Acclaimed photographer Eddie Otchere immersed himself in the city during this year’s Brighton Festival, soaking up the atmosphere, camera always in hand. Eddie facilitated workshops at Your Place in Hangleton and East Brighton and set up The Bright Room – a community darkroom. Here he picks out some of his favourite contact sheets from across the Festival period.
‘It’s not the final image that makes the photographer, it’s the contact sheet itself that makes the experience’
Brighton & Hove Albion promotion parade taken by Eddie Otchere: I was walking down the street and I realised Brighton was having a parade. The turn-out and the level of production and the effort they put in to throw that party was ridiculous. It’s a reflection of the Brighton that I have come to know; a positive reflection of humanity, the way you celebrate your team graduating to the Premier League. Crystal Palace is my local team, and we don’t do this.
Your Place East Brighton taken by Eddie Otchere: I had done my workshop in the morning, and then took a walk to the Crew Club. There was a soundcheck in progress with the Guest Director Kate Tempest. There was a great rapport between Kate and the staff. It’s a wonderful example of how free they felt in Brighton. This contact sheet symbolises that level of freedom and how good they felt. When you come to Brighton, you put aside your London angst. The Kate that the people of Brighton saw was something unique to Brighton.
Your Place Hangleton, Culture Clash taken by Eddie Otchere: Poets vs MCs vs Comedians - that’s one of the best ideas I have heard in my life. They all share a similar kind of skill but they are very different. It’s a reflection of Hangleton and the talent which was pulled together to make that event happen. What an amazing community centre Hangleton has, the energy in that particular environment. This contact sheet also shows how Kate Tempest is as much in the audience as she is on stage.
Taken by a Bright Room workshop participant: This contact sheet sums up the experience that most people would have had in terms of a learning experience. There are all the classic subjects, dogs, people smiling, Bart Simpson graffiti. It reflects the idea that participants walk away with a camera and just shoot their environment. The money shot is an old man with a pocket watch, which made it into The Bright Room exhibition. It’s a beautiful piece of photography.
Taken by a Bright Room workshop participant: This person was very geometric in their taste. In that way photography is very democratic, everyone has their own taste. I think this person got a lot out of the visual investigation. Black and white film is perfect for this as it is all about shape and texture.
Taken by a Bright Room workshop participant: This person was my assistant at the Hangleton workshop and then came along to The Bright Room workshops and brought her brother (who appears in the contact sheet). It is the people of Brighton experiencing the Brighton that they know. I understand how people can over-think photography because it is an artform, but I think, at it’s best, photography is an example of a moment in time. This person used the camera I used for shooting metal heads and Goldie in the ‘90s. It had a setting that meant it shoots multiple exposures when the shutter button is held down, hence the repetition.
Walking through Brighton by Eddie Otchere: This must have been the second to last day of The Bright Room workshops. I was walking by the sea to The Bright Room. It’s that thing of being in Brighton and bumping into people. These are pictures from that walk. Once you get by the sea you start to realise how magical that sea is. I think that was the most relaxing shoot I did. It is a record of what it was like for me every morning on my route to work. To a great extent it probably sums up my Brighton experience.
Find out more about Eddie Otchere and the philosophy behind The Bright Room.