Writer and theatre-maker Sheila Hill was intrigued to find herself craving music during her pregnancy in 1998. That experience, and the rollercoaster of the first seven years of her son’s life, became the foundation for Eye to Eye: an extraordinary musical collaboration about motherhood.
Firstly, can you introduce us to your show and tell us what it is about?
Eye to Eye is an autobiographical chorus-based work about motherhood and childhood – based on two real-time voices, mine and my son’s, spanning seven years from mid-pregnancy, to the start of school, and a little beyond. The text is an edit of my notes and writing from that time, set to music by Howard Skempton with jazz interludes by Byron Wallen.
Why should someone come and see your show?
To see an interesting new performance work. To see the combination of two polar opposite music worlds. To see one of our most dazzling soloists and performers: Melanie Pappenheim. To see a chorus of mothers and children – a lovely thing in itself. To reflect on and connect with a work about the most primal of relationships.
Eye to Eye's chorus of local women and children rehearse at Glyndebourne
Where did the idea and inspiration come from?
Being pregnant, and finding, weirdly, that I was craving music.
What sort of person is going to love this show?
I hope everyone. High end music, arts and performance audiences. Followers of new work. Music-lovers. Local people. Friends and families of the singers.
What will surprise people about this show?
It’s about all of us. ‘You know, everybody in the world used to be a child, or is a child.’
Eye to Eye takes place Sat 11 May, 7.30pm and Sun 12 May, 2.30pm at Brighton Dome Concert Hall. Book tickets for this very special event here.
Discover more Contemporary Music events happening at Brighton Festival this May.