Brighton Festival 2018Public booking opens: Fri 24 Feb, 9am

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Festival Hotseat: The Boy, The Piano and The Beach

The Boy, The Piano and The Beach is a lovingly created show by Lewes based Slot Machine Theatre. It is a story about adventure and transformation, full of warmth, music and surprises. We talked to artistic directors Nick Tigg and Nicola Blackwell to find out more.

Firstly, can you introduce your show and tell us what it is about?
Our show is called The Boy, The Piano and The Beach, and it’s an epic adventure told through puppetry, projection, dance, with the whole story set to live piano music. Turn it inside out and it’s a piano recital with an amazing visual story. It opens with a young boy waking on a beach - and the tide coming in fast. Before he can escape, the world of the beach begins to shift, objects start to take on a life of their own, and an unearthly sound lures him into a big adventure - under the sea.

How and where will the work be staged?
The show is on at the Brighthelm Centre on North Road, from the 5th-7th May. Brighthelm itself is a really family-friendly venue, in central Brighton near to the station, with a great cafe and plenty of space for buggies, wheelchairs etc. 

Why should someone come and see your show?
Whole families can come and see The Boy, The Piano and The Beach together: it's not just for kids, there's something for all ages, which is how we make all of our family shows. If you like live music and a richly imaginative visual world, then this is for you.

As a show with no spoken word, it’s highly accessible for families, including those with SEN children and adults. There is a relaxed performance on the 6th of May, and bespoke touch tours available on request from box office for those with impaired sight, or those on the autistic spectrum.

Where did the idea and inspiration come from?
We took a lot of inspiration from Selkie myths - selkies are seal-like beings that emerge from the sea. When they take off their special coats, they can become human. There's a lot of selkie myths from around the north coast of Scotland, they're sort of like mermaids, but a bit more scary and interesting! We are also inspired by the work of our award-winning projection artist, Will Monks. Will makes amazing textural projections for theatre, dance and bands, and we’re hugely excited to be working with him.

Why do you think it’s an important story to tell?
It’s important because it’s a story about adventure and transformation and finding your way back home. It’s also important because of it’s elements: Dance, beguiling visuals, puppetry and the incredibly varied world of piano repertoire. We are really passionate as a company about making world-class work accessible to the most diverse audiences we are able to reach. And we love work that is relevant across generations and abilities.

What does Brighton Festival mean to you?
Cutting-edge, international work and world class performances, all brought to our city.

What are you most looking forward to in this year’s Brighton Festival programme?
We love David Shrigley so we’re looking forward to his exhibition, and the music made from his writing. Brownton Abbey looks brilliant too. Also, Hofesch Shechter, that’s exciting, No Fit State are great, Kneehigh and their Chagal show we really want to see, Blaas looks interesting, Malcolm Middleton’s versions of David Shrigley works are funny and interesting, The Wave Epoch looks good - too much, too much.

Head to our event page to find out more about ticket availability.

Festival Hotseat: Fauna

Fauna is a captivating exploration of primal behaviour in the animal kingdom. We caught up with the exciting new Circus company behind it to find out more...

Firstly, can you introduce your show and tell us what it is about?
Our show is called Fauna. It’s a captivating exploration of primal behaviour, created by six leading professional artists. The audience is welcomed into our world to witness the ritual of courtship, the aggression of competition, and the Machiavellian cunning and simple pleasures of play, brought to life by the entrancing skills of our performers. Fauna is also set to an original live soundtrack by award-winning acoustic and percussive guitarist Geordie Little.

How and where will the work be staged?
Theatre Royal Brighton

Why should someone come and see your show?
Fauna is a multidisciplinary new circus show that has entwined elements of dance, live music, high level acrobatics and physical theatre in a new and innovative way. It is also an exciting demonstration of physical strength, and pushes circus in a new artistic direction.

Where did the idea and inspiration come from?
The idea behind Fauna came from a very organic process. All of our artists wanted to explore movement and character in terms of our animalistic tendencies. It felt like a very rich source of inspiration for creating innovative ways of performing circus, while still giving purpose for tricks and flips.

Why do you think it’s an important story to tell?
We feel it’s important to story tell to connect with our audiences, and take them on a journey
through our world, and into the brains of our artists and their crazy ways.

What sort of person is going to love this show?
Any lover of movement, acrobatics and music will love our show. Its targeted to all ages.

What’s going to surprise people about this show?
The way in which high level acrobatics is entwined into a strong narrative. Also, the development of the characters and the connections between performers.

What does Brighton Festival mean to you? (If you’ve been with us before, do you have a favourite Festival moment?)
Brighton Festival is a beautiful opportunity for us to perform our art to an array of open minded people, and to welcome and share with the local community.

What are you most looking forward to in this year’s Brighton Festival programme?
Checking out some different performance genres and supporting the local artists!

Head to our event page to find out more about ticket availability.

Festival Hotseat: Elephant and Castle

Husband and wife team, Tom Adams and Lillian Henley’s show Elephant and Castle is all about Tom's sleep talking and sleep walking. We caught up with Tom to find out more…

Firstly, can you introduce your show and tell us what it is about?
Hello, our show is called Elephant and CastleIt is a Gig-Theatre show all about sleep walking and sleep talking told by a married couple, me (Tom) and Lillian. It uses live music, theatre, and 300 audio recordings of me sleep talking taken from three years to tell a personal and wider story about relationships, identity and how to cope when your partner is a parasomniac. 

Some of the audio recordings are funny. Some of them are dark and disturbing. All of them tell us something. Something that is desperate to be heard. And may be catastrophic for this relationship. It is called Elephant and Castle because the first thing I said to Lillian in my sleep was “I want to get in a wardrobe and take you to ‘Elephant and Castle”.

How and where will the work be staged?
Our show is staged like a live music gig, with piano, electric guitar and microphones
dotted around the stage. We want people to feel the intimacy of our bedroom so we
have a large inflatable bed with a dark red divan in the centre of the stage which we
manipulate, lie on top of, project animation onto. Lillian and I wear paisley pyjamas
and the feel of the show is intimate, funny and a little bit dirty. It has been described
as David Lynch meets Skegness B&B.

Why should someone come and see your show?
It is a personal story told by a real life married couple about subjects that affects us all: How do we sleep? Who are we when we go to sleep? Do we really know the person we share a bed with?

The show has a strong narrative but also a dreamlike flow to the style. The music is inspired by Americana with storytelling and humour and Lillian’s voice has been called
‘extraordinarily beautiful’ by The Stage and the humour of the songs as ‘Bill Baileyesque’.

Where did the idea and inspiration come from?
When Lillian and I first got together, she told me that I slept talked and slept walked a lot. I did not know this really. I knew I had a slight problem, but I didn’t know it was every night.

This made me download the cool app for the iPhone called Sleeptalk that switches on at night when any sounds are made. I realised that I was saying interesting things most nights such as “Ooooh you don’t want to see this guy, Jesus” and “Can I have a potato? Um, just one thanks”. I had been wanting to collaborate with Lillian for a long time and this felt like the perfect project to work together on. A true story about us.

Why do you think it’s an important story to tell?
I think it is an important story because it is true. We have not doctored or exaggerated any of the stories about the sleep talking or sleep walking I do. It is a clear, intimate portrayal of a couple which invites the audience to view their own relationships in another light. The show’s message is ultimately about love and compassion for each other.

What sort of person is going to love this show?
Someone who wants something different from a live performance.
Someone who enjoys watching alternative comedy
Someone who is interested in the science of sleep
Someone who would usually watch live music. They will come for the live music and really enjoy the storytelling.

What’s going to surprise people about this show?
There is a moment of beautiful silliness 3/4 of the way through the show that will get people’s attention.

What does Brighton Festival mean to you?
Woe are so proud to be programmed alongside such brilliant artists.

What are you most looking forward to in this year’s Brighton Festival programme?
Tim KeyThe Castle Builder, The Cult of Water and Rear View

Head to our event page to find out more about ticket availability.

Five of the Best…Feminist Festival events

To coincide with International Women’s Day - a global celebration of the economic, cultural, social and political achievements of women that takes place on 8 March each year - we shine a light on just a few of the many amazing female fronted events at this year’s Festival.

Les Amazones d’Afrique 
Les Amazones d'Afrique is a supergroup of 10 incredible West African female performers, both international stars and local musicians. Members include Mariam Doumbia, part of Amadou & Mariam, Nneka, Mariam Koné, Mouneissa Tandina, Rokia Koné, Kandia Kouyaté, Mamani Keita, Massan Coulibaly, and Grammy winner Angélique Kidjo. Using music as a weapon, the group fight against gender inequality. For example, money earned from their single ‘I play the Kora’ provided extra funding for the Panzi Foundation, a service that supports and treats survivors of sexual violence in the Democratic Republic of the Congo. As sung in ‘I play the Kora’, Les Amazones d'Afrique encourage their listeners to "rise up and fight injustice because we're all equal”.
Brighton Dome Concert Hall, Thu 24 May, 7.30pm. Book now on the event page. 

Bridget Christie
Bridget Christie is an English stand-up, actor and writer, often acclaimed for her feminist material. This May she is here with her latest show What Now?. Christie burst onto the Comedy scene with A Bic for her (named after the pen manufacturer who released a biro with a “slimmer barrel designed to fit more comfortably in women’s hands” and available in a range of “pretty pastel colours”) in 2013. Not only is Christie a proud human rights campaigner, but she also worked closely with Leyla Hussein - a psychotherapist and female genital mutilation survivor and campaigner. The pair made a short film for the 2017 Stand Up for FGM benefit in London. Since its production the film has been used to educate police officers, GPs and children.
Brighton Dome Concert Hall, Fri 18 May, 8pm. Book now on the event page

Viv Albertine
Viv Albertine is not only former lead guitarist of iconic riot grrrl female trio The Slits, but she’s also a celebrated writer. The Slits defied expectation, becoming a strong figurehead for young and empowered women at the time. Albertine's memoir, Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. is a brutally honest portrayal of growing up in the Thatcher years. It was a Sunday Times, Mojo, Rough Trade, and NME Book of the Year in 2014, as well as being shortlisted for the National Book Awards. 
Brighton and Hove High School, Tue 22 May, 8pm. Book now on the event page.

Shami Chakrabarti
Shami Chakrabarti is a British Labour Party politician and member of the House of Lords. She is a barrister, and was the director of Liberty, an advocacy group which promotes civil liberties and human rights. Chakrabarti describes inequality as ‘the greatest human rights abuse on the planet’, and in her new book, On Women, she lays out the huge challenges women still face with honesty and clarity. Gender injustice, Shami Chakrabarti shows, is an ancient and continuing wrong that is millennial in duration and global in reach.
Brighton and Hove High School, Sat 26 May, 8pm. Book now on the event page.

Ursula Martinez: Free Admission
Ursula Martinez is a London-based Anglo-Spanish British writer, performer, and cult cabaret diva noted for her use of nudity and non-actors. Martinez fuses theatrical concepts, personal experience and popular forms to create innovative, challenging, experimental theatre that is highly entertaining and reflective of our contemporary, post-modern world. She will be bringing Free Admission to Brighton Festival, a one-women play about absurdity of modern living.
The Old Market, Mon 14 May, 8pm. Book now on the event page.

Festival Hotseat: Wot? No Fish!!

In our first Hot Seat Interview of 2018, Danny Braverman talks us through his one-man performance in Wot? No fish!!, an intimate look at lost art of his Great Uncle Ab.

Firstly, can you introduce your show and tell us what it is about?
Wot? No Fish!! is a remarkable story about discovering the art of my Great-Uncle, Ab Solomons. Ab drew a picture once a week for his wife Celie over 55-years of their marriage. The story is about lots of things, including love, art, history and catering.

How and where will the work be staged?
At the Brighthelm Centre, 8th and 9th May at 19:30pm

Why should someone come and see your show?
Audiences and critics across the world have loved the show; people laugh and cry and tell me it’s memorable and meaningful to them.

Where did the idea and inspiration come from?
Initially, I wanted to share the hidden art work of a remarkable ‘outsider artist’.

Why do you think it’s an important story to tell?
The story resonates differently for different people; it may be “historical”, but it’s also fiercely contemporary. To some, the heart of the story is about the struggles of the children of immigrants; for others, the story of the institutionalisation of Ab and Celie’s disabled son Larry is the most affecting part; for others, perhaps most people, the show is about the power of love.

What sort of person is going to love this show?
This is a show that crosses divides. Bring with you someone you love; friend or family. It crosses generations. It’s a Jewish story and my fellow Jews will recognise a lot of the references. But it is also universal, most recently received very warmly in China!

What’s going to surprise people about this show?
There are a lot of astonishing revelations. The ending is a surprise and a treat too.

What does Brighton Festival mean to you?
It’s great to see a festival so diverse and political - that balances exciting emerging artists with established names.

What are you most looking forward to in this year’s Brighton Festival programme?
The range is amazing. I’m a massive Miles Davis fan, so the reinterpretation of Kind of Blue is exciting. I’m also hugely looking forward to StopGap Dance and Amanda Palmer.

Head to our event page to find out more about ticket availability.

Tenor and Bass singers sought for Brighton Festival’s unique choral project

Brighton Festival & The Voice Project seek extra male voices (16+) to perform as part of a unique new choral project, The Arms of Sleep.

Set to be one of the highlights of the Brighton Festival programme, The Arms of Sleep is an unforgettable overnight sleepover experience created by directors Sian Croose and Jonathan Baker in which audiences encounter a unique dream-like and immersive night of music and stories, sound and images. 

Choir members will need to be available for up to three performances from Fri 11 May to Tue 15 May (approximately 7pm - 11pm, and returning at 6 - 8am the following morning). Brighton’s own Kirsty Martin – Choral Conductor for Brighton Festival 2018’s Depart and Musical Director for several Brighton choirs will be co-running some of the rehearsals.

Rehearsals have been underway for the last two months and are going really well. However, The Arms of Sleep Choir is still in need of male voices. If you're a Tenor or Bass and would like to be a part of our unique project, join us at one of our rehearsals below at The Basement;

Rehearsal dates for 2018 (later dates and times subject to change):

Sat 3 March - 10.30am - 4.00pm
Tue 6 March - 7.30pm - 9.45pm
Wed 21 March- 7.30pm - 9.45pm
Sat 24 March – 10.30am - 4.00pm
Tue 10 April- 7.30pm - 9.45pm
Sat 14 April 10.30am - 4.00pm
Sun 15 April- 10.30am - 4.00pm
Wed 25 April - 7.30 - 9.45pm
Tues 1 May - 7.30pm - 9.45pm

Rehearsals on site from 8th May - exact dates and times TBC

Should you decide that you would like to partake in this very exciting project, a member's fee of £20 will be required. (Please speak to the Voice Project administrators for bursary solutions).

For more information please contact

LOOK AT THIS! David Shrigley Brighton Festival Tips

Under David Shrigley's directorship, we are going to have an amazing Brighton Festival 2018 - he’s pretty good at picking and making great shows and events. Obviously, we’ve loved a lot of his work, but here are some of his picks…

Brett Goodroad
Brett and I met in 2013 when we were both on an artist-in-residency programme in Headlands Centre for the Arts which is near San Francisco. We became good friends, and he’s just a really interesting visual artist: an amazing painter, print-maker and he also make great drawings. Brett has never exhibited his work in UK: I thought it would be a great opportunity to have his work shown here.

Brett is also a truck driver because lower-income artists don’t seem to be well supported in the United States. Most people there who are visual artists have another job as well. Oddly Brett is a truck driver which is not an easy thing to do. He drives organic vegetables from northern California to southern Texas once a week. It’s an interesting job for a visual artist to do and he’s an unusual truck driver.

Shrigley Talk & Big Book Group
I’m doing a talk about my work, which is something I do periodically. I show images of my work, and I waffle on about it and try not to make it boring! Big Book Group is an event which Craig Melvin is hosting. Craig has hosted it quite several times, and this year Matt Haig – who’s Brighton based - and Jess Kid are speaking. I think that it will be a really interesting event because they’re both really fantastic writers… and then there’s me who isn’t really.

Deerhoof are a rock band from San Francisco who I made a record cover for about ten years ago. We’ve stayed in touch ever since. They’re a fantastic band, and a band whose music is not just great on record, but also really makes sense live. So, as the Guest Director, I, they were near the top of my list for bands I wanted to bring. Whenever anyone sees them play a live show, they’re always blown away by them. They’re also going to be doing a collaboration with Stargaze which is going to be well worth seeing.

Life Drawing II
Life Model II is the second incarnation of the life model piece that I made for the Turner prize show. The first one was a male, whilst this one is a female figure. Everybody who visits the exhibition is invited to make a drawing of the life model, and all the drawings will form part of the exhibition. 

Those drawings will form the two-dimensional aspect to the exhibition. It’s a piece about drawing, it’s a piece about everybody being included, about participating and making an exhibition yourself. I suppose that the arts – visual art particularly – is often seen as elitist and inaccessible. I suppose that’s what the piece is about; that art is for everybody, and that making art is for everybody too. It’s an artwork that begets other artworks and invites you to think about who’s the artist and who’s the subject.

Iain Shaw
Iain Shaw is also a friend of mine, from Glasgow. He’s a singer-songwriter in the tradition of Elliott Smith or Jackson C Frank. I wrote a lot of silly lyrics and he made them into some really wonderful songs, quite wistful, pop, folky type songs that he’s done largely with acoustic guitar. It’s a great collaboration.

A Shit Odyssey
A Shit Odyssey is a fly on the wall documentary about the making of Pass the Spoon, an opera I made in Glasgow in 2011. A Shit Odyssey was made by Cara Connolly and Martin Clark who are friends of mine. They are documentary film makers from the fine art world in Glasgow. It’s a project that’s taken around seven years to finally be shown! I think that will be a voyage of discovery to see a slightly younger version of myself, making a fool of myself. It is really a very interesting documentary because it’s a really, really strange project. So that will be fantastic.

Ezra Furman
Ezra Furman is, I think, one of the best writers of pop songs around today. He’s somebody I haven’t seen play, but I’ve got all his records. I’ve always managed to be out of town when he’s visited before, so this is just a great opportunity. I’m really looking forward to it.

Bridget Christie
Bridget Christie is a brilliant comedian from London. Again, she’s a person whose proper show I’ve always managed to miss. I’ve seen her in a small vignette of her acts that she did at an event, but I wanted to see the full show. Fortunately, she said yes to performing at the Festival – so I’m really looking forward to that!

Malcom Middleton
Malcom Middleton is well known as a solo artist; however, he is also part of the influential indie rock band Arab Strap. Malcom and I made a spoken word record together a couple years ago and I’ve also made some artwork for album covers for him. I’m a big fan of his music. I think he’s one of the best singer-songwriters in the country at the moment, or at least of his generation.

The Problem in Brighton
The main project that I’m bringing to the festival is called Problem in Brighton and it’s a new musical theatre piece. It’s a bizarre rock and roll opera in collaboration with Lee Baker, a visual artist and a talented musician. I’m not really a writer as such, but I thought it was an opportunity to make something in Brighton, sort of my first project that’s made here – the first big project – outside my studio. It’s an opportunity to get to work with people, with a venue and it’s part funded by the festival which is really great! Lee’s writing the music and then some other people I’ve met will be playing the music on instruments I’ve created. 

Become a Brighton Festival Volunteer!

Join us at our volunteer drop-in evening on Thu 8 Mar, 5pm - 7pm 

Be part of the action and volunteer with Brighton Festival 2018.

If you are passionate about the arts, Brighton Festival 2018 would love to hear from you!

Members of staff from various Brighton Festival departments will hold a special drop-in session for anyone interested in volunteering at the Festival on Thursday 8th March from 5pm - 7pm at the Brighton Dome Café-bar.

Brighton Festival’s successful volunteer scheme has been running for several years. From greeting the public and directing customers to outdoor promotions and educational work, the scheme aims to be as varied and accessible as the Festival itself, offering a well-rounded insight into how a festival works.

As a volunteer, individuals will have the opportunity to assist in delivering a whole range of exciting events throughout the May Festival and beyond; both across Brighton Dome venues and at other festival sites around the city, working with multiple Brighton Festival departments including Marketing, Artistic Planning, Press, Production and Visitor Services.

There will be opportunities for volunteers to work weekdays and weekends, daytimes and evenings from April. Don’t worry if the hours you have free are scattered, we’d still love to hear from you! For more information about these volunteering opportunities click here

Brighton Festival launches programme with David Shrigley as Guest Director

The full programme for Brighton Festival 2018, the largest annual, curated multi-arts festival in England, was unveiled today with the Turner Prize-nominated visual artist and Brighton resident David Shrigley (b.1968) as Guest Director.

Best known for his darkly humorous works that comment on the inconsequential, bizarre, and disquieting elements of daily life, the artist’s offbeat take is reflected in an eclectic programme spanning music, theatre, dance, visual art, film, literature and debate, from Brighton Festival commission Problem in Brighton, a brand new alt rock/pop pantomime, written and directed by David Shrigley himself to a live durational reading of Camus’ seminal The Myth of Sisyphus, and performances from genderqueer rock‘n’roll hero Ezra Furman and cult-favourite Amanda Palmer.

Alongside Life Model II, a follow-up to the artist’s Turner Prize-nominated installation of the same name which invites visitors to take part in a life drawing class with a sculpture of a nine-foot-tall woman as the ‘model’, an illustrated talk billed as ‘containing numerous rambling anecdotes… not in the slightest bit boring’, and a screening of a documentary about his work titled A Shit Odyssey, David Shrigley’s trademark wit is also evident in his brochure cover design, featuring a hammer and a bent nail and bearing the tagline ‘Strive for Excellence’. Other events close to the artist’s heart include an exclusive collaboration between orchestral collective Stargaze and one of his favourite bands, Deerhoof; an exhibition by San-Francisco-based artist and trucker Brett Goodroad; and a double bill from his friend Malcolm Middleton, one half of Arab Strap, and Scottish musician Iain Shaw, whose quirky folk song-smithery has turned Shrigley’s poems into incisive songs on albums like Awesome and Listening to Slayer.

As ever Brighton Festival 2018 features a host of commissions and co-commissions from a wide range of national and internal artists including: Calixto Bieito’s The String Quartet’s Guide to Sex and Anxiety, a remarkable new production from one of Europe’s most exciting theatre directors; Grand Finale by Brighton Dome & Brighton Festival Associate Artist and Brighton Festival 2014 Guest Director Hofesh Shechter, a bold and powerful vision of a world in freefall; The Arms of Sleep, an overnight choral sleepover experience from The Voice Project in which audiences encounter a unique dream-like night of music stories, sound and images; Cuckmere: A Portrait, a filmic homage to the changing moods of the Cuckmere river accompanied by a live score; and Creation (Pictures for Dorian), a new piece inspired by Oscar Wilde’s iconic character Dorian Gray from acclaimed British/German arts collective Gob Squad.

Elsewhere, circus and dance make a significant appearance in the programme via an extended visit from internationally-renowned NoFit State circus who present their dazzling new production Lexicon; a collaboration from Australia’s dance luminaries Dancenorth, Lucy Guerin Inc and Gideon Obarzanek and Indonesian music duo Senyawa, Attractor; Brighton Festival commission KAYA from the Brighton-based choreographer Ceyda Tanc’s all-female company which fuses traditional Turkish folk dance with contemporary style; an award-winning debut by one of the most exciting new companies on the contemporary circus scene, Fauna; and a collaboration between Netherlands-based theatre-maker Boukje Schweigman, visual artist Cocky Eek and performer Ibelisse Guardia Ferragutti in Blaas (Blow), a weird but wonderful ballet of abstract configurations.

From A Change is Gonna Come, a collaboration between three of the most gifted soul, jazz and rap artists, Carleen Anderson, Nikki Yeoh and Speech Debelle, exploring the power of the protest song to Les Amazones d'Afrique, West Africa’s first all-female super group, formed in the fight against violence towards women, and Brownton Abbey - a new Afrofuturist collective headlined by New Orleans ‘Queen of Bounce’ Big Freedia, best known for her appearance on Beyonce’s ‘Formation’ track and collaborations with Diplo and RuPaul. The contemporary music and spoken word programme is particularly wide-ranging, including a  Brighton Festival Commission with Travis Alabanza: Before I Step Outside (You Love Me), an evening of Black trans poetics with one of the UK’s leading trans voices; and performances from This is the Kit and Jungle also feature.

Alongside the return of caravan, a three-day biennial curated industry showcase of the best new theatre from across England, which is open to the public for the first time this year, theatre highlights include National Theatre of Scotland’s Adam, the remarkable, true story of a young trans man and his journey to reconciliation, directed by award-winning theatre director Cora Bissett; and Kneehigh’s The Flying Lovers of Vitebsk, Emma Rice’s acclaimed ode to Marc and Bella Chagall.

Other highlights include appearances from Lemn Sissay, Michael Rosen, Rose Tremain, Iain Sinclair, Bridget Christie, Brett Anderson, Viv Albertine, Tim Key and Shami Chakrabarti; an exhibition from controversial artist duo Gilbert & George, and a touring mobile installation from multi-award winning contemporary designer Morag Myerscough; two special classical concerts to mark the 50th anniversary of the Brighton Festival Choir, Britten’s War Requiem and Belshazzar’s Feast, and performances from Vox Luminis and Cédric Tiberghien.

As ever Brighton Festival will kick off with the Children’s Parade - the largest event of its kind in Europe - produced by Same Sky. Other family events include Snigel and Friends from leading UK disabled dancer Caroline Bowditch’s company; the world premiere of I Wish I Was a Mountain, a re-imagined version of Herman Hesse’s classic fairytale - from writer, performer and former Glastonbury Poetry Slam Champion Toby Thompson; and the UK premiere of Apples, a wordless and charming feast for the senses.

Brighton Festival 2018 also continues its emphasis on programming work in the community with the return of Your Place - two weekends of free performances and arts activities in Hangleton and East Brighton. Delivered in partnership with Brighton People’s Theatre and community steering groups, both weekends will present international and national artists alongside local artists and community groups. Your Place joins regular free, participatory events such as City Reads and Young City Reads; and Weekend Without Walls, two days of free arts in the parks.

David Shrigley says: “As a resident of Brighton and Hove the Festival is always a delight. Those who have visited the Festival before will know that having such an incredible array of events occur in our city every year is a great privilege. I’m very excited about this year’s lineup. Not only for the things that I have selected but also for the things I have only read about; one of the best things about the Festival for me is that it can be a voyage of discovery.”

Andrew Comben, Chief Executive of Brighton Festival says: “Like Brighton Festival, David Shrigley’s work is for everyone. Both powerful and funny, his work manages to speak to an incredibly wide audience. Alongside his own artwork, he is also a great advocate for the arts helping our health and wellbeing. We are thrilled that David is bringing his distinctive take to the Festival and the city he has now made his home.”

Hedley Swain, Area Director, South East, Arts Council England, said: “Brighton Festival is one of the year’s cultural highlights, not just in Brighton itself – but nationally. It presents a programme of work that is accessible, imaginative, exciting and inspiring, engaging audiences from across the city and beyond; a programme that we are pleased to support. David Shrigley has a wonderfully dark and offbeat take on life and I really look forward to seeing his influence on this year’s Festival. Art and culture make a huge contribution to Brighton’s success and its reputation for excellence. With its international reach and fantastic programme, which spans a wide range of art-forms, Brighton Festival is a significant part of what makes Brighton such a great place to live, work and visit.”

Spotlight: Calixto Bieito: The String Quartet’s Guide to Sex and Anxiety

In a co-commission with the Birmingham Repertory Theatre and Holland Festival, the Brighton Festival presents The String Quartet’s Guide to Sex and Anxiety.

In this exciting production, the tempestuous relationship between sex, anxiety and music is explored and examined by one of Europe’s most exciting theatre directors, Calixto Bieito.

Music and drama collide as the award-winning string powerhouse The Heath Quartet perform alongside an equally stunning quartet of actors to deliver an unmissable montage of melody and madness. These eight artists will take you on a journey through time to explore how our innermost thoughts battle with our artistic impulses.

Head to our event page to find out more about ticket availability
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