Festival Hot Seat... Portraits in Motion
Volker Gerling spent over a decade touring Germany by foot, capturing the people that he met in his distinctive flipbook portraits. We caught up with him to find out about the development of his craft and his extraordinary show Portraits in Motion
Can you tell us what your show is about?
In the summer of 2002 I took an old wooden kitchen tray and made it into a simple hawker’s tray. It had room for six photographic flipbooks, which showed portraits of my friends, and I hung a sign on it saying “Please visit my traveling exhibition”.
I walked through Berlin, showing people my flipbook ‘movies’. I screwed an empty honey jar underneath the hawker’s tray so that visitors could pay a symbolic entrance fee.
For nearly a year I showed people my flipbook movies in Berlin. Then, I decided to become a journeyman – I wanted to find out how people all over the country would react to my flipbooks.
And I wanted to make some new flipbooks.
I was afraid that I would miss something if I travelled too quickly, so I decided to walk. In the summer of 2003 I walked from Berlin to Basel – a walk of 1,200 kilometres – and it was a great experience. So I decided to do it again.
Since then I have walked nearly every summer and in total I have walked some 3,500 kilometres, nearly all in Germany. On all of these walks my only source of money came from showing my flipbooks. Portraits in Motion is based on my long summer walks and the people I met on them.
Volker with his tray of flipbooks
How and where will it be staged?
I leaf through the flipbooks under a video camera that projects them onto a large screen, and I tell the stories about the people that are portrayed. The show is a reflection on the passing of time and what it means when people meet each other.
Why should someone come and see your show?
To see my protagonists come to life on screen in a way that you’ve probably never experienced before.
Where did the idea and inspiration come from?
My inspiration comes from my fascination for human beings, faces, portrait photography, walking and storytelling.
Why do you think it’s an important story to tell?
Because every story that is told from the heart is important.
What sort of person is going to love this show?
Everybody who is able to see great things emerge from small things.
What’s going to surprise people about this show?
Nothing will prepare you for the intimacy of the flip books. There's something magical about these miniature glimpses into human souls.
This year marks 50 years of Brighton Festival. What does it mean for you to be part of the festival in this milestone year?
It feels like a big honour for me to be part of the festival this year.
Book now for Portraits in Motion
Brighton Festival celebrates the city's memories with new oral history app
'Jimi Hendrix signed my tambourine and I had to run for my life...'
A free interactive oral history app unfolding the ordinary personal stories of young love, loss and rebellion in the 1940s, 50s and 60s is launching during May as part of Brighton Festival 2016.
The Giddy app, from Brighton arts collective The Nimbus Group and funded with support from the Heritage Lottery Fund, takes users on an alternative walking tour of the city, punctuated by GPS triggered personal histories straight from the mouths of the people who lived them.
From a chance meeting with Jimi Hendrix in the back of a beaten up MG and tales of daytime runaways who never got caught, to stories about sneaking into strip bars and dancing til dawn with the Teddy boys, Giddy offers a view of life in the postwar years that is conspicuously absent from the history books.
All of the content – the stories, photographs, app design – has been gathered and created by teenaged pupils of Brighton’s Longhill School, with the support of a team of archive specialists, oral history interviewers and photographers.
‘Every generation of young people thinks they are the first to experience the intense highs, lows and giddy adventures of the teenage years,’ says Carina Westling of The Nimbus Group.
‘We wanted to use digital technology to create something that celebrates the stuff of life that unites us as humans, reveals our individuality but also highlights universal themes associated with youth that span the generations,’ she says.
‘Oral history offers a perspective of the past that stands outside the received wisdom of the history books. Our intention for Giddy is to bring history to life in such a way that the young (or not so young) people who hear these stories will never look at older people in quite the same way again.’
Giddy is available for iOS and Android smartphones from May, sign up for a notification of the app’s release at www.giddybrighton.com.
An accompanying online archive and exhibition featuring portraits and archive images gathered during the making of the app will launch at University of Brighton's on 7 May 2016, which will be open to the public till the end of the Festival on 29 May.
Brighton Festival 2016 branding: Fifty years on the edge
What’s black and white and read all over? The 50th Brighton Festival brochure…
Working to create our striking monochrome 50th identity has been a lot of fun. Here’s what designers Johnson Banks said about their inspiration and direction,
‘This year Brighton Festival asked us to create a special identity to celebrate their fiftieth year. It really was a gift for us, that their current F logo could become the initial letter for 'FIFTY' in a one-off logotype.
The festival has always celebrated the experimental, unusual and cutting edge in the arts, wanting to disrupt the quotidian. So the 'FIFTY' marque began from there - avoiding the traditional, and sitting on the edge, literally and figuratively. The vertical type, chevrons and diagonal cut letters add to the dislocated effect. This year's line 'Fifty years on the edge' developed from the same starting point.
Laurie Anderson, the Guest Director for 2016, herself an experimental performance artist, is a perfect fit with the festival ethos for their golden year.’
The design process in progress:
Spotlight: Brighton: Symphony of a City
Discover more from Lizzie Thynne and Ed Hughes, as they discuss Brighton: Symphony of a City
One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.
See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.
Video by Catalina Balan with Neil Whitehead
caravan 2016 programme announced
caravan, a partnership between Farnham Maltings and Brighton Festival presents a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers. This press release announces its 2016 programme.
- caravan 2016 will take place on 15-17 May 2016 as part of the 50th Brighton Festival, which is celebrating its 50th anniversary in May
- The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
- In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
- Eight of the performances within the showcase will be open to the public to attend, as part of the Brighton Festival programme.
caravan 2016 follows the success of the showcases in 2008, 2010, 2012 and 2014 building on the ambition of previous years. The showcase aims to strengthen international networks and expand the range of opportunities for performing artists and companies based in England to work abroad.
The 2016 programme will be presenting a selection of the best new English performance, selected by a curatorial group drawn from some of the country’s leading directors and producers. The 2016 curatorial group included Andrew Jones, Fiona Baxter, Gavin Stride, Gabriella Triantafyllis, Jo Verrent, Lorne Campbell, Orla Flanagan and Sally Cowling.
Eric MacLennan – A Voyage Around My Bedroom
An interactive journey, in a bedroom, in a glass box, in a field with audience input shaping the narrative
Christopher Brett Bailey – This is how we die
A highly verbose collage of spoken word and storytelling: tales of paranoia, young love and ultra-violence
Lost Dog – Paradise Lost (Lies unopened beside me)
Inspired by Milton, a re-telling of the story of the beginning of everything using words, music and dance
Greg Wohead – Comeback Special
Jam sessions and dance numbers combine in a re-enactment of Elvis Presley's 1968 Comeback Special
Jo Bannon – Alba
Influenced by her albinism, Jo Bannon blends light, proximity, movement and sound into a visual poem
Still House – Of Riders and Running Horses
A stirring and visceral new dance event created as a communal animation of urban spaces
Dickie Beau - Blackouts: Twilight of the Idols
Drag fabulist Dickie Beau conjures the spirits of celebrated Hollywood icons in a bewitching adventure
Sue MacLaine Company - Can I Start Again Please
A play exploring our capacity to process traumatic experiences and language’s ability to represent it
Spymonkey – The Complete Deaths
All 72 onstage deaths of Shakespeare’s plays are performed in 90 minutes
Andy Field – Lookout
A site-sensitive one-on-one encounter between one adult audience member and one child performer
Selina Thompson - Dark and Lovely
A solo piece exploring Black identity, inspired by the cultural and social debate surrounding Black hair
Emma Frankland - Rituals for Change
A performance creating a series of rituals to explore gender transition and the fluid notion of change
Brian Lobel, 24 Italian Songs and Arias
Catherine Ireton, The Salon Project (working title)
Action Hero, RV project Europe (working title)
The Other Way Works, Agent in a Box
Sleepdogs, Steady State
Sheila Ghelani, Elemental
Gavin Stride, Director of Farnham Maltings & co-director of caravan, says:
“We had over 200 proposals from every part of the country suggesting that there is a real appetite amongst theatre makers to connect internationally. I think the programme suggests that we have a vibrant, ambitious theatre community keen to find new ways of reaching new audiences”.
Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival, says:
“We are really looking forward to collaborating again with Farnham Maltings, to present the best of new English performance for the fifth biennial caravan showcase as part of our 50th Brighton Festival celebrations. The showcase has grown substantially since it was launched in 2008, and now encompasses a selection of the most dynamic and innovative theatre and performance from around England. It has become a leading showcase and touchstone for international promoters and programmers to experience a diverse range of new work by our most innovative artists who are prime candidates at this stage in their careers to tour internationally”.
Notes to Editors:
caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council.
Farnham Maltings is a creative organisation based in Farnham, Surrey which works with artists and communities across South East England to encourage the greatest number of people to make, see and enjoy the best art possible.Brighton Festival commissions and produces an ambitious programme of local, national and international work across music, theatre, dance, visual art, outdoor performance, literature and debates.
Brighton Festival will take place in venues across the city and beyond from 7 to 29 May 2016.
Full details of caravan 2016 curatorial group:
Andrew Jones, Senior Programme Manager for Drama & Dance – British Council
Fiona Baxter, Deputy Director, Arts – Farnham Maltings
Gabriella Triantafyllis, General Manager –bios, Greece
Gavin Stride, Director – Farnham Maltings
Jo Verrent, Senior Producer – Unlimited
Lorne Campbell, Artistic Director – Northern Stage
Orla Flanagan, Theatre Producer – Brighton Dome & Festival
Sally Cowling, Associate Producer – Brighton Dome & Festival
Key commission revealed as 50th Brighton Festival takes shape
The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.
A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.
Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.
The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate.
Spymonkey is the UK's leading physical comedy company, based in Brighton and comprising a core creative ensemble of five lead artists: artistic directors Toby Park, Petra Massey and Aitor Basauri, and associate artists Stephan Kreiss and designer Lucy Bradridge. They’ve been making sublimely hilarious and deeply ridiculous theatre since 1998. Recent Brighton Festival appearances include Oedipussy (2012) and Cooped (2006)
Tim Crouch is a multi-award winning playwright and performer living in Brighton. His work has played in theatres and at festivals around the world. His four award-winning solo Shakespeare plays I, Caliban. I, Peaseblossom, I, Banquo and I, Malvolio were commissioned by Brighton Festival.
Established in 1967, Brighton Festival is a three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin.
Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.
The 50th Brighton Festival takes place from 7-29 May 2016.
The Complete Deaths by Spymonkey & Tim Crouch
Commissioned by Brighton Festival.
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm
Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare (75 if you count the black ill-favoured fly killed in Titus Andronicus). From the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. And then there’s the pie that Titus serves his guests. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. These ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them. Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death.
For further enquiries, please contact:
Emma Robertson, Head of Press and PR – firstname.lastname@example.org I 01273 260803
Chris Challis, Senior Press Officer – email@example.com | 01273 260838
Ticket Office - 01273 709709 | www.brightonfestival.org
NOTES TO EDITORS:
About Brighton Festival –
• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000
• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..
• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.
• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar
• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.
• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.
• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin
• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May.
• It aims to champion the power of the arts, to enrich and change lives, and to inspire and enable artists to be their most creative.
• Brighton Dome & Brighton Festival are a registered arts charity
• Brighton Dome & Brighton Festival are working with the Royal Pavilion & Museums on a joint masterplan to realize a future vision for the Royal Pavilion Estate. For updates and news please visit www.brightondome.org or contact
Brighton Festival 2015 soars to a close
Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.
Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.
Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.
The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by regional businesses Class of their Own, Gatwick Airport and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.
The Children's Parade. Photo by Jordan Hughes
During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.
Fleeting on Brighton Beach. Photo by Chris Bethall
At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.
In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry Prize and the Young City Reads schemes.
Backstage in Biscuit Land. Photo by Victor Frankowski
Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.
Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.
Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month. The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”
The Tallest Tortillas, to the World’s Largest Timewarp - we investigate Brighton's world record attempts
The Measure of All Things, coming to Brighton Festival on Sat 23 and Sun 24 May, is an innovative ‘live documentary’, created by Academy Award-nominated film-maker Sam Green. The multi-disciplinary performance incorporates film, a live soundtrack from yMusic, and live narration from Green. This format allows him freedom from the restrictions of film, combined with the energy of a live audience, in an unparalleled production which promises to push the boundaries of the documentary genre.
Loosely inspired by the Guinness Book of World Records, the film weaves together portraits of record-breaking people, places and things: from the tallest man on earth, to the oldest living thing. Green tells Extended Play “in my mind, it’s a piece about time and fate and weird things we’re compelled to do — things we don’t even understand why we’re compelled to do them”. World Record Breakers form the basis for a poignant exploration of what Green calls the oddness and ‘inexplicable nature of being alive’.
In the spirit of The Measure of All Things, we decided to delve into Brighton’s very own collection of World Records (and attempts), from the wonderful to the wacky. Here are some of our favourites:
- The Official UK Rocky Horror Fan Club danced their way to victory as the most people dancing the Time Warp in costume on Brighton Beach in 2009. 1635 people took part, but were outdone in 2010 by 8239 time warp-ers at the Annual Halloween Carnival in Hollywood. Watch the Brighton Time Warpers...
- Heroic Brighton resident Dan Lawson holds the World Record for treadmill running, managing 226 kilometers in 7 days – the equivalent of 20 marathons! Keeping occupied by watching films, and fuelling himself on rice, veggie burgers and poppadums with mango chutney, he ran across the finish line in 2009 and remains unbeaten.
- The Wold Record for the most people crammed in a Mini is 27, and was achieved by Dani and the mini-skirts at the London to Brighton Mini Run in 2014. See how it's done...
- Brighton’s beloved Volks Railway holds the record for the First Public Electric Railway Still in Operation - it set off on its maiden voyage in 1883.
- The tallest stack of tortillas was created in Jubilee Square in 2010 – standing at an impressive 58 cm (1 ft 10 in)
- Karl-Heinz Hille from Germany is the holder of the World Record for most wins at the World Beard and Moustache Championships. Helping him make history was his title of Best Imperial Partial Beard at the 2007 Championships in Brighton.
- In 2012 over 300 people gathered in an unofficial record attempt to bring together as many people dressed as Kate Bush re-enacting the dance to the iconic Wuthering Heights music video. Here is the final result...
More on Sam Green Extended Play
Timewarp record Timewarp.org
Treadmill record - The Argus
Mini record Guinness World Records
Volks Railway Guinness Book of Records
Tallest stack of Tortillas Guinness World Records
Beard Championship Record Guinness World Records
Spooning Record Virtual Festivals
Agnès Varda is first woman to receive honorary Palme D’Or at Cannes
Agnès Varda – who made a very special personal appearance at Brighton Festival 2015 – is to receive an honorary Palme D’Or at Cannes this year in recognition of her career.
The legendary French filmmaker and artist, whose incredible body of work is celebrated at Brighton Festival this year with a new art installation called Beaches, Beaches at University of Brighton Gallery, a series of screenings of a selection of her films, and a special lecture at Duke of York’s, will be the first woman ever selected for the distinction.
Varda joins the ranks of only three other directors — Woody Allen, Clint Eastwood and Bernardo Bertolucci —in being recognised in this way for the global impact of their body of work.
Already the recipient of a Lifetime Achievement Award by the European Film Academy for her outstanding body of work, Varda - now 86 - has created some of the most interesting female protagonists in 20th-century cinema.
Audiences can visit her Brighton Festival gallery installation ‘Beaches, Beaches’ at University of Brighton Gallery until 24 May 2015. Comprised of images and videos related to French beaches, the installation references, in Varda’s words:
“memories of an old photograph, a puzzled image of a young man on the beach, colourful plastic objects such as flip flops and rubber rings and all through the lovely sound of the sea border.”
The free installation runs from Saturday 2 May to Sunday 24 May, open daily from 10am – 5pm (and 10am – 8pm on Thursdays) at University of Brighton Gallery. Click here for more information.
Varda’s work is often connected to the French New Wave, and her early films were clear precedents for the stylistic tendencies which the New Wave directors delineated. However, her work remains particular to her own unique perspective on the world, resisting the paradigms of movements in art and film.
The themes and issues in her films focus on time and people, the collective unconscious, and social taboos. Her work is also distinct from the French New Wave for its crossing of genres, as she is known as much for her documentaries and short films as for her feature-length dramas. Not limiting herself to France, her films have been shot in a variety of locations, including the USA, Cuba and Iran.
Brighton Festival performance takes visitors into maze of tunnels under Old Ship Hotel
Ticket holders for Brighton Festival event Vast White Stillness will get a sneak peak into a unique Brighton space as the performance takes them deep underground into the maze of tunnels beneath the Old Ship Hotel.
Reality, imagination and memory blur in the intriguing new work which has been created by Brighton composer Claudia Molitor and director Dan Ayling. Part installation, part performance, Vast White Stillness combines music, image and theatre to create an immersive journey through the nuances of memory - the fleeting glance, the not-quite-heard, the half-remembered - that colour a lifetime.
The piece has its roots in Claudia’s personal experience of a trans-national upbringing - she grew up in the Bavarian Alps and now lives in the South of England – and how that has affected her experience of identity and memory: ”The idea of being from one place only, having only one nation that you would call home, seems quite an odd idea to me. There is always this sense of longing for the other, no matter where you are - a sense of home sickness - that you will always have because you are multiple. I don’t mean this in a negative way; it is, in fact, a sense of freedom from being bound to a particular national identity.”
One of the intentions of Vast White Stillness is for audiences to have as unmediated an experience as possible and relate what they hear and see to their own experiences and memories. On using the space Claudia said: “I had no idea the spaces under the hotel existed until Laura Ducceschi, from Brighton Festival, suggested them and took us there. We fell in love with their potential straight away. You never quite know how a space is going to inflect your work and how in turn your work might colour the space. So a sound that appears lovely in one situation - say some trickling water in a forest brook - could sound quite ominous and frightening in a dark cellar. And, as with all live work, each performance depends very much on the audience attending”
Vast White Stillness is at The Old Ship Cellars from 8-10 May 2015. Returns only
In Photos: Brighton Festival Week One
Our 49th Festival with Ali Smith at the helm has been a joy so far. We've had heaps of fun and with a plethora of great theatre, circus, dance, music, classical, outdoor, family, books and debates and visual art and film events still to come the fun is nowhere near over yet!
Take a look back over our first week of Brighton Festival 2015 right here...
Photos: Brighton Festival 2015 Opening Weekend
This weekend Brighton Festival began and we had smashing time! Here are some photos that showcase the festivities and it's nowhere near over yet, as there are lots more exciting events to come - see our What’s On page for full details
Video: Emily Gravett illustrates The Imaginary Girl from The Imaginary
Take a moment and watch the award-winning Emily Gravett illustrate The Imaginary Girl from A.F. Harrold's The Imaginary in this beautiful time lapse video.
You can meet the creators of this frightening, captivating and funny tale at Brighton Festival on Sat 9 May. Find out more about this event 26 Letters event.
Marcus Coates talks birds, shamanism, intoxicated animals and Brighton Festival with the Artsdesk
Marcus Coates brings his work Dawn Chorus to Fabrica this year. This immersive piece uses unique digital methods to explore the relationship between birdsong and the human voice, drawing out similarities between the behaviour of birds and humans. Recently, he spoke with Thomas H Green for The Arts Desk about his influences and works, past and present.
‘Coates tendency towards the bizarre and comic mask a deeply held desire to explore humankind’s understanding of nature and the world around.’
Find out more about the artist himself and his work in an enlightening interview with The Arts Desk.
‘Birds are particularly interesting because their lives mirror our own. They build homes, they have very complex ways of communicating vocally, a lot of their culture is similar to ours. Birdsong is a very interesting parallel because even the form of their song - repetition, endurance, musicality - is reflected in how we use music and language in song. We can see so much of ourselves in what birds are doing.'
Video: Squarepusher - Most Valid Reason
Producer, bass virtuoso, composer and sound artist, Squarepusher aka Tom Jenkinson has constantly strived to push the boundaries and limits of music, drawing on influences as broad as drum and bass, acid house, jazz and electroacoustic music - with pretty incredible results. Watch him now in this new video performing Most Valid Reason via VICE Japan or - even better - experience Squarepusher live in action on Fri 8 May at Brighton Dome.
Back with eagerly anticipated new material, Squarepusher brings his all-new live show to Brighton Festival 2015. Jenkinson Told BBC 6Music,
‘It’ll be very fast, very experimental, it’ll be an evening of extremity… the music I’m writing is born to be heard at a very high volume on stage, accompanied by a visually slamming presentation.'
And we can't wait...
Photos: Brighton Festival Street Art by Sinna One
Brighton based artist and illustrator Sinna One has been busy creating some brilliant Brighton Festival pieces and transforming these utilitarian boxes around town. Featured in a number of books and exhibitions, Sinna One’s work ranges across a wide spectrum and includes large-scale murals, live paint display for events, festival sculptures, illustration and more.
Spray painted around our fair city, there are plenty to see. Take a look at the photos below to see how these wonderful beasts take form…
Get involved: Wonderful ways to be part of Brighton Festival
There are plenty of wonderful ways to get involved with Brighton Festival and we’d love you to be part of it. We’ve tonnes of volunteer and artist opportunities - we’ve got options for writers and readers, performers and greeters and treasure seekers and culture needers, not to mention, there’ll be heaps of competitions to enter over the coming weeks.
Find out more about this amazing project launched on world book day. See what happened on their launch day in the video below...
Collidescope offers artists an in-depth insight into Brighton Festival and is suitable for artists who have been making work for at least five years, this opportunity will provide an immersive experience through a packed show schedule across the 23 days of Brighton Festival, and the chance to meet Guest Director Ali Smith and Festival artists in up-close encounters. Artists and creators making work in all areas of the performing arts are welcome to apply - 6-8 participants will be selected.Fleeting will be a tribute to the West Pier, the people of Brighton and Hove and the transforming power of nature – a fitting finale to Brighton Festival 2015Explore our programme and come and see a show - there’s heaps on offer – join in our celebration of music, theatre, dance, circus, art, film, literature, debate, outdoor and family events. Immerse yourself fully and challenge yourself to see all our free events this May too!
Keep an eye open for competitions. Rapid review will return, with plenty of tickets as prizes and they’ll be plenty more competitive ways to get involved with Brighton Festival 2015 – just watch this space…
Five of the best…Female Filmmakers at Brighton Festival
After picking up a lifetime achievement award at the European Film awards last year, the amazing and iconoclastic French filmmaker Agnes Varda commented by saying ‘What I have noticed is that it is very sweet to receive this award but when I see the nominees here, I feel there are not enough women...I think more women should be included. I know a lot of very good female directors and women editors and I would like them be more represented and helped by the European film academy.’
We agree – and to mark International Women’s Day this Sunday we thought we would shine a light on five of them – who all happen to feature in this year’s Brighton Festival programme...
Often dubbed the ‘Godmother of the French New Wave’ the varied and brilliant career of Agnes Varda has spanned six decades. Her films, photographs, and art installations focus on documentary realism, feminist issues, and social commentary - with a distinct experimental style. We are delighted that the 86-year-old filmmaker and artist will be curating an installation in the Brighton University Gallery which will be open throughout the Brighton Festival 2015. We’ll also being showing many of her ground-breaking films such as the 60th anniversary screening of La Pointe Courte (1955) on Sun 3 May at Dukes at Komedia at 1.30pm and a 30th anniversary screening of Varda’s Vagabond (1985) at The Duke of Yorks on Sun 10 May, 1.30pm.
British film director Carol Morley first came to prominence with her documentary The Alcohol Years, a BAFTA nominated film that was later released on DVD to critical acclaim. The film was nominally an autobiography but became as much about the people in it as Morley herself - and was seen to define the era and place in which it was set (Manchester in the 1980s). We will be bringing a screening of her acclaimed 2011 film Dreams of a Life, which explores mysterious the life and death of Joyce Vincent. Morley will also take part in a Q&A session after the screening on Mon 11 May at Dukes at Komedia.
Winner of various awards, British filmmaker Clio Barnard’s most recent film The Selfish Giant, about two boys who scavenge to survive on a Bradford estate, has been called 'a Kes for the 21st century'. For Brighton Festival 2015 we revisit her acclaimed debut feature The Arbor (2010) to Dukes at Komedia on Mon 18 May, 6.30pm. The film focuses around the life of the late Bradford playwright Andrea Dunbar. Barnard will also part in a post screening discussion.
Joanna Hogg is an utterly distinctive figure in contemporary British cinema, making thoughtful, provocative arthouse movies about the lives of bourgeois characters. Her films are intimate, closely focused character studies that probe away at the behaviour and discontents of her protagonists in a forensic but quietly comical fashion. We are delighted that Joanna Hogg, will be taking part in a Q&A discussion at the Dukes at Komedia on Sun 17 May following a screening of her film Archipelago (2010) at 1.15pm. The film surrounds Edward (Tom Hiddleston) and his family as they have a get-together before he departs for a volunteering trip to Africa.
Sarah Wood has been working in the British film industry for over 10 years and has won several awards for her work. Her latest film projects have all been an exploration into ideas of the archive using found footage. Wood will be joined by film-maker Lucy Harris in this year’s visual art event at the Onca Gallery. Commissioned by Brighton Festival and a Brighton Festival Exclusive A Murmuration explores the natural world especially the relationship between art and nature in collaboration with writers Helen MacDonald and Olivia Laing.
By Charlotte Newell
Spreading our Wings with Brighton Festival 2015 Branding
As we swoop headfirst into another jam-packed year of festival goodness we thought we’d tell you a bit more about Brighton Festival 2015’s avian branding.
You may have noticed our yellow, big bird, but there’s no hint of Sesame Street about it. Working with our Guest Director Ali Smith and agency Johnson Banks to create this striking, bespoke identity has been a lot of fun.
Drawing inspiration from Ali’s words and this year’s theme has led us to our final design. See Ali Smith’s welcome for the full introduction to the concepts behind this Festival’s programming, which include Art & Nature, Crossing Places and Taking Liberty.
Our designer’s Johnson Banks spoke of their inspiration and direction, ‘This year’s image was inspired by guest director Ali Smith’s words and thoughts on her themes for the festival. She says ‘Imagine the world seen from the eye of a bird’, and talks specifically about swifts as they migrate to the UK in May. This fits perfectly with the time of year the festival takes place.
We felt swifts were also a great analogy for the artists coming together from all over the world to perform at the festival. So we imagined how Brighton could look from a swift's perspective. As it flies overhead it casts a yellow shadow of the city itself on the ground. The swift graphic is designed with flexibility in mind, to ‘fly' over various parts of Brighton from the sea, to its parks, to the lanes and streets. For the principal image, we enjoyed the harsh contrast of the swift’s vibrant colour against the stark concrete street, perhaps symbolising the diversity of the festival itself.’
Here’s a little insight into the design process...
So now you know - why not take inspiration and enjoy the view at this year’s Brighton Festival? See the full and fantastic line-up here.
Brighton Festival 2015 announces full programme of events
Clear your diaries in May as England’s largest mixed arts festival returns with award-winning author Ali Smith as its Guest Director
Brighton Festival – under the watchful eye of award-winning author Ali Smith as this year’s Guest Director – has announced its full programme of events.
Over the three-week Festival - which runs from 2-24 May 2015 - many of Ali Smith’s ideas, interests and passions will be explored in a programme which spans music, theatre, dance, visual art, film, literature and debate from a wide range of national and international companies and artists; from a rare UK visit by 86-year-old legendary film maker and artist Agnès Varda to rising stars Kate Tempest, George the Poet and Hollie McNish.
With three central themes at its heart - Art and Nature, the Crossing Places between art forms, and Taking Liberty - this year’s Brighton Festival challenges visitors to look again, featuring an eye-opening array of artists and performers with the power to deliver the world we think we know to us re-seen, renewed, with a visionary twist in the tale.
Ali Smith says: “It's tremendously exciting to have been asked to help programme the 2015 Brighton Festival. I'm delighted and honoured – what a gift, to be asked to do this, imagine – the biggest international multi-arts spectacular in England. I've always loved Brighton's sense of fun and friendliness, its vibrant open-mindedness, the way it opens to sky, the way the rest of Europe is so close it's almost visible. It's a city that's always known how to live on the edge, a place full of endless energy, argument, possibilities, light. No matter the wildness or mildness of the weather, no matter the zigzag of zeitgeist elsewhere north or south of it, Brighton is always itself, and always uniquely welcoming.”
Posing questions about whether life imitates art or art imitates life, Art and Nature is explored in a host of events including an exclusive nightingale walk, with Mercury-nominated folk singer Sam Lee; an immersive multi-screen film installation of Marcus Coates’ entitled Dawn Chorus, featuring singers who uncannily recreate birdsong and bird movement; a discussion of the urgent conservation issues that face us today with celebrated author and bird enthusiast Margaret Atwood and her partner and fellow writer Graeme Gibson; and Fleeting, an outdoor spectacular over the West Pier by And Now, in which hundreds of individual points of fire create shapes and swathes of glowing light and shade.
Central to the programme is the notion of Crossing Places - where poetry meets music meets theatre meets dance – from works that defy categorisation such as The Measure of All Things, a new live cinema performance by Academy Award-nominated filmmaker Sam Green to Claudia Molitor’s part installation part performance Vast White Stillness in the maze of tunnels beneath the Old Ship Hotel. In Being Both, acclaimed mezzo soprano Alice Coote, English Concert’s Harry Bicket and Susannah Waters stage a theatrical journey into the heart of Handel’s sublime vocal music, which, in a nod to Smith’s own prize-winning work How to Be Both, explores and challenges the experience and perception of gender.
Set against the backdrop of the General Election, Liberty, equality and freedom is celebrated in all its shapes in an astonishing cutting-edge line-up of artists, performers, thinkers and commentators - all contemporary game changers in their chosen forms. These include Liberty Director and author Shami Chakrabati who hosts an evening in celebration of the Human Rights Act featuring a dazzling collection of writers and performers such as Billy Bragg, Neil Bartlett, Rachel Holmes and Jackie Kay; Tony award-winning playwright Richard Nelson who brings the European premiere of his highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York; award-winning Pakistani/British author Kamila Shamsie; celebrated Russian-American journalist, author and activist Masha Gessen, Turkish writer Elif Shafak and Turner Prize nominated artist Nathan Coley, whose new commission Portraits of Dissension explore ideas of unrest, edge and shift, space and occupation.
Other highlights include Peter Strickland’s daring masterpiece The Duke of Burgundy accompanied by a one-off live performance of its seductive score by Cat’s Eyes - the collaborative project of The Horrors’ frontman Faris Badwan and Italian-Canadian singer and composer Rachel Zeffira; a series of screenings and accompanying talks by prominent female directors including Joanna Hogg, Carol Morley and the legendary Agnès Varda who will also create a special installation at Brighton University Gallery for the duration of the Festival; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; the UK premiere of Lucia’s Chapters of Coming Forth by Day, a theatrical ode to the life - and afterlife – of Lucia Joyce, the adored daughter of James Joyce created by legendary New York theatre ensemble Mabou Mines; the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene; and Laurie Anderson: All the Animals, a specially curated performance by one of America’s most daring creative pioneers.
Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “Ali Smith, as Guest Director this year, has been a wonderful inspiration to us all in programming the festival. In her writing, Ali is renowned for pushing form and working with her has taught us to think differently about how we programme and the work that we bring. She has also brought an incredible range of artists to the festival who are responding to the world in a particular way, both people she knows well, and also people she has loved for many years and perhaps longed for an opportunity to work with - from Agnès Varda to Elif Shafak, Jeanette Winterson, Margaret Atwood and Mabou Mines - the list is long and extensive and I think thrilling. I look forward to welcoming audiences to experience another exciting and innovative month of events in May.”
The annual celebration of music, theatre, dance, circus, art, film, literature, debate, outdoor and family events will take place in venues across the city and beyond from 2 to 24 May 2015. Brighton Festival 2015 features 396 performances taking place across 150 events including 42 exclusives, premieres and commissions.
‘Visionary’ Brighton Festival 2014 comes to a close
Brighton Festival 2014 - with critically acclaimed choreographer, dancer, musician, composer and performer Hofesh Shechter at the helm as Guest Director - came to a close this week. Described as ‘visionary’ by the Daily Telegraph, the wide-ranging programme of quality performance, visual arts, literature and debate from international, national and home-grown companies and artists has been acclaimed by audiences, artists and critics alike, with attendance across the Festival exceeding 81% of capacity.
With Hofesh Shechter as Guest Director, this year’s Brighton Festival programme was truly genre defying; and featured the highest number of premieres and commissions to date, including the world premieres of Vanishing Point’s Tomorrow and Lost Dog & Lucy Kirkwood’s dance piece Like Rabbits, alongside UK premieres of international theatre company Berlin’s multi-media work Perhaps All the Dragons and contemporary circus from Feria Musica in Sinué
Opus No.7 by acclaimed Russian theatre director Dmitry Krymov - which also had its UK premiere at the Festival - received 4 stars across the board from all the major broadsheet critics. Matt Trueman, writing in the Daily Telegraph, described the work as ‘visionary stuff, utterly singular’; Lyn Gardner in the Guardian said it was ‘unbearably poignant’, ‘visually stunning’ and ‘more like alchemy than theatre’; Dominic Maxwell in The Times praised the work for being ‘merry and macabre in a memorable mix’; while Maxie Szalwinski, in the Sunday Times referred to the piece’s ‘almost paranormal intensity’ and William McEvoy in The Stage described it as ‘unforgettable’.
One of the Festival’s biggest hits was William Forsythe’s interactive choreographic installation Nowhere and Everywhere at the Same time, no.2 in Circus Street Market with more than 12 500 visitors dancing in the piece during the three week period. Visitors described it as ‘amazing’, ‘hypnotic’ and ‘better than brilliant’, popular social networking site Instagram spread word about the installation to 32million international followers via its weekly ‘ArtThursday’ blog and a video documenting its installation attracted 60 000 views.
The 80th birthday of legendary composer Sir Harrison Birtwistle was celebrated with a series of events, headlined by a revival of his 1969 Brighton Festival commission Down by the Greenwood Side. Set in a disused brewery depot in Lewes, this unique production continued the Festival’s tradition of pioneering site-specific and immersive performances in unusual locations.
Other Brighton Festival 2014 exclusives included a new visual arts co-commission by Yinka Shonibare MBE titled The British Library, which has now been extended until 22 June due to popular demand, Tangled Feet’s immersive, free outdoor performance One Million and much more.
Brighton Festival also played host to an eclectic mix of names across contemporary music; from iconic country music singer Emmylou Harris to a rare live performance from Cat Power and a tour de force performance from Peaches in her one woman rendition of Peaches Christ Superstar – of which Caroline Sullivan in the Guardian wrote simply ‘what a woman. What a show.’
The books and debate strand of the programme boasted a number of high-profile events included a sell-out lecture by best-selling author and designer David McCandless, conversations with Irvine Welsh, Jeremy Deller, Viv Albertine alongside discussions and talks about maths, migration and dementia.
Events for all the family this year included a UK premieres of Tanzfuchs Produktion’s dance extravaganza Munch! for the under 4s and Enhanced Dance to Disguised Music; Belgian choreographer Thomas Hauert’s first piece for young people accompanied by a prepared piano soundtrack by John Cage. Meanwhile, on film the Cinema of Childhood (throughout May) - curated by Mark Cousins - looked at the depiction of children in cinema.
In a continuation of the Festival’s dedication to making the arts accessible for all, 2014 saw 13 shows - including six Brighton Festival exclusives like Wim Vandekeybus in conversation with Hofesh Shechter and a debate on immigration chaired by Simon Fanshawe - live-streamed to audiences around the world, for free. Brighton Festival 2014 also saw the launch of a new initiative Collidescope. Designed for artists and creators to intensively engage with the Brighton Festival programme, the scheme offered seven artists who have been making work for at least five years the opportunity for peer-to-peer creative development, with the goal of potentially creating new marriages of minds for future explorations.
As Guest Director, Hofesh Shechter followed in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012) and poet, author and former Children’s Laureate Michael Rosen (2013) in shaping the Brighton Festival programme. Resident in Brighton throughout the month, Hofesh was actively engaged in the programme – attending countless events and appearing in many, including leading in-conversations with Williiam Forsythe, Wim Vandekeybus and Yinka Shinbare. He also challenged audiences to respond to the world’s ugly injustices in the Brighton Festival co-commission Sun which “came home” to Brighton after touring globally.
This year’s Brighton Festival featured 448 performances and 147 events in 34 venues across the city. In total there were 37 premieres, exclusives and co-commissions and 26 free events.
Yinka Shonibare MBE’s 10,000 book installation ‘The British Library’ extended due to popular demand
Brighton Festival and HOUSE, Brighton’s festival of visual art and domestic space, are delighted to announce that YinkaShonibare MBE’s The British Library - a dramatic sculptural installation which responds to the immigration debate has been extended due to popular demand. The installation, which was co-commissioned by HOUSE and Brighton Festival 2014, will now remain open to the public until Sunday 22 June.
Photo: Victor Frankowski
Presented in the former Reference Library in Brighton Museum and Art Gallery, once the stable block for the Royal Pavilion, The British Library is comprised of over 10, 000 books bound in Shonibare's trademark African Dutch wax batik fabric. Printed in gold foil on the spines of 3,500 of the books are the names of notable British cultural figures; either immigrants themselves or descendants from an immigrant family, including examples of those who have actively opposed immigration. The names –including Henry James, T S Eliot, Hans Holbein, Helen Mirren, Tony Blair, Kazuo Ishiguro and Nigel Farage - appear individually on the books, which are arranged on the original wood bookcases of the dramatic Edwardian library - a space used for almost 100 years by writers, historians, academics and local residents.
Yinka Shonibare MBE says, “Whilst the installation is a celebration of the ongoing contributions made to British society by people who have arrived here from other parts of the world or whose ancestors came to Britain as immigrants, it does not exclude the points of view of those who object to it. The British Library is inspired by the current debates about immigration and the public response to the new presence of Romanians in Britain. In creating the piece I thought about the space – a Library - and I surrendered to the space and let the space be my muse.”
The British Library was created partly in the artist’s studio and largely in the Library itself with the assistance of over 60 volunteers drawn from the local community.
Photo: Victor Frankowski
William Forsythe's Nowhere and Everywhere at the Same Time No. 2. attracts thousands
Over 5,000 people have already visited Circus Street Market to see William Forsythe’s installation Nowhere and Everywhere at the Same Time No.2 - including the American choreographer himself, who experienced the piece ahead of his own Brighton Festival event.
Throughout May the derelict Circus Street Market site near Grand Parade will play host to the unique choreographic art installation. Co-programmed by South East Dance as part of Brighton Festival, the work asks audiences to move between hundreds of delicate pendulums, each swinging in timed sequences. Becoming dancers themselves, their strides and side steps produce a lively, intricate and unique choreography.
William Forsythe has been credited with moving the focus of dance from the classical tradition to a dynamic 21st century art form, exploring the idea of movement in its widest context. He is one of the world’s most celebrated choreographers.
'Nowhere and Everywhere at the Same Time No. 2, an installation by choreographer and artist William Forsythe, comprises some 400 swinging pendulums, suspended from an automated rig in an empty old marketplace in Brighton, England. You can think of it like a daunting booby trap or an elaborate heist movie security system. Just like Indiana Jones and Catherine Zeta Jones before you, the objective is to pass through unscathed.' Wired
Film by Shy Camera.
The installation is open daily until Sun 25 May, 11am – 7pm (Mon – Sun) and 11am – 8pm (Thu). Entry is free.
Brighton Festival’s free visual arts programme also includes The British Library by Yinka Shonibare MBE (3-25 May), a new sculptural installation which explores the impact of immigration on British culture and considers notions of territory and place, cultural identity, displacement and refuge; Zimoun: Sound in Motion at Brighton University Gallery (Mon 5–Sun 25 May), Kathy Hinde’s Tipping Point at Brighton Dome Founders Room (20–24 May) and Jacob Dahlgren’s Heaven is a place and The Wonderful World of Abstraction (3 May–25 May) at Fabrica.
Video Playlist: Art at Brighton Festival 2014
Video Playlist: Film at Brighton Festival 2014
During this year’s Brighton Festival films from different countries across the world look at the depiction of children in the cinema. Little Fugitive from America, Hugo and Josephine from Sweden, Children in the Wind from Japan and Mark Cousin’s A Story of Children and Film are just some of the highlights. We also get into the mood of all things Dark & Stormy with the original Brighton Rock, Down Terrace, Layer Cake Tea Party and more. Here’s a little taster: