood icons in a bewitching adventure

Sue MacLaine Company - Can I Start Again Please
A play exploring our capacity to process traumatic experiences and language’s ability to represent it

Spymonkey – The Complete Deaths
All 72 onstage deaths of Shakespeare’s plays are performed in 90 minutes

Andy Field – Lookout
A site-sensitive one-on-one encounter between one adult audience member and one child performer

Selina Thompson - Dark and Lovely
A solo piece exploring Black identity, inspired by the cultural and social debate surrounding Black hair

Emma Frankland - Rituals for Change
A performance creating a series of rituals to explore gender transition and the fluid notion of change

Pitches


Brian Lobel, 24 Italian Songs and Arias
Catherine Ireton, The Salon Project (working title)
Action Hero, RV project Europe (working title)
The Other Way Works, Agent in a Box
Sleepdogs, Steady State
Sheila Ghelani, Elemental

Gavin Stride, Director of Farnham Maltings & co-director of caravan, says:
We had over 200 proposals from every part of the country suggesting that there is a real appetite amongst theatre makers to connect internationally. I think the programme suggests that we have a vibrant, ambitious theatre community keen to find new ways of reaching new audiences”.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival, says:
We are really looking forward to collaborating again with Farnham Maltings, to present the best of new English performance for the fifth biennial caravan showcase as part of our 50th Brighton Festival celebrations. The showcase has grown substantially since it was launched in 2008, and now encompasses a selection of the most dynamic and innovative theatre and performance from around England. It has become a leading showcase and touchstone for international promoters and programmers to experience a diverse range of new work by our most innovative artists who are prime candidates at this stage in their careers to tour internationally”.

Ends


Notes to Editors:

caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council.

Farnham Maltings is a creative organisation based in Farnham, Surrey which works with artists and communities across South East England to encourage the greatest number of people to make, see and enjoy the best art possible.Brighton Festival commissions and produces an ambitious programme of local, national and international work across music, theatre, dance, visual art, outdoor performance, literature and debates.

Brighton Festival will take place in venues across the city and beyond from 7 to 29 May 2016.

Full details of caravan 2016 curatorial group:
Andrew Jones, Senior Programme Manager for Drama & Dance – British Council
Fiona Baxter, Deputy Director, Arts – Farnham Maltings
Gabriella Triantafyllis, General Manager –bios, Greece
Gavin Stride, Director – Farnham Maltings
Jo Verrent, Senior Producer – Unlimited
Lorne Campbell, Artistic Director – Northern Stage
Orla Flanagan, Theatre Producer – Brighton Dome & Festival
Sally Cowling, Associate Producer – Brighton Dome & Festival

Brighton Festival announces major new commission for 2016 inspired by untold story of First World War

Brighton Festival - alongside commissioning partners 14-18 NOW and Royal Pavilion & Museums, Brighton & Hove - has today announced a major new commission inspired by the untold story of the hundreds of thousands of men who travelled from India to fight for the Allies in the First World War.  

Created by performance company Nutkhut and brought together by a creative team that includes designer Tom Piper (Tower of London poppies), the ambitious, large-scale, immersive outdoor experience Dr Blighty is the latest event revealed for the 50th edition of Brighton Festival in May 2016.

More than a million men travelled from India to fight for the Allies during the First World War, their collective experiences constituting one of military history’s great untold stories. Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front would be brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. 

This major new collaboration, Dr Blighty, recalls this episode in Brighton’s wartime history, bringing the experiences of the soldiers - and the locals who came to care for them - movingly back to life via an immersive walk-through installation across the Royal Pavilion Estate. Animated by actors and enhanced by immersive installations, enthralling video projections, ambient soundscapes and theatrical interludes, inspired by letters the soldiers sent back home, the event will seek to capture the essence of the hospital and those who recuperated here.

The hospital installation will be complemented by a series of related performances and participatory outreach activities, drawing parallels with contemporary events while bringing this moving episode in Brighton’s history back to life. For four nights, a spectacular after-dark production will incorporate video projections on the Royal Pavilion, evoking memories of a very distant home for the soldier convalescents. In addition, the Philharmonia Orchestra will perform in a special ticketed concert at Brighton Dome with some of India’s leading contemporary musicians, marrying Western and Eastern classical music traditions.

Ajay Chhabra, Artistic Director of Nutkhut says: “Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Ajay Chhabra, Artistic Director of Nutkhut says: “Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Jenny Waldman, Director, 14-18 NOW, said: “We are thrilled to be working with Brighton Festival to present this ambitious project with an amazing group of artists brought together by Nutkhut, which will offer audiences an insight into the little-known and remarkable story underpinning the city’s involvement with the First World War."

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details of Brighton Festival 2016 will be announced on 17 February 2016

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 |brightonfestival.org
Follow us on Twitter - www.twitter.com/brightfestival (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:

About Dr. Blighty:

• Co-commissioned by Brighton Festival, 14-18 Now and Royal Pavilion & Museums, Brighton & Hove.

• The full Dr. Blighty creative team includes:
Ajay Chhabra (Artistic Director)
Shri Shriram (Composer)
Tom Piper & Amanda Stoodley (Design)
Sian Thomas (Performance Director)
Stephen Clark (Writer)
Phil Supple (Lighting Designer)
Novak (Video & Animation)
Ed Carter (Sound Designer)

About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Full programme details will be announced on Wednesday 17 February 2016.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About 14-18 NOW:

• 14-18 NOW is a programme of extraordinary arts experiences connecting people with the First World War. Their programme takes place from 2014 to 2018 and is timed to mark the centenary of the war, which raged across Europe, Asia and Africa from 1914 to 1918.

• 14-18 NOW commission artists from all art forms to look afresh at the First World War conflict and create shared experiences exploring this significant moment in time. They work with cultural organisations across the UK to commission new art, theatre, film, dance, digital, music, poetry and mass-participation events
• 14-18 NOW firmly believes in the transformative power of the arts to bring the stories of the First World War to life. Perceptions of the war have been shaped by the artists of the time, including poets, painters, photographers and film-makers – many of whom served and who reflected on the war and its effects. One hundred years later, today’s artists are opening up new perspectives on the present as well as the past.

About Nutkhut:

• Formed in 2003, Nutkhut exists to fulfil the creative vision of Simmy Gupta and Ajay Chhabra

• As an ideas-led, art focused performance company, Nutkhut creates work mixing performance, dance, film, participation and a distinctly British comedic sensibility and eccentricity. Nutkhut has been delighting audiences for over 10 years and are a major presence in the outdoor performing arts sector, working regularly with festivals and events across the UK and beyond.

• Nutkhut is led by two British Asian artists, Simmy Gupta and Ajay Chhabra. The company is unique as it draws inspiration from the Artistic Directors’ backgrounds and mixes it with a very British sense of humour and mischief. Nutkhut is highly representative of modern Britain and create work which could only have come from the here and now.

About Royal Pavilion & Museums

• Royal Pavilion & Museums is the museum service of Brighton & Hove City Council. It directly operates: The Royal Pavilion, Brighton Museum & Art Gallery, Hove Museum & Art Gallery, The Booth Museum of Natural History and Preston Manor

• Its collections include three which are Designated: World Art, Decorative Art and Natural History. Other collections include Local History, Archaeology, Fashion, Fine Art, Toys and Media.

• It has responsibility for a number of historically important listed buildings and monuments: William lV Gatehouse, India Gate, Northgate House, 4/5 Pavilion Buildings, Portslade Old Manor, The Old Courthouse and Courtroom, Jaipur Gate at Hove Museum & Art Gallery

• The service provides advice and support to voluntary-run museums and heritage organisations within the city: The Old Police Cells Museum, the Fishing Museum, the Toy and Model Museum, West Pier Trust and West Blatchington Windmill.

Pioneering artist and musician Laurie Anderson announced as Guest Director for 50th Brighton Festival

Brighton Festival is delighted to announce that the Guest Director for 2016 is the pioneering artist and musician Laurie Anderson. Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home. 

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance and Buddhist teachings. 

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year."

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies. Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Memory is a Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public. 

Andrew Comben, Chief Executive of Brighton Festival says: “We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details will be announced on 17 February 2016. Events for 2016 which can be revealed now are:

Memory is a Minefield by Lola Arias
Brighton Festival co-commission, World Premiere

Argentinian writer, director and songwriter Lola Arias returns to Brighton Festival following her acclaimed Brighton Festival 2013 UK premiere of My Life After with a new work about the Falklands Islands /Islas Malvinas, developed with and performed by Argentinian and British veterans of the conflict. In a production that is political, playful and highly personal, Arias brings together soldiers who fought on opposite sides, giving them an opportunity to share with us and each other their first hand experiences on a battlefield 8000 miles from London. Merging film, re-enactment and documentary theatre Memory is a Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Memory is a Minefield will premiere at Brighton Festival and is co-produced by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm. 

The Complete Deaths, performed by Spymonkey & directed by Tim Crouch
Brighton Festival commission, World premiere

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - ranging from the Roman suicides in Julius Caesar to the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Leading Brighton-based physical theatre company Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. Directed by Brighton-based multi-award winning playwright and performer Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb) - The Complete Deaths will be a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Until The Lions by Akram Khan Company
Brighton Festival co-commission

A brand new, full-length production from award-winning choreographer and dancer Akram Khan. In this partial adaptation of poet Karthika Naïr’s book Until the Lions, an original reworking of the epic Mahabharata, Khan uses kathak and contemporary dance to tell the tale of Amba, a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge. 

Bringing together some of the original team from his acclaimed solo DESH, Khan will explore the notion and the physical expression of gender. Until the Lions is set to be one of Khan’s most startling and spectacular works to date, in which he will perform alongside two of his company dancers and four musicians.

Stella by Neil Bartlett
Brighton Festival co-commission. World premiere

A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – Stella is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A theatrical love-letter to a truly remarkable person, Stella is a co-commission by LIFT, Brighton Festival and Holland Festival.

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfestival (@brightfest)

Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:

 About Brighton Festival:

  • · Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.
  • · Full programme details will be announced on Wednesday 17 February 2016.
  • · Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.
  • · Since 1985 Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.
  • · Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.
  • · Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.
  • · Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About Laurie Anderson:

  • · Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist.
  • · O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the autumn of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.
  • · Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the autumn of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.
  • · Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Britannica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.
  • · Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970's to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in autumn 2008.
  • · As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in autumn 2008 with the Noord Nederlands Orkest.
  • · Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.
  • · In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan.
  • · In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010.
  • · Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.
  • · In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia.   That same year she was awarded with the Pratt Institute’s Honorary Legends Award.  
  • · In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!”  Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. 
  • · She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York.
  • · In 2015 her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals and her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim.  Anderson lives in New York City.

About Guardian Live

  • · Guardian Live is the Guardian's programme of events that offer readers the chance to hear first-hand from people in the news and from those who create the arts and culture we admire. Readers can meet the people behind the Guardian - journalists, columnists and editors - as well as watch and join the debates that shape stories. For more information on the programme, visit theguardian.com/guardianlive  

About caravan

  • · caravan is a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers.
  • · caravan 2016 will take place from 15-17 May 2016 as part of Brighton Festival.
  • · The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  • · In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  • · caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council. www.caravanshowcase.org.uk 

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Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate.

Spymonkey is the UK's leading physical comedy company, based in Brighton and comprising a core creative ensemble of five lead artists: artistic directors Toby Park, Petra Massey and Aitor Basauri, and associate artists Stephan Kreiss and designer Lucy Bradridge. They’ve been making sublimely hilarious and deeply ridiculous theatre since 1998. Recent Brighton Festival appearances include Oedipussy (2012) and Cooped (2006)

Tim Crouch is a multi-award winning playwright and performer living in Brighton. His work has played in theatres and at festivals around the world. His four award-winning solo Shakespeare plays I, Caliban. I, Peaseblossom, I, Banquo and I, Malvolio were commissioned by Brighton Festival. 

Established in 1967, Brighton Festival is a three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. 

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

The 50th Brighton Festival takes place from 7-29 May 2016.

Listings information:


The Complete Deaths by Spymonkey & Tim Crouch
World Premiere.
Commissioned by Brighton Festival.
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm
Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare (75 if you count the black ill-favoured fly killed in Titus Andronicus). From the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. And then there’s the pie that Titus serves his guests. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. These ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them. Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death.  

-ENDS-


For further enquiries, please contact:

Emma Robertson, Head of Press and PR – emma.robertson@brightonfestival.org I 01273 260803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Ticket Office - 01273 709709 | www.brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

• It aims to champion the power of the arts, to enrich and change lives, and to inspire and enable artists to be their most creative.

• Brighton Dome & Brighton Festival are a registered arts charity

• Brighton Dome & Brighton Festival are working with the Royal Pavilion & Museums on a joint masterplan to realize a future vision for the Royal Pavilion Estate. For updates and news please visit www.brightondome.org or contact 

Artist Opportunity: Caravan 2016

Are you a professional, England-based artist or company specialising in theatre and/or performance?

Want to get your work seen by international and national promoters, festival organisers and presenters?

Don’t miss your chance to show off your work in The Caravan Showcase 2016, as part of Brighton Festival. The Caravan Showcase is one of the UK’s leading programmes of new and exciting site-specific and interactive theatre and performance. Applications are now open for Caravan 2016, and they’d love to hear from you. For more information and how to apply, please visit caravanshowcase.org.uk/showcase/artists

The deadline for submissions is 10am on Thu 23 July2015

Brighton Festival Live: PSK Trio

Africa Railway Project is the new live concept from Portuguese master bassist Theo Pascal, vocalist Carmen Souza and Mozambican percussionist and drummer Elias Kacomanolis. For the last few years, they have been conquering stages around the world with the Carmen Souza Project. Now PSK Trio sets out to explore other African roots and rhythms - especially those from Lusophone countries - in a more intimate set. You’re invited to join them on the Africa Railwayand embark on a new journey to an unknown destination.

Brighton Festival Live: Masha Gessen

The Harriet Martineau Lecture
Introduced by Ali Smith
Presented with New Writing South

Celebrated Russian-American journalist, author and activist Masha Gessen is world-renowned for her outspoken opposition to Russia’s President Vladimir Putin, and as Russia’s leading LGBT rights activist. At one stage she was, in her own words, ‘probably the only publicly out gay person in the whole of Russia’. Her latest book, Words Will Break Cement: The Passion of Pussy Riot, is an investigation into the origins and motivations of the dissident art-punk group that made headlines around the world.

An exploration of freedom of speech and investigative journalism.

Masha Gessen delivers the annual Harriet Martineau Lecture commissioned by Writers’ Centre Norwich and first performed in Norwich on Saturday 16 May as part of the City of Literature programme. Norwich is England’s only UNESCO City of Literature. www.writerscentrenorwich.org.uk

Commissioned by Writers’ Centre Norwich to celebrate the life and legacy of Harriet Martineau, a 19th century radical thinker, writer and the world’s first female journalist.

Brighton Festival Live: Stephen Upshaw & Veronika Trisko

Exoticism and Folk Music
viola & piano


Bloch Suite for Viola and Piano
Raymond Yiu Elegaic Fragments
Bartók Romanian Folk Dances

Travel to far-off lands with the American violist Stephen Upshaw and his regular collaborator Veronika Trisko. Stephen’s quest for new musical horizons has taken him to the furthest reaches of the repertoire, including pieces written specially for him, such as Raymond Yiu’s Elegiac Fragments, inspired by Middle Eastern music. Also rooted in the East is Bloch’s Suite for Viola and Piano and closer to home, Bartók’s Romanian Folk Dances are irresistibly rhythmic.

Brighton Festival Live: DakhaBrakha

(Ukraine) plus dj set
Brighton Festival Exclusive

Plumbing the depths of contemporary roots and rhythms, Ukrainian ‘ethnic chaos’ band DakhaBrakha creates a world of unexpected new music. Rooted in Ukrainian culture but fusing Indian, Arabic, African, Russian and Australian instrumentation, the quartet has created a truly trans-national sound. Expect moments reminiscent of Radiohead, Chicks on Speed and even Hip-hop.

With a name that literally translates as ‘give/take’, DakhaBrakha was created in 2004 at Kiev’s Center of Contemporary Art by avant-garde theatre director Vladyslav Troitskyi. Theatre has left its mark on the band, with a strong visual aesthetic remaining an integral part of its thrilling live act. 

Since its formation, DakhaBrakha has performed at festivals in over 30 countries, bringing Ukrainian melodies to the hearts and consciousness of Ukraine’s younger generation and music-lovers worldwide.

Brighton Festival Live: The Cult of Water

The Cult of Water will be live streamed on Sun 27 May at 9pm. 

Join ‘masterful storyteller’ (Radio Times) Dr. David Bramwell for a candle-lit journey in search of the supernatural secrets of our waterways.

Aided by a witch, Jarvis Cocker, and magician-author Alan Moore, David Bramwell battles his own thalassophobia (the fear of ‘what lurks beneath’) to unearth little-known stories and myths that surround our rivers.

The River Don is the focal point for this psycho-geographical journey that blends music, animation and film with captivating monologue. You’ll also learn about Brighton’s lost River Wellsbourne in a post-show Q&A.