We are delighted to be working with Lemn Sissay on Brighton Festival 2021, continuing his role as guest director following last year’s cancellation due to the coronavirus pandemic.

Soon after the cancellation of last year’s Festival, Lemn and the team began planning the 2021 Festival with our ‘new normal’ in mind. Brighton Festival has become known for its ability to adapt to new sites, to present work in new and interesting ways and this year's Festival will need to use all of that expertise. In 2020 we felt we should assume that social distancing would be with us for some time and that events in 2021 would need to avoid large groups coming together, so we have set about devising a programme that could work in those circumstances. Over the last year, we have learned an enormous amount. Our team at Brighton Dome & Brighton Festival have implemented Covid-safe live events in the Concert Hall for socially distanced audiences, we have trained our staff and set up processes following government guidelines and received the Good to Go Approval. You can read more here.

We believe we can deliver a Festival in a safe and responsible way, that will give audiences something to look forward to and build confidence for future events. We have been working closely with our funding partners, Arts Council England and Brighton & Hove City Council, along with generous supporters, patrons and sponsors to ensure the Festival can support the city’s badly-needed economic recovery and provide opportunities for the many artists and freelance creatives who have been affected over the last year.

Our Festival producers are working closely with artists, production professionals and the council to plan for all contingencies and we’re so grateful to everyone who has been working with us so flexibly and enthusiastically. We’ll be announcing further details about this year’s Festival launch in March.

Please follow us on social media for updates or sign up for our e-newsletter to receive the latest information straight to your inbox. You can also still join our Membership scheme to receive exclusive benefits such as priority ticket bookings.

Thank you to everyone who has donated to our fundraising campaign, including the hundreds who have bought a Brighton Festival print, and for your continued messages of support and love, it means the world to us.

We hope to see you in May.

Brighton Festival’s 2020 co-commission with Fabrica has launched with an interactive online exhibition on the gallery’s website.

A Simple Act of Wonder was originally due to open in April as part of Brighton Festival 2020 but due to the coronavirus pandemic the project took an unexpected turn and artists, Walter & Zoniel continued to work on the project throughout lockdown in their studio.

The project was intended as a collaboration with the communities of Moulsecoomb and Bevendean, with Walter & Zoniel spending the early part of 2020 getting to know the residents and local organisations to help develop their work. All of the works respond to the stories that they gathered from the people they met and the architectural character and history of the place.

At Fabrica’s gallery in central Brighton, Walter & Zoniel have applied a brightly coloured installation across the floors, walls and architecture of the former church. The culture and community of Moulsecoomb and Bevendean are displayed through painted photographic images, films and objects loaned by residents that connect the two places together. 

Due to the COVID-19 restrictions, Fabrica remains closed and the exhibition can only be accessed online here. Digital visitors can explore a fully immersive gallery experience with 360 films of the space and of Moulsecoomb and Bevendean locations, interviews with the artists and a map of the outdoor artworks.

Since lockdown restrictions were lifted the artists were able to install work with local residents and community groups to create a trail of colour on buildings and outdoor spaces. Drawing on their love of colour, portraiture, humour and their boundless curiosity about people and the stories they tell, the artwork invite us into the lives of others, asking us to examine our attitudes about other people and the mythologies or reputations that stick to some places.

Walter & Zoniel explain their process:

“The outdoor works in Moulsecoomb and Bevendean celebrate areas of the city that have a wealth of fascinating stories, which we have drawn inspiration from in creating a new narrative whilst exploring the nature of connectedness and concept of representation. We have used our favourite tools of playfulness and surrealism on a large scale to engage people in the wonder that is naturally present around us, but maybe less often observed. We hope that the communities in these areas we have created the works will enjoy them for now and others can visit when they are able.”

Throughout the summer, visitors can safely view the outdoor public artworks painted on people’s homes, the Bevvy community pub, The Good News shop, St George’s Hall and a large painting also sits on the grass of The Avenue. 

Andrew Comben, Chief Executive of Brighton Festival added:

“We were so saddened to have to cancel Brighton Festival 2020 so it’s incredible to see this project come to fruition. Congratulations to Walter & Zoniel for continuing to make work during lockdown and to residents and community groups in Moulsecoomb and Bevendean who have kept this the project alive. It’s testament to the fact that art can bring people together through hard times and I hope local communities, as well as visitors to the online exhibition will enjoy this joyful and hopeful artwork over the coming weeks.” 

A series of free, online events are taking place throughout August, including artists talks and tours of the artworks.

A Simple Act of Wonder – Artist-led Tour | Thu 6 Aug, 12pm
Live Online Discussion: Conversation Piece - Suburb and City | Fri 7 Aug, 2pm
Watchalong Films: The Fall/Dislocation Blues | Wed 19 Aug, 6.30pm
Zoom Discussion: A Simple Act of Wonder - Walter & Zoniel Artist Talk | Thu 20 Aug, 6.30pm
Walter & Zoniel’s Art Meditation | Thu 27 Aug, 7pm

Following Brighton Festival’s digital programme during lockdown, poet and author Lemn Sissay MBE has confirmed he will return as guest director in 2021. Brighton Festival at Home featured a selection of artists and events that were due to take place across the city in May. The alternative version attracted online audiences from across the world - from local school children and families taking part in their own mini children’s parade to Lemn Sissay’s live reading with viewers joining from Africa to America.

“We are delighted that Lemn has agreed to stay on as guest director and we are determined to plan ahead for next year with live events, as well as using the lessons learned from this digital experience. The public’s support, through donating back ticket purchases, making a voluntary donation or accepting a credit voucher, shows the level of affection for Brighton Festival. There has been a huge gap in the city’s cultural life this year and we want to deliver a Festival that is stronger than ever but is also responsive to how arts events will need to adapt to make audiences feel safe. Lemn’s artistic vision and the way he can speak to all of us about the things that really matter feels vitality important now. We can all look forward to Brighton Festival 2021 infused with his creative input and imagination.”

Due to the coronavirus crisis, Brighton Festival 2020 was cancelled for the first time in its 53-year history and as a registered charity, lost almost 65% of its income that would have come from ticket sales.

On his re-appointment as guest director, Lemn Sissay commented:

“This year has taught us that everything cannot be mended but the act of trying is everything. The arts bring people together, whether they are in a physical space or on a digital platform. Artists are resilient, creative and forward-thinking in making sense of the world and we can take this exciting opportunity to shape Brighton Festival for a brave new world. I’m honoured to see where it will take us and to be with you to experience it together.”

Lemn Sissay is a BAFTA nominated award winning writer, best-selling author, prolific speaker and performer who has inspired audiences across the world. He was the official poet of the London 2012 Olympics and his Landmark Poems can be found on the walls of hospitals, libraries, pubs, universities and train stations, bringing his writing to communities in public spaces every day.

Each year, Brighton Festival attracts over 150,000 visitors to its events across three weeks in May. It contributes significantly to the event and tourism economy in Brighton & Hove, alongside events such as Brighton Fringe, The Great Escape, Charleston Festival and Artists Open Houses. Established in 1967, it is the largest and most established annual multi-arts festival in England, a celebration of music, theatre, dance, art, film, literature, debate, outdoor and community events in venues and locations across Brighton, Hove and East Sussex. The Festival attracts the most exciting performers from across the globe, as well as promoting local artists and bringing fresh, challenging new work to the region.

Brighton Festival 2021 is due to take place from 1-23 May 2021, to help secure its future, donations can be made by Text BTNFEST to 70970 for £5 or 70191 for £10 or visit brightonfestival.org/donate

Brighton Dome & Brighton Festival is committed to supporting freelance theatre and performance creatives during these uncertain times. Along with more than 138 other arts organisations we signed this open letter and are offering a paid freelance contract for three months this summer.

The Freelance Task Force member has now been appointed, read more here. 

An Open Letter to Theatre and Performance Makers  

This is a letter to self-employed and freelance theatre and performance makers in the UK. To the actors, playwrights, directors, choreographers, stage managers, designers, stage crews and set-builders to name just a few.

We really miss being with you during this period of lockdown. Making theatre and performance is a collaborative endeavour, so we are particularly affected by having to be apart from one another right now. We’re not able to come together, in the same space, to share the experience of a live performance. We’re not able to practise and enjoy our artform in its most basic form.

It’s now looking increasingly likely that won’t be possible for months to come, and we recognise that many freelancers face real uncertainty about if and how they will be able to continue to work in theatre. 70% of people who work in theatre and performance in the UK are freelance or self-employed, and it’s for this workforce, in all its diversity and complexity, that the impact of the current situation is most acute.

During these past weeks we have had conversations with many of you to understand your needs and the ways you have been affected. We are writing to express our support for you, and to lay out some practical steps we are taking to improve the situation based on these conversations.

As well as exploring ways of producing work with freelancers during lockdown, and using this time to develop new projects with freelancers for the future, we are also are working together to coordinate our response to the government, to articulate clearly what we can offer and what we need.

Most urgently, we are calling for the Self-Employment Income Support Scheme to be extended in line with furloughing, for all self-employed workers, and in the specific case of theatre and performance workers, until theatres are able to safely reopen. We also want to see criteria removed from the scheme which are stopping legitimate and much-needed claims.

Some of you are already involved in these conversations. We welcome your voices and need to hear from more of you in the conversations to come. Your unique networks, skillsets, perspectives, and ideas are vital to the entire sector, and we need to work with you in our response to this crisis.

Each of the organisations who’ve signed this letter are committed to reaching out to their family of self- employed and freelance theatre makers; listening to how this is affecting your work and lives, and to your needs and ideas for the future.

More than that, we want to facilitate the establishment of a national task force of self-employed theatre and performance makers. The purpose of the task force is to strengthen the influence of the self-employed theatre and performance community. It would create ongoing points of connection between freelancers and organisations, and amplify the voice of the self-employed in the conversations to come. To help establish the task force, each of the organisations signing this letter will support a freelancer to join the group, ensuring they are paid for their time.

We want to offer a message of hope and solidarity. Our well-practised ability to work together, to form connections, and build relationships will help us through this. One day, hopefully soon, we will all be able to meet together, as people have done for centuries, in a shared space, for a shared experience. In the meantime, we remain committed to working for you and with you towards a sustainable future for theatre and performance.

Andy Field is an artist, writer and curator and is one of the participating artists selected to take part in caravan, the biennial showcase of English performance as part of Brighton Festival. We spoke to him about how he’s adapted from creating a physical piece of theatre for an online audience.

Can you tell us about the show you were working on for caravan at the Festival? 

We would have been presenting a show called ‘News News News’. We were working with a group of primary school children who become a local TV news crew. The idea is that they make short films about news subjects that matter to them. We then use the films to form part of a live theatre show and the audience get to see behind the scenes and there is a live news broadcast that the children have made from a tiny child size studio on stage.

What was your reaction when you realised the Festival was being cancelled and your show wouldn’t be happening? 

We were pretty devastated. We love making this show and I was really excited to get to know the children. It’s always really exciting to be part of Brighton Festival as it’s so well known and full of interesting artists. In terms of the caravan showcase, a lot of what me and my partner, Beckie Darlington do relies heavily on working internationally to sustain ourselves. Caravan is an unparalleled chance of getting to meet people from around the world who might be interested in working with us. It isn’t simply about the money and the missed opportunity we’ve lost but also the future opportunities we were hoping might unfold as a consequence.

How important is a platform like caravan for emerging artists like yourself? 

The kind of work we make and for a lot of the other artists in caravan, it’s all about the live encounter, what it means to actually be there. Presenting that work to a carefully curated group of international professionals, who might be interested in supporting you, that opportunity is really important.

It’s really interesting to see the amount of resourceful and ingenious digital work that is taking place, but we work in live performance for a reason, it’s because we cherish that act of gathering and the political and artistic potential in that. Without it you can feel a bit bereft.

Do you think the digital version of caravan will be useful for connecting with producers internationally? 

Absolutely. The one thing that’s made us feel better about the loss of showing at Brighton Festival is how quickly, resourcefully and enthusiastically the curators of caravan have responded. The fact that they’ve tried to make the best of this situation and try to ensure that there’s still is an opportunity for those artists is really wonderful. I’m very grateful for them for putting the effort in to making this happen.

After the pandemic, I hope it will have a lasting impact in opening people’s eyes to new opportunities. Caravan have said to us there are people who would never have come to the live showcase because they were busy with other events or because they couldn’t afford the travel, who want to be a part of the digital version. It’s allowing us to connect with people who we wouldn’t have had the opportunity to if it wasn’t in a digital format.

As an artist how have you been coping with lockdown? Has it given you time to create new work or have you had to look at new ways to earn an income?

My partner and I have taken some of the ideas behind the show and turned it into a new project that children could do at home during lockdown.

We created the ‘News News News Reporters Club’, which is a free five-day activity pack that enables them to create their own DIY radio news show from their own home using just a pen, paper and a mobile phone. We provide an activity pack, some recordings to listen to and some news jingles to play with and children can make their own news show! Hopefully it gives them an opportunity to do something creative and reflect on what’s happening in the world in a playful way.

Check out the News News News Reporters Club Activity Pack here 

The response has been amazing. People have downloaded the pack from as far away as Australia, Brazil and China and then emailed it over to us. Just this morning we had a News show from a 6-year-old in Tasmania.

How have you been involved with caravan’s digital offer?

I’ve been asked to curate a series of podcasts to accompany the showcase that we’re calling Caravan Radio. One of the things you miss with the digital showcase is the opportunity to get to know each other as people. The aim of the podcasts is to provide a forum in which you can hear something a little more informal from the artists about their work and what they’ve been doing during this strange time. I’ve been curating and recording a series of conversations between caravan artists and interviews with different delegates all over the world.

The amazing thing about this pandemic is the fact that everyone in the world has been experiencing the same thing in different ways. Finding out how different people have been affected by this global crisis has been really interesting.

What are you hoping the new normal will look like?

From an artistic point of view, perhaps we wouldn’t take the value of social gathering for granted quite so much. The simple acts of human encounter that live performance is so good at, perhaps we would cherish that more having been starved of them for so long.

And is that what you’re looking forward to the most?

No, probably the kind of human encounter I’m looking forward to the most is just being able to sit in a pub garden in the sunshine and have a drink with my friends. Having a really good meal in a busy restaurant, simple things like that.

Find out more about Andy here 

Read an interview with caravan Director Gavin Stride here

Interview by Liberty-Rose Gatcombe, University of Brighton, Multi-media Broadcast Journalism student placement: @liberty3rose

Love Letters at Home will premiere at Brighton Festival at Home on Wed 20 May 2020. 

Fuel have announced a digital international tour of Uninvited Guests’ acclaimed show Love Letters Straight From Your Heart. The new digital version of the show Love Letters at Home will be performed live via Zoom to an audience of up to 90 (45 pairs) each night and will ‘visit’ 14 venues throughout the UK and beyond. 

Love Letters at Home is a joyful, open-hearted show that will help people feel connected at a time when many are isolated and missing their loved ones. First performed by Uninvited Guests in 2007, the original show was a critical hit and played to audiences at over 30 venues including Southbank Centre, RSC Stratford, Fierce Festival and the Edinburgh Fringe.

Directed by Paul Clarke and devised by performers Jess Hoffmann and Richard Dufty, Love Letters at Home is somewhere between a wedding reception and a radio dedication show. Before the performance, audience members are invited to send in music requests, dedications and declarations of love to those they care about past and present. These words are incorporated into each performance; dedications are spoken, toasts are made, speeches are given, songs are sung and dances danced. Every performance of Love Letters at Home is unique and collaboratively authored with its audience, who temporarily become a close community for the duration of the event.

Kate McGrath, Director of Fuel said:



‘A few weeks ago, we had an idea: could we bring Love Letters online? We found that this beautiful, moving show, which has always had the power to bring people together, translates brilliantly into a digital platform. Because the audience is at the heart of the production, the shared participatory experience comes close to recreating the feeling of a night out at a physical venue. It’s exciting that people all over the world will now be able enjoy this and I hope that it will go some way towards bringing people closer together.’

Love Letters at Home has been commissioned by First Art, a Creative People and Places project, as part of its Go the Distance remote festival for audiences in Ashfield, Mansfield, Bolsover and North East Derbyshire.

Love Letters at Home will premiere at Brighton Festival at Home on Wed 20 May 2020. Participant numbers to this event are limited. Fill in this form for a chance to be invited.

The caravan showcase has been run by Farnham Maltings within Brighton Festival since 2008 and introduces a curated group of England’s brightest performance artists and companies to festival organisers and programmers from around the world; with the ambition of developing new partnerships, collaborations and ways of working. 

Caravan was due to take place in this year’s Festival on 11 and 12 May but since the cancellation, caravan’s Director, Gavin Stride and the team at Farnham Maltings have worked to bring the event online. We spoke to Gavin about how they adapted quickly to the changing times.

You must have been devastated that caravan had to be cancelled as part of the Festival. How have you adapted to continue with caravan for delegates? 

Our initial response was ‘damn’ because it’s taken a lot of planning and a lot of work. And the artists see caravan as their chance to present to the world. But when I discussed it with the team they said ‘we can still make this happen’.

I should emphasise that whilst this is about adapting into a digital showcase, I think it’s been clear we don’t just want to dump stuff online and go ‘there you go there’s the digital version of that’. It’s still by invitation and it’s still about building relationships. The team has put loads of energy into trying to find the best way to keep that spirit of caravan which is about generosity and getting people to talk to each other. I’m really encouraged by the way they’ve responded to that challenge. I hope it feels human and I hope it feels like people are meeting people, not just sitting in front of a screen and consuming. 

How will the caravan digital showcase work?

It’s a mixture of platforms; some of it is being done on Zoom and Slack and it will give delegates a chance to arrange one to one meetings with an artist or a company they’re interested in talking to. We’ve created a website with all of the digital content that each of the artists has produced for delegates to look at in their own time and from that, hopefully a relationship will evolve.

We’re also hosting conversations that might emerge, it would be impossible to host an event now without discussing the current times we find ourselves in. We’ve got keynote speakers and artists will be presenting their future ideas and short pitches so that they can show the work they’re interested in making.

How many delegates have registered this year and where are they located? 

We’re fully booked with just under 100 delegates and we deliberately kept it that way. We wanted to create an event where people feel like it matters that they are there and are part of the dialogue. The idea is to make a community over the two days where people can get to know each other.

Delegates are joining from every part of the world: South America, USA, South East Asia. This year we’ve had more European contacts register than we’ve had in the past, there seems to be more of an appetite for forging relationships with English-based artists.

You spoke at the Festival launch back in February and mentioned that you’d received a huge response from artists to take part this year. Why do you think that is? 

Why are we getting more? I think people are becoming more savvy and actually we need it to create a range of different partnerships and to sustain ourselves and that’s even more true now. We are always curious to make sure that we get a mixture of artists that we think are the new talent, I think that’s what programmers and producers are interested in and look to us for the next generation of up and coming makers. The artists who might not have been selected for the British Council’s Edinburgh Festival showcase and we’re comfortable with that. But we’re also getting artists that are already known.

Paradoxically during this time of shut down, we’ve become very aware with how the world is inter-connected with each other. I hope we feel much more connected to a wider world. I think people are seeing and understanding the benefit of understanding their place in the world. Not just in a local sense.

Do you think that some positive will come out of this?

I think good can come out of this and it relies on us as a community, it’s not going to happen organically. 

We have got to be determined to take this moment. Nobody else knows what’s going on so it’s in our hands to be able to shape and articulate what we want the new order to look like.

I think what’s interesting is even if we go back to a live experience and I hope we do, there are human interactions that are particular and special and are really useful to building trust and being able to read each other. In the future we will always augment that with a digital dimension to bring people in who can’t physically be there.

If I have a position of influence, it is to make sure any power that we do accrue is passed on to artists and audiences and communities. If I can open doors then great, let's encourage other people through those doors.

Why is it important to give young artists a platform like caravan to get their work recognised? 

I think young artists come un-trapped by the history of expectations of what art should or shouldn’t be. There is a whole cohort of young artists coming through who are playing with form, content, style and it’s delightful to see.

But I’m not sure I can argue for a young artist over anyone. What I hope is that we move away from these hierarchies and see that we’re all capable of expressing who we are in all sorts of ways. I hope we can become curious in people who know how to make extraordinary art and connect with their audiences. It’s not about experience it’s about the originality and the quality of the idea.

How do you think the arts will cope with the aftermath of the pandemic?

I think this situation is ours for the making. I’m sure that artists at their best will find original and inspiring ways of responding. Making art and making sense of the world is a key quality of being human and people will find ways of doing that. It may not look like the old order and that’s OK.

If it means we end up sitting around a fire with a storyteller because that’s possible and exciting, then so be it. It’s not for me to say how artists will find that solution but I promise you they will.

Interview by Liberty-Rose Gatcombe, University of Brighton, Multi-media Broadcast Journalism student placement: @liberty3rose

Find out more about caravan here 

Read an interview with caravan artist Andy Field here

This May, Socially Engaged Art Salon’s (SEAS) latest exhibition, somewhere was due to take place throughout Brighton Festival. In response to the coronavirus crisis, the exhibition is now available online. Discover the exhibition here.

In 2019, SEAS commissioned artist Maria Amidu to create a new collaborative work framed by the themes of migration and displacement. The work began with a potluck meal at SEAS, entitled, a seat at the table for seven visual artists whose artistic practices have been influenced by experiences of ‘being from elsewhere’.

 

To catalyse the conversation during the meal Maria made place cards using envelopes she stencilled with the words: homeland, recipes, art, journeys, culture, identity and displacement, instead of the artists’ names. Each envelope contained a handwritten provocation. Midway through the lunch, Maria asked each artist to open their envelope and speak for five minutes about what their word evoked for them. The conversations that took place as a result were recorded. 



Listening to these conversations a few weeks later Maria wrote seven short texts using the process of free writing using one word from each of the artists' monologue as a starting point and writing within a self-imposed, 15-minute deadline. The prompt words from the recording and the provocations words from the meal were: cause (homeland); craving (recipes); urge (art); erasure (journeys); drops (culture); water (identity); and booklet (displacement). 

Central to the exhibition is somewhere, Maria’s resulting commission piece. Visitors to the site can watch one-minute, experimental films she created using a mobile phone, overlaid with the artists reading the texts.  Pages from the artist book and the original texts are also featured on the site.


somewhere is testament to the stories told during a seat at the table, by artists with migrant and refugee background and speaks to the troublesome, contingent and precarious nature of being from elsewhere.

On Sat 15 May, SEAS will be facilitating a Zoom meeting to discuss socially engaged art in the time of social distancing. They welcome those working in the creative industry to discuss how artists can engage with their communities while maintaining social distancing.  Register for the event here. 

Find out more about Maria Amidu: www.mariaand.co 

1500 ticket buyers have donated back their ticket purchases to Brighton Festival after it was cancelled due to the coronavirus crisis. As a thank you for the public’s on-going support and generosity, Brighton Festival is offering a selection of free online events, featuring artists who would have performed in Brighton this May, along with contributions from artistic partners.

Brighton Festival at Home began with the Children’s Parade at Home on Sat 2 May and continues with live performances; family-friendly activities; artist masterclasses and a few surprise messages from famous faces, scheduled across digital platforms throughout May when the Festival would have been in full swing across the city.

This year’s Brighton Festival Guest Director, Lemn Sissay MBE will host an exclusive live reading and debate based on his best-selling memoir, My Name is Why. Reflecting on a childhood in foster care, self-expression and Britishness, Lemn will be in conversation with writer Hannah Azieb Pool, with questions invited from the public.

Brighton-based Rachel Blackman was due to perform the world premiere of her Festival commissioned show and will create a new adaptation live from her home. Tiny Failures will see Rachel interview a guest artist to recount their personal life disasters, in an uplifting and humorous look at how we can all take comfort from each other’s mistakes.

On Saturday 9 May at 10pm, Brighton Festival will partner with Sam Lee’s Singing with Nightingales, a live audio broadcast taking listeners on a journey into the Sussex woods to hear nightingale birdsong mixed with a real-time duet with guest musician Alice Zawadksi and a special poetry reading by Lemn Sissay.

Comedians Sofie Hagen and Mark Watson give us a glimpse into how they’re coping with life in lockdown with short video sketches. Performance artist Rachel Mars reveals the secrets behind a celebrity love letter in an intimate late-night video chat with friends. British vocal ensemble, I Fagiolini will be offering a sing-along musical lesson with their performers led by acclaimed director Robert Hollingworth. Australian circus act Gravity & Other Myths share their acrobatic skills in a series of physical tutorials. Drag Queen Story Hour UK’s Aida H Dee will bring her own unique style with a fun and educational reading for families to enjoy together. And in an exclusive partnership with Fuel Theatre, the festival will be running a competition to win an invitation to take part in Love Letters Straight From Your Heart, a live participatory event in which the audience and actors offer dedications and declarations of love, past and present.

Andrew Comben, Chief Executive of Brighton Festival said:

“We’ve been overwhelmed by the way our audiences responded to the news of the festival’s cancellation. By donating in such numbers our community has shown how much the festival means to them and enabled us to look forward to the future with confidence that it will return. Although we can’t replicate the festival experience, we wanted to thank everyone for their support, connect online and keep the spirit of Brighton Festival alive. We are grateful to our guest director Lemn Sissay and the other artists who have offered to share their work digitally. The arts have the power to lift our spirits, inspire our imaginations and support our mental health during difficult times, and we hope online audiences enjoy a small part of the Festival at home this May.”

Brighton Festival is a registered charity and almost two thirds of the festival costs would have been covered by ticket sales. Brighton Festival at Home events are free to watch online and viewers have the option of contributing a suggested donation in order to help support the Festival’s future and its work with artists and community partner organisations.

Due to the coronavirus pandemic Brighton Festival 2020 was cancelled for the first time in its 53-year history. Scheduled to take place from 2 to 24 May 2020, the largest annual, multi-arts festival in England would have featured over 120 cultural events across the region, including 17 premieres, commissions, co-productions and many Festival debuts from international artists.

The caravan biennial showcase of English performance as part of Brighton Festival, has brought its 2020 programme to digital platforms in response to the COVID-19 crisis. Shaped in the same spirit of informality and accessibility, the digitised showcase will test ways of developing an international dialogue that seeks to minimise the environmental cost of global travel associated with the event.

The showcase has been running within the Brighton Festival since 2008, and introduces a curated group of England’s brightest performance companies, to festival organisers and programmers from around the world; with the ambition of developing new partnerships, collaborations and ways of working. 

On Mon 11 and Tue 12 May, a series of live events will be hosted on Zoom for registered delegates including provocations from guest speakers, pitches of new work and one-to-one meetings with artists. Artist and writer Andy Field will provide a narration to the showcase by hosting caravan radio, a series of podcasts featuring interviews with the artists, audio excerpts and sound pieces with the intention of helping the delegates to deepen their understanding of the artists and their work in a creative way. Alongside this, the caravan team will facilitate connections and conversations between artists and delegates through a dedicated Slack account.

Farnham Maltings produced artists Bertrand Lesca and Nasi Voutsas said: 

“Right now it feels more important than ever for us to be able to connect with presenters and fellow artists and be part of our wider community. We are so excited to be part of caravan’s digital showcase experiment and are really looking forward to having the chance to share and discuss with colleagues and friends what our future might hold and how we might begin to plan for it.If the current crisis has taught us one thing, it is that everything is connected”

Watch Ezra Furman perform at Brighton Festival 2017 with Du Blonde & Honey Harper.

‘The kind of performer that makes you feel like a teenager all over again’ The Guardian

Tears. Heartbreak. Unbridled joy. Ezra Furman is the real deal.

His onstage presence, hook-laden garage-punk (think Jonathan Richman meets Spector-era Ramones meets the E Street Band), and confessional lyrics about sexuality, depression, faith and politics, have all earned him a legion of followers on both sides of the Atlantic.

Back with his newly re-christened band The Visions, and hot on the heels of the release of latest album Transangelic Exodus, this is a performer that must be seen to be believed.

Du Blonde

Du Blonde, AKA Beth Jeans Houghton, is a multidisciplinary artist and musician, working with animation, illustration, sculpture, video editing, songwriting and music production.

Honey Harper

Honey Harper is both an old and a new project. The songs were written in the past three years but they’ve been around for much longer. They resist temporality and eschew spatial specificity. Whether they were written on a lake in northern Ontario, a haunted hotel room in Atlanta, or in a car at 5AM in east London makes little difference as they all reside within. Honey Harper is intrinsically honest, pure, universal country.

At Brighton Festival 2019,  Chineke! brought their extraordinary energy and enthusiasm to the evening’s performance, taking us on a journey through the 1920s from New York to Weill’s Vienna.

Chineke!: Founded in 2015 by Chi-chi Nwanoku OBE, the Chineke! Foundation provides career opportunities for young Black and Minority Ethnic (BME) musicians in the UK and Europe.

Chineke!'s flagship ensemble is the Chineke! Orchestra which comprises professional musicians from across the continent and further afield, brought together several times a year to perform at leading festivals in England and abroad. As well as performing standard orchestral repertoire, Chineke! champions the works of BME composers both living and from the past.

Help us keep the spirit of the Children’s Parade alive this year and have your own mini parades at home! 

All of us at Brighton Festival, and our artists at Same Sky were so sad to cancel this year’s Parade, that when received an email from Tobias at Balfour Primary asking if the parade could happen in a different way, we could not resist but do exactly that.

So, if you are from one of the 60 Brighton & Hove schools or thousands of children, teachers, parents, artists and volunteers who had already put in so much work into preparing for this year, then all of this love, creativity and imagination won’t be lost. 

And if you are not, don’t worry because everyone is welcome! Young and old, local or global, let’s ALL come together and get creative in this celebration of our children, their creativity and incredible imaginations.

Whether you want to conga around your kitchen, wave a flag from your window, blow a whistle from your balcony, shimmy in your sitting room or dress-up on your doorstep – there is no set theme and anything goes!

At 10.30am on the day, we will signal the start the mini parade by sharing a samba drumming call on social media.

Share your creativity on our socials 

Tag #ChildrensParadeAtHome and @brightonfestival (and your school if you like!)
 If you are not on social media you can send pictures to marketing@brightonfestival.org And don’t forget to join the event on Facebook.

Need some inspiration?

Same Sky artists have created free and easy tutorials to make something fun from recycled materials found around the house such as a broom puppet, trumpets, masks and hats.
Click here for the artist tutorials

Other ideas include:

• Dress up, make costumes, puppets, a mask, a headband, face paints
• Sing, shout, bang pots, make noise with whatever you have to hand
• Dance, prance, and pose!  

Brighton Festival & Same Sky’s Children’s Parade is kindly sponsored by Southern Water. 

Summer Dean is a freelance photographer/film maker and artist based in Brighton.
We caught up with her to find out what she’s doing to keep creative during lockdown and take a look back at some of her favourite Festival images from the last few years.

What is your role at Brighton Festival?

I’ve worked for the Festival since about 2013, just before I graduated from university and their marketing team commission me as a freelance photographer and film maker. Last year I brought together a small team of people to work with me to create content throughout the Festival. We were due to work on this year’s Festival but since it had to be cancelled I’m now working with the team on some other projects.

What inspires you about working with Brighton Festival?

For me, it starts with the fact that every performance and the Festival as a whole is the result of so many creative people coming together and making things happen. I get to see so many performances and meet artists from all over the world which is really inspiring to me.

I interview everyone from the artists to producers working behind the scenes. Having those candid chats with people before the show and getting insight into why they’re doing it, why it’s important to them. I also interview audiences after shows to film their reactions, seeing them so excited and knowing they’ve got something out of it, creatively or emotionally.

That whole process is such a beautiful thing because I get to meet different people and it’s so rewarding for the artists and Festival team to see what the public think of their performances.

What are the challenges you come up against as a creative freelancer?

It’s a whole process - finding work, building relationships with people and then producing the work. When you’re a creative freelancer, and it goes for these current challenging times, it’s about being able to build those relationships, have the motivation to do a good job and be creative with the results so that your client will also be happy, that’s a challenge.

What advice would you give young people looking to become a freelance creative?

During university and even before, anyone who needed anything photographing, I would offer to do it! I can trace back every job I’ve done to a time where I offered something to someone that no one else was offering. Whether it was just taking a job for experience or doing it for little or no money.

Then there’s making sure that you’re not getting exploited. That’s a really big issue at the moment. Don’t have a blanket rule of “I don’t work for free” because benefits aren’t always money. Benefits might be just making that relationship. It’s about simultaneously doing the job, doing it well but also building the relationship with the person you’re working for.

How are you dealing with being a creative freelancer since the Covid-19 pandemic?

I’m really grateful and lucky that I’m surrounded by a lot of creative people. One thing that’s quite interesting is a lot of the freelancers who are usually back to back busy from 6am to midnight, suddenly have all a lot of extra time. There’s an opportunity now to connect with them and come up with new ideas together.

I’ve just launched a TV channel called Rather Proper TV. I wanted to create a platform so people can still make content and share it if they want to. I’ve got a comedy show that I’m building up based on performers filming things around their house and reimagining their practice. How do you do a theatre show from your house? What does that look like? How is that for the audience?

If you would like to get involved with Rather Proper TV please email: contact@ratherpropertv.com

What tips do you have for anyone struggling to stay creative at the moment?

Something I’ve been trying to do is not put too much pressure on myself. It’s taken me a good two weeks to say do you know what, it’s OK to not be creative, I don’t have to be on all the time.

You don’t have to be creative all the time. You don’t have to have the next ground-breaking idea. You don’t have to have all the tech knowledge. Now is a time to learn new things, make connections and be yourself

Follow Summer Dean on Instagram
Check out Summer Dean's website 

Interview by Liberty-Rose Gatcombe, University of Brighton, Multi-media Broadcast Journalism student placement: @liberty3rose

Watch again DakhaBrakha plus DJ set. Enjoy this Brighton Festival Exclusive, originally live streamed on Sun 10 May 2015.

Plumbing the depths of contemporary roots and rhythms, Ukrainian ‘ethnic chaos’ band DakhaBrakha creates a world of unexpected new music. Rooted in Ukrainian culture but fusing Indian, Arabic, African, Russian and Australian instrumentation, the quartet has created a truly trans-national sound. Expect moments reminiscent of Radiohead, Chicks on Speed and even Hip-hop.

With a name that literally translates as ‘give/take’, DakhaBrakha was created in 2004 at Kiev’s Center of Contemporary Art by avant-garde theatre director Vladyslav Troitskyi. Theatre has left its mark on the band, with a strong visual aesthetic remaining an integral part of its thrilling live act. 

Since its formation, DakhaBrakha has performed at festivals in over 30 countries, bringing Ukrainian melodies to the hearts and consciousness of Ukraine’s younger generation and music-lovers worldwide.

It is with great sadness that we have had to close the doors of Brighton Dome and cancel Brighton Festival in light of the current climate. As you can imagine, this wasn’t an easy decision to make but something we felt was right for not only our audience but staff and artists involved.

Since sharing this difficult news, we have been inundated with kind messages and words from members of the public. We wanted to take this time to say thank you!

Thank you for your thoughts.

Thank you for reaching out with kind words.

Thank you for continuing to support the arts.

Thank you from our CEO Andrew Comben:

The Arts and Culture sectors are going through a period of difficulty, as are other public venues. Most arts organisations, like ours, are charities, we are reliant on the talented artists who want to perform at our venue and the dedicated audiences who come along. With social-distancing and isolation becoming part of our day-to-day, how we keep the arts alive is changing. We are no longer able to pack the house out as we did before to share culture and creativity as a community! Now, we are relying on the support and kindness of the public to keep us going. In these dark moments, we want to create opportunities to keep the arts alive, we are working to find new digital ways to reach our audiences. And while we are hard at work with that, we are so grateful for all those who are quietly, or loudly, cheering us along. So far we have received a total donation of £2.5k from ticket purchases which shows the generosity of a community in need.

Below we have shared a few of our favourite words of encouragement that we’ve received in person, over email or on our social media platforms. This is our way of saying THANK YOU, to give a little back to you, and to keep those spirits high in these uncertain times.

We believe the arts inspire and change lives. And access to art for everyone is a universal human right. Now more than ever, art can lift our spirits, brighten our days and support our mental health. If you would like to see the ways to support Brighton Dome and Brighton Festival, take a look here.

We also want to say a special Thank You for those who have contributed directly over the past few days. Your generosity does not go unnoticed, we are blown away by your kindness.

A Special Thank You

Robert, Rachel and Trustees at The Chalk Cliff Trust
Mel at Amex
Susan at Rayne Foundation
Margaret Field at Nursing Association Trust

Thank You for your words of support 

“Thank you for the email about sadly cancelling Brighton Festival. We currently live in very strange and worrying times. The term ‘uncharted waters ‘comes to mind.

I purchased tickets for 10 events - 2 tickets for each event. I would like very much to donate the money from these tickets to the Brighton Dome charity and therefore do not require a refund. I’ve listed below the events I booked to make it easier for you to correlate this with your system. Hope it helps.” – Valleri, via email

“Thoughts and thanks to everyone involved in what promised to be another incredible May jam-packed with arts and culture from around our city, country and globe. I hope everyone will support in whatever way they can, be it kind words, deeds or donations #brighton #arts #culture” – Dom, via Twitter

“So sorry to hear this but clearly the right decision in the circumstances - sending [love] to all involved, including the lovely people @brightfest who make it all happen. Fingers crossed that 2021 can be a vintage year!” Dan, via Twitter

“I am so gutted that @brightdome @brightfest 2020 has been cancelled. What a huge loss for everyone in the #Brighton area and the artists who come from all over the world.” Charlotta, via Twitter

“This is very sad news. What a devastating impact this virus is having. I am so sorry for you, for Andrew and all the team. I’m also sorry for us - the Festival is an important part of our lives and a focal moment of the year. Of course we will donate our ticket payments as donations. Please let me know if there’s any other way we can support you. Take care.” - Diane via email

“We had naturally feared this would happen and we are so sad for you and everyone who puts so much time and effort into making it such a wonderful and unique event. Please send our best to Andrew and the team and hope you all stay well. Beat wishes.” Julia & Jon, via email

“I knew this was inevitable but it is still a shock. So much effort goes into the planning of the Festival, it must be heart-breaking. I do feel for all the artists, musicians and performer whose livelihoods are disappearing event by event, venue by venue. Be assured of the support of those of us who love the Festival and admire all your work for it. Best wishes.” – Betty, via email

“It is a sad time for us all and I am sorry to hear that the Brighton Festival has been cancelled. As a supporter I would like to be of help and am donating the cost of all of my tickets to the Festival. Good luck. Best wishes.” – Helena, via email

“Brighton Festival is so important to the city, of which we are proud to be a part. We’re sending our support and love to the team and all the artists involved. We will be here for you when the Festival is back up and running - I know we will need you more than ever.” Steven Marshall-Taylor, Head of Senior School, Brighton College

This is a truly inspiring selection of the wonderful, local and national support that we feel here at Brighton Dome and Brighton Festival. We believe that the arts can help the individual, inspire new ways of thinking and build an encouraging community. If you are interested in supporting us do take a look at our donation page.

Again, Thank You.

Kate Tempest plus REMI was originally live streamed on Fri 26 May, 2017. Watch the full show now, from the comfort of your own home.
Contains strong language

Hot on the heels of a headline tour in support of second studio album Let Them Eat Chaos, Kate Tempest and her band brought a specially extended live show that kicked off the final weekend of Brighton Festival in fine style.

A poet, rapper, playwright, and impassioned performer, Kate Tempest is an artist who refuses to conform to genre boundaries. Whether it’s her self-performed epic poem Brand New Ancients (winner of the 2013 Ted Hughes Prize), her electrifying debut novel The Bricks That Built The Houses, or her Mercury Music Prize-nominated album Everybody Down, when you experience her powerful oratory, you’ll know why she is being hailed as the voice of a jilted generation.

Support comes from Melbourne MC REMI, who, with musical collaborator Sensible J, has become one of the fastest-rising hip-hop acts in Australia. REMI's sophomore LP Divas and Demons was released last year through his own label and included the widely loved single For Good featuring Sampa the Great.

Filmed and edited in partnership with Brighton Metropolitan College

Watch Backbone this Easter Bank Holiday, live streamed originally on Thu 16 May 2019, 7.30pm

Sit back and enjoy some circus at home from Gravity & Other Myths
PLEASE NOTE: This recording has laser effects

The internationally renowned circus company, Gravity and Other Myths, takes the concept and perception of strength and (literally) tosses it into the air. In this ‘dazzling and warm hearted’ performance (The Independent), individual and collective resilience is tested as the company tumble, backflip and walk across each other’s heads – Backbone explores the limits of emotional and physical endurance.

Winner of the Australian Dance Award (2018) for Outstanding Achievement in Physical Theatre, this is a stripped-back, raw showcase of human ability and connection. With a powerful live soundtrack and beautiful lighting design, expect ‘a genre-defying, thought-provoking, visual extravaganza…so intensely beautiful it makes you proud to be human.’(InDaily)

Look back through Brighton Festival's design history 

Check out the first ten years of Brighton Festival Programme Covers. 

Enjoy some graphic design through the decades, you can see more brochure covers here.

1967

1968

1969

1970

1971

1972

1973

1974

1975

1976

It is with great sadness we announce that Brighton Festival 2020 is cancelled.

Based on the latest government advice around social distancing measures and the peak of the Covid-19 epidemic in the UK is projected to coincide with the timing of the Festival in May, all planned events have been suspended.

Brighton Festival was due to take place from 2 to 24 May 2020 and is the largest annual, curated multi-arts festival in England. This is the first time since the Festival has been cancelled in its 53-year history. Over 120 cultural events were scheduled across the region, including 17 premieres, commissions, co-productions and many Festival debuts from international artists. The annual Children’s Parade has also been affected and will not go ahead. Festival staff are working with artists and partners to discuss whether some events can happen at a later date or in a different way. Due to the scale of the festival and the inclusion of many international artists and touring companies, rescheduling the festival as a whole would not be feasible.

Andrew Comben, Chief Executive of Brighton Festival said:

“The Festival team is devastated that this incredible programme, led by Guest Director Lemn Sissay won’t happen this year and that audiences won’t experience the diversity of artists coming from across the world to our city. Lemn’s vision was to build an ‘Imagine Nation’ at Brighton Festival. It seems to us that we need imagination, creativity and the strength of our community now more than ever. We are exploring what might be the most creative contribution the Festival and its artists can make at this time and we will share more on this when we can.

“We are aware that the whole of society is being impacted by the coronavirus pandemic but also realise the profound affect it will have on the cultural sector and on the economy of our city, to which the Festival is such an important contributor. It is vital we work together to support our staff, artists and partners and that Brighton & Hove’s rich cultural life can survive and emerge from this challenge, so we all continue our contribution to the life and wealth of the whole region.”

Brighton Festival 2020 Guest Director, the acclaimed poet and author Lemn Sissay commented:

“The cancellation of Brighton Festival is a huge blow for us all but it’s also inevitable given the severity of what we all face. I believe artists have a role to play and a gift to offer and the creativity that is in us all reminds us of the preciousness and beauty of life. Let’s cherish that now and emerge from this with renewed humanity and strength.”

Customers who have booked tickets for events will be contacted by the Festival ticket office as soon as possible with refund information.

Brighton Festival is a registered charity and almost two thirds of the festival costs would have been covered by ticket sales. Ticket holders are being offered the option to donate some or all of their ticket purchase in order to help support the Festival’s future and its work with artists and community partner organisations.

Since it was first established in 1967, Brighton Festival has given artists and performers at the cutting edge of artistic practice and on the edge of society, the creative space to have their voices heard and to showcase new work.

Cllr Alan Robins, Chair of the Tourism, Equalities, Communities and Culture Committee, Brighton & Hove City Council added:

“The cancellation of this year’s Festival is disappointing but inevitable given the current circumstances and is absolutely the right decision. We look forward to the Festival returning next year.”

Brighton Dome closed on Tue 17 Mar and is cancelling or postponing its events programme until further notice.

Take a journey through Brighton Festival's design history 

Browse through our second decade of Brighton Festival programme covers. You can check out the first ten years here,

1977

1978

1979

1980

1981

1983

1984

1985

1986

Following the UK Government’s new advice today to the public to avoid contact in social spaces including theatres, to help prevent the spread of coronavirus, Brighton Dome will be temporarily closed for events with effect from Tue 17 Mar 2020. Anyone with tickets to forthcoming events will be contacted and we will be working with artists and performers to reschedule as many dates as possible. We realise this is a huge blow to the arts in our city, but feel the health and safety of our audiences should take priority. Please bear with us as we put these plans into place and thank you for your understanding at this time.

Discover free events happening in Brighton and beyond throughout May at Brighton Festival.

Children’s Parade
Sat 2 May

Join fellow children, parents and teachers as we fill the city with a sea of colour and creativity! This year's theme is Nature’s Marvels, celebrating the wonders of flora and fauna from around the world.


Washed Up Car-go
Sat 2-Sun 24 May

Artist Chris Dobrowolski’s playfully thought-provoking Washed Up Car-go features iconic Brighton landscapes, film, music, toy sea creatures and a lot of local pebbles to ask us to think about plastic pollution, consumerism and maritime art.  

The Young Americans
Sat 2-Sun 24 May

Today’s generation of Indigenous American artists take centre stage in this powerful new exhibition, co-commissioned by Brighton Festival and Rainmaker Gallery. Native artists from diverse tribal nations examine what it means to grow up in the contemporary United States with a display of fine art photography, printmaking and painting. Their explosive visual mix of techniques, experimentation and individual perspectives shatter clichéd perceptions of Indigenous art and life.

The Informals II
Sat 2-Sun 24 May

Artists Polina Medvedeva and Andreas Kühne present an interactive exhibition exploring music subcultures of Brighton, co-commissioned by Brighton Festival. Projections of video, text, music and dialogue tell stories of Brighton’s digital-savvy emerging talent who use musical culture to challenge stigmas and stereotypes at a time when politics is against them.
Come along to a live, improvised audio-visual performance on Wed 6 May, 5pm. The artists collaborate with local artists Phonetic, Bobbie Johnson, Ollie Hutchison and Marshall Mandiangu to create a collective portrait of, and give a platform to, Brighton’s extraordinary youth culture.

HALO
Sat 2-Sun 24 May

HALO is a large-scale immersive installation made by renowned Brighton-based artist duo Semiconductor following a residency at CERN, the European Laboratory for Particle Physics. The duo are known for their innovative artworks which explore the material nature of our world and how we experience it through the lenses of science and technology, blending experimental moving image techniques, scientific research and digital technologies. Allowing us to look at and listen to this data gives audiences a sense of something bigger than themselves. The installation is a multi-sensory experience of matter formation in the early universe generated through projections and sound played out upon hundreds of vertical piano strings. To support this exhibition, The Lighthouse are producing a series of workshops.

Art of Attachment

Vincent Dance Theatre world premiere Art of Attachment commissioned by Brighton-based Oasis Project. The film installation combines sound and moving image, exploring the devastating impact physical, sexual and emotional abuse on women’s lives and the complex bond between substance misusing mothers and their children. Hard-hitting and deeply moving, Art of Attachment celebrates the resilience and resolve of women and children, whose stories demand to be seen and heard.

Arrivals & Departures
Sat 2-Mon 11 May
Friend’s Meeting House

YARA + DAVINA bring a public artwork about birth, death and the journey in between. Arrivals + Departures takes the recognisable form of an arrivals and departures board, displaying the names of people submitted by the public as a way of celebrating a birth (arrival) or commemorating a death (departure).Capturing both the joy and sadness of an arrival’s hall or departure lounge, visitors and passers-by can choose to contribute names to acknowledge, celebrate and commemorate. Names may range from the personal to the political, from our unsung personal heroes to national treasures, as they are shared on the large-scale artwork via a live interaction. 

A Simple Act of Wonder
Sat 2-Sun 24 May

During May, through a series of colourful, collaborative interventions, acclaimed artists Walter & Zoniel bring their attention and irrepressible energy to Fabrica and Moulsecoomb, asking how we connect with each other as individuals and communities.

In C by the Sea
Sat 2 May

To coincide with Terry Riley's 85th birthday and Kronos Quartet's performance at Brighton Festival, young musicians from Brighton & Hove Music & Arts and East Sussex Music along with members of Brighton Philharmonic Orchestra, will perform their interpretation of Terry Riley's iconic work, In C. This minimalist masterpiece for a flexible ensemble will see young musicians from across the region performing by the sea in locations including Brighton seafront.



A Weekend Without Walls | Crawley
Sat 9 May

Spend an afternoon at Queens Square, Crawley discovering exhilarating FREE and new pop-up performances from some of the UK’s most innovative outdoor companies. From hiphop to circus, come and enjoy these playful and uplifting shows for all the family. Discover the programme here.

A Weekend Without Walls | Brighton Beach
Sun 10 May

Spend an afternoon at Brighton beach discovering exhilarating FREE and new pop-up performances from some of the UK’s most innovative outdoor companies. From hiphop to circus, come and enjoy these playful and uplifting shows for all the family.

A Weekend Without Walls | The Level
Sat 23 & Sun 24 May

Spend an afternoon discovering exhilarating FREE and new pop-up performances from some of the UK’s most innovative outdoor companies. From an interactive augmented reality trail to inspiring dance there will be something to appeal to all. Discover the programme here. 

Discover events for £10 and under.

Yorkshire-based interactive arts studio, Invisible Flock will present the world premiere of The Sleeping Tree in a disused warehouse space in Hove throughout Brighton Festival this May.  

The award-winning studio operates at the intersection of art and technology and makes innovative, participatory artworks that are experienced around the world. Drawing directly from the world around them the collective focuses on our emotional relationships to the natural world.

“We believe that art today must have a positive impact on society and the world we live in and as artists we have a responsibility to open up collective thinking and to build space for critical inquiry.”

Their recent works include Earth Tones, a global mapping project, capturing environmental data from a variety of landscapes at the forefront of climate change, whilst reimagining the information in multi-sensory art installations.

Their latest work, The Sleeping Tree is an immersive, three-dimensional, audio-visual experience of one of the last great rainforests of North Sumatra, Indonesia. The installation aims to emphasise the urgency of the threat to the Leuser Ecosystem, one of the most biodiverse environments on the planet.

Bringing UK audiences closer to the deforestation emergency in this distant and seemingly intangible ecosystem, the installation conveys a powerful sense of this endangered environment, flooding the senses with heat, mist, humidity and captivating and microscopically accurate sounds of the jungle. You will follow a family of endangered Siamang Gibbons as they wake, roam across the jungle and return to their sleeping tree, one of the six majestic trees they have used for generations.

The Sleeping Tree has been developed through intensive research living in the jungle with Siamang Gibbons. Invisible Flock have captured over 5000 hours of audio recordings of this rare species in its diminishing natural habitat, collecting scientifically valuable data on sound frequencies as well as the temperature and humidity within the jungle, which indicate the rapid changes taking place in this fragile ecosystem, as result of palm oil production.

The Sleeping Tree will open on Sat 2 May until Sun 24 May. Book your tickets here.

Discover more Art and Film events.

This event is kindly supported by Selective Asia 

Discover a range of art events and exhibitions happening in Brighton and beyond throughout May. 

Washed Up Car-go | Free
Sat 2-Sun 24 May
Hove Warehouse

Artist Chris Dobrowolski’s playfully thought-provoking Washed Up Car-go features iconic Brighton landscapes, film, music, toy sea creatures and a lot of local pebbles to ask us to think about plastic pollution, consumerism and maritime art.  

The Young Americans | Free
Sat 2-Sun 24 May
Phoenix Art Space

Today’s generation of Indigenous American artists take centre stage in this powerful new exhibition, co-commissioned by Brighton Festival and Rainmaker Gallery. Native artists from diverse tribal nations examine what it means to grow up in the contemporary United States with a display of fine art photography, printmaking and painting. Their explosive visual mix of techniques, experimentation and individual perspectives shatter clichéd perceptions of Indigenous art and life.

The Informals II | Free
Sat 2-Sun 24 May
The Lighthouse

Artists Polina Medvedeva and Andreas Kühne present an interactive exhibition exploring music subcultures of Brighton, co-commissioned by Brighton Festival. Projections of video, text, music and dialogue tell stories of Brighton’s digital-savvy emerging talent who use musical culture to challenge stigmas and stereotypes at a time when politics is against them.

Come along to a live, improvised audio-visual performance on Wed 6 May, 5pm. The artists collaborate with local artists Phonetic, Bobbie Johnson, Ollie Hutchison and Marshall Mandiangu to create a collective portrait of, and give a platform to, Brighton’s extraordinary youth culture.

HALO | Free
Sat 2-Sun 24 May
ACCA

HALO is a large-scale immersive installation made by renowned Brighton-based artist duo Semiconductor following a residency at CERN, the European Laboratory for Particle Physics. The duo are known for their innovative artworks which explore the material nature of our world and how we experience it through the lenses of science and technology, blending experimental moving image techniques, scientific research and digital technologies.Allowing us to look at and listen to this data gives audiences a sense of something bigger than themselves.The installation is a multi-sensory experience of matter formation in the early universe generated through projections and sound played out upon hundreds of vertical piano strings. To support this exhibition, The Lighthouse are producing a series of workshops. 

Art of Attachment | Free
Sat 2-Sun 24 May
ONCA Gallery

Vincent Dance Theatre world premiere Art of Attachment commissioned by Brighton-based Oasis Project. The film installation combines sound and moving image, exploring the devastating impact physical, sexual and emotional abuse on women’s lives and the complex bond between substance misusing mothers and their children. Hard-hitting and deeply moving, Art of Attachment celebrates the resilience and resolve of women and children, whose stories demand to be seen and heard. 

Arrivals & Departures | Free
Sat 2-Mon 11 May
Friend’s Meeting House

YARA + DAVINA bring a public artwork about birth, death and the journey in between. Arrivals + Departures takes the recognisable form of an arrivals and departures board, displaying the names of people submitted by the public as a way of celebrating a birth (arrival) or commemorating a death (departure). Capturing both the joy and sadness of an arrival’s hall or departure lounge, visitors and passers-by can choose to contribute names to acknowledge, celebrate and commemorate. Names may range from the personal to the political, from our unsung personal heroes to national treasures, as they are shared on the large-scale artwork via a live interaction. 

A Simple Act of Wonder | Free
Sat 2-Sun 24 May
Fabrica Gallery & Moulsecoomb 

During May, through a series of colourful, collaborative interventions, acclaimed artists Walter & Zoniel bring their attention and irrepressible energy to Fabrica and Moulsecoomb, asking how we connect with each other as individuals and communities. 

The Sleeping Tree
Sun 2-Sun 24 May
Hove Warehouse

Yorkshire-based interactive arts studio, Invisible Flock will present the world premiere of The Sleeping Tree, an immersive, three-dimensional, audio-visual experience of one of the last great rain forests of North Sumatra, Indonesia. The installation conveys a powerful sense of this endangered environment, flooding the senses with heat, mist, humidity and captivating and microscopically accurate sounds of the jungle. You will follow a family of endangered Siamang Gibbons as they wake, roam across the jungle and return to their sleeping tree, one of the six majestic trees they have used for generations. 

Points of Departure
Thu 7-10 & Wed 13-Sun 17 May
Shoreham Port 

Ray Lee presents the world premiere of Points of Departure at Shoreham Port. Visitors are invited to take a walk through the atmospheric industrial landscape of Shoreham Port and experience the otherworldly sound and light installations. The installation is a series of giant towers holding suspended speaker cones which gradually swing higher and higher until each arm soars up over the heads of the audience ringing electronic tones. 

Discover the full programme here