Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

Showing 301 to 325 of 464 items

caravan 2016 programme announced

caravan, a partnership between Farnham Maltings and Brighton Festival presents a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers. This press release announces its 2016 programme.

  • caravan 2016 will take place on 15-17 May 2016 as part of the 50th Brighton Festival, which is celebrating its 50th anniversary in May
  •  The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  •  In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  •  Eight of the performances within the showcase will be open to the public to attend, as part of the Brighton Festival programme.

caravan 2016 follows the success of the showcases in 2008, 2010, 2012 and 2014 building on the ambition of previous years. The showcase aims to strengthen international networks and expand the range of opportunities for performing artists and companies based in England to work abroad.

The 2016 programme will be presenting a selection of the best new English performance, selected by a curatorial group drawn from some of the country’s leading directors and producers. The 2016 curatorial group included Andrew Jones, Fiona Baxter, Gavin Stride, Gabriella Triantafyllis, Jo Verrent, Lorne Campbell, Orla Flanagan and Sally Cowling.

2016 artists
Full performances


Eric MacLennan – A Voyage Around My Bedroom

An interactive journey, in a bedroom, in a glass box, in a field with audience input shaping the narrative

Christopher Brett Bailey – This is how we die
A highly verbose collage of spoken word and storytelling: tales of paranoia, young love and ultra-violence

Lost Dog – Paradise Lost (Lies unopened beside me)
Inspired by Milton, a re-telling of the story of the beginning of everything using words, music and dance

Greg Wohead – Comeback Special
Jam sessions and dance numbers combine in a re-enactment of Elvis Presley's 1968 Comeback Special

Jo Bannon – Alba
Influenced by her albinism, Jo Bannon blends light, proximity, movement and sound into a visual poem

Still House – Of Riders and Running Horses
A stirring and visceral new dance event created as a communal animation of urban spaces

Dickie Beau - Blackouts: Twilight of the Idols
Drag fabulist Dickie Beau conjures the spirits of celebrated Hollywood icons in a bewitching adventure

Sue MacLaine Company - Can I Start Again Please
A play exploring our capacity to process traumatic experiences and language’s ability to represent it

Spymonkey – The Complete Deaths
All 72 onstage deaths of Shakespeare’s plays are performed in 90 minutes

Andy Field – Lookout
A site-sensitive one-on-one encounter between one adult audience member and one child performer

Selina Thompson - Dark and Lovely
A solo piece exploring Black identity, inspired by the cultural and social debate surrounding Black hair

Emma Frankland - Rituals for Change
A performance creating a series of rituals to explore gender transition and the fluid notion of change

Pitches


Brian Lobel, 24 Italian Songs and Arias
Catherine Ireton, The Salon Project (working title)
Action Hero, RV project Europe (working title)
The Other Way Works, Agent in a Box
Sleepdogs, Steady State
Sheila Ghelani, Elemental

Gavin Stride, Director of Farnham Maltings & co-director of caravan, says:
We had over 200 proposals from every part of the country suggesting that there is a real appetite amongst theatre makers to connect internationally. I think the programme suggests that we have a vibrant, ambitious theatre community keen to find new ways of reaching new audiences”.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival, says:
We are really looking forward to collaborating again with Farnham Maltings, to present the best of new English performance for the fifth biennial caravan showcase as part of our 50th Brighton Festival celebrations. The showcase has grown substantially since it was launched in 2008, and now encompasses a selection of the most dynamic and innovative theatre and performance from around England. It has become a leading showcase and touchstone for international promoters and programmers to experience a diverse range of new work by our most innovative artists who are prime candidates at this stage in their careers to tour internationally”.

Ends


Notes to Editors:

caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council.

Farnham Maltings is a creative organisation based in Farnham, Surrey which works with artists and communities across South East England to encourage the greatest number of people to make, see and enjoy the best art possible.Brighton Festival commissions and produces an ambitious programme of local, national and international work across music, theatre, dance, visual art, outdoor performance, literature and debates.

Brighton Festival will take place in venues across the city and beyond from 7 to 29 May 2016.

Full details of caravan 2016 curatorial group:
Andrew Jones, Senior Programme Manager for Drama & Dance – British Council
Fiona Baxter, Deputy Director, Arts – Farnham Maltings
Gabriella Triantafyllis, General Manager –bios, Greece
Gavin Stride, Director – Farnham Maltings
Jo Verrent, Senior Producer – Unlimited
Lorne Campbell, Artistic Director – Northern Stage
Orla Flanagan, Theatre Producer – Brighton Dome & Festival
Sally Cowling, Associate Producer – Brighton Dome & Festival

Fifty years on the edge

50 Springs. 50 Festivals. 50 opportunities, in the words of the first Festival Director Sir Ian Hunter, to ‘…take a new look at the arts and [have] the opportunity to assess developments in the field of culture where the serious and the apparently flippant ride side by side.’ Every year some of the greatest artists, performers and thinkers have congregated for a festival in one of the most artistically rich and geographically blessed places in the country. Now that’s something to celebrate.

In a potent mix of art made here and art from all around the world, Brighton Festival has developed a legacy we are proud to have inherited. Since Sir Ian Hunter each Festival Director – Gavin Henderson, Chris Baron and Nick Dodds – has served those initial ideals and made each Festival a unique celebration of this ‘City on the Edge’, this place where the exciting meets the exotic meets the exasperating meets the exceptional.

The Guest Directors with whom we have worked since 2009 – Anish Kapoor, Brian Eno, Aung San Suu Kyi, Vanessa Redgrave, Michael Rosen, Hofesh Shechter, Ali Smith and this year the wonderful Laurie Anderson – have allowed us to celebrate this truly eclectic and all-embracing Festival in a new way whilst retaining a sense of past and place. It is this combination of the search for the new with a deep respect for our traditions which I believe is at the heart of Brighton Festival and at the heart of this magical creative city. And in this 50th year we particularly wanted to reflect on the nature of ‘home’ and ‘place’: ours as well as those evoked by the places our visiting artists call home. 

I’m particularly proud that as part of the 20 new commissions in this year’s programme, we are able to present so many new works by Brighton artists or about Brighton itself. Wildly different and each fascinating, the ‘Brighton Commissions’ are presented as a tribute to our home and the talent within it. Here’s to the 50th Brighton Festival, here’s to you, our audience, and here’s to the next 50 to come!

Andrew Comben
Chief Executive

Read more on the Brighton Commissions 

Explore what's on at Brighton Festival 2016 

Brighton Festival announces major new commission for 2016 inspired by untold story of First World War

Brighton Festival - alongside commissioning partners 14-18 NOW and Royal Pavilion & Museums, Brighton & Hove - has today announced a major new commission inspired by the untold story of the hundreds of thousands of men who travelled from India to fight for the Allies in the First World War.  

Created by performance company Nutkhut and brought together by a creative team that includes designer Tom Piper (Tower of London poppies), the ambitious, large-scale, immersive outdoor experience Dr Blighty is the latest event revealed for the 50th edition of Brighton Festival in May 2016.

More than a million men travelled from India to fight for the Allies during the First World War, their collective experiences constituting one of military history’s great untold stories. Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front would be brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. 

This major new collaboration, Dr Blighty, recalls this episode in Brighton’s wartime history, bringing the experiences of the soldiers - and the locals who came to care for them - movingly back to life via an immersive walk-through installation across the Royal Pavilion Estate. Animated by actors and enhanced by immersive installations, enthralling video projections, ambient soundscapes and theatrical interludes, inspired by letters the soldiers sent back home, the event will seek to capture the essence of the hospital and those who recuperated here.

The hospital installation will be complemented by a series of related performances and participatory outreach activities, drawing parallels with contemporary events while bringing this moving episode in Brighton’s history back to life. For four nights, a spectacular after-dark production will incorporate video projections on the Royal Pavilion, evoking memories of a very distant home for the soldier convalescents. In addition, the Philharmonia Orchestra will perform in a special ticketed concert at Brighton Dome with some of India’s leading contemporary musicians, marrying Western and Eastern classical music traditions.

Ajay Chhabra, Artistic Director of Nutkhut says: “Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Ajay Chhabra, Artistic Director of Nutkhut says: “Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Jenny Waldman, Director, 14-18 NOW, said: “We are thrilled to be working with Brighton Festival to present this ambitious project with an amazing group of artists brought together by Nutkhut, which will offer audiences an insight into the little-known and remarkable story underpinning the city’s involvement with the First World War."

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details of Brighton Festival 2016 will be announced on 17 February 2016

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 |brightonfestival.org
Follow us on Twitter - www.twitter.com/brightfestival (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:

About Dr. Blighty:

• Co-commissioned by Brighton Festival, 14-18 Now and Royal Pavilion & Museums, Brighton & Hove.

• The full Dr. Blighty creative team includes:
Ajay Chhabra (Artistic Director)
Shri Shriram (Composer)
Tom Piper & Amanda Stoodley (Design)
Sian Thomas (Performance Director)
Stephen Clark (Writer)
Phil Supple (Lighting Designer)
Novak (Video & Animation)
Ed Carter (Sound Designer)

About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Full programme details will be announced on Wednesday 17 February 2016.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About 14-18 NOW:

• 14-18 NOW is a programme of extraordinary arts experiences connecting people with the First World War. Their programme takes place from 2014 to 2018 and is timed to mark the centenary of the war, which raged across Europe, Asia and Africa from 1914 to 1918.

• 14-18 NOW commission artists from all art forms to look afresh at the First World War conflict and create shared experiences exploring this significant moment in time. They work with cultural organisations across the UK to commission new art, theatre, film, dance, digital, music, poetry and mass-participation events
• 14-18 NOW firmly believes in the transformative power of the arts to bring the stories of the First World War to life. Perceptions of the war have been shaped by the artists of the time, including poets, painters, photographers and film-makers – many of whom served and who reflected on the war and its effects. One hundred years later, today’s artists are opening up new perspectives on the present as well as the past.

About Nutkhut:

• Formed in 2003, Nutkhut exists to fulfil the creative vision of Simmy Gupta and Ajay Chhabra

• As an ideas-led, art focused performance company, Nutkhut creates work mixing performance, dance, film, participation and a distinctly British comedic sensibility and eccentricity. Nutkhut has been delighting audiences for over 10 years and are a major presence in the outdoor performing arts sector, working regularly with festivals and events across the UK and beyond.

• Nutkhut is led by two British Asian artists, Simmy Gupta and Ajay Chhabra. The company is unique as it draws inspiration from the Artistic Directors’ backgrounds and mixes it with a very British sense of humour and mischief. Nutkhut is highly representative of modern Britain and create work which could only have come from the here and now.

About Royal Pavilion & Museums

• Royal Pavilion & Museums is the museum service of Brighton & Hove City Council. It directly operates: The Royal Pavilion, Brighton Museum & Art Gallery, Hove Museum & Art Gallery, The Booth Museum of Natural History and Preston Manor

• Its collections include three which are Designated: World Art, Decorative Art and Natural History. Other collections include Local History, Archaeology, Fashion, Fine Art, Toys and Media.

• It has responsibility for a number of historically important listed buildings and monuments: William lV Gatehouse, India Gate, Northgate House, 4/5 Pavilion Buildings, Portslade Old Manor, The Old Courthouse and Courtroom, Jaipur Gate at Hove Museum & Art Gallery

• The service provides advice and support to voluntary-run museums and heritage organisations within the city: The Old Police Cells Museum, the Fishing Museum, the Toy and Model Museum, West Pier Trust and West Blatchington Windmill.

City Reads 2016 novel announced

Paul McVeigh’s novel The Good Son becomes Brighton’s ‘Big Read’ as part of the 50th Brighton Festival

Brighton-based author Paul McVeigh’s The Good Son – shortlisted in The Guardian’s ‘Not The Booker Prize’ annual list – has been chosen for City Reads 2016. Delivered by award winning literary organisation Collected Works CIC, City Reads is the longest running ‘big read’ in the UK conceived to spread a love of books and ideas to the widest possible audience throughout the region. The annual event will return to its cultural home in 2016 as it becomes part of Brighton Festival’s 50th anniversary celebrations.

Paul McVeigh says ‘when I moved to Brighton a few years ago, one of the first things I did was volunteer for City Reads to celebrate books and get to know my new city. Who could believe that just a few years later my book would be chosen and my adopted city would adopt me right back. That it will be part of the 50th anniversary of the Brighton Festival is such an honour. I can’t wait to get started.’

The Good Son – chosen to mark the centenary of the Easter Rising in 2016 – is a bitter sweet tale, set in 1980s Belfast. Mickey Donnelly is smart, which isn’t a good thing in his part of town. Despite having a dog called Killer and being in love with the girl next door, everyone calls him ‘gay’. He has to protect his Ma and his sister Wee Maggie from the Troubles and from Da. And sometimes... you have to be a bad boy to be a good son.


Sarah Hutchings, Artistic Director of City Reads says ‘This outstanding debut from Brighton based Irish writer Paul McVeigh was the perfect choice, particularly as it’s the centenary of the 1916 Easter Rising this year. I defy anyone not to fall in love with its protagonist Mickey Donnelly. He’s clever, naive and hilariously funny. I hope you love it as much as we do at City Reads.

From its launch on World Book Day (3 March) to the final event at Brighton Festival on 29 May, City Reads will encompass a wide range of events and discussions themed around the novel that encourages residents across Brighton & Hove to get reading and start talking. Highlights include an Irish Whiskey Tasting on St Patrick’s Day (17 March) - from top taster Dave Broom - with readings from The Good Son and live music, a special screening on the official centenary of the 1916 Easter Rising (24 April) of Pat ‘O Connor’s 1984 film Cal (starring Helen Mirren) and of course the perennial favourite: The City Reads Book Quiz returns on 27 April.

Andrew Comben, Chief Executive Brighton Dome & Brighton Festival says: ‘We are delighted that City Reads is part of Brighton Festival this year - building on our strong relationship with Collected Works through other partnership projects such as Young City Reads and Adopt an Author. It’s especially exciting for us to champion the work of a local writer as part of 50th edition of the Festival – in which we explore the concept of home and the various writers, artists and performers that live in this city on the edge.’ 

Do you have a Brighton Festival story to tell?

Did you see The Who at Brighton Festival 1967? Ella Fitzgerald at Brighton Festival 1971? The Ramones at Brighton Festival 1986? Do you remember The Zap Club tent or The Town Plays? Have you ever performed at Brighton Festival? Do you have any memories of the city itself during Festival time? If so, we’d love to hear from you.

In 2016, Brighton Festival marks its milestone 50th year. Over five decades the three-week celebration of the arts has become a major milestone in the international cultural calendar; bringing visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances to the city.

We’re collecting memories, memorabilia and musings on the last 50 years of Brighton Festival – if you’ve got a story to tell or a memory to share, please email mymemories@brightonfestival.org and we’ll be in touch.

Brighton Festival announces major new commission for 2016 inspired by untold story of First World War

Brighton Festival - alongside commissioning partners 14-18 NOW and Royal Pavilion & Museums, Brighton & Hove - has today announced a major new commission inspired by the untold story of the hundreds of thousands of men who travelled from India to fight for the Allies in the First World War.

Created by performance company Nutkhut and brought together by a creative team that includes designer Tom Piper (Tower of London poppies), the ambitious, large-scale, immersive outdoor experience Dr Blighty is the latest event revealed for the 50th edition of Brighton Festival in May 2016.

More than a million men travelled from India to fight for the Allies during the First World War, their collective experiences constituting one of military history’s great untold stories. Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front would be brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate.

This major new collaboration, Dr Blighty, recalls this episode in Brighton’s wartime history, bringing the experiences of the soldiers - and the locals who came to care for them - movingly back to life via an immersive walk-through installation across the Royal Pavilion Estate. Animated by actors and enhanced by immersive installations, enthralling video projections, ambient soundscapes and theatrical interludes, inspired by letters the soldiers sent back home, the event will seek to capture the essence of the hospital and those who recuperated here.

The hospital installation will be complemented by a series of related performances and participatory outreach activities, drawing parallels with contemporary events while bringing this moving episode in Brighton’s history back to life. For four nights, a spectacular after-dark production will incorporate video projections on the Royal Pavilion, evoking memories of a very distant home for the soldier convalescents. In addition, the Philharmonia Orchestra will perform in a special ticketed concert at Brighton Dome with some of India’s leading contemporary musicians, marrying Western and Eastern classical music traditions.

Ajay Chhabra, Artistic Director of Nutkhut says: 'Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: 'This is an important story, both in the history of Brighton & Hove and in the wider context of the First World War - one which we think deserves to be better known. In Brighton Festival’s 50th year, it’s even more appropriate that we present this piece now and I am delighted to be working with our partners to bring it to fruition.'

Jenny Waldman, Director, 14-18 NOW, said: 'We are thrilled to be working with Brighton Festival to present this ambitious project with an amazing group of artists brought together by Nutkhut, which will offer audiences an insight into the little-known and remarkable story underpinning the city’s involvement with the First World War.'

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

Full programme details of Brighton Festival 2016 will be announced on 17 February 2016. 

Danny Wallace’s Hamish and the Worldstoppers chosen for Young City Reads

Collected Works CIC and Brighton Festival - which celebrates its 50th edition in 2016 - are delighted to reveal that Danny Wallace's Hamish and the Worldstoppers has been chosen as the 2016 'Big Read' for children across Brighton & Hove. The concept is simple: one book, by one author is selected for the whole community to read, explore, discuss and creatively engage with.

‘Everyone knows that Brighton has the funniest, coolest, stinkiest children in Britain - and when I heard that they’d all be reading my book, my feet fell off in delight. Brighton Young City Reads is a brilliant thing, and for Hamish to be at the centre of it this year is a real honour. Jamie and I can’t wait to see what the kids think. Now excuse me while I put my feet back on.’ Danny Wallace, Young City Reads author, Jan 2016

About the book

What would YOU do... if the whole world just stopped? Yes the WHOLE WORLD. Birds in the air. Planes in the sky. And every single person on the planet - except you. Because that's what keeps happening to ten-year-old Hamish Ellerby. And it's being caused by The WorldStoppers and their terrifying friends The Terribles! They have a PLAN. They want to take our world for their own . . . Oh, and they hate children. Especially if you're a child who knows about them. Hang on - You know now, don't you? Oh dear. Can Hamish save us from the WorldStoppers? Only time will tell…..

Sarah Hutchings, Artistic Director, Collected Works CIC, commented, ‘Young City Reads is all about the pure pleasure of reading. It inspires children to take time over the reading a book and then encourages them to discuss it with friends, teachers, parents or grandparents. It’s a celebration of words and pictures. And did I mention it’s also great fun!’

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival said: ‘Young City Reads is always a highlight of Brighton Festival; young booklovers, en masse, discussing and sharing one story before meeting the author themselves… it’s a unique event and something we’re very proud of. One theme we’ll be exploring at our 50th Brighton Festival is the future of art - who are the new voices, what will the next generation make and what role might they play? That Danny Wallace’s adventurous tale sees the fate of the world in the hands of one plucky youngster is, to me, a very fitting and apt choice for the whole city to enjoy.’

How can local primary schools get involved?

• Primary school teachers and classes are being invited to register online (for FREE) and agree to read Hamish and the Worldstoppers together in class between (3 March – 19 May 2016). The Class Teacher or Head Teacher can complete a sign-up form on the City Reads website at: cityreads.co.uk

• Throughout the project, participating classes will receive FREE weekly e-bulletins which will include bite-size Hamish quizzes, puzzles and fun activities to complete.

• This is a great way for classes to get excited about a book and to experience the benefits of shared reading and the fun it brings.

Find out more on the Young City Reads page

Young City Reads 2016 - Key Dates

• 3rd March 2016 (World Book Day) Young City Reads launches at Jubilee Library

• 19th May 2016 (Brighton Festival Event) Special Young City Reads event at Brighton Festival featuring the author and illustrator LIVE.

Call out for artists to participate in caravan marketplace 2016

caravan is a three-day showcase of site specific, interactive and incidental performance presented as part of Brighton Festival that aims to strengthen the international networks and expand the range of opportunities for performing artists and companies in England to work abroad. 

The curated programme features England’s most exciting artists from established international names to the brightest new talent. The 2016 programme includes performances from: Lost Dog’s Edinburgh Festival hit Paradise Lost (lies unopened beside me), new work from Spymonkey and Greg Wohead, Of Riders and Running Horses by Still House, alongside work from Eric MacLennan, Andy Field, Christopher Brett Bailey, Dickie Beau, Jo Bannon, Emma Frankland, Selina Thompson and Sue MacLaine.

Paradise Lost at Brighton Dome


caravan marketplace

caravan is a convivial event designed to encourage artists, commissioners, programmers and potential collaborators to explore new ways of working together, to share ambitions and to reach new audiences. 

The caravan marketplace takes place on Tuesday 17 May from 10am-12pm, and is an opportunity for artists and companies to host a stand in Brighton Dome Corn Exchange, and to share information about current or future projects with approximately 50 national and international delegates.

For more information or to apply to be part of marketplace, please complete the application form and submit by email to Monica at monica.bakir@farnhammaltings.com by 12pm on Friday, 05 February. A small subsidy is available to support travel and/or access costs.

Pioneering artist and musician Laurie Anderson announced as Guest Director for 50th Brighton Festival

Brighton Festival is delighted to announce that the Guest Director for 2016 is the pioneering artist and musician Laurie Anderson. Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home. 

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance and Buddhist teachings. 

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year."

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies. Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Memory is a Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public. 

Andrew Comben, Chief Executive of Brighton Festival says: “We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details will be announced on 17 February 2016. Events for 2016 which can be revealed now are:

Memory is a Minefield by Lola Arias
Brighton Festival co-commission, World Premiere

Argentinian writer, director and songwriter Lola Arias returns to Brighton Festival following her acclaimed Brighton Festival 2013 UK premiere of My Life After with a new work about the Falklands Islands /Islas Malvinas, developed with and performed by Argentinian and British veterans of the conflict. In a production that is political, playful and highly personal, Arias brings together soldiers who fought on opposite sides, giving them an opportunity to share with us and each other their first hand experiences on a battlefield 8000 miles from London. Merging film, re-enactment and documentary theatre Memory is a Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Memory is a Minefield will premiere at Brighton Festival and is co-produced by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm. 

The Complete Deaths, performed by Spymonkey & directed by Tim Crouch
Brighton Festival commission, World premiere

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - ranging from the Roman suicides in Julius Caesar to the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Leading Brighton-based physical theatre company Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. Directed by Brighton-based multi-award winning playwright and performer Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb) - The Complete Deaths will be a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Until The Lions by Akram Khan Company
Brighton Festival co-commission

A brand new, full-length production from award-winning choreographer and dancer Akram Khan. In this partial adaptation of poet Karthika Naïr’s book Until the Lions, an original reworking of the epic Mahabharata, Khan uses kathak and contemporary dance to tell the tale of Amba, a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge. 

Bringing together some of the original team from his acclaimed solo DESH, Khan will explore the notion and the physical expression of gender. Until the Lions is set to be one of Khan’s most startling and spectacular works to date, in which he will perform alongside two of his company dancers and four musicians.

Stella by Neil Bartlett
Brighton Festival co-commission. World premiere

A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – Stella is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A theatrical love-letter to a truly remarkable person, Stella is a co-commission by LIFT, Brighton Festival and Holland Festival.

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfestival (@brightfest)

Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:

 About Brighton Festival:

  • · Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.
  • · Full programme details will be announced on Wednesday 17 February 2016.
  • · Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.
  • · Since 1985 Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.
  • · Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.
  • · Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.
  • · Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About Laurie Anderson:

  • · Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist.
  • · O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the autumn of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.
  • · Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the autumn of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.
  • · Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Britannica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.
  • · Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970's to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in autumn 2008.
  • · As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in autumn 2008 with the Noord Nederlands Orkest.
  • · Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.
  • · In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan.
  • · In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010.
  • · Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.
  • · In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia.   That same year she was awarded with the Pratt Institute’s Honorary Legends Award.  
  • · In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!”  Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. 
  • · She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York.
  • · In 2015 her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals and her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim.  Anderson lives in New York City.

About Guardian Live

  • · Guardian Live is the Guardian's programme of events that offer readers the chance to hear first-hand from people in the news and from those who create the arts and culture we admire. Readers can meet the people behind the Guardian - journalists, columnists and editors - as well as watch and join the debates that shape stories. For more information on the programme, visit theguardian.com/guardianlive  

About caravan

  • · caravan is a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers.
  • · caravan 2016 will take place from 15-17 May 2016 as part of Brighton Festival.
  • · The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  • · In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  • · caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council. www.caravanshowcase.org.uk 

Download the PDF here


Laurie Anderson is Guest Director of Brighton Festival 2016

Brighton Festival is delighted to announce the pioneering artist and musician Laurie Anderson as Guest Director for 2016.

Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home.

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city, following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says:

'I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year.'

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies.

Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan.

Andrew Comben, Chief Executive of Brighton Festival says: 'We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.'

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public.

Full programme details of Brighton Festival 2016 will be announced on Wednesday 17 Feb 2016. 

Sponsorship opportunities for 50th Brighton Festival

Local businesses are being offered a unique opportunity to be part of a major historical landmark next year as Brighton Festival - the largest and most established annual curated multi-arts festival in England – celebrates its 50th year of bringing arts and culture to the city in 2016.

Established in 1967, Brighton Festival become one of the city's most enduring symbols of inventiveness and celebration over the past half century. This milestone year offers a chance for companies to be a part of the celebrations and also to demonstrate the spirit of partnership that will enable the city to thrive for the next fifty years.

With audiences reaching over 460,000 in 2013, Brighton Festival not only encourages visitors the city, but also engenders a sense of pride that increases leisure visits. Audience data demonstrates that 36% of Brighton Festival bookers are from outside the city and of the rest - a third of these local resident bookers - also buy tickets for visiting friends and family.

The annual Children’s Parade - the largest of its kind in Europe - which traditionally opens the Festival is embraced by the whole city, attended by 5,000 children from over 80 schools and community groups from across the region and watched by many thousands of spectators.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: “I believe Brighton Festival has become part of the city’s DNA – one of the things everyone thinks about when they think of Brighton and part of the reason businesses and visitors want to come here. One of the most exciting thing is that the whole city gets involved, from our colleagues in the cultural sector to the city’s hotels and pubs. Together, we make sure the month is not only a cause for celebration, but also one that contributes tens of millions of pounds to our local economy every year.

As a registered arts charity with just 34% of its operational costs covered by regular public funding, Brighton Dome & Brighton Festival has to raise from a variety of sources, the other 66% needed to operate and to continue to successfully run the various strands of the organisation. Sponsoring Brighton Festival not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences and expand their networks, but also meet corporate social responsibility objectives by supporting the local community through outreach work. 

2015 sponsors included University of Sussex, Southern Water, Brighton and Sussex Medical School, London Gatwick, Mayo Wynne Baxter, Class of Their Own, Riverford Organic Farms, DMH Stallard, The Montefiore Hospital, Nutshell Construction Limited, Griffith Smith Farrington Webb LLP solicitors and GM Building.

Confirmed sponsors for 2016 already include Nutshell Construction and SELITS.

Managing Director, Nutshell Construction, Ben Copper said: “We are delighted to be renewing our sponsorship of the Brighton Festival during its 50th anniversary year. Sponsorship of the event gets us in front of potential customers, it raises our profile by associating our business with a gilt-edged brand and it makes real business sense – as well as giving us a chance to support the arts and our home town.”

Andrew Comben continues: “Bringing Brighton Festival together every year is an incredible privilege. We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th celebrations in 2016 - and with the help of new and returning supporters we hope to make it very special indeed.”

To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org
Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival
Listen to our monthly podcast - http://soundcloud.com/brighton-dome

Notes to Editors:

About Brighton Festival:


Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals for artists and audiences, Brighton Festival is known for commissioning and producing an ambitious programme that aims to make the most of the city’s distinctive cultural atmosphere.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre.

• Each year, the work of the Creative Learning team reaches over 15,000 people in Brighton & Hove and beyond through innovative projects such as Miss Represented - an arts collective of vulnerable young women who have been involved with the criminal justice system and isolated young women in the community; the Umbrella Club - a membership club for children and young people with life-limiting conditions and their siblings and carers; and Three Score Dance Company, created to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove.

• Brighton Dome & Brighton Festival is a registered arts charity (registered charity no 249748)

Click here to view the PDF

Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate.

Spymonkey is the UK's leading physical comedy company, based in Brighton and comprising a core creative ensemble of five lead artists: artistic directors Toby Park, Petra Massey and Aitor Basauri, and associate artists Stephan Kreiss and designer Lucy Bradridge. They’ve been making sublimely hilarious and deeply ridiculous theatre since 1998. Recent Brighton Festival appearances include Oedipussy (2012) and Cooped (2006)

Tim Crouch is a multi-award winning playwright and performer living in Brighton. His work has played in theatres and at festivals around the world. His four award-winning solo Shakespeare plays I, Caliban. I, Peaseblossom, I, Banquo and I, Malvolio were commissioned by Brighton Festival. 

Established in 1967, Brighton Festival is a three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. 

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

The 50th Brighton Festival takes place from 7-29 May 2016.

Listings information:


The Complete Deaths by Spymonkey & Tim Crouch
World Premiere.
Commissioned by Brighton Festival.
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm
Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare (75 if you count the black ill-favoured fly killed in Titus Andronicus). From the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. And then there’s the pie that Titus serves his guests. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. These ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them. Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death.  

-ENDS-


For further enquiries, please contact:

Emma Robertson, Head of Press and PR – emma.robertson@brightonfestival.org I 01273 260803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Ticket Office - 01273 709709 | www.brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

• It aims to champion the power of the arts, to enrich and change lives, and to inspire and enable artists to be their most creative.

• Brighton Dome & Brighton Festival are a registered arts charity

• Brighton Dome & Brighton Festival are working with the Royal Pavilion & Museums on a joint masterplan to realize a future vision for the Royal Pavilion Estate. For updates and news please visit www.brightondome.org or contact 

The Complete Deaths at Brighton Festival

Your first glimpse at Brighton Festival 2016

Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate. The Brighton Festival performances are supported by ZSTa.

The 50th Brighton Festival takes place from 7-29 May 2016 – a full programme of events will be announced mid-February 2016 when tickets will go on sale. Click here to become a Member and be first in line to book.

More news about the 50th Brighton Festival programme will be announced shortly.

Brighton Festival 2016 announces Children’s Parade theme

Brighton Dome & Brighton Festival is delighted to announce that the theme for the 2016 Children’s Parade - which will take place on Saturday 7 May - is ‘Brighton celebrates’.

Jointly produced with award-winning community arts organisation Same Sky and supported by local businesses Class of their Own and Riverford, the annual Children’s Parade officially launches Brighton Festival and has delighted participants and spectators for over 25 years. The largest of its kind in Europe, the parade is attended by almost 5,000 children from schools and community groups from across the region and cheered on by many thousands of spectators.

With a different imaginative theme each year, previous parades have seen children dress up as everything from letters of the alphabet and Brighton street names to books, mermaids and even slices of cake. In 2016 participants will be invited to be part of a major historical milestone as Brighton Festival celebrates its 50th year, taking inspiration from the people, places, ideas and innovations that shape the city’s unique character and identity.

Established in 1967, the three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin.

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature a wide range of international, national and local artists and companies including site-specific pieces, exclusives, world and UK premieres.

Pippa Smith, Brighton Festival 2016’s Children & Family programmer says: 'In 2016 Brighton Festival proudly enjoys its 50th birthday, and we can think of no better way of launching this special event than by inviting the children of Brighton to take to the streets with the theme of celebration. Brighton schools and community organisations will be working hard over the coming months exploring creative ways of representing the very best of the people, places and ideas which form our beautiful city. 5000 children will take part in the annual opening parade on Saturday 7 May representing Brighton characters past and present, landmarks old and new and the ideas and innovations that will carry us into Festival 50 in an explosion of sound and colour.'

One of the most spectacular community events in the UK, Same Sky spends six months working behind the scenes to create the event, with creative teams instructing teaching staff how to teach dance and parade chants, run free masterclasses, help develop design ideas and encourage imagination to flow.

John Varah, Artistic Director, Same Sky says: 'All of us here at Same Sky are excited to be working with over 75 schools to celebrate the best of our lovely city. For 50 years Brighton Festival has engaged, entertained and entranced, both us locals and a national and international audience. This year's theme will allow us to highlight the wonderful qualities of our unique and diverse city by bringing these stories alive with art, music and dance. See you on the streets!'

The event will be sponsored in 2016 by Class of Their Own - who return for a third year as sponsors of the event – and Riverford Organic Farms.

Stephen Spears from Riverford Organic Farms says: 'I was so touched by being involved in last year’s event that I knew Riverford Organic Farms should continue to support the wonderful Children’s Parade this year. Riverford delivers organic fruit, veg, dairy, deli and meat to your door. Through this sponsorship we will continue to promote healthy eating, inspiring recipes and delicious pesticide-free produce to families across Brighton, Hove and Sussex.'

Sam Thomson and Tanya Petherick from Class Of Their Own said: 'We are delighted to be able to support such a fantastic community event for the third year running. This year will be a particularly special year as we will be celebrating 15 years and Brighton Festival is celebrating 50 years. We look forward to celebrating at the Children’s Parade with local children and families and to seeing you there.'

The Children’s Parade is on Saturday 7 May 2016. The 50th Brighton Festival will take place on 7-29 May 2016. 

Sponsorship opportunities for 50th Brighton Festival

Local businesses are being offered a unique opportunity to be part of a major historical landmark next year as Brighton Festival - the largest and most established annual curated multi-arts festival in England – celebrates its 50th year of bringing arts and culture to the city in 2016.

Established in 1967, Brighton Festival become one of the city's most enduring symbols of inventiveness and celebration over the past half century. This milestone year offers a chance for companies to be a part of the celebrations and also to demonstrate the spirit of partnership that will enable the city to thrive for the next fifty years.

With audiences reaching over 460,000 in 2013, Brighton Festival not only encourages visitors the city, but also engenders a sense of pride that increases leisure visits. Audience data demonstrates that 36% of Brighton Festival bookers are from outside the city and of the rest - a third of these local resident bookers - also buy tickets for visiting friends and family.

The annual Children’s Parade - the largest of its kind in Europe - which traditionally opens the Festival is embraced by the whole city, attended by 5,000 children from over 80 schools and community groups from across the region and watched by many thousands of spectators.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: “I believe Brighton Festival has become part of the city’s DNA – one of the things everyone thinks about when they think of Brighton and part of the reason businesses and visitors want to come here. One of the most exciting thing is that the whole city gets involved, from our colleagues in the cultural sector to the city’s hotels and pubs. Together, we make sure the month is not only a cause for celebration, but also one that contributes tens of millions of pounds to our local economy every year.”

As a registered arts charity with just 34% of its operational costs covered by regular public funding, Brighton Dome & Brighton Festival has to raise from a variety of sources, the other 66% needed to operate and to continue to successfully run the various strands of the organisation. Sponsoring Brighton Festival not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences and expand their networks, but also meet corporate social responsibility objectives by supporting the local community through outreach work.

2015 sponsors included University of Sussex, Southern Water, Brighton and Sussex Medical School, London Gatwick, Mayo Wynne Baxter, Class of Their Own, Riverford Organic Farms, DMH Stallard, The Montefiore Hospital, Nutshell Construction Limited, Griffith Smith Farrington Webb LLP solicitors and GM Building.

Confirmed sponsors for 2016 already include Nutshell Construction and SELITS.

Managing Director, Nutshell Construction, Ben Copper said: “We are delighted to be renewing our sponsorship of the Brighton Festival during its 50th anniversary year. Sponsorship of the event gets us in front of potential customers, it raises our profile by associating our business with a gilt-edged brand and it makes real business sense – as well as giving us a chance to support the arts and our home town.”

Andrew Comben continues: “Bringing Brighton Festival together every year is an incredible privilege. We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th celebrations in 2016 - and with the help of new and returning supporters we hope to make it very special indeed.”

To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

Dance Film Festival UK to screen Brighton Festival films

Two films shot during Brighton Festival 2014 by Hove-based Supernova Learning have been selected from a high number of applicants for screening at this year's Dance Film Festival UK. Three Score at the Station documents the journey of Three Score Dance Company (TSDC) – a dance company for the over 60s – from early rehearsals to their world premiere performance of choreographer James Finnemore's Plans at Brighton Station. A second film – Plans at Brighton Station – features the entire performance in full.


'It’s exciting for Three Score, and the individuals and organisations supporting us, to have this wider interest in our wonderful performance experience at Brighton Station. It’s deserved recognition for our choreographer James Finnemore. It’s rewarding for me as a filmmaker to have the prestigious acceptance of the dance film community.’

Vincent Thompson, Supernova Learning

Plans was commissioned by Brighton Festival in association with South East Dance as part of Brighton Festival 2014’s programme of events. Crowds, commuters and tourists came to a standstill as TSDC’s eighteen dancers performed throughout the day on Saturday and Sunday in a flash-mob.

Choreographer James Finnemore – a former dancer with the critically-acclaimed Hofesh Shechter Company – said of the performance:

‘I came with pretty much a blank slate. I had the title and quite a strong structure in terms of floor plans… but with a bit of organised chaos in the middle! I prefer simplicity in general. If people don’t want to do a dance phrase, then I don’t want to make them. I find that sometimes less interesting. I prefer it to be more human, more simple.’


TSDC is the vision of two local women, Saskia Heriz and Christina Thompson, both of whom have been inspired by the work of The Company of Elders; a dance company for the over 60’s resident at the internationally renowned Sadler's Wells Theatre in London. Although many members of Three Score have had no prior dance training, their wealth of life experience brings a unique quality to their work. The company is led by Rehearsal Director, Jason Keenan-Smith, with professional choreographers commissioned to create bespoke pieces for performance.

The company is currently housed at Brighton Dome. Three Score Dance Company is supported by South East Dance in association with Brighton Dome. Funded by the National Lottery through Arts Council England.

Dance Film Festival UK is part of The Fi.ELD Festival 2014 and takes place on the 9th & 10th August 2015 at Stratford Circus. 

Artist Opportunity: Caravan 2016

Are you a professional, England-based artist or company specialising in theatre and/or performance?

Want to get your work seen by international and national promoters, festival organisers and presenters?

Don’t miss your chance to show off your work in The Caravan Showcase 2016, as part of Brighton Festival. The Caravan Showcase is one of the UK’s leading programmes of new and exciting site-specific and interactive theatre and performance. Applications are now open for Caravan 2016, and they’d love to hear from you. For more information and how to apply, please visit caravanshowcase.org.uk/showcase/artists

The deadline for submissions is 10am on Thu 23 July2015

Winners announced for competition to raise awareness of water scarcity

Brighton Festival, Brighton & Hove environmental education (BHee), Brighton & Lewes Downs Biosphere and Southern Water have announced the winners of the Our Water Matters competition.

The competition saw primary-aged children challenged to think of ways that they, their families and their schools could save water, with an aim to raise awareness amongst families in the city and beyond about the precious water resource lying beneath our feet.

Both drawings and written entries were submitted by children from over 35 schools, with many including the competition in lessons about the water cycle. Hundreds of entries were received, with ideas ranging from challenging our habit of washing clothes that are not really dirty through to creating a book featuring 24 water saving ideas and illustrations.

Six finalists - Lola Leonard (age 9), Ophelia Sullivan (age 6), Katherina Ilieva (age 11), Junior Fokou (age 10), Zach Wall (age 7), Hope Burnell (age 7) - were invited to a special ceremony at Brighton Dome Café-bar attended by the Mayor of Brighton & Hove Councillor Lynda Hyde on Friday 3 July. Lola Leonard was chosen as the overall winner of the competition for her ‘bath box’ idea which would save 70% water and energy from a normal bath.

Helen Peake, BHee Education Officer and one of the judges, said, ‘the judging team were really impressed by both the number and quality of entries, and choosing the winners was no easy task. There was a great mix of ideas: simple actions which we can all take to save water every day; exciting new inventions; and ideas for working together and spreading the water-saving message to others. It’s truly inspiring to see the youngest members of our communities with such positive attitudes to caring for our unique local environment.’

Our Water Matters was launched during Brighton Festival 2015 in response to Gauge – a fully immersive and interactive installation based in Circus Street Market which offered visitors a hands-on encounter with weather and water to create a playful and curious investigation into climate change. Created by sonic artists Madeleine Flynn and Tim Humphrey and sponsored by Southern Water, the exclusive work featured several large scale installations created by a group of Australian artists and scientists to reflect the beauty and importance of processes related to water.

The installation also played host to a special weekend of events in which Gauge interacted with Brighton & Lewes Downs Biosphere, following the local area’s recognition by UNESCO in 2014 as an international site of excellence that is pioneering a positive future for people and nature and incorporates countryside, coast and city. Our Water Matters sought to support their work and raise awareness of the unique area we live in.

Rich Howorth, Biosphere Project Officer explains ‘we are lucky to live in a fantastic environment here which we call our ‘Biosphere’; the Downs, towns and coast are all very special places which we want people to enjoy and look after for the future. Perhaps the most precious thing we have is our natural source of pure drinking water that lies hidden beneath the ground. We need to use it wisely and not waste it.’


Sponsorship support lifts Brighton Festival to new levels of success

Brighton Festival 2015 - the largest and most established of its kind in England - came to a soaring conclusion last month, buoyed up by a plethora of new and returning sponsors who provided invaluable support for the event while also gaining significant exposure for their business.

The three-week Festival - guest directed by award-winning author Ali Smith - featured a thrilling selection of events spanning music, theatre, dance, visual art, film, literature and debate by artists and performers the world over, drawing audiences in droves and unanimous critical acclaim.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest in Europe. Supported by local businesses Class of their Own and Riverford – as well as Gatwick Airport who fittingly came on board for the first time - the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event.

One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York ( supported by University of Sussex) which was lavished with 5 stars across the board. Other highlights included an interactive installation inspired by the weather in Circus Street Market (sponsored by Southern Water) to an extraordinary feat of rock balancing (sponsored by Nutshell Construction) and a night-time promenade theatre piece in Stanmer Park (sponsored by Mayo Wynne Baxter).

Stewart Wingate CEO of Gatwick Airport says: “As the airport continues to grow year on year, we are delighted to welcome artists from abroad to our arrivals lounge. Brighton and Hove is an important city for our airport, with one in 30 passengers arriving from here every year – so we were thrilled to have given it our wholehearted support this year”.

'The exposure of our name alongside prestigious events is very important for our profile”, says Martin Williams, Partner Mayo Wynne Baxter solicitors, who have been sponsors since 2011. “Clients remark positively on our involvement with Brighton Dome & Brighton Festival, which helps cement our position in the city.'

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: ‘We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year - and it is thanks to their help that we can continue to make Brighton Festival and the city itself such a magical place to be in May.

Other sponsors included Brighton and Sussex Medical School,  DMH Stallard, SELITS, GM Building, Brighton and Hove Jobs.com, Echo Video, Grandad, Hoi Polloi, IEP Financial, Midnight Communications, Moshimo, MyHotel, One Digital, Terre a Terre and WSP.

Sponsoring Brighton Festival & Brighton Dome not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences, but also meet corporate social responsibility objectives by supporting the local community through outreach work. To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803

Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838

Anna Whelan, Digital and Admin Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)

Join our Facebook fan site - www.facebook.com/brightonfestival

Listen to our monthly podcast - http://soundcloud.com/brighton-dome

NOTES TO EDITORS:

• Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre.

• Each year, the work of the Creative Learning team reaches over 15,000 people in Brighton & Hove and beyond through innovative projects such as Miss Represented - an arts collective of vulnerable young women who have been involved with the criminal justice system and isolated young women in the community; the Umbrella Club - a membership club for children and young people with life-limiting conditions and their siblings and carers; and Three Score Dance Company, created to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove.

• Brighton Dome & Brighton Festival is a registered arts charity (registered charity no 249748)

Brighton Festival 2015 soars to a close

Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.

Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.

Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by regional businesses Class of their Own, Gatwick Airport and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.


The Children's Parade. Photo by Jordan Hughes

During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.


Fleeting on Brighton Beach. Photo by Chris Bethall

At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry Prize and the Young City Reads schemes.


Backstage in Biscuit Land. Photo by Victor Frankowski

Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.

Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month. The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”

Brighton Festival 2015 soars to a close

Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.

Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.

Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by local businesses Class of their Own and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.

During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.

At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry prize and the Young City Reads schemes.

Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.

Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says:

“From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month.

The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press & PR - emma.robertson@brightonfestival.org | 01273 260 803

Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838

Anna Whelan, Digital Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightondome.org

Follow us on Twitter - www.twitter.com/brightdome (@brightdome)

Join our Facebook fan site - www.facebook.com/brightondome

Listen to our monthly podcast - http://soundcloud.com/brighton-dome

NOTES TO EDITORS

About Brighton Festival:

• Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round.

In pictures: Week 3

Wow - what a month we had! We've enjoyed every second of Brighton Festival 2015 and we hope you had a blast too. In the last week, we had outdoor spectaculars, dreamlike circus, ventriloquism, incredible music and much more. Explore the happenings of week three by clicking the gallery above.

Photos by Vic Frankowski, Chis Bethall and Jordan Hughes

Brighton Festival Live: PSK Trio

Africa Railway Project is the new live concept from Portuguese master bassist Theo Pascal, vocalist Carmen Souza and Mozambican percussionist and drummer Elias Kacomanolis. For the last few years, they have been conquering stages around the world with the Carmen Souza Project. Now PSK Trio sets out to explore other African roots and rhythms - especially those from Lusophone countries - in a more intimate set. You’re invited to join them on the Africa Railwayand embark on a new journey to an unknown destination.

In Photos: Brighton Festival Week Three

Wow - what a month we have had! We've enjoyed every second of Brighton Festival 2015 and we hope you had a blast too. This past week, we've had outdoor spectaculars, dreamlike circus, ventriloquism, incredible music and much more. Explore the happenings of week three by clicking the photos below...

The fun continues with a host of eclectic and exciting events...

Posted by Brighton Festival on Friday, 22 May 2015

Peacock Poetry Prize winners announced

The winners of the Peacock Poetry Prize 2015 - an annual creative writing competition produced by Brighton Festival and Brighton, Hove & Sussex Sixth Form College (BHASVIC) - have been announced.

The annual creative writing competition, produced by Brighton Festival and Brighton, Hove & Sussex Sixth Form College (BHASVIC), asks local poets aged between 7 - 18 years to explore and respond to a specific subject in an imaginative and inventive way. 2015 saw the writers respond to the theme of ‘birds’; a subject chosen by Brighton Festival 2015 Guest Director and award-winning author Ali Smith – which reflected one of the central themes of the Festival itself.

Read all the finalists entries

As Ali Smith writes -

Who were the first singers?

What direct link back to the days of the dinosaurs can we see all round us in the air, in the trees, on the ground, every day?

What has bones that are hollow to make themselves even lighter?

Birds. They're waiting in the wings.

What kind of creature – apart from people in an aeroplane, I mean – can fly for miles but be completely asleep all the way?

Which ones can fly backwards, and which can beat its wings 50 times a second?

Which can fly underwater?

Which can fly nearly a thousand miles a day?

Which helped with the war effort in both the first and the second world wars, and were even given medals for their service?

And here's a question as old as the birds : why did that chicken cross the road?

A charm of chaffinches, a chime of wrens, a colony of gulls, a congregation of eagles, an exaltation of larks, a flamboyance of flamingos, a gaggle of geese, a glittering of hummingbirds, a gulp of swallows, a huddle of penguins, a kettle of hawks, a murder of crows, a murmuration of starlings, a paddling of ducks, a quarrel of sparrows, a wisdom of owls.

Spread your wings.

Submissions were divided into three age groups - those writers aged between 7-10 years, 11-14 years and 15-18 years old.

If Birds Could Talk by 10-year old Laura Boyd won the 8-10 years category, The Boy and the Bird by Sarah Adegbite aged 13 won the 11-14 category, and 16-year old Olivia Sutherland won the 14-18 age range with Pigeonholed – A Sonnet for the Birds.

Winners were presented with their prizes by Ali Smith.

Pippa Smith, Head of Creative Learning at Brighton Dome & Brighton Festival said, 

‘the quality of work submitted is always astounding and we hope the poets pursue their dreams of making careers from their writing.’

Chris Thomson, Principal at BHASVIC said 

‘I’m delighted that the BHASVIC-inspired Peacock Poetry Prize goes from strength to strength. It is a wonderful way of bringing the writing talents of young people from all across Sussex to a focus. Thanks to the brilliant work of Brighton Festival staff, the Prize opens a door not only into the world of poetry but also into our marvellous Brighton Festival for all our entrants.’