Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

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Call out for artists to participate in caravan marketplace 2016

caravan is a three-day showcase of site specific, interactive and incidental performance presented as part of Brighton Festival that aims to strengthen the international networks and expand the range of opportunities for performing artists and companies in England to work abroad. 

The curated programme features England’s most exciting artists from established international names to the brightest new talent. The 2016 programme includes performances from: Lost Dog’s Edinburgh Festival hit Paradise Lost (lies unopened beside me), new work from Spymonkey and Greg Wohead, Of Riders and Running Horses by Still House, alongside work from Eric MacLennan, Andy Field, Christopher Brett Bailey, Dickie Beau, Jo Bannon, Emma Frankland, Selina Thompson and Sue MacLaine.

Paradise Lost at Brighton Dome


caravan marketplace

caravan is a convivial event designed to encourage artists, commissioners, programmers and potential collaborators to explore new ways of working together, to share ambitions and to reach new audiences. 

The caravan marketplace takes place on Tuesday 17 May from 10am-12pm, and is an opportunity for artists and companies to host a stand in Brighton Dome Corn Exchange, and to share information about current or future projects with approximately 50 national and international delegates.

For more information or to apply to be part of marketplace, please complete the application form and submit by email to Monica at monica.bakir@farnhammaltings.com by 12pm on Friday, 05 February. A small subsidy is available to support travel and/or access costs.

Laurie Anderson is Guest Director of Brighton Festival 2016

Brighton Festival is delighted to announce the pioneering artist and musician Laurie Anderson as Guest Director for 2016.

Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home.

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city, following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says:

'I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year.'

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies.

Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan.

Andrew Comben, Chief Executive of Brighton Festival says: 'We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.'

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public.

Full programme details of Brighton Festival 2016 will be announced on Wednesday 17 Feb 2016. 

Pioneering artist and musician Laurie Anderson announced as Guest Director for 50th Brighton Festival

Brighton Festival is delighted to announce that the Guest Director for 2016 is the pioneering artist and musician Laurie Anderson. Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home. 

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance and Buddhist teachings. 

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year."

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies. Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Memory is a Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public. 

Andrew Comben, Chief Executive of Brighton Festival says: “We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details will be announced on 17 February 2016. Events for 2016 which can be revealed now are:

Memory is a Minefield by Lola Arias
Brighton Festival co-commission, World Premiere

Argentinian writer, director and songwriter Lola Arias returns to Brighton Festival following her acclaimed Brighton Festival 2013 UK premiere of My Life After with a new work about the Falklands Islands /Islas Malvinas, developed with and performed by Argentinian and British veterans of the conflict. In a production that is political, playful and highly personal, Arias brings together soldiers who fought on opposite sides, giving them an opportunity to share with us and each other their first hand experiences on a battlefield 8000 miles from London. Merging film, re-enactment and documentary theatre Memory is a Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Memory is a Minefield will premiere at Brighton Festival and is co-produced by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm. 

The Complete Deaths, performed by Spymonkey & directed by Tim Crouch
Brighton Festival commission, World premiere

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - ranging from the Roman suicides in Julius Caesar to the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Leading Brighton-based physical theatre company Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. Directed by Brighton-based multi-award winning playwright and performer Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb) - The Complete Deaths will be a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Until The Lions by Akram Khan Company
Brighton Festival co-commission

A brand new, full-length production from award-winning choreographer and dancer Akram Khan. In this partial adaptation of poet Karthika Naïr’s book Until the Lions, an original reworking of the epic Mahabharata, Khan uses kathak and contemporary dance to tell the tale of Amba, a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge. 

Bringing together some of the original team from his acclaimed solo DESH, Khan will explore the notion and the physical expression of gender. Until the Lions is set to be one of Khan’s most startling and spectacular works to date, in which he will perform alongside two of his company dancers and four musicians.

Stella by Neil Bartlett
Brighton Festival co-commission. World premiere

A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – Stella is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A theatrical love-letter to a truly remarkable person, Stella is a co-commission by LIFT, Brighton Festival and Holland Festival.

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfestival (@brightfest)

Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:

 About Brighton Festival:

  • · Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.
  • · Full programme details will be announced on Wednesday 17 February 2016.
  • · Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.
  • · Since 1985 Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.
  • · Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.
  • · Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.
  • · Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About Laurie Anderson:

  • · Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist.
  • · O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the autumn of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.
  • · Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the autumn of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.
  • · Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Britannica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.
  • · Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970's to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in autumn 2008.
  • · As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in autumn 2008 with the Noord Nederlands Orkest.
  • · Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.
  • · In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan.
  • · In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010.
  • · Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.
  • · In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia.   That same year she was awarded with the Pratt Institute’s Honorary Legends Award.  
  • · In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!”  Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. 
  • · She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York.
  • · In 2015 her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals and her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim.  Anderson lives in New York City.

About Guardian Live

  • · Guardian Live is the Guardian's programme of events that offer readers the chance to hear first-hand from people in the news and from those who create the arts and culture we admire. Readers can meet the people behind the Guardian - journalists, columnists and editors - as well as watch and join the debates that shape stories. For more information on the programme, visit theguardian.com/guardianlive  

About caravan

  • · caravan is a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers.
  • · caravan 2016 will take place from 15-17 May 2016 as part of Brighton Festival.
  • · The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  • · In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  • · caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council. www.caravanshowcase.org.uk 

Download the PDF here


Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate.

Spymonkey is the UK's leading physical comedy company, based in Brighton and comprising a core creative ensemble of five lead artists: artistic directors Toby Park, Petra Massey and Aitor Basauri, and associate artists Stephan Kreiss and designer Lucy Bradridge. They’ve been making sublimely hilarious and deeply ridiculous theatre since 1998. Recent Brighton Festival appearances include Oedipussy (2012) and Cooped (2006)

Tim Crouch is a multi-award winning playwright and performer living in Brighton. His work has played in theatres and at festivals around the world. His four award-winning solo Shakespeare plays I, Caliban. I, Peaseblossom, I, Banquo and I, Malvolio were commissioned by Brighton Festival. 

Established in 1967, Brighton Festival is a three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. 

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

The 50th Brighton Festival takes place from 7-29 May 2016.

Listings information:


The Complete Deaths by Spymonkey & Tim Crouch
World Premiere.
Commissioned by Brighton Festival.
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm
Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare (75 if you count the black ill-favoured fly killed in Titus Andronicus). From the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. And then there’s the pie that Titus serves his guests. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. These ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them. Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death.  

-ENDS-


For further enquiries, please contact:

Emma Robertson, Head of Press and PR – emma.robertson@brightonfestival.org I 01273 260803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Ticket Office - 01273 709709 | www.brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

• It aims to champion the power of the arts, to enrich and change lives, and to inspire and enable artists to be their most creative.

• Brighton Dome & Brighton Festival are a registered arts charity

• Brighton Dome & Brighton Festival are working with the Royal Pavilion & Museums on a joint masterplan to realize a future vision for the Royal Pavilion Estate. For updates and news please visit www.brightondome.org or contact 

Sponsorship opportunities for 50th Brighton Festival

Local businesses are being offered a unique opportunity to be part of a major historical landmark next year as Brighton Festival - the largest and most established annual curated multi-arts festival in England – celebrates its 50th year of bringing arts and culture to the city in 2016.

Established in 1967, Brighton Festival become one of the city's most enduring symbols of inventiveness and celebration over the past half century. This milestone year offers a chance for companies to be a part of the celebrations and also to demonstrate the spirit of partnership that will enable the city to thrive for the next fifty years.

With audiences reaching over 460,000 in 2013, Brighton Festival not only encourages visitors the city, but also engenders a sense of pride that increases leisure visits. Audience data demonstrates that 36% of Brighton Festival bookers are from outside the city and of the rest - a third of these local resident bookers - also buy tickets for visiting friends and family.

The annual Children’s Parade - the largest of its kind in Europe - which traditionally opens the Festival is embraced by the whole city, attended by 5,000 children from over 80 schools and community groups from across the region and watched by many thousands of spectators.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: “I believe Brighton Festival has become part of the city’s DNA – one of the things everyone thinks about when they think of Brighton and part of the reason businesses and visitors want to come here. One of the most exciting thing is that the whole city gets involved, from our colleagues in the cultural sector to the city’s hotels and pubs. Together, we make sure the month is not only a cause for celebration, but also one that contributes tens of millions of pounds to our local economy every year.

As a registered arts charity with just 34% of its operational costs covered by regular public funding, Brighton Dome & Brighton Festival has to raise from a variety of sources, the other 66% needed to operate and to continue to successfully run the various strands of the organisation. Sponsoring Brighton Festival not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences and expand their networks, but also meet corporate social responsibility objectives by supporting the local community through outreach work. 

2015 sponsors included University of Sussex, Southern Water, Brighton and Sussex Medical School, London Gatwick, Mayo Wynne Baxter, Class of Their Own, Riverford Organic Farms, DMH Stallard, The Montefiore Hospital, Nutshell Construction Limited, Griffith Smith Farrington Webb LLP solicitors and GM Building.

Confirmed sponsors for 2016 already include Nutshell Construction and SELITS.

Managing Director, Nutshell Construction, Ben Copper said: “We are delighted to be renewing our sponsorship of the Brighton Festival during its 50th anniversary year. Sponsorship of the event gets us in front of potential customers, it raises our profile by associating our business with a gilt-edged brand and it makes real business sense – as well as giving us a chance to support the arts and our home town.”

Andrew Comben continues: “Bringing Brighton Festival together every year is an incredible privilege. We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th celebrations in 2016 - and with the help of new and returning supporters we hope to make it very special indeed.”

To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org
Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival
Listen to our monthly podcast - http://soundcloud.com/brighton-dome

Notes to Editors:

About Brighton Festival:


Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals for artists and audiences, Brighton Festival is known for commissioning and producing an ambitious programme that aims to make the most of the city’s distinctive cultural atmosphere.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre.

• Each year, the work of the Creative Learning team reaches over 15,000 people in Brighton & Hove and beyond through innovative projects such as Miss Represented - an arts collective of vulnerable young women who have been involved with the criminal justice system and isolated young women in the community; the Umbrella Club - a membership club for children and young people with life-limiting conditions and their siblings and carers; and Three Score Dance Company, created to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove.

• Brighton Dome & Brighton Festival is a registered arts charity (registered charity no 249748)

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The Complete Deaths at Brighton Festival

Your first glimpse at Brighton Festival 2016

Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate. The Brighton Festival performances are supported by ZSTa.

The 50th Brighton Festival takes place from 7-29 May 2016 – a full programme of events will be announced mid-February 2016 when tickets will go on sale. Click here to become a Member and be first in line to book.

More news about the 50th Brighton Festival programme will be announced shortly.

Brighton Festival 2016 announces Children’s Parade theme

Brighton Dome & Brighton Festival is delighted to announce that the theme for the 2016 Children’s Parade - which will take place on Saturday 7 May - is ‘Brighton celebrates’.

Jointly produced with award-winning community arts organisation Same Sky and supported by local businesses Class of their Own and Riverford, the annual Children’s Parade officially launches Brighton Festival and has delighted participants and spectators for over 25 years. The largest of its kind in Europe, the parade is attended by almost 5,000 children from schools and community groups from across the region and cheered on by many thousands of spectators.

With a different imaginative theme each year, previous parades have seen children dress up as everything from letters of the alphabet and Brighton street names to books, mermaids and even slices of cake. In 2016 participants will be invited to be part of a major historical milestone as Brighton Festival celebrates its 50th year, taking inspiration from the people, places, ideas and innovations that shape the city’s unique character and identity.

Established in 1967, the three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin.

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature a wide range of international, national and local artists and companies including site-specific pieces, exclusives, world and UK premieres.

Pippa Smith, Brighton Festival 2016’s Children & Family programmer says: 'In 2016 Brighton Festival proudly enjoys its 50th birthday, and we can think of no better way of launching this special event than by inviting the children of Brighton to take to the streets with the theme of celebration. Brighton schools and community organisations will be working hard over the coming months exploring creative ways of representing the very best of the people, places and ideas which form our beautiful city. 5000 children will take part in the annual opening parade on Saturday 7 May representing Brighton characters past and present, landmarks old and new and the ideas and innovations that will carry us into Festival 50 in an explosion of sound and colour.'

One of the most spectacular community events in the UK, Same Sky spends six months working behind the scenes to create the event, with creative teams instructing teaching staff how to teach dance and parade chants, run free masterclasses, help develop design ideas and encourage imagination to flow.

John Varah, Artistic Director, Same Sky says: 'All of us here at Same Sky are excited to be working with over 75 schools to celebrate the best of our lovely city. For 50 years Brighton Festival has engaged, entertained and entranced, both us locals and a national and international audience. This year's theme will allow us to highlight the wonderful qualities of our unique and diverse city by bringing these stories alive with art, music and dance. See you on the streets!'

The event will be sponsored in 2016 by Class of Their Own - who return for a third year as sponsors of the event – and Riverford Organic Farms.

Stephen Spears from Riverford Organic Farms says: 'I was so touched by being involved in last year’s event that I knew Riverford Organic Farms should continue to support the wonderful Children’s Parade this year. Riverford delivers organic fruit, veg, dairy, deli and meat to your door. Through this sponsorship we will continue to promote healthy eating, inspiring recipes and delicious pesticide-free produce to families across Brighton, Hove and Sussex.'

Sam Thomson and Tanya Petherick from Class Of Their Own said: 'We are delighted to be able to support such a fantastic community event for the third year running. This year will be a particularly special year as we will be celebrating 15 years and Brighton Festival is celebrating 50 years. We look forward to celebrating at the Children’s Parade with local children and families and to seeing you there.'

The Children’s Parade is on Saturday 7 May 2016. The 50th Brighton Festival will take place on 7-29 May 2016. 

Sponsorship opportunities for 50th Brighton Festival

Local businesses are being offered a unique opportunity to be part of a major historical landmark next year as Brighton Festival - the largest and most established annual curated multi-arts festival in England – celebrates its 50th year of bringing arts and culture to the city in 2016.

Established in 1967, Brighton Festival become one of the city's most enduring symbols of inventiveness and celebration over the past half century. This milestone year offers a chance for companies to be a part of the celebrations and also to demonstrate the spirit of partnership that will enable the city to thrive for the next fifty years.

With audiences reaching over 460,000 in 2013, Brighton Festival not only encourages visitors the city, but also engenders a sense of pride that increases leisure visits. Audience data demonstrates that 36% of Brighton Festival bookers are from outside the city and of the rest - a third of these local resident bookers - also buy tickets for visiting friends and family.

The annual Children’s Parade - the largest of its kind in Europe - which traditionally opens the Festival is embraced by the whole city, attended by 5,000 children from over 80 schools and community groups from across the region and watched by many thousands of spectators.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: “I believe Brighton Festival has become part of the city’s DNA – one of the things everyone thinks about when they think of Brighton and part of the reason businesses and visitors want to come here. One of the most exciting thing is that the whole city gets involved, from our colleagues in the cultural sector to the city’s hotels and pubs. Together, we make sure the month is not only a cause for celebration, but also one that contributes tens of millions of pounds to our local economy every year.”

As a registered arts charity with just 34% of its operational costs covered by regular public funding, Brighton Dome & Brighton Festival has to raise from a variety of sources, the other 66% needed to operate and to continue to successfully run the various strands of the organisation. Sponsoring Brighton Festival not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences and expand their networks, but also meet corporate social responsibility objectives by supporting the local community through outreach work.

2015 sponsors included University of Sussex, Southern Water, Brighton and Sussex Medical School, London Gatwick, Mayo Wynne Baxter, Class of Their Own, Riverford Organic Farms, DMH Stallard, The Montefiore Hospital, Nutshell Construction Limited, Griffith Smith Farrington Webb LLP solicitors and GM Building.

Confirmed sponsors for 2016 already include Nutshell Construction and SELITS.

Managing Director, Nutshell Construction, Ben Copper said: “We are delighted to be renewing our sponsorship of the Brighton Festival during its 50th anniversary year. Sponsorship of the event gets us in front of potential customers, it raises our profile by associating our business with a gilt-edged brand and it makes real business sense – as well as giving us a chance to support the arts and our home town.”

Andrew Comben continues: “Bringing Brighton Festival together every year is an incredible privilege. We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th celebrations in 2016 - and with the help of new and returning supporters we hope to make it very special indeed.”

To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

Dance Film Festival UK to screen Brighton Festival films

Two films shot during Brighton Festival 2014 by Hove-based Supernova Learning have been selected from a high number of applicants for screening at this year's Dance Film Festival UK. Three Score at the Station documents the journey of Three Score Dance Company (TSDC) – a dance company for the over 60s – from early rehearsals to their world premiere performance of choreographer James Finnemore's Plans at Brighton Station. A second film – Plans at Brighton Station – features the entire performance in full.


'It’s exciting for Three Score, and the individuals and organisations supporting us, to have this wider interest in our wonderful performance experience at Brighton Station. It’s deserved recognition for our choreographer James Finnemore. It’s rewarding for me as a filmmaker to have the prestigious acceptance of the dance film community.’

Vincent Thompson, Supernova Learning

Plans was commissioned by Brighton Festival in association with South East Dance as part of Brighton Festival 2014’s programme of events. Crowds, commuters and tourists came to a standstill as TSDC’s eighteen dancers performed throughout the day on Saturday and Sunday in a flash-mob.

Choreographer James Finnemore – a former dancer with the critically-acclaimed Hofesh Shechter Company – said of the performance:

‘I came with pretty much a blank slate. I had the title and quite a strong structure in terms of floor plans… but with a bit of organised chaos in the middle! I prefer simplicity in general. If people don’t want to do a dance phrase, then I don’t want to make them. I find that sometimes less interesting. I prefer it to be more human, more simple.’


TSDC is the vision of two local women, Saskia Heriz and Christina Thompson, both of whom have been inspired by the work of The Company of Elders; a dance company for the over 60’s resident at the internationally renowned Sadler's Wells Theatre in London. Although many members of Three Score have had no prior dance training, their wealth of life experience brings a unique quality to their work. The company is led by Rehearsal Director, Jason Keenan-Smith, with professional choreographers commissioned to create bespoke pieces for performance.

The company is currently housed at Brighton Dome. Three Score Dance Company is supported by South East Dance in association with Brighton Dome. Funded by the National Lottery through Arts Council England.

Dance Film Festival UK is part of The Fi.ELD Festival 2014 and takes place on the 9th & 10th August 2015 at Stratford Circus. 

Artist Opportunity: Caravan 2016

Are you a professional, England-based artist or company specialising in theatre and/or performance?

Want to get your work seen by international and national promoters, festival organisers and presenters?

Don’t miss your chance to show off your work in The Caravan Showcase 2016, as part of Brighton Festival. The Caravan Showcase is one of the UK’s leading programmes of new and exciting site-specific and interactive theatre and performance. Applications are now open for Caravan 2016, and they’d love to hear from you. For more information and how to apply, please visit caravanshowcase.org.uk/showcase/artists

The deadline for submissions is 10am on Thu 23 July2015

Winners announced for competition to raise awareness of water scarcity

Brighton Festival, Brighton & Hove environmental education (BHee), Brighton & Lewes Downs Biosphere and Southern Water have announced the winners of the Our Water Matters competition.

The competition saw primary-aged children challenged to think of ways that they, their families and their schools could save water, with an aim to raise awareness amongst families in the city and beyond about the precious water resource lying beneath our feet.

Both drawings and written entries were submitted by children from over 35 schools, with many including the competition in lessons about the water cycle. Hundreds of entries were received, with ideas ranging from challenging our habit of washing clothes that are not really dirty through to creating a book featuring 24 water saving ideas and illustrations.

Six finalists - Lola Leonard (age 9), Ophelia Sullivan (age 6), Katherina Ilieva (age 11), Junior Fokou (age 10), Zach Wall (age 7), Hope Burnell (age 7) - were invited to a special ceremony at Brighton Dome Café-bar attended by the Mayor of Brighton & Hove Councillor Lynda Hyde on Friday 3 July. Lola Leonard was chosen as the overall winner of the competition for her ‘bath box’ idea which would save 70% water and energy from a normal bath.

Helen Peake, BHee Education Officer and one of the judges, said, ‘the judging team were really impressed by both the number and quality of entries, and choosing the winners was no easy task. There was a great mix of ideas: simple actions which we can all take to save water every day; exciting new inventions; and ideas for working together and spreading the water-saving message to others. It’s truly inspiring to see the youngest members of our communities with such positive attitudes to caring for our unique local environment.’

Our Water Matters was launched during Brighton Festival 2015 in response to Gauge – a fully immersive and interactive installation based in Circus Street Market which offered visitors a hands-on encounter with weather and water to create a playful and curious investigation into climate change. Created by sonic artists Madeleine Flynn and Tim Humphrey and sponsored by Southern Water, the exclusive work featured several large scale installations created by a group of Australian artists and scientists to reflect the beauty and importance of processes related to water.

The installation also played host to a special weekend of events in which Gauge interacted with Brighton & Lewes Downs Biosphere, following the local area’s recognition by UNESCO in 2014 as an international site of excellence that is pioneering a positive future for people and nature and incorporates countryside, coast and city. Our Water Matters sought to support their work and raise awareness of the unique area we live in.

Rich Howorth, Biosphere Project Officer explains ‘we are lucky to live in a fantastic environment here which we call our ‘Biosphere’; the Downs, towns and coast are all very special places which we want people to enjoy and look after for the future. Perhaps the most precious thing we have is our natural source of pure drinking water that lies hidden beneath the ground. We need to use it wisely and not waste it.’


Sponsorship support lifts Brighton Festival to new levels of success

Brighton Festival 2015 - the largest and most established of its kind in England - came to a soaring conclusion last month, buoyed up by a plethora of new and returning sponsors who provided invaluable support for the event while also gaining significant exposure for their business.

The three-week Festival - guest directed by award-winning author Ali Smith - featured a thrilling selection of events spanning music, theatre, dance, visual art, film, literature and debate by artists and performers the world over, drawing audiences in droves and unanimous critical acclaim.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest in Europe. Supported by local businesses Class of their Own and Riverford – as well as Gatwick Airport who fittingly came on board for the first time - the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event.

One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York ( supported by University of Sussex) which was lavished with 5 stars across the board. Other highlights included an interactive installation inspired by the weather in Circus Street Market (sponsored by Southern Water) to an extraordinary feat of rock balancing (sponsored by Nutshell Construction) and a night-time promenade theatre piece in Stanmer Park (sponsored by Mayo Wynne Baxter).

Stewart Wingate CEO of Gatwick Airport says: “As the airport continues to grow year on year, we are delighted to welcome artists from abroad to our arrivals lounge. Brighton and Hove is an important city for our airport, with one in 30 passengers arriving from here every year – so we were thrilled to have given it our wholehearted support this year”.

'The exposure of our name alongside prestigious events is very important for our profile”, says Martin Williams, Partner Mayo Wynne Baxter solicitors, who have been sponsors since 2011. “Clients remark positively on our involvement with Brighton Dome & Brighton Festival, which helps cement our position in the city.'

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: ‘We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year - and it is thanks to their help that we can continue to make Brighton Festival and the city itself such a magical place to be in May.

Other sponsors included Brighton and Sussex Medical School,  DMH Stallard, SELITS, GM Building, Brighton and Hove Jobs.com, Echo Video, Grandad, Hoi Polloi, IEP Financial, Midnight Communications, Moshimo, MyHotel, One Digital, Terre a Terre and WSP.

Sponsoring Brighton Festival & Brighton Dome not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences, but also meet corporate social responsibility objectives by supporting the local community through outreach work. To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803

Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838

Anna Whelan, Digital and Admin Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)

Join our Facebook fan site - www.facebook.com/brightonfestival

Listen to our monthly podcast - http://soundcloud.com/brighton-dome

NOTES TO EDITORS:

• Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre.

• Each year, the work of the Creative Learning team reaches over 15,000 people in Brighton & Hove and beyond through innovative projects such as Miss Represented - an arts collective of vulnerable young women who have been involved with the criminal justice system and isolated young women in the community; the Umbrella Club - a membership club for children and young people with life-limiting conditions and their siblings and carers; and Three Score Dance Company, created to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove.

• Brighton Dome & Brighton Festival is a registered arts charity (registered charity no 249748)

Brighton Festival 2015 soars to a close

Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.

Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.

Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by regional businesses Class of their Own, Gatwick Airport and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.


The Children's Parade. Photo by Jordan Hughes

During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.


Fleeting on Brighton Beach. Photo by Chris Bethall

At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry Prize and the Young City Reads schemes.


Backstage in Biscuit Land. Photo by Victor Frankowski

Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.

Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month. The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”

Brighton Festival 2015 soars to a close

Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.

Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.

Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by local businesses Class of their Own and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.

During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.

At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry prize and the Young City Reads schemes.

Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.

Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says:

“From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month.

The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press & PR - emma.robertson@brightonfestival.org | 01273 260 803

Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838

Anna Whelan, Digital Officer – anna.whelan@brightonfestival.org | 01273 260825

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NOTES TO EDITORS

About Brighton Festival:

• Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round.

In pictures: Week 3

Wow - what a month we had! We've enjoyed every second of Brighton Festival 2015 and we hope you had a blast too. In the last week, we had outdoor spectaculars, dreamlike circus, ventriloquism, incredible music and much more. Explore the happenings of week three by clicking the gallery above.

Photos by Vic Frankowski, Chis Bethall and Jordan Hughes

In Photos: Brighton Festival Week Three

Wow - what a month we have had! We've enjoyed every second of Brighton Festival 2015 and we hope you had a blast too. This past week, we've had outdoor spectaculars, dreamlike circus, ventriloquism, incredible music and much more. Explore the happenings of week three by clicking the photos below...

The fun continues with a host of eclectic and exciting events...

Posted by Brighton Festival on Friday, 22 May 2015

Peacock Poetry Prize winners announced

The winners of the Peacock Poetry Prize 2015 - an annual creative writing competition produced by Brighton Festival and Brighton, Hove & Sussex Sixth Form College (BHASVIC) - have been announced.

The annual creative writing competition, produced by Brighton Festival and Brighton, Hove & Sussex Sixth Form College (BHASVIC), asks local poets aged between 7 - 18 years to explore and respond to a specific subject in an imaginative and inventive way. 2015 saw the writers respond to the theme of ‘birds’; a subject chosen by Brighton Festival 2015 Guest Director and award-winning author Ali Smith – which reflected one of the central themes of the Festival itself.

Read all the finalists entries

As Ali Smith writes -

Who were the first singers?

What direct link back to the days of the dinosaurs can we see all round us in the air, in the trees, on the ground, every day?

What has bones that are hollow to make themselves even lighter?

Birds. They're waiting in the wings.

What kind of creature – apart from people in an aeroplane, I mean – can fly for miles but be completely asleep all the way?

Which ones can fly backwards, and which can beat its wings 50 times a second?

Which can fly underwater?

Which can fly nearly a thousand miles a day?

Which helped with the war effort in both the first and the second world wars, and were even given medals for their service?

And here's a question as old as the birds : why did that chicken cross the road?

A charm of chaffinches, a chime of wrens, a colony of gulls, a congregation of eagles, an exaltation of larks, a flamboyance of flamingos, a gaggle of geese, a glittering of hummingbirds, a gulp of swallows, a huddle of penguins, a kettle of hawks, a murder of crows, a murmuration of starlings, a paddling of ducks, a quarrel of sparrows, a wisdom of owls.

Spread your wings.

Submissions were divided into three age groups - those writers aged between 7-10 years, 11-14 years and 15-18 years old.

If Birds Could Talk by 10-year old Laura Boyd won the 8-10 years category, The Boy and the Bird by Sarah Adegbite aged 13 won the 11-14 category, and 16-year old Olivia Sutherland won the 14-18 age range with Pigeonholed – A Sonnet for the Birds.

Winners were presented with their prizes by Ali Smith.

Pippa Smith, Head of Creative Learning at Brighton Dome & Brighton Festival said, 

‘the quality of work submitted is always astounding and we hope the poets pursue their dreams of making careers from their writing.’

Chris Thomson, Principal at BHASVIC said 

‘I’m delighted that the BHASVIC-inspired Peacock Poetry Prize goes from strength to strength. It is a wonderful way of bringing the writing talents of young people from all across Sussex to a focus. Thanks to the brilliant work of Brighton Festival staff, the Prize opens a door not only into the world of poetry but also into our marvellous Brighton Festival for all our entrants.’

Brighton Festival Live: PSK Trio

Africa Railway Project is the new live concept from Portuguese master bassist Theo Pascal, vocalist Carmen Souza and Mozambican percussionist and drummer Elias Kacomanolis. For the last few years, they have been conquering stages around the world with the Carmen Souza Project. Now PSK Trio sets out to explore other African roots and rhythms - especially those from Lusophone countries - in a more intimate set. You’re invited to join them on the Africa Railwayand embark on a new journey to an unknown destination.

Brighton Festival and Sussex Uni Film Project

In the last few months it has been a pleasure to work with Sussex University students, as they've worked to create a short promotional clip for Brighton Festival 2015. In the run up to the Festival, we were delighted to showcase this fantastic, animated, promotional clip for our 26 Letters programme of children's literature events across Brighton Festival channels.


Here's a selection of our favourite projects submitted...






Have you spotted our birds flying across windows?

They get around, our yellow birds. You may have seen them swooping and diving across some of the windows of local businesses. Some of these shops/bars/cafes/restaurants have been taking part in our Big Bird Trail and some are just getting into the Festival spirit. We'd like to say thank you to the following local businesses for getting involved in Brighton Festival this year:

Cybercandy
East
Oxfam Books
The Manor
Fidra Jewellers
Appendage
RSPB Shop for Nature
Pussy Home Boutique
Whirligig Toy Shop
Terre a Terre
Sally Salon Services
The Dorset Street Bar
Mucho Burrito
Yoma
Punktured
Silverado

Sam Lee celebrates unsung Brighton folk legend in special Nightingale walk

Mercury Prize nominated folk singer and song collector Sam Lee is paying homage to the late Mary Ann Haynes – a legendary Brighton-based Romany gypsy singer – as part of his award-winning Nightingale Walks (Tuesday 19, Wednesday 20 and Thursday 21 May from 9pm) at Brighton Festival 2015.

Born in 1905 in a Faversham wagon parked behind The Coach and Horses in Portsmouth, Mary Ann Haynes settled in Brighton where she worked as a flower-seller on the waterfront, earning enough to support her family but never achieving success as a singer in her lifetime. After her death in 1977 she was discovered by renowned folk recordist Mike Yates and her legacy of many hundreds of songs have now entered into the folk revival repertoire and adopted by self –confessed song collector Sam Lee.

‘I first discovered Mary Ann Haynes while I was indexing the Sound Archives at The Vaughan Williams Memorial Library about 10 years ago. I was set to work on the Mike Yates archive - he was the one who discovered her and recorded her singing, so I got the privilege of listening to all the songs he recorded beyond the ones that were publicly released on Topic Records in the 70s,’ explains Lee.

‘I think her songs have been a go--to repertoire as she had wonderful full and melodically interesting versions of some classic songs, and had that unique gypsy modal style that gave her tunes this wonderfully exotic twist to them.. I think it was some years before the taste for these versions came more popular, hence her possible lack of featuring in the revival festivals and folk clubs.’

In a recent concert at Brighton Dome Corn Exchange Lee met Betty Date, Mary Ann Haynes’ only surviving child who had seen him talk about his love of Hayne’s music at the launch of Brighton Festival 2013.

Sam Lee will perform Haynes’ Trees they Do grow High, Colour of Amber, Lovely Johnny and The Tanyard Side during his Brighton Festival event; a one-of-a-kind promenade performance taking place in ‘a melodius plot of beechen green’ out on the South Downs. In the dead silence of the night, accompanied by musicians, Sam will sing traditional songs to the nightingales as they sing back to him from the thickets in what promises to be a spellbinding and unforgettable call-and-response collaboration between man and bird. 


In Photos: Brighton Festival Week Two

With Moomins and wolves, spectacular visuals and super sounds, this past week at Brighton Festival has been pretty incredible! Peruse our pics by clicking below and see all the fun that was had... 

Too see what other Brighton Festival fun awaits head to our What's On page.

All photos by Victor Frankowski


We've had a blast this week, with lots of exciting events to inspire and delight us, and there is much more to come! Find out what's on at: https://brightonfestival.org/whats_on/

Posted by Brighton Festival on Monday, 11 May 2015

Brighton Festival Live: Masha Gessen

The Harriet Martineau Lecture
Introduced by Ali Smith
Presented with New Writing South

Celebrated Russian-American journalist, author and activist Masha Gessen is world-renowned for her outspoken opposition to Russia’s President Vladimir Putin, and as Russia’s leading LGBT rights activist. At one stage she was, in her own words, ‘probably the only publicly out gay person in the whole of Russia’. Her latest book, Words Will Break Cement: The Passion of Pussy Riot, is an investigation into the origins and motivations of the dissident art-punk group that made headlines around the world.

An exploration of freedom of speech and investigative journalism.

Masha Gessen delivers the annual Harriet Martineau Lecture commissioned by Writers’ Centre Norwich and first performed in Norwich on Saturday 16 May as part of the City of Literature programme. Norwich is England’s only UNESCO City of Literature. www.writerscentrenorwich.org.uk

Commissioned by Writers’ Centre Norwich to celebrate the life and legacy of Harriet Martineau, a 19th century radical thinker, writer and the world’s first female journalist.

In pictures: Week 2

With Shakespeare and sunshine, spectacular visuals and super sounds, this second week of Brighton Festival was pretty incredible! 

Photos by Vic Frankowski, Chis Bethall and Jordan Hughes

Guest Blog: Montefiore Meets Biscuitland

What to make of a show that asks you to view a neurological disorder/disability, as a 'superpower'? Well Jess Thom wants you to know that Tourette's is what makes her special and she's changing the world 'one tic at a time' and has turned her tics into some riotous entertainment.

The show, Backstage in Biscuit Land, is a mini-guide into the life of Jess who lives with the tics and outbursts caused by the syndrome. The lazy language of writing about disease wanted me to instantly nominate Jess as a Tourette's 'sufferer' but there was not much suffering on display during an anarchic show in which Jess and her co-performer Jess Mabel-Jones (known throughout as 'Chopin') told us about Jess's life.

Her Tourette's required no description. Her vocal tic of 'biscuit' and repetitive chest beating were on clear display throughout and cleverly incorporated into the show. At times it was difficult to tell whether what we were hearing was an inventive script or a new tic. As a show it more resembled Vic Reeves at his most absurd than a medical documentary.Tourette's is a neurological disorder that has become a lazy comic shorthand for scatological and offensive behaviour. Backstage in Biscuit Land trod a fine line in both debunking and reinforcing that view. Whilst we laughed at Jess's disinhibited and furiously inventive swearing, we were also educated as she explained that only 10% of those with the syndrome will swear in this way. We also sympathised as she explained that the same behaviour which had brought her to the theatre as performer had also seen her turned away from theatres as an audience member.

The context was important but dislocating. Her behaviours were exhibited prominently and for comic effect; seeing Jess massacre a plate of strawberries on a stage in a show was hilarious but seeing the same thing unprepared in a communal dining experience might be terrifying. The medic in me wanted to know what short circuit in neurological wiring led to this, whether she hurt her chest and why she was getting worse (a fact that was signified by a comedic love letter to her wheelchair).

In the middle of all the hilarious insanity of free biscuits, songs about bestiality and hedgehog finger puppets, we were pulled up short when an audience member was asked to read Jess's care plan in the event of her tics culminating in a full-blown seizure (a common event). As the seizure was superbly enacted by Chopin's puppetry the volunteer struggled to read the banal medical algorithm (with its' litany of safety and diazepam) without shedding a tear. The theatre was silent but for Jess's own unavoidable interruptions. In that moment we saw that in sharing her superpower with us Jess was also allowing us the privilege of seeing her vulnerability.

As 'Touretteshero” Jess has positively incorporated her disease into her reality in a way that many of us could never do. Her resilience and humour in the face of being different is a lesson for us all.

By Richard Simcock, Consultant Oncologist, Montefiore Hospital.
The Montefiore Hospital working in partnership with Brighton Dome & Brighton Festival, supporting community wellbeing via the arts.