
Humans 2.0
A symphony of acrobatics, sound and light, this is next level circus by Circa.
Circa (Sacre, 2022, Depart, 2017) return to Brighton Festival with the internationally acclaimed Humans 2.0 following a major international tour that has wowed audiences with sold-out shows and rave reviews.
Ten bodies appear in a flash of light. They move in harmony for a fleeting moment and then descend into a sinuous trance. Towers grow and decay, bodies leap and are caught, as physical limits are pushed to their extreme.
Circus meets contemporary dance in this tightly woven choreography, set to a pulsing electronic score by composer Ori Lichtik and revealed in Paul Jackson’s dramatic lighting. Created by circus visionary Yaron Lifschitz, Humans 2.0 is intimate, primal and deeply engaged with the challenge of being human.
Credits:
Director Yaron Lifschitz
Original Music Ori Lichtik
Lighting Designer Paul Jackson
Costume Design Libby McDonnell
Technical Director Jason Organ
Audience Reactions
Trailer: Humans 2.0
'An occasionally literal ground-breaking feat of acrobatics that takes the form into exciting new areas’The List
'Jaw-dropping, seat-clawing and armchair-exhausting'ArtsHub
'spellbinding physical drama, with just the right amount of play, death-defying tricks and whimsical imagery'The Conversation
Gallery
Cast & Creatives Bios
Yaron Lifschitz – Director
Yaron Lifschitz makes shows. Big ones, small ones, and ones that defy easy categorisation. More than 80 productions have toured across six continents and played to over two million people picking up a shelf’s worth of awards including six Helpmanns, The ISPA Distinguished Artist Award and the Australia Council Theatre Award.
He’s brought circus to the Barbican, string quartets and acrobats to Brooklyn Academy of Music, a year of performances to Berlin and major shows to major festivals and venues around the world. He’s created strange, beautiful things in tents, concert halls, spiegeltents, and opera houses as well as cemeteries and cathedrals. His film work has appeared at the Berlin and Melbourne Film Festivals.
Yaron was the founding Artistic Director of the Australian Museum’s Theatre Unit, he has taught directing at NIDA and ATYP and directed opera, concerts and events. In 1999 he was the first Artistic Director of Rock ‘n’ Roll Circus and in 2004 he transformed it into Circa. In 2018 he was Creative Lead of Festival 2018, the cultural program of the 21st Commonwealth Games - one of the most ambitious arts events in Queensland’s history.
At the heart of Yaron’s work is restless curiosity and a fierce belief in the power of performance to connect and transform.
Ori Lichtik – Original Music
Musician, member of the artistic crew of L-E-V Dance Company of Sharon Eyal & Gai Behar, DJ and drummer.
Lichtik is one of the founders of the Tel-Aviv techno scene in the 1990s where he started his career as a DJ and producer of techno parties and raves. Since 2006, Ori has been collaborating with Sharon Eyal and Gai Behar as a musician in the artistic team. Rather than composing the soundtracks, Ori performs in L-E-V performances in which he constructs, plays and characterises the music in each performance.
The uniqueness of Lichtik’s work is the combination of the various musical worlds into an evolving and refined soundtrack, full of passion and groove, which alongside the choreography gives the spectator a complete and hypnotic experience. Lichtik soundtracks are influenced by different styles and textures, from industrial and African tribe recordings, through hip-hop to baroque music. Ori’s music is one of the most prominent and unusual hallmarks of Sharon Eyal and Gai Behar’s dance performances.
Over the years, Ori has created various works for L-E-V, dance companies and opera houses around the world.
Lichtik has created alongside Sharon & Gai throughout the choreographic process, reflecting off of the dancers’ movements, and as often inspiring and prompting them with the tone and pace of his percussive sounds and rhythms
Paul Jackson - Lighting Designer
A multi-award-winning lighting designer and theatre maker whose work has featured across Australia, New Zealand, United States, Asia, Europe and the United Kingdom.
Paul has designed lighting for The Australian Ballet, Royal New Zealand Ballet, West Australian Ballet, Berlin Staatsballett, Victorian Opera, West Australian Opera, Sydney Theatre Company, Melbourne Theatre Company and many others.
Paul was Artistic Associate at Malthouse Theatre from 2007–2013. Paul has received a Helpmann Award, two Sydney Theatre Awards, three APDG Awards, seven Green Room Awards and a Critics’ Award for Theatre in Scotland.
Libby McDonnell – Costume Design
Libby McDonnell is a designer, director, and creative lead. As Head of Engagement and Design at Circa, she has designed costumes for over 40 productions, co-directed major works, and led key community programs, including the pilot of Circability. Libby holds a First Class Honours degree from Queensland College of Art and an Associate Degree in Dance from QUT.
Her career has moved fluidly between performance, education, touring, and leadership. Libby is known for her clear eye and unwavering belief in the power of art to connect.
Jason Organ – Technical Director
Jason graduated from Queensland University of Technology in 1988 and has had an extensive career as a Lighting Designer, Production Manager, Technician and Rigger. He has worked with companies such as Queensland Ballet, Queensland Theatre, La Boite, Kooemba djarra and festivals such as Out of the Box, Qld Music Festival and Brisbane Festival.
Jason was co-founder of JLX productions a Brisbane based lighting design and technical consultancy. Between 2010 and 2022 Jason worked exclusively with Circa as Technical Director, in this time he has helped deliver 20 new productions and toured 31 countries presenting Circa’s work. Jason is currently a Production manager for QPAC’s curatorial department.
Circa: circus that moves the world.
Circa is one of the world’s great performing arts companies. Since 2004, they have called Brisbane, Australia, home while touring the world, captivating audiences in over 45 countries and reaching more than two million people. Their award-winning performances have earned standing ovations, rave reviews and sold-out shows across six continents.
Everything they do is fuelled by their core values: quality, audacity, humanity.
They are at the forefront of the new wave of contemporary Australian circus, redefining the art form by showcasing how extreme physicality can forge powerful and emotive experiences.
They are relentless in the way they push boundaries, blending movement, dance, theatre and circus.
Under the visionary leadership of Yaron Lifschitz, and in collaboration with their extraordinary ensemble of circus artists, they craft a diverse array of productions that constitute “a revolution in the spectacle of circus” (Les Echos).
Each year they tour their shows across the world and premiere multiple new creations. They are a staple at prestigious festivals and venues in New York, London, Berlin and Montreal as well as throughout Queensland and across Australia.
Their extensive engagement programs, including Circa Academy, Circability and Circa Cairns (a First Nations-led circus initiative) provide access, participation and professional development outcomes. They have delivered major projects including the Creative Lead on the Commonwealth Games Festival 2018 and managing Artour for the Queensland Government.
They invite you to join them as they continue to “redraw the limits to which circus can aspire” (The Age).
Discover more about Circa by subscribing to enews at circa.org.au and following the company on facebook.com/circacontemporarycircus, Instagram.com/circapresents, and via #circacircus
Supported by




Humans 2.0 is commissioned by The Mondavi Center, UC Davis
Circa acknowledges the assistance of the Australian Government through Creative Australia, its principal arts investment and advisory body and the Queensland Government through Arts Queensland.