In pictures: Week 3
In the final week of Brighton Festival 2013, there were adventures by bicycle over the South Downs while The Flaming Lips brought the house down at Brighton Dome...
Photos by Victor Frankowski and Dan Dennison
Music legend celebrates his birthday at Brighton Festival
Herbie Flowers - the Sussex-based musician renowned for his bass guitar, double-bass and tuba playing - turned 75 in style on Sunday 19 May at a special Brighton Festival Birthday Jazz Breakfast in The Spiegeltent.
The show, which featured Flowers playing alongside respected jazz saxophonist Stan Sulzmann, pianist Mark Edwards and drummer Malcolm Mortimore, also saw Brighton Festival Chorus perform a number of songs before singing a very special version of Happy Birthday. Flowers was then presented with a bass guitar-shaped cake, based on a guitar he’d bought from New York in the 1960s, from Flutterby Bakery.
Highly regarded as one of Britain's best-known session bass-players, Flowers has worked alongside the likes of David Bowie, Sir Elton John, Sir Paul McCartney and famously recorded the iconic bass line to Lou Reed’s Walk on the Wild Side.
Herbie returns to The Speigeltent for one final Brighton Festival jazz breakfast performance on Sunday 26 May at 11am - for tickets, click here.
His annual Rockshop - an intensive week long music course for young musicians aged 14 - 19 - takes place at Brighton Dome from July 29 to 2nd August. For more information, please click here.
In pictures: Week 2
After a spectacular start to Brighton Festival, week 2 did not disappoint. Highlights included the astonishing Knee Deep receiving standing ovations at the Theatre Royal, Magna Mysteria leading us on a journey of magic and mystery across Brighton, drama and magic in Bullet Catch in the Spiegeltent, and our guest director Michael Rosen at The Guardian Education Debate and in conversation with Judith Kerr.
Photos by Victor Frankowski except Bone Yard Tales by Dan Dennison
One Brighton Festival reviewer goes to all four of our Alexanderplatz screenings!
There is no deeper or more atmospheric evocation of the German Weimar era than the German television epic Berlin Alexanderplatz so it’s entirely fitting that we have programmed it this year for Brighton Festival.
Adapted from Alfred Döblin’s novel by Rainer Werner Fassbinder, the 15-and-a-half hour mini-series has become cult viewing since its 14 episodes were first aired in 1983.
And one valiant Brighton Festival critic is determined to see all 15 hours of the show. (That’s 15 hours to you and me)
Lizzie Tobin’s final review will appear on Guide 2 Brighton at the end of the month.
The complete series is being shown in four installments across the four weekends of the Brighton Festival.
This is an unmissable opportunity to experience a television classic on the big screen and there is still a chance to see the final two installments on the 19 and 26 May at the Duke of Yorks at 11am on each of the dates.
Fatboy Slim makes Brighton Festival appearance
Special guests announced for BUG: A Fatboy Slim Special
Norman Cook - Fatboy Slim himself - will join Skint Records' label boss Damien Harris and comedian Adam Buxton on Brighton Dome Concert Hall stage.
The special BUG event, which takes place on Monday 20 May, will celebrate the amazing contribution to the art-form of music videos by the superstar DJ, producer and artist.
Undoubtedly one of the giants of British dance music, the evening pays tribute to the remarkable music videos that emerged from the late Nineties onwards, where Fatboy Slim inspired some of the best directors to make what are regarded as some of the best music videos ever made.
These awe inspiring videos and nuggets of visual delight will be presented by comedian, writer, broadcaster, video director and YouTube comment wrangler Adam Buxton.
BUG began in April 2007 as a series of bi-monthly shows at BFI Southbank, and the first TV series of Adam Buxton’s Bug aired on Sky Atlantic last year. These celebrations of global creativity in music video have since become a phenomenon, as popular and brilliant as the visual ideas which the BUG team unearths.
To book tickets, click here.
The most notorious finale in show business heads to Brighton Festival
A stunt so dangerous the even Houdini refused to attempt it will take place as part of Brighton Festival this week in Rob Drummond’s Bullet Catch.
The trick, which has claimed the lives of at least twelve illusionists, assistants and spectators since its conception in 1613 - is renowned for being the most daring, death-defying show on earth.
“I aim to catch a bullet fired from an automatic pistol. I will catch that bullet using only my teeth,” explains Drummond.
“During the show I bring out various documents including a mental health assessment that I have undertaken to make sure I am of a fit and stable mind to conduct the trick and my real will, which I draw up and re-date every night.”
The show - which has won both a Herald Angel Award and the Total Theatre Award for ‘Innovation, Experimentation & Playing with Form’ - follows the life and death onstage of famed bullet catcher, William Henderson, who died 100 years ago performing the trick.
Drummond plays modern day marvel William Wonder who presents a unique theatrical magic show featuring storytelling, mind reading, levitation, games of chance. One lucky audience member will even be selected to take the spotlight as the wonderful magician’s glamorous assistant.
“Initially, what I wanted to do was see if I could integrate magic and theatre,” Drummond says.
“An added aim was to make a relationship without the usual boundaries that you get on stage between the audience member and the performer.”
Bullet Catch plays at the Spiegeltent from Thursday 16 to Sunday 19 May at 7.30pm - for tickets, click here.
Brighton Festival gets wordy on BBC Radio 4
Listen again to Guest Director Michael Rosen as he explores the German language on ‘Word of Mouth’ with some of our Brighton Festival guests.
This week our Guest Director Michael Rosen delved into the world of words in a unique Festival themed programme, chatting to Festival guests including Rachel Mars, star of ‘It’s the way you tell them’ and Valentijn Dhaenens who looks at speech making in SkAgen’s ‘Big Mouth’. You can also hear Michael in conversation with Judith Kerr.
Michael adds, "As a child, I was surrounded by people talking about words and language, my parents and brother spoke several languages. What's more the house always seemed to be full of people telling stories and jokes, many of which turned on some word-play or other.
I've been writing poems and stories since I was sixteen and if that doesn't sensitise you to how language is used then nothing will. So with all that, to present Word of Mouth feels like being at home. I love it."
Listen again here.
There are still plenty of wordy events to explore during the rest of Brighton Festival for all ages.
Sussex folk songs the inspiration for one of this week’s special shows
Sam Lee is taking folk back to its roots, and is redefining contemporary folksong in the process. He arrives for his Brighton Festival show this Tuesday at 9pm at All Saints Church in Hove.
Both a singer and a collector of songs, he has spent years searching the country for the Roma, Gypsy and Traveller communities, who have passed their songs down the generations for centuries – and gathered the songs that they have sung for him. Many of the songs to be played infact are descended from Sussex.
This collection formed the basis for his Mercury Music Prize- nominated debut album Ground of Its Own last year.
Sam Lee said, “Members of the gypsy community were not aware of how important the songs are to somebody like myself – although a lot of families are aware they are special and come from a time and way of life that doesn’t exist any more. “
“They say the world loses a language every two weeks,” says Lee. “It’s exactly the same [with songs] – they are little languages and melodies, beautiful rare endangered species which can be revived to some extent.”
Come see something special that’s been saved by Sam! Support comes from Thomas McCarthy.
Flathampton does one better than an Oscar! They get an Argus Angel!
We were delighted when we found out Royal and Derngate would be bringing Flathampton to the Brighton Festival so it’s with great pleasure that we reveal they have won an Argus Angel for the show. Well done guys!
Flathampton takes you on an amazing interactive journey round the biggest playmat you will ever see – and then some!
Our visitors valiantly collected Flathampton money, spent it at the Flathampton shops, iced some Flathampton cakes and even tried their hands at working in the hospital, the makeover salon, the music shop and for Flathampton TV news. Some grownups even went to the Flathampton disco we heard.
The Argus Angel Awards were introduced in 2007 to award artistic excellence during the Brighton Festival. From theatre and dance to music, live literature and exhibitions – The Argus Angels are presented to artists and performers who truly stand out from the crowd.
The Argus team of critics are out each day reviewing events night and day to make sure they don’t miss any performance worthy of a handsome golden statue. Based on the famous Herald Angels of The Edinburgh Festival, the trophies are carved by hand and carefully flown down from Scotland in the suitcase of the sculptor himself. They are awarded for innovation, great work and originality.
Brighton Festival on BBC Radio 3
Listen again to Ailish Tynan and James Baillieu on In Tune
Ahead of their intimate Brighton Festival performance at All Saints Church on Wed 15 May, opening our series of intimate concerts celebrating French chamber music, hear soprano Ailish Tynan and pianist James Baillieu perform some beautiful songs by Poulenc and Hahn for BBC Radio 3's In Tune.
A must listen.
Vote for your favourite Brighton Festival show
It wouldn’t be a proper Brighton Festival without a vast range of exciting and exclusive awards up for grabs in May.
Both Brighton’s daily newspaper The Argus and weekly magazine Latest 7 give out a number of awards throughout May in recognition of artistic excellence - and you can vote for your favourite show to win one!
The Argus Angel Awards were introduced in 2007 to award artistic excellence during the Brighton Festival and the Brighton Fringe. From theatre and dance to music, live literature and exhibitions – The Argus Angels are presented to artists and performers who truly stand out from the crowd. Based on the famous Herald Angels of The Edinburgh Festival, the trophies are carved by hand and carefully flown down from Scotland in the suitcase of the sculptor himself. Back now for their seventh year, audience members can nominate their favourite performance for an Angel with the link below -
Alternatively, if people see an event and want to vote immediately, they can also text the word ARGUSANGEL to 80360, followed by their nomination. Twitter-users can also nominate by using the hashtag #argusangel.
Taking into account hundreds of public nominations, Latest 7 magazine assemble a comprehensive judging panel of media experts to decide the winners of the annual Latest Awards. Voting is simple - visit http://thelatest.co.uk/festival-awards/ and click on the show you want to vote for. Shows are divided into fifteen different catagories; from Most Groundbreaking Act to Best Venue and Star of the Festival.
So if you were crazy about Cirkopolis, found Flathampton fabulous or marvelled at Mariele Neudecker, get voting!
In pictures: Week 1
EarFilms wins the first Argus Angel
We're only two days into Brighton Festival and the first Argus Angel already been awarded!
EarFilms are the first recipients of the prestigious award for the European Premiere of ‘To Sleep, To Dream’; a 3D playground for the imagination where you are blindfolded and hand over your senses over as a sonic story unfolds around you.
The Argus Angel Awards were introduced in 2007 to award artistic excellence during the Brighton Festival. From theatre and dance to music, live literature and exhibitions – The Argus Angels are presented to artists and performers who truly stand out from the crowd.
The Argus team of critics are out each day reviewing events night and day to make sure they don’t miss any performance worthy of a handsome golden statue. Based on the famous Herald Angels of The Edinburgh Festival, the trophies are carved by hand and carefully flown down from Scotland in the suitcase of the sculptor himself.
Daniel Marcus Clark of Earfilms said, "It's amazing for us to win and also to be included in Brighton Festival and to have this show to bring. The piece wasn't made without Brighton so it's huge for us to premiere it here.
Kim Protheroe, The Argus Features Editor, said: "These awards are for the truly exceptional performances and events we see during the festival period. These can range from a new performer with obvious talent and potential, to an established act that simply blows you away with their continued innovation and flawless execution.”
Happy Birthday Michael Rosen
The author and poet celebrates with Brighton Festival
Today was another fun filled morning at Brighton Festival full of a great range of events across our sun filled city but there was one very special occasion to celebrate in the Brighton Dome Corn Exchange– that was the 67th birthday of our Guest Director Michael Rosen which takes place on Tuesday.
After a sold out performance of ‘Bear Hunt and Chocolate Cake’ and another ever popular performance of ‘Big Book of Bad Things’ some of the best cake bakers in Brighton – Jan Hansen and Martha Sheppard of Catwalk Cakes, Bond Street– presented a Michael with a ‘bear hunt’ cake complete with chocolate teddy bears, sugar figures and lashings of chocolate icing.
The audience of children and mums and dads then sang a loud and cheerful round of ‘Happy Birthday’ to the birthday guest as the bakers took to the stage to surprise Michael with the delicious treat.
Michael joked, “Thank you! Twenty eight again?!”
Michael’s actual birthday is on Tuesday. Why don’t you send him a birthday tweet on his special day @michaelroseyes
You can get your own special cake by emaling email@example.com for more details or visiting them in Bond Street, Brighton.
Under the Shadow of the Drone location revealed
A chilling symbol of modern warfare will make an eerily silent appearance on Brighton's seafront this May.
Brighton Festival and Lighthouse can now disclose the location for Under the Shadow of the Drone, James Bridle’s outdoor drawing of a drone aircraft, as used by militaries around the world. This May his one-to-one rendering of a Reaper drone will incur into the everyday lives of residents on Brighton’s seafront Madeira Drive.
Under the Shadow of the Drone is designed to encourage people to imagine a military drone making a sudden appearance into the airspace of their own city and to confront the reality of what it might be like to experience a bombing raid carried out by a drone aircraft on their own community.
James Bridle strives to make these unseen, distant, destructive weapons more visible. Under the Shadow of the Drone brings the drone to the streets of Brighton.
Location: 5 minutes / 500 metres walk east from The Brighton Wheel on Marine Parade, towards Yellowave Beach Sports Venue. And then look down to Madeira Drive.
Longitude/latitude of the Drone site: 50.818463, -0.12926
Brighton Squad take on Brighton Festival in a unique writing challenge
The Brighton Squad, New Writing South’s resident young writers, have been given a fantastic opportunity to review shows in Brighton Festival.
The squad - a team of fifteen writers in their teens - will be watching a range of brilliant shows, concerts and events, and then writing up their thoughts for the public to read.
With Michael Rosen - a champion of children's writing - as the Festival’s Guest Director and such an amazing variety of events, they've been really spoilt for choice and will be giving their views on everything from gallery exhibitions to gigs, dance shows, literature events and theatre performances.
Their group leader Rosanna Lowe, said "The Brighton Squad are delighted to be seeing and reviewing shows at Brighton Festival. They're a very expressive group of young writers and they're ready to take on the Festival and give us their take on what the shows have made them think or feel.”
The writers will be given the same privileges as the press, and in return will post their reviews onto both the Festival’s website and the New Writing South website.
Brighton Festival's press team visited the Squad during one of their sessions earlier in the year to give them a taster of what it is expected from a Festival reviewer, and to talk about the range of fabulous shows they will be able to see.
By exploring a range of creative writing, from poetry to playwriting and lyrics to flash fiction, the Squad introduces young writers to a wide variety of writing styles whilst supporting the development of young writers in the region.
Visit our website during the Festival to see what they think of our shows. We will also be sharing them on our social media channels. Stay tuned!
An interview with Lola Arias
Brighton Festival will present the UK premiere of My Life After from Fri 24 - Sun 26 May. We spoke to Buenos Aires-based writer / director Lola Arias about the genesis of this uniquely personal response to the Argentina of her parents' generation.
My Life After reconstructs the lives of the parents of the actors in the play. How much input did the cast have?
When I started the research for the play, I had only the concept: a group of young people born during the Argentinean dictatorship reconstruct the life of their parents. With this idea, I started interviewing people. I chose these 6 performers - not all of them are professional actors - because of their stories. I wanted to have people with different backgrounds: Carla is a daughter of a soldier of the ERP (Revolutionary Army of the People) who was killed in combat, Vanina is the daughter of a policeman who worked under covered and participated in torture… All of the performers participated in the investigations of their own family story but the concept and the text is mine.
Do the personal stories change if a cast member is replaced? Or do actors inherit the story in the script?
No actor was ever replaced in this piece. If an actor can’t be part of a tour, the story is cut from the play. The concept is very important: everybody is telling his or her own story.
Is this documentary theatre, a historical investigation or a mixture of fact and fiction?
You can call it documentary theatre because the play is based in documents, facts from the past. But I call it theatre. The performers reconstruct the life of their parents through their own family photo album, letters, tapes... But there is also a lot of fiction in it. They do re-enactments of scenes from the past, based on what someone told them or blurry memories… The past is also a fiction that changes every time we transform it into a story to tell to others.
What are your memories of growing up in Buenos Aires?
I grew up in small house in the very centre of the city. My mother is a literature teacher, my father an architect. The brother of my mother was part of the guerrilla and went into exile in Brazil; the son of my father’s partner disappeared but we never spoke about it at home. So what I remember is this kind of unspoken fear.
Are the clothes, photographs, letters and other props used the genuine articles owned by the actors' parents?
Most of them are original objects. We travelled already to 22 festivals all over the world with a small box with photos, mini cars and some other small objects from the performers. There are also 400 items of clothes on stage. But this is too heavy to put on the plane!
My Life After will be performed in Spanish with English surtitles, why is it important to present the work in your native tongue?
It is the story of these people in Argentina and we speak Spanish! The fact that English became the global language of communication doesn’t mean every piece of art should be done in English… Would you make this question to an Argentinean film director? I guess no. Well, it’s the same. We speak our language and you can read the subtitles or… learn to speak Spanish!
What do you want British audiences to take away from the show?
I don’t have any kind of particular expectation about British audiences. I always expect that the piece creates some kind of reflection about how our private lives are also determined by politics. This is a very personal portrait of six young people from Argentina but it’s also a portrait about how is life under a dictatorship.
My Life After performs at Brighton Dome Corn Exchange from Fri 24 - Sun 26 May
Have you got the skills to be this year's Brighton Festival Photographer?
Would you like to be an integral part of England's largest mixed arts festival? Are you an amazing photographer?Are you looking to boost your portfolio? Then we have just the thing for you. Read on....
Brighton Festival Photography Brief - 2013
Project fee: £1,500
Produce and supply professional photography for three weeks of Brighton Festival 4-26 May 2013, to include photography of at least 20 events, rehearsals and/or live show, including audience shots if appropriate.
Photograph selected Brighton Festival venues and key installations.
Photograph people at selected Brighton Festival venues and events.
To take portrait shots of the Guest Director, CEO and other stakeholders at the above events and on other occasions to be mutually agreed between photographer and Brighton Festival.
Fee inclusive of digital processing, edit and supply of corrected RGB files on CD both high and low res versions.
All photographs will be licensed to Brighton Dome & Brighton Festival for use in marketing, publicity, development and advocacy activities in print and online. All photographs will be credited as appropriate and licensed for 25 years.
These photos will also be licensed for the use of the Festival’s key partners defined as 1. Arts Council England 2. Department or Culture Media and Sport (DCMS) 3. Brighton & Hove City Council 4. Visit Brighton 5. Visit England 6. South East Dance 7. American Express 8. Peyton & Byrne
This assignment and terms would be for Brighton Festival 2013 only.
- Must have previous experience of photographing live events and people.
- Must have experience of working with in the arts.
- Must have experience of photographing in a wide-range of lighting settings.
- Must have own equipment; cameras, lenses and lights.
Please send a covering letter and a link to your online portfolio to firstname.lastname@example.org by Fri 22 Mar 2013.
We want YOU for this year’s Brighton Festival!
Brighton Dome & Brighton Festival are excited to announce a great opportunity to get involved with our historic, vibrant arts venue and the biggest arts festival in England.
If you are passionate about the arts, friendly and energetic perhaps you’d like to be a volunteer Festival Maker this year?
Festival Makers will carry on the fantastic success of the volunteers in 2012 and make 2013 another amazing year of culture and entertainment.
As a Festival Maker you will have the opportunity to assist in delivering a whole range of exciting events for the Festival including helping the Marketing department or Ticket Office, organising Welcome Packs for artists, supporting Front of House staff, meeting and greeting artists and setting up displays and decorations.
There will be opportunities for Makers to work weekdays and weekends, daytimes and evenings – so whatever your availability please get in touch if you would like to be part of the vibrant Brighton Festival.
This is an exciting opportunity for anybody interested in learning more about working in a busy arts organisation and developing their skills and knowledge in this area.
We are looking for reliable and enthusiastic people who have a keen interest in the arts, so please do get in touch to take part.
There will be an Open Evening Tuesday 12 March at Brighton Dome Studio Theatre from 4pm – 7pm.
For more information about our volunteering opportunities and to download full details of each, please visit brightondome.org/jobs
HOUSE 2013 launches with news of Brighton Festival Co-commission
HOUSE, Brighton’s festival of art and domestic space, is pleased to announce Mariele Neudecker as Lead Artist for the 2013 edition of the Festival, in a co-commission with Brighton Festival.
Other artists also being announced for HOUSE 2013 include Andrew Kotting with Anonymous Bosch, Emma Critchley, Dylan Shipton & Ben Fitton and David Wightman who have all been chosen by Open Submission to develop work connecting to Neudecker’s commission - Heterotopias and other domestic landscapes - and responding to the Festival’s overarching domestic theme.
For her commission Neudecker undertook a sled expedition with native hunters to North West Greenland, documenting the experience using cameras spanning the whole history of photography – from pinhole through Polaroid to modern digital technology- to createHeterotopias and other domestic landscapes. The work utilises Brighton’s Regency Town House as a container for an increasingly immersive installation of sculpture, film and photography.
Andrew Comben, CEO Brighton Dome & Brighton Festival, said, 'We are delighted to have co-commissioned Mariele Neudecker’s visionary installation in partnership with HOUSE 2013, which reflects on one of the themes of this year’s festival - Vergissmeinnicht forget me not) - and in particular considers the disappearance of people, ideas of loss and the extinction of habitats. By working in partnership with HOUSE 2013 and others across the city we have again been able to thread together an ambitious and wide ranging festival of events including a strong visual arts offer of which this co-commission is part.'
Guest Curator for HOUSE 2013, Celia Davies, said, 'HOUSE 2013 revolves around the idea of inside/outside landscapes that distort and play with our ideas of perception. With human interest and relationship to landscape central to Neudecker’s work, her ambitious commission attempts to capture change and temporality, permanence and stability in the otherworldly atmosphere of Regency Town House.'
HOUSE 2013’s other commissioned artists have responded to Neudecker’s mediated dissection of the landscape, and the festival’s domestic theme by taking real or imagined journeys inside the Earth, high above it, underground, or simply by staying put in suburbia: Andrew Kotting and Anonymous Bosch go on a subterranean adventure in the French Pyrenees; Emma Critchley interweaves voice and under water movement underground; Dylan Shipton& Ben Fitton’s grounded airship collapses the Sublime with the ridiculous; and David Wightman collages large-scale Romantic landscape paintings using patterned domestic wallpaper.
Record-breaking year for Brighton Festival ticket sales
The Ticket Office opened today for the first morning of Brighton Festival public booking and it’s been a record-breaking year that even a rainy day couldn’t quell.
This year, Members bought over 10,000 tickets in the last week and today there had been sales of over 5,000 tickets by 2pm.
Bestsellers so far have included The Flaming Lips, Britten: The Canticles, The Tiger Lillies, Sutra, Sinead O’Connor, King Lear, Lucinda Williams, How Like An Angel, Musik Kabarett and Earfilms. Tickets are still available for all of these shows too.
This year 60% of bookings have also been made on online via the new Brighton Festival website. And even with the wet weather there have been queues of hardy people visiting our Ticket Office despite the rain and out five-strong counter team have been working hard since the opening hours.
'It’s always great to see the reaction to Brighton Festival’s programme when we open booking to the public. The demand and enthusiasm for this year’s events has been record-breaking - with so many shows across a wide range of art forms, it’s wonderful to see our programme capturing the imagination of ticket buyers old and new. Despite the damp weather, the queue outside the ticket office this morning was in good spirits and we are pleased to see continued public support of this, the 47th city-wide Festival.' Andrew Comben, CEO, Brighton Dome & Brighton Festival
Some events have now sold out including Michael Rosen’s Bear Hunt & Chocolate Cake; Daniel Kitson; The Contents of a House and the free (but ticketed) events Felix Machines and A High Street Odyssey.
However there is plenty time for those who still want to snap up some tickets to this year’s Festival which is set to be a great one with Guest Director Michael Rosen at the helm.
One City, One Book
Today is World Book Day!
What better way to celebrate than with the launch of the first ever Young City Reads project as part of Brighton Festival 2013.
Brought to us by Collected Works CIC, the organisation behind Brighton & Hove’s annual citywide reading festival City Reads, Young City Reads offers children across Brighton & Hove the experience of reading and exploring a book as a part of a community.
The book in question is the classic children’s adventure story, Emil and the Detectives by Erich Kästner’s which has been specially chosen by Brighton Festival 2013 Guest Director, Michael Rosen.
‘Emil and the Detectives flowers with inventiveness, excitement, humour, originality and tension. I think it’s wonderful that a whole city is going to read the book at the same time. I think this will build up a great sense of everyone exploring the book together.’ Michael Rosen
Young City Reads will be engaging the young people of Brighton until the 24th May through a host of special events, workshops and performances that will allow children to discuss, debate and creatively engage with one of Michael Rosens’s favourite books with the hope of inspiring a new generation of story lovers.
For more information about the project and how to get involved, visit cityreads.co.uk
Fabrica needs the shirt off your back
Well not literally, but if you want to give us the actual shirt off your back then that’s fine too.
Leading Brighton gallery Fabrica is working in partnership with Brighton Festival to commission two major new works, one for its gallery space and another for an outdoor location in the city, both created by leading Finnish artist Kaarina Kaikkonen.
Working primarily in public and easily accessible places, Kaarina Kaikkonen uses simple, everyday objects such as second-hand clothing and shoes to create large-scale sculptures.
The two new works that she is creating for Brighton Festival will be made from shirts. Lots of shirts. Probably around 1200 of them. And that’s where you come in!
Over the next few weeks we are collecting men’s, women’s and children’s shirts of all shapes, styles and sizes. We are working in with Oxfam to get started but we also need your help. So have a rummage in your wardrobe, your partner’s wardrobe or anyone else’s wardrobe and let us have your no longer loved (or fitting) shirts. The shirts will be used whole (not cut up, dyed or damaged in any way) and at the end of the exhibition they will all be donated to Oxfam. In the meantime they - and by extension you - can become part of these new artworks.
'My idea is that people could feel themselves to be part of my work' Kaarina Kaikkonen
Shirts can be donated at the Fabrica office at 40 Duke Street during office hours or by arrangement. Contact 01273 778646 or email@example.com if you have any questions.
Video: We're Going on a Bear Hunt
We're not scared! Michael Rosen's much-loved poem is reinvented exclusively for Brighton Festival 2013. A big thank you to everyone who gave their time to help make this film.
Filmed and produced by Fat Sand Productions.
The making of ‘Bear Hunt’
This year we decided to do something different to raise awareness of Brighton Festival, and with a Guest Director like Michael Rosen what better way to kick things off by making a film based on one of his most iconic poems?
Brave Brighton-based filmmakers Fat Sand Productions took on the challenge of helping us in our mission and tracked down Michael Rosen himself, friends of the Festival, members of the public and even some of our own team to each read a line of We’re Going On A Bear Hunt each in an iconic setting in across the city.
One of the filmmakers, Sarita Tam, commented, "I remember being in primary school, sitting on the floor watching my Year 3 teacher read this poem aloud to us, actions and all. But what I didn’t remember was quite how long the poem is: 99 lines to be precise! From the onset, we knew it was a rather large mountain to climb for a sleepy January, but we wanted to burn off the Christmas calories!"
Over a 16 day period and working through some very snowy conditions and late into the nights, the Fat Sand team managed to film a varied bunch of people including Michael Rosen, the Mayor of Brighton & Hove, our local BBC news crew, lawyers, engineers, journalists, artists, surfers, students, builders, councilors, ice-cream men, artists, choirs, chefs and even a dog named Archie; who all valiantly read a line of ‘Bear Hunt’ to camera.
Fat Sand ventured into the depths of Brighton Dome and then onto the roof, into the sea, onto the pier, up to Preston Manor and even over to visit some school children in the Book Nook in Hove during the filming.
Each of our brave participants read one or two lines from the poem, which Fat Sand cleverly edited together for a full, and rather interesting, recital of the poem. We were proud to show the film at our launch events on Wed 27 Feb, but you can watch it online here.