Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

Showing 51 to 75 of 396 items

Over 60’s dance troupe recreates Pina Bausch's 1982 masterpiece – the NELKEN-Line - on Brighton's seafront

Three Score Dance, the Brighton-based contemporary dance company for over 60s, will re-create Pina Bausch’s masterpiece, The NELKEN-Line, with a team of around 200 volunteers along the Brighton beachfront this weekend (Saturday 19th May, 6.30pm) as part of Brighton Festival.


The legendary Spring, Summer, Autumn, Winter sequence is from one of Pina Bausch’s best-known works, the 1982 piece Nelken, and features West End Blues by Louis Armstrong and his Hot Five.

The Three Score Dance company will be joined in the participatory performance by around 200 people, many of whom attended workshops to learn the four iconic movements led by Three Score Artistic Director Jason Keenan-Smith

The aim is to create the most fabulous and colourful NELKEN-Line on Brighton seafront, becoming a part of an exciting world-wide project run by the Pina Bausch Foundation and ARTE which invites people to submit their own NELKEN-Line video to the Foundation’s website.


In France, Ireland, Chile, Cyprus, Spain and Germany, dance lovers of all ages – professionals and amateurs – have responded to the call and danced their own individual NELKEN-Line, with performance videos from around the world posted on the NELKEN-Line website. Three Score has already uploaded their own Company version, the film made by Company member Vincent with long term collaborator DOP Patrick Duval.

Three Score Dance Volunteer Management Group member Vicki Crowther says: “Being part of Three Score Dance means we are standing up for the older dancer and we’re looking forward to leading a glorious celebration of Pina Bausch with people from all walks of life as we dance The Nelken Line along the beach from the i360 to the peace statue on Saturday.”

NELKEN-Line - Three Score Dance, Brighton from Pina Bausch Foundation on Vimeo.

Three Score Dance, founding company members, Saskia Heriz and Christina Thompson, were inspired by The Company of Elders at Sadler’s Wells to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove. Although many of its members have had no prior dance training, their wealth of life experience brings a unique quality to their work.

The company is led by Rehearsal Director, Jason Keenan-Smith, with professional choreographers commissioned to create bespoke pieces for performance. As an associate Brighton Dome company, Three Score have a history of commissioned pieces 50th Brighton Festival celebration Tall Tales - a special reconstruction from memory of a series of performed paintings believed to have been presented at some time during the Festival’s history.  

Discover more about this exciting dance event...

Brighton Festival Live: The Last Poets

The Last Poets will be live streamed from 7.30pm on Tue 15 May


Legendary Godfathers of hip hop and creators of influential albums - The Last Poets (1970) and This is Madness (1971) – The Last Poets fuse politically outspoken lyrics with inventive percussion in an electrifying celebration of 50 years of the power of words and music. The Last Poets are modern day griots, with withering attacks on everything from racists to government to the bourgeoisie, their spoken word albums preceded politically laced R&B projects such as Marvin Gaye's What's Going On and foreshadowed the work of hard-hitting rap groups such as Public Enemy.

Now in a rare appearance, Umar Bin Hassan, Abiodun Oyewole and Donn Babatunde - legendary Godfathers of hip hop - bring an electrifying celebration of 50 years of powerful words and music to Brighton Festival.

In Photos: Week 1

Brighton Festival 2018 has had a fantastic first week! Here's a few photos from events in the last week. We're so excited to see what the next two weeks bring!

Photos by Vic Frankowski

Problem in BrightonProblem in Brighton

Rear ViewRear View

The Boy, The Piano and The BeachThe Boy, The Piano and The Beach

Joep BevingJoep Beving

The Arms of SleepThe Arms of Sleep

ADAMADAM

Cuckmere: A PortraitCuckmere: A Portrait

Penguins

Woodland

Morag MyerscoughProblem in Brighton

Brighton Festival Live: KAYA

KAYA will be live streamed from 8pm on Mon 14 May

Join us for an inside viewing of KAYA, a moving new performance that explores human experiences of displacement, drawing on the strength and resilience of those searching for belonging in a new community.

Ceyda Tanc is a Brighton-based choreographer creating dynamic dance influenced by her Turkish heritage and highlighting the intersection of modern Britain’s diverse cultures. With a unique movement vocabulary fusing traditional Turkish folk dance with contemporary styles, Ceyda’s work challenges gender stereotypes by utilising the virtuoso movements of male Turkish dancers for her all-female company, conveying striking shapes and an emotive and sensual energy.


Morag Myerscough’s colourful touring bandstand comes to Brighton beachfront

Contemporary designer Morag Myerscough’s first ever mobile installation, Belonging - a bright, bold, touring bandstand - launches this weekend on the beach level next to the i360.

Co-commissioned by Brighton Festival and Ditchling Museum of Art + Craft, Belonging celebrates the spirit of seminal 1960s Los Angeles artist and nun Corita Kent whose work brought together a belief in the strength of creativity, togetherness, love and social justice

The specially-made bandstand will play host to a variety of music and activities programmed in conjunction with communities across Sussex. It will be adorned with a series of placards on the theme of ‘belonging’ drawn from conversations and workshops with communities across Sussex, based on assignments taken from Corita’s inspirational book Learning from the Heart (a blueprint for creative exploration and community empowerment, published posthumously in 1992).

Morag Myerscough says: “The Belonging bandstand is a project I have been wanting to do for many years. I have an obsession with bandstands. I love how they just stand in a place dormant for long lengths of time and then can be transformed by performance. They are beautiful empty and when a performance takes place people just gravitate towards it. I love that they are free for everybody to experience. I work a lot with communities on various projects. I find when people are involved in the creating and the making they connect so much more with the piece and ultimately the piece is their piece. I want it to belong to them and for everybody to own - it does not belong to me.

Belonging kicks off this weekend with a day of music curated by BIMM on Sat 12 May featuring a variety of local young musicians programmed by BIMM Brighton including The Yellow Bellies, Marius Bear, Stranger Girl, Megan Lara Mae, Hayley Harland and The Villas, from 12pm until 5pm. On Sunday, the Sussex Pistols Ceilidh band will be performing English and Scottish dance and ceilidh music throughout the afternoon (2-5pm).

The Belonging Bandstand will then tour to Your Place venues in Brighton and on to the South of England Show at Ardingly, Crawley Festival, Newhaven, Ditchling and Coastal Currents Arts Festival in Hastings, taking on a different local character with each new iteration as the placard formation of the crown is changed to show off the communities’ own designs, and as the bandstand is programmed with local performers.

The project accompanies the exhibition Get With The Action: Corita Kent, showing at Ditchling Museum of Art + Craft from 5 May – 14 October 2018. Corita was an American artist, a famously charismatic educator and a Roman Catholic nun based in Los Angeles during the 1960s. As an advocate for social justice, she believed in the democratisation of art, producing screen-printed posters and banners incorporating advertising slogans, song lyrics, biblical references and commercial design into her Warhol-inspired work.

There will also be a complementary exhibition, Belonging, featuring a commission reflecting on the concept of belonging in the museum’s Wunderkammer by Myerscough and Luke Morgan. A second edition of the duo’s Sign Machine (2016) will also be installed in the introduction space.

Belonging Bandstand Tour Dates

12/13 May: Brighton Festival, Beach Level (next to i360)

19/20 May: Brighton Festival, Your Place, Hangleton

26/27 May: Brighton Festival, Your Place, East Brighton

7-9 June: South of England Show

2-7 July: Crawley Festival

25 – 27 August: Newhaven (in association with Artwave)

1 – 9 September : Coastal Currents Arts Festival, Hastings/St Leonards

22 September: Ditchling (as part of Ditchling Museum of Art + Craft’s 5th birthday celebrations)

Brighton Festival artist Theresa Lola wins African Poetry Prize

Brighton Festival artist Theresa Lola has won a prestigious Brunel International African Poetry Prize, scooping a major prize of £3000 aimed at the development, celebration and promotion of poetry from Africa. The Prize is sponsored by Brunel University London and the African Poetry Book Fund.

This year the judges decided to award the prize to the three poets they considered the most outstanding. Out of over 1,000 entries, the winners announced are Hiwot Adilow (Ethiopia), Theresa Lola (Nigeria), and Momtaza Mehri (Somalia). The trio will share the plaudits as joint winners, in keeping with the Prize’s project of supporting multiple voices from the African continent.

24-year-old Theresa (Nigeria) fought off stiff competition from over a thousand entrants, adding the prestigious title to her clutch of previous awards, including winner of Hammer and Tongue National Poetry Slam in 2017 and the London Magazine Poetry Prize 2016.Theresa is an alumna of the Barbican Young Poets programme. She was awarded an Arts Council/British Council International Development Grant to run poetry workshops at the Lagos International Poetry Festival in Nigeria in 2017. Theresa is also part of SXWKS creative collective and Octavia Women of Colour collective which is resident at the Southbank Centre in London. She is currently working on her debut full length poetry collection.

“Winning the Brunel International African Poetry Prize feels surreal, it is an unwavering highlight,” said Theresa Lola, who was first inspired to start writing poetry after a trip to the Lagos Poetry Festival when she was 12.

“To win the Brunel International African Poetry Prize feels like I am doing my job and responsibility as a poet and human in putting Africa forward where it rightly belongs.”

Brunel University London commented as follows: “This is an incredibly exciting time in the development of African poetry. We expect that many of the poets engaged in our impactful poetry initiatives will become the leading African poets of the future. Many of them are still very young, in their twenties, and we expect great things from them, but also those from poets who are older but still relatively new to publishing poetry. African poetry is now staking its claim on the global literary landscape. We are witnessing a quiet revolution.”

Theresa will be appearing at Brighton Festival as part of World Premiere & Brighton Festival Commission, Poets & Illustrators alongside Hollie McNish, Bridget Minamore and Toby Campion. For this one-off event, some of the finest, freshest poets around are paired with live illustrators for a sharp, straight-talking night of poetry, projection and experimental art exploring the theme ‘hard work’. 

Poets & Illustrators takes place on the Sat 26 May at 8pm, at St Georges Church. 

Brighton born circus performer returns to his roots for Big Top Spectacular as part of Brighton Festival

Brighton-born juggler Luke Hallgarten is performing as part of internationally renowned circus company NoFit State as part of the Festival with their dazzling new production LEXICON - a daring, seductive and contemporary take on the circus experience.

Juggler Luke Hallgarten graduated from the National Centre for Circus arts (NCCA) in 2015 with a first class honours degree and went on to study at Le Lido Centre des Arts du Cirque du Toulouse. Alongside the creation and tour of Lexicon, Luke is conducting a research project on creative language within circus, is touring with his own company London Beaches and touring his own solo piece just.what.

NoFit State Circus have been performing for over thirty years and today are the UK’s leading large-scale contemporary circus company. Created for a big top tent, Lexicon is a performance with a nod to the history and heritage of British Circus, crafted for a seated audience in the round and combining cutting edge technology with traditional circus skills.

Audiences are invited to take their seat in their tent on Hove Lawns for jaw-droppingly physical storytelling and a live score to lift the soul. Drawing inspiration from history, heritage and traditions, this show digs into the underground of memory and celebrates the past, present and future of this much-loved artform.

Luc Morris, Lexicon Communications and Marketing Officer says: ‘This year is the 250th anniversary of circus, which was created by a man called Philip Astley. We have wanted to pay homage to the man but also to 250 years of tradition and begin shaping the next 250 years of circus in the UK. There are many strands of inspiration behind LEXICON but the main one is about the heritage, and a group of people who have found each other in the circus and begin misbehaving.’

‘We love going to Brighton. We love this early period in the season, being by the sea and hopefully this year again, the sun. It’s a great place to kick off the touring season and the Brighton audience is a great one to perform to. There is also an air of nostalgia in Brighton with the pier, the arcades, the lawns which is particularly fitting to LEXICON, so we’re very excited to be presenting our new show there’.

LEXICON is running on Thu 3 -  Mon 14 May at various times. Head to the LEXICON event page to find out more about ticket availability and times. 

Brighton Festival Children's Parade 2018

Picasso’s Dove of Peace and Munch’s The Scream among the creations at the Children’s Parade 2018

Celebrating art from the likes of Picasso, Salvador Dali and many more, 20,000 people packed the streets on Sat 5 May as the 52nd Brighton Festival launched with the Children’s Parade.

The theme for the 2018 Children’s Parade was ‘Paintings’, inspired by Guest Director David Shrigley. Participants took inspiration from a wide range of well-known art from across the ages, including paintings by Alan Davies and Jean Michael Basquiat; Mae West by Salvador Dali; Surprised by Henri Rousseau; Mural by Joan Miro; and American Gothic by Grant Wood. The parade was led by this year’s Guest Director David Shrigley.

Jointly produced with award-winning community arts organisation Same Sky and supported by Yeomans Toyota Brighton for the second year and for the first time by the University of Brighton, the annual Children’s Parade officially launches Brighton Festival and has delighted participants and spectators for over 25 years. The largest of its kind in Europe, the parade is attended by around 5,000 children from schools and community groups from across the region and cheered on by many thousands of spectators.

Previous themes have seen children dress up as everything from letters of the alphabet and Brighton street names to books, mermaids and even slices of cake for the annual Children’s Parade.

One of the most spectacular community events in the UK, Same Sky spends six months working behind the scenes to create the Children’s Parade, with creative teams instructing teaching staff how to teach dance and parade chants, run free masterclasses, help develop design ideas and encourage imagination to flow.

If you missed it this year, you can see some of this year's creations in Brighton Dome's Cafe/Bar, entrance is via Church Street.

“We were hugely impressed once again with the ingenious ways in which schools have embraced the theme of the parade, choosing paintings by the likes of Salvador Dali, Matisse and many more. A fitting start to Brighton Festival!’ Andrew Comben, Chief Executive, Brighton Dome and Brighton Festival


Brighton Festival Live: The Boy, The Piano and The Beach

The Boy, The Piano and The Beach will be live streamed from 3pm on Mon 7 May

Slot Machine Theatre - The Boy, The Piano and The Beach
World premiere & Brighton Festival commission

A little boy is playing on the beach when, all of a sudden, he is magically transported to another world. His adventures through this enchanting land are packed full of extraordinary encounters with curious and mystical creatures. The question is: can the boy find his way back home?

This enchanting tale is told through puppetry, dance and light projections, all accompanied by stunning live music played on a grand piano. A sensory feast, the show will captivate children of six and upwards, who are welcome to stay and play after the performance to explore the dreamy world of the boy on the beach.


Brighton Festival Live: Cuckmere: A Portrait & Environmentalism

Cuckmere: A Portrait & Environmentalism will be live streamed from 7.30pm on Sat 5 May

Join us for a live screening of this powerful collaboration of film and live music. 

Cuckmere: A Portrait
Ed Hughes -Composer
Cesca Eaton - Filmmaker

Score played live by The Orchestra of Sound and Light. For centuries the Cuckmere River has inspired artists, sheltered smugglers and preserved a host of rare wildlife as it charts a course through the evocative landscapes of southern England.

Filmmaker Cesca Eaton and composer/conductor Ed Hughes trace the changing moods of the Cuckmere, from its source in the High Weald to the sea at Cuckmere Haven.

Environmentalism 2.0
Caroline Lucas discusses the future of the environmental movement with author Tony Juniper, whose new book, Rainforest, draws on his many years' experience as a frontline campaigner.

From the British Airways i360 to Brighton Museum - young musicians to pitch up in locations all over city for Brighton Festival

Brighton & Hove Music & Arts and Brighton Festival presents its annual feast of music from the next generation on Saturday 5 May. This showcase for young musicians will include music for all tastes, featuring the Brighton & Hove Big Band; unplugged pop and folk-inspired acts; and string quartets and chamber wind ensembles. Performances will be taking place at a variety of different locations, from high above Brighton in a British Airways i360 pod to busy, central Bartholomew Square.

Brighton & Hove Music & Arts provides high quality and inclusive music and arts education and performance opportunities for all children and young people across the city including music lessons, ensembles, projects, workshops, orchestras, summer schools and dance classes. BHMA is the lead partner of the award winning SoundCity, the Music Education Hub for Brighton & Hove. Working alongside the Brighton Dome & Festival, Glyndebourne, Rhythmix, University of Sussex, Royal Pavilion and Museums, representatives from Public Health and the Music Industry Their vision is for all children and young people in the city, whatever their background, to be able to engage with, to enjoy, and to be inspired by high quality music and arts opportunities.

For some high-flying fun, take a ride on the i360 with a String Quartet. The Quartet is made up of members from the prestigious Brighton Youth Orchestra String Ensemble. BYOSE is an award-winning course based ensemble that has performed several times at the Royal Albert Hall for the Music for Youth Schools Prom. They regularly collaborate with choirs and dance artists and once a year, have an intensive rehearsal and performance programme on the Isle of Wight. The ensemble has performed in such prestigious venues as the Japanese Embassy, Inveraray Castle in Scotland in addition to giving an hour long live performance on Classic FM.

There will be two flights open to the public, with the first at 11.30am and second at midday on Saturday 5th May, so book now to avoid missing out. Relax, sit back and enjoy the perfect backdrop of the beautiful city of Brighton and the stunning Sussex coastline – an experience that is certain to lift your spirits. These talented young performers are ones not to miss!

For something completely different, Brighton & Hove Youth Big Band will be performing a set between 1.30pm & 2.40pm on the 'pitch' outside Moshimo in Bartholomew Square. Playing soul, funk and classic big band, they’re sure to 'Brighton' up your day.

Pitch Perfect

Brighton Children’s parade participants need not worry, as Brighton Museum and Dome Café Bar will also be showcasing performances throughout the afternoon! Brighton Museum’s south balcony will host Brighton & Hove Music & Arts' classical players between 2pm & 4pm, during the Museum’s 'Free for the Festival' Day. Explore the exhibitions whilst our players perform beautiful works ranging from Bach to Disney classics. Or, unwind between 2pm & 4pm with Brighton & Hove Music & Arts' contemporary acoustic stage in the Café Bar. Take the weight off your feet after a busy parade and enjoy the best of local singer-songwriters as they perform their own material mixed in with some covers.

Find more information on Pitch Perfect and the various performances. 

Your Place artist Kate McCoy on neighbourhoods, Pritt Sticks & shared landmarks

Your Place is a partnership project run by the Brighton Festival, Brighton People's Theatre and two resident led, community development projects on either side of the city: Due East and the Hangleton and Knoll Project. With a steering group of local people from both communities over the last year to co-programme and co-design Your Place for the 2018 Brighton Festival, this year's programme is full of brilliant shows and workshops.

Your Place 2018 Artist in Residence Kate McCoy has been leading a series of workshops known as Random Acts of Neighbourliness, which encourages participants to share experiences of their own neighbourhoods to create a ‘visual map’ of the area and to come up with creative ideas to get to know their neighbours and bring the community together. Kate tells us more about her exciting new role, and the ideas and artwork produced from her workshops. 


I have a white square of fabric, thirty random objects and curiosity about how people feel about their neighbourhoods. I want to scratch the surface of the day to day and encourage people to think metaphorically and creatively about their experiences as being part of a community. The results of this activity will be an exhibition in each community created by the artist Luan Taylor as part of The Your Place weekends, which are a collaboration between the communities of Hangleton and Knoll and East Brighton, Brighton People’s Theatre and Brighton Festival.

I have been setting up in community centres, lunch clubs and youth drops in, asking people to sit down with me and create a visual map of their neighbourhood using objects to represent themselves, their neighbours and the landmarks and features that surround them. So, a Pritt stick has been a lamp post where young people hang out on the Knoll Estate, a bus stop in Whitehawk that can be seen from a living room window, and someone who works with the community, sticking people together.

Lots of people start by saying, “its too hard, I don’t know what to do!”, but once they get going, they express fascinating insights about how they see their world. The final part of the conversation has been about asking people to decide on a “random act of neighbourliness” something that could happen to bring the community closer together. The results have included; cleaning up dog poo and tidying up the bins, and a young man wanting a campfire outside his house. There has been the desire for coffee and cake mornings to bring people together, and to get rid of double yellow lines so that the children of elderly residents can visit more easily.

People have been so welcoming in both communities, open and even more creative than they thought they were and have made beautiful images and said thought provoking things that I hope you will come and see.

Being Your Place's artist in residence is my ideal job, I get to meet loads of different people in a range of settings and find out more about them creatively, connecting through laughter and conversation. I am also delighted that my company, small performance adventures, working in partnership with cascade creative recovery, are bringing our brand new performance The Washing Up, to both Your Place weekends. It’s been described as "bonkers and brilliant" and is a space where we explore this everyday activity through songs and scenes centred round our sink on wheels. (Marigolds not provided)’


Find out more about Your Place artist-in-residence workshops Hangleton

Find out more about Your Place artist-in-residence workshops in East Brighton 

Programmer Picks: Brighton Festival Theatre, Circus and Dance

As we head inexorably towards the start of the 2018 Festival, Sally Cowling, Associate Producer of the Brighton Festival, shares a final few picks of performances that just shouldn’t be missed…



Blaas
I absolutely guarantee that you won’t have experienced anything like this before. I was blown away by this (pretty literally: ‘blaas’ means ‘blow’ in Dutch) when I saw it in Amsterdam eighteen months ago. Made by Dutch choreographer Boukje Schweigman, it’s choreography but not as you know it-not least because you don’t see the dancer who is performing for you! Instead you meet unearthly creatures that might or might not be sentient, that might or might not be friendly, that might or might not be reflecting your mood back at you… I can’t tell you much about the experience of this show without spoiling it for you but suffice to say that it is beautiful, immersive, playful and all-enveloping, a complete 360-degree sensory experience that leaves you reeling, but in the best, most exhilarating and, dare-I-say-it, spiritual sense. It’s one of those ‘only-in-the-Festival delights, so do go and experience it-it has a limited capacity so grab a ticket while you can!



The Humours of Bandon
For those of you who saw the fantastic, heart-rending piece of theatre, ‘Silent’ by Pat Kinevane a few festivals ago, you will have already experienced the brilliance of Fishamble, Ireland’s foremost new writing company. The Humours of Bandon also comes from the Fishamble stable and is also a brilliant one-person show, but the similarities very firmly stop there. This is written and performed by Margaret McAuliffe, a past Irish dance champion as well as a great writer and this is her story of thoroughly unhealthy competition amidst the wonders of Irish dance. It is a gorgeous, life-affirming, and wryly hilarious look at teenage obsession, whilst also being a tour-de-force of a performance with Margaret performing a multitude of characters whilst treating us to some exceptionally splendid dancing. This will simply make you feel better to watch; frankly it should probably be on prescription for mild springtime blues, because it’s a veritable tonic of a show. Neither experimental nor hard-hitting, just absolutely joyous.


Creation (Letters to Dorian)
For those of you who’ve previously come across the British/German collective, Gob Squad, you have probably already bought your ticket to see this most innovative, funny and experimental of companies. For everybody else, I encourage you to connect with this endlessly inventive company who this time around are working with local Brighton artists.

Reluctantly, occasionally defeatedly, but mostly defiantly middle-aged, the Gob Squad are exploring beauty and youth and art; what constitutes beauty, is it simply youth? What constitutes art, and does it have to be truthful? Do we, the audience change it just by watching? Incorporating their own and their guest performers’ lived experiences-including the brutally enviable experiences of ridiculously gorgeous young people positively flaunting their peachy, unblemished perfection- and moving between performance and live-edited filming, Gob Squad endlessly play with our perceptions and self-awareness in this frank, thought-provoking and funny examination of quite how much of our souls we would sell for eternal youth or at least for the appearance of it….

Our programme has lots of other amazing performances to explore including The Flying Lovers of Vitebsk, Creation (Pictures for Dorian) and KAYA.

Our local supporters' favourite Brighton Festival memories

We asked some of our local supporters for their favourite Brighton Festival memories. Here are their best bits.


Cactus Worldwide
The eclectic and interesting international film productions offered every year. They have always provided us with the chance to reflect on life and emotions from very different perspectives and cultures.
Maria Ansede - Cactus Worldwide

Cin Cin
Main favourite memory is the wind almost blowing the roof off the Roundabout Theatre on Regency Square back in 2015!
David Toscana - Cin Cin


Donatello
Many years ago, Donatello and Pinocchio sponsored The Rose Tattoo with Julie Walters and every evening before the performance she would come to eat with us and we were very proud to have her as a customer.
Sue Addis - Donatello

British Airways i360
The Children’s Parade for me is the moment that the city kicks into full festival spirit. It’s amazing to see so much creativity from our local school kids. I can’t wait to see what they make of this year’s theme!
Marie King - British Airways i360


Okinami
We always remember the Children’s Parade which passes right by our restaurant and bar with the best view from our balcony. It always marks the beginning of summer and brings the sunshine with it, along with a whole month of buzzing street life.
Mike Dodd – Okinami


You can find generous offers from all of these companies and more on our Local Discounts page


Spotlight on Contemporary Music at Brighton Festival: Part Two

From jazz to alt-rock to folk, we've got some epic gigs coming up this May. We shine a light on just a few of the many amazing contemporary music events at this year’s Festival.

Deerhoof + s t a r g a z e

Deerhoof, an american experimental rock group, was formed in San Francisco in 1994. In a career that has spanned nearly 25 years and showing no signs of letting up, these revered rockers seem to change course on every album they release, displaying breathtaking originality, and creating a genre all of their own.

In an exclusive performance from Brighton Festival, they will be collaborating with orchestral collective S t a r g a z e. In the first half, Deerhoof’s founding member and drummer Greg Saunier presents special compositions for individual musicians based on tracks from the seminal 1993 album In on the Kill Taler by post-hardcore band Fugazi. The second half sees Deerhoof perform songs from their extensive back catalogue, before members of S t a r g a z e rejoin the band onstage for a stunning finale. Take a look at ticket availability for Deerhoof. 

Xylouris White


Xylouris White is firmly rooted in the past and future. Playing Cretan music of original and traditional composition, the band consists of Georgios Xylouris on Cretan laouto and vocals and Jim White on drum kit. Xylouris is known and loved by Cretans and Greeks at home and abroad and has been playing professionally from age 12. Jim White is an Australian drummer known and loved throughout the world as the drummer of Dirty Three, Venom P Stinger and now Xylouris White. For the last four years these two men have been performing as Xylouris White, the culmination of 25 years of friendship forged through music and place. Now they’re back with their third album Mother, more elegant and thoughtful than its predecessors yet still retaining a palpable spirit of adventure. Take a look at ticket availability for Xylouris White.

This Is the Kit

This Is The Kit is the musical project of Kate Stables, one of the most thrilling voices in contemporary folk, and whoever joins her!  In a special one-off event for Brighton Festival - Kate joins forces with multi-talented orchestral collective S t a r g a z e - one of today’s most adventurous ensembles. Retaining the intimacy of its well-loved predecessor 2015’s Bashed Out, This is the Kit and S t a r g a z e will perform a specially re-imagined version of Kate’s latest 2017 album Moonshine Freeze, the paris-based songwriter’s loosest, wildest music to date.Take a look at ticket availability for This is the Kit.

Played Twice: Miles Davis Kind of Blue and Electric Miles: Miles Davis through the ‘70s

If you haven’t been to east London’s joyous concept night Played Twice, now's your chance. The concept is simple: take a landmark album, listen to it all the way through, then hear a top-notch band reinterpret that same recording live on stage. And if this is your first time, they don’t come more masterly than Miles Davis’s pioneering jazz fusion . The band will be led by David Okumu of The Invisible and features Byron Wallen on trumpet. Take a look at ticket availability for Played Twice's performances.

Problem in Brighton 


First there was a Problem in Toulouse, then there was a Problem in New York, and now that problem is coming to Brighton. Well, Hove actually. Problem in Brighton is an alt-rock/pop pantomime written and directed by Guest Director David Shrigley exclusively for Brighton Festival. Shrigley's artwork is brought to life by the Problem Band (led by Brighton musician Lee Baker) using instruments created from his illustrations. Take a look at ticket availability for Problem in Brighton.

Discover more information on the many other amazing performances including Amanda Palmer, Nakhane and Lankum.

 You can also explore more great gigs in the first part of our Brighton Festival Music blogs.

Festival regular and former Guest Director Hofesh Schecter brings bold new work to Brighton Festival 2018

We caught up with internationally celebrated choreographer Hofesh Shechter to discuss his latest work, Grand Finale, a bold new piece featuring 10 dancers and six musicians. 

As concisely as possible, can you describe Grand Finale?
Grand Finale is a work for ten dancers and six musicians, with a beautiful set made by Tom Scott, and beautiful lighting design made by Tom Visler. It’s very hard to describe, but the work is a very multi-layered piece that has a lot of music, a lot of movement, a lot of different layers and elements to it. In general terms, it deals with that feeling of something coming to an end, and with how maybe people deal with that feeling on a personal level.

Where did the idea and inspiration for the piece come from?
The idea and inspiration for Grand Finale, like always when I make work, comes from around me and inside me. I look at the things that interest me or bother me or excite me or are bubbling inside me; questions and feelings; and ideas and playfulness... I bring those ideas to the studio, explore them with the dancers. The inspiration is from a very immediate reality around and inside me

Grand Finale has been described as ‘a vision of a world in freefall’. What drew you to this theme at this particular moment? Are you commenting on our current contemporary landscape?

I think what drew me to deal with that particular feeling of a lack of control or something coming to an end, is that feeling that I think a lot of people have at the moment that things in the world are getting out of hand, and out of control. Whether that’s true or not, whether things are actually falling apart or whether it’s just part of a cycle of panic I don’t know. I wanted to try revealing that layer of confusion around that feeling

How and where will the piece be staged?
The piece will be staged in the Brighton Dome.

This will be the final performance of Grand Finale following a successful tour. Has the piece changed or developed during the touring process?
Throughout our tour of Grand Finale, which has been a very long one, we’ve tweaked the work all time, we keep on trying to make it better. Whenever I have spare studio time I try to make some adjustments, editing, corrections and so on. We are constantly working on the piece.

Grand Finale
is a very complex piece, we could work on it for ten years and still not completely finish it. However, the heart is there, and the focus is good, but the feeling that it could be more focused and become more powerful and more concise is still there too!

What do you hope audiences will take away from the piece?
We’re bringing the work to Brighton where we’ve performed many times. The Brighton audience is very familiar with my work, and I think it’s quite close their heart. I hope that people really connect to Grand Finale.

Some people could come out of the performance and say something like “ah, there’s no hope”, and some people could come out and say, “wow that’s really invigorating", and that there’s something about human spirit, the fighting human spirit that is “really inspiring”. So obviously I’ll be happy if people experience that very powerful feeling, but I’m fine if people feel despair as well. Despair is an important step towards hope, you know? An important step towards doing something, so I’m fine with either! One way or another, it’s nice when people have a response to your work.

You have a long history with Brighton Festival as Associate company and then as Guest Director in 2014. What does it mean to you to be back at Brighton Festival for this commission?
We’ve been associate company at the Brighton Dome, and I was Guest Festival Director a few years back, so Brighton is a very special place to us. Like I said before, I feel quite close with the audience there – a lot of people have reached out to me – who I don’t know personally, but that atmosphere, that feeling that we are coming home, that we are coming back after a long tour of work is very special. It’s always very special to be in Brighton and I’m sure it’s going to be a very energetic and buzzy performance – so I’m really looking forward to it. 

Brighton Festival invites audiences to celebrate UK Pay-It-Forward Day

In celebration of UK Pay-It-Forward day on Sat 28 April 2018, Brighton Festival is inviting audiences to join the global philanthropic movement and enable more people to enjoy ticketed events at Brighton Festival. This is the second year that the scheme has run following a phenomenal response last year, with over a thousand people choosing to pay tickets forward in the lead up to Brighton Festival.

Those booking tickets for Festival events are given the option of paying an extra £5 (or an amount of their choosing) as they complete their purchase, which Brighton Festival will match fund in order to give a free Pay-It-Forward Festival Ticket Voucher to someone who may otherwise be unable to experience Festival events.

All Brighton Festival ticketed events have Pay-It-Forward Vouchers available to book online or in person. The vouchers will be distributed at Your Place (our community-led, free performance programme in Hangleton and East Brighton running over two Festival weekends), local schools and through our partner community organisations.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “From our regular free participatory events such as the annual Children’s Parade, City Reads and Young City Reads, Weekend Without Walls and Your Place – two weekends of free cultural events programmed by and for the communities of East Sussex and Hangleton, to our partnership with Brighton City College to live-stream many of our shows to audiences around the world for free, Brighton Festival has always been dedicated to making the arts accessible for all. This year’s Brighton Festival is our most diverse and wide-ranging Festival yet, with more opportunities than ever for everyone to get involved and participate. Last year we introduced Pay-It-Forward and were overwhelmed by the generosity and enthusiasm of our audiences. A donation of £5 on top of the price of your tickets is matched by Brighton Festival to create a free ticket voucher for someone unable to afford the opportunity. We want Brighton Festival to be for everyone, and by contributing in this way you can help us make it even more accessible.”

Nadine Strasman, Chair of the Sussex Syrian Community Group, who were recipients of the scheme last year says: “The Pay-It-Forward Scheme has enabled the Syrian members of the community and their children to attend a number of events in Brighton Festival last year. This experience has helped the community members to learn about the British culture and has made them feel welcome and included. Many thanks for the generosity of people who donated the tickets and for organising the scheme. Without those tickets people would not have been able to attend any events in Brighton Festival. We look forward to attending more events in the forthcoming festival.”

The inspiration for Pay-It-Forward comes from the global international Pay-It-Forward Day, which is now in its 11th year, and hopes to inspire millions to experience the power and positive energy of giving by buying something in advance for someone else. Pay-It-Forward is about all people, from all walks of life giving to someone else and making a positive difference. At last count, there were more than 5 million people in 80 countries around the world participating on the Pay-It-Forward Day.

More than half of the ticketed events in Brighton Festival 2018 have prices generally available for £10 or less. There are also 15 free events and workshops including Weekend Without Walls (Sat 26 May, Easthill Park, Portslade and Sun 27 May, Beach Level by the i360) and visual art installations at Fabrica Gallery, on the Beach Level by the i360 and Phoenix Gallery running throughout the Festival.

Belonging with Morag Myerscough

Join award winning contemporary designer Morag Myerscough as she celebrates the spirit of seminal 1960s Los Angeles artist Corita Ken Co-commissioned by Brighton Festival and Ditchling Museum of Art + Craft, Belonging will be Myerscough’s first ever mobile installation: a bright, bold, touring bandstand programmed in conjunction with communities across Sussex, inviting them to reflect on the concept of ‘belonging’ by making banners to adorn its crown and programming a diverse range of local performers to use it as a stage.

Launching on the beach level next to the i360 as part of Brighton Festival, the Belonging Bandstand will tour to Your Place venues in Brighton and on to the South of England Show at Ardingly, Crawley Festival, Newhaven, Ditchling and Coastal Currents Arts Festival in Hastings, taking on a different local character with each new iteration as the placard formation of the crown is changed to show off the communities’ own designs, and as the bandstand is programmed with local performers.

The project accompanies the exhibition Get With The Action: Corita Kent, showing at Ditchling Museum of Art + Craft from 5 May – 14 October 2018.

Programmer Picks: Brighton Festival 26 Letters

26 Letters is our annual celebration of children's books, which this year has just as many pictures as words! Hilary Cooke, Creative Learning Producer of the Brighton Festival, shares some of her top picks.


Pongwiffy v Magenta Sharp
Live drawing is one of my favourite things and author Kaye Umansky is accompanied by not one, but two of her illustrators at this event! Ashley King has created the witty images for Kaye’s new Witch for a Week series and Katy Riddell has illustrated the new editions of the much loved Pongwiffy books. The first of this series was published in 1987 and they are now reaching a new generation of young readers. (Katy, incidentally, is a second generation illustrator as she is the daughter of former Children’s Laureate and Brighton resident, Chris Riddell). With Kaye’s warm humour, spellbinding story telling and Ashley and Katy’s competitive drawing skills, this promises to be a wonderful witchy event. (Plus, audience dressing up is encouraged which is always a good thing).


Peter Bunzl
Peter Bunzl’s books, Cogheart and Moonlocket are set in an imaginary Victorian world where the smoky sky is filled with the transport du jour, the airship. Featuring intrepid Lily, her friend Robert and Malkin the mechanical fox, the books are thrilling adventures with extraordinary originality. I’m looking forward to hearing about Peter’s background as a film maker and animator, and finding out how this has influenced his work. I believe that Malkin, the clockwork fox was influenced by Star Wars’ R2D2 and CP30 so I’m curious to discover how futuristic space movies inspired his unique Victorian steampunk world.

The Funny World of Alex Milway & Gary Northfield
There will be more live drawing in Alex Milway and Gary Northfield’s event (can you tell I’m a fan?) but with a more comic book style. These two author illustrators are also great friends which leads to a fantastic on stage rapport. Both Alex and Gary have taken part in our Adopt an Author scheme, (in fact Alex is an Adopted Author again this year), and any class who had the good fortune to adopt either of them will know how inspiring they are as well as being really, really good fun.


Jacqueline Wilson
Jacqueline Wilson needs little introduction! It is a pleasure to welcome her back to Brighton Festival to hear about her brand new book, Rose Rivers as well as her many other titles. She always attracts a wide age range with her new readers and her devoted twentysomething fans. Jacqueline‘s events are a masterclass in simplicity; when she sits on stage before a concert hall audience it feels as if she’s chatting to you one to one over a cup of tea. She has such a natural, relaxed way of speaking about her books and is both honest and unpatronizing when describing her often hard-hitting subject matter.


Tales from Moominvalley
I love the work of Tove Jansson (for adults and children), and it will be such a pleasure to hear author and Moomin afficianado Philip Ardagh talk about his beautiful book Tales from Mominvalley. He will be in conversation with writer, translator and, (most importantly), fellow Moomin fan, Danel Hahn. The book is a real labour of love and has immense detail about all things Moomin. There is nothing else quite like the Moomin stories in children’s literature – peopled (Moomined?) with eccentric, strange and delightful characters. Because of their enduring appeal. I’m expecting to see quite as many adults as children at this event, keen for a deep dive into Moominvalley.

Competition: Win 2 tickets to Adam and a meal for two at Terre à Terre

Adam is National Theatre of Scotland’s remarkable and life-affirming production about one trans man’s powerful true story - and the winner of a clutch of awards at Edinburgh Festival Fringe 2017, including Scotsman Fringe First, Herald Angel and Scottish Arts Club Awards. You can learn more about the show by clicking here.

For the first time, Adam is coming to England (as part of Brighton Festival) and we've teamed up with Terre à Terre, one of Brighton's favourite vegetarian restaurants, to offer you a delicious opportunity.

All you need to do is answer the questions on this form, and we will enter you into our competition to win a pair of tickets to Adam's premiere England performance (9 May) and a 3 course meal for two (including a carafe of wine) at Terre à Terre.

Competition will close at 10am on Wed 2 May, and the winner will be contacted later that day. 

Your Place 2018 explores Random Acts of Neighbourliness with Hangleton & East Brighton residents

People are united by postcodes, but a new initiative as part of Brighton Festival’s Your Place - two weekends of free arts and cultural activities in Hangleton and East Brighton delivered in partnership with Brighton People’s Theatre - has been asking local residents to consider what it is that ties neighbourhoods together and what can be done to bring the community closer together.

Taking inspiration from the recently popularised Random Acts of Kindness movement, Your Place 2018 Artist in Residence Kate McCoy has been leading a series of workshops known as Random Acts of Neighbourliness, which encourages participants to share experiences of their own neighbourhoods to create a ‘visual map’ of the area and to come up with creative ideas to get to know their neighbours and bring the community together. Their contributions – which have ranged from coffee and cake mornings to getting rid of double yellow lines so that the children of elderly residents can visit more easily – will be incorporated into an interactive, visual exhibition by installation artist Luan Taylor at the two Your Place weekends throughout Brighton Festival.

Kate McCoy says: “Being Your Place's artist in residence is my ideal job, I get to meet loads of different people in a range of settings and find out more about them creatively, connecting through laughter and conversation. I have been setting up in community centres, lunch clubs and youth drop-ins, asking people to sit down with me and create a visual map of their neighbourhood using objects to represent themselves, their neighbours and the landmarks and features that surround them. So, a Pritt stick has been a lamp post where young people hang out on the Knoll Estate, a bus stop in Whitehawk that can be seen from a living room window, and someone who works with the community, sticking people together. 

"I have also been asking people to decide on a “random act of neighbourliness” something that could happen to bring the community closer together. People have been so welcoming in both communities, open and even more creative than they thought they were and have made beautiful images and said thought provoking things that I hope you will come and see.”

Naomi Alexander, Artistic Director of Brighton People’s Theatre, says: “Kate McCoy was chosen by residents from East Brighton and Hangleton to become the artist in residence for Your Place from an impressive range of artists who applied. They were particularly taken with her down to earth and relatable approach to working creatively with people who may not think of themselves as creative. Her idea of Random Acts of Neighbourliness caught their imagination and people in both communities have been really impressed by the work she has done over the past few months.

"Your Place is a partnership project run by Brighton Festival, Brighton People's Theatre and two resident-led, community development projects on either side of the city: Due East and the Hangleton and Knoll Project. We have been working with a steering group of local people from both communities over the last year to co-programme and co-design Your Place for the Brighton Festival 2018. We are really excited about all the brilliant shows and workshops that are part of this year's programme."


Image: Kate Tempest at Your Place 2017

Hosted by local community centres, and programmed in collaboration with local residents and artists, Your Place will bring a diverse line-up of free performances, workshops and activities to the Hangleton and East Brighton communities. The inaugural project in 2017 was a resounding success, with over 2,000 people taking part in Your Place across the two weekends, and participants describing the experience as 'inspiring' and 'energising'.

Artists taking part in the Your Place 2018 weekends will include: David Shrigley, The Ragroof Players, The Future is Unwritten Theatre Company, Herringbone Arts, Joanna Neary, Culture Clash, Touched Theatre, Dundu and Worldbeaters, Brighton & Hove Music & Arts and many more.

Main image credit: Tom Wenezou

Festival Hot Seat: MEDEA, Written in Rage

We talked to Festival regular Neil Bartlett to find out more about his sensational one-man re-invention of the classic Greek legend, Medea. 

Written by Jean-René Lemoine, Directed by Festival regular Neil Bartlett and featuring extraordinary performer and vocalist François Testory, this powerful new vision of ancient myth features live music by Phil Von to create a searing statement about marginalisation and exile.  

Firstly, can you introduce your show and tell us what it is about? 
MEDEA, Written in Rage is a re-telling of the story of the most notorious heroine in world literature. She is the ultimate outsider – a barbarian, a sorceress – a woman who abandons everything for the man of her dreams – and then murders her own children. There have been many versions of her story, but this time, she is telling it herself.

How and where will the work be staged? 
MEDEA, Written in Rage is a solo performance created by award-winning director Neil Bartlett. It is performed on a bare stage – but with incredible costume (Medea's gown is created by the legendary Mr Pearl), swirling lights and a live, improvised operatic/electronic soundscape created by Berlin-based DJ and composer Phil Von Magnet. The solo performer is the extraordinary Francois Testory – dancer and singer with Lindsay Kemp, DV8 and Gecko. The show is on at the Theatre Royal, and for one night only: the last Saturday night of the Festival.

Why should someone come and see your show?
Because it's a mesmerising piece of gender-bending solo performance; because it has so much of my trademark theatricality; because it's a roller-coaster re-telling of a powerful, primeval story .

Where did the idea and inspiration come from?
The script is an English translation of a brand new text by French playwright Jean-Renee Lemoine. As soon as I read it, I thought that Francois and Medea would be the perfect combination of performer and role. Francois has an incredible power as a performer – and he has both the look and the voice that this role needs.

Why do you think it’s an important story to tell?
Medea is the ultimate outsider. In this telling of her story, there is a powerful contemporary sense of her as a foreigner, an alien, someone forever being judged because she comes from elsewhere, from outside of Europe. That story has very powerful resonance right now. I was also very attracted to working on this particular story with a performer who works way beyond gender. I think that gives a very particular twist to the idea of the outsider, of she-who-must-be-punished.

What sort of person is going to love this show?
If you like your theatre theatrical, beautiful, transgressive and hard–hitting – if you like  DV8 or Gecko or Schecter – or if you've enjoyed some of my own previous work at the Theatre Royal in past Festivals, such as my sell-out staging of Benjamin Britten's Canticles with Ian Bostridge, or my own one-man show of queer monologues – then I think you'll like this.

What’s going to surprise people about this show?
Maybe just how much power one person can have on stage – just how much one body and one voice can conjure .

What does Brighton Festival mean to you? 
I love presenting my work at the Theatre Royal – there's always such a great connection between the audience and the stage. I love its weird, shabby glamour – that really hits my spot as a director. And the best thing about the Festival is always the audience – diverse, adventurous, up for anything. Especially by the last Saturday night ! I think this is my ninth Festival, and it's the audience that keeps on bringing me back.

What are you most looking forward to in this year’s Brighton Festival programme?
Well, I have to say seeing Francois make his entrance as Medea. It's quite something.

Find out more about Medea ticket availability.

Spotlight on Contemporary Music at Brighton Festival: Part One

From Jungle to John Surman, we've got some epic gigs to go to this May. We shine a light on just a few of the many amazing contemporary music events at this year’s Festival. 

Jungle


Jungle were one of 2014's most explosive newcomers, with their joyous funk pop seducing crowds across the globe. After releasing their massive break-out single Busy Earning, London-based soul/funk outfit Jungle flew right onto the radar in 2014 with this instant classic. Their joyous menagerie of past and future styles immediately put these hardworking musicians on ‘band to watch’ lists worldwide and sent their debut self-titled album into charts worldwide (eventually going Gold in the UK). Formed in 2013 by childhood friends J and T, they have expanded to a powerhouse seven-piece band to perform the music live, creating a spectacular on-stage effect.
Brighton Dome Concert Hall, Mon 7 May, 7.00pm. Book now on the event page. 

John Surman


Chris Jones, reviewing for the BBC, has called John Surman “one of the foremost innovators when it comes to defining the saxophone's place in modern music” and The Times said of him: “In his ability to blend some of the methods and textures of modern jazz with a wholly English sensibility, Surman is a true original.”

John Douglas Surman is an English jazz saxophone, bass clarinet, and synthesizer player, and composer of free jazz and modal jazz, often using themes from folk music. He has composed and performed music for dance performances and film soundtracks, and worked with a huge variety of musicians.
St George's Church, Thu 10 May, 8.00pm. Book now on the event page. 

Nakhane


Despite being a relative newcomer to the global music stage, Nakhane is an LGBTQ trailblazer with a powerful voice. One of South Africa’s most exciting talents as an award-winning singer, songwriter and instrumentalist, he is a truly unique voice in modern pop. Listen to his beautiful rendition of You Will Not Die from his album of the same name above.
St George's Church, Sat 19 May, 2.30pm. Book now on the event page

Catrin Finch & Seckou Keita


Between two world class virtuosos, comes a  meeting of harp and kora. Leading classical harpist Catrin Finch and inspired kora player Seckou Keita combine forces to explore the traditions of Wales and Senegal. Both nations share a centuries old bardic-griot tradition of intricate oral history expressed through music, song and verse. The harp and the kora, instruments from the same family, occupy a vital place in these rich cultures. Catrin and Seckou dig deep into Manding and Celtic roots whilst adding a fresh sound of their own. They will be performing music from their long-awaited second album Soar, inspired by the migration of the osprey.
St George's Church, Sat 26 May, 2.30pm. Book now on the event page. 

Les Amazones d’Afrique

West Africa's first all-female super group has formed in the fight against violence towards women. This incredible collective of female stars are singing out against gender inequality over a soundtrack of funk, blues and dub. Inspired by the formidable warriors of Dahomey, Les Amazones d’Afrique elegantly combine the Mandingo tradition with the power of today’s African megacities. The women of Les Amazones d'Afrique have decided to use music as their weapon in an attempt to address the mentalities that continue to perpetuate disempowerment.

This collective features some of the greatest Malian musicians of the moment: Mamani Keita, Rokia Koné, Mariam Doumbia, Awa Singho and Mariam Koné. Between them they have years of charitable work supporting other women, alongside personal struggles of illness and disability that have been overcome.
Brighton Dome Concert Hall, Thu 24 May, 7.30pm. Book now on the event page. 

For more information on the many other amazing performances including Amanda PalmerXylouris White and Lankum, see the full Contemporary Music Programme. You can discover more about the great gigs coming up this May in the second part of our Brighton Festival Music blog.

Our Sponsors' Top Picks for Brighton Festival 2018

We asked a few of our sponsors what they were most excited about for Brighton Festival 2018. Here are their top picks.

Abi Radford from Best of Brighton Holiday Lettings
How many events do you attend in Brighton Festival and how do you choose what you see?
Not as many as I would like! There is always so much choice so it is hard to pick what I want to see. I always try to choose an event that is different to anything I have ever seen before!

What are your top 3 picks of the Brighton Festival 2018 programme and why?Well, naturally I’m going to say The Arms of Sleep that Best of Brighton Holiday Lettings are supporting! But, in honesty I think this will be a lovely event and we’re so delighted how well it fits with our brand. Although this may sound cliché, I really have tried to pick 2 more – but there is just too much choice. There really is something for everyone and I honestly don’t think I could narrow it down to 3!

Why are you supporting Brighton Dome & Brighton Festival?
Everyone that works at Best of Brighton is a true Brightonian and we love to get involved in as many local events as possible. The Brighton Festival is a fantastic showcase for our city and it is something that we are very proud and excited to be a part of!

--------------------------------------------------------------------------------------------------------------

Gary Miller from GM Building 
How many events do you attend in Brighton Festival and how do you choose what you see?
This year I have booked to attend 13 events, but I expect I may well catch a few more like the Your Place event in East Brighton, which was great last year.

Are you a regular audience member at Brighton Dome year-round?
Yes I do go to events throughout the year, mostly music events, I am a big fan of the Spectrum gigs organised by Brighton Dome, where for £6.00 you get to see up to 4 up and coming local bands performing (I do also like getting my money’s worth)

What are your top 3 picks of the Brighton Festival 2018 programme and why?
Difficult question, this one as there is, as usual, quite a wide variety of events on. So I am hoping, that as yet, I don’t know what my favourite will be. I am however looking forward to the events at the Brighthelm centre (Wot no fish, Elephant and Castle, and The Humours of Brandon et al) Kneehigh’s production of Tristan & Yseult was excellent last year so I am looking forward to The Flying Lovers Of Vitebsk. The list goes on, best advice is take a chance, and even if what you see is maybe not what you expected, chances are you will remember it long after that meal out or night down the Pub.

--------------------------------------------------------------------------------------------------------------

Victoria King from Griffith Smith LLP
How many events do you attend in Brighton Festival and how do you choose what you see?
Being a corporate sponsor means we get to attend the festival launch event. This is a great opportunity to hear from the Guest Director, learn about some of the events in the calendar and speak to others at the launch. The brochure is then read several times and key events highlighted!! As a firm we send the brochure to all staff members with a link to the website and encourage people to attend something different from the programme!

Are you a regular audience member at Brighton Dome year-round?
Brighton Festival is always the highlight of the year for me but I do regularly attend music gigs at Brighton Dome – the intimacy and range of artists is a massive positive.

What are your top 3 picks of the Brighton Festival 2018 programme and why?The children’s Parade feels like the start of Summer – a great way to kick off the festival period! It is such a popular event and brings together the whole community. The Arms of Sleep stood out when reading the programme and from the launch event – such an unusual event with a brilliant concept and definitely intriguing. The String Quartet's Guide to Sex and Anxiety is another event that stood out from the launch event – I always try to go to something that is slightly outside of my comfort zone, but the write up to this really resonated with me and I am excited to attend!

Why are you supporting Brighton Dome & Brighton Festival?
As a firm supporting such a historic and important part of the city feels right. Our history dates back to 1881 and with our recent rebrand, our strap line resonates with our partnership of Brighton Dome & Festival; Modern Practice. Traditional Values.

--------------------------------------------------------------------------------------------------------------

Matt Briel from Lulu.com 
Why are you supporting Brighton Dome & Brighton Festival?
For Lulu, being involved with the Peacock Poetry Prize, as part of the Brighton Festival, is a great opportunity to encourage a younger generation of writers. We believe there’s always a place for poetry in the broader community, outside of the tight-knit artist circles and indie bookstores. Poetry is often the first form of creative written expression for kids, offering a safe space to express their feelings. And this year’s Poetry theme of 'Hard Work' is perfect for motivating true expression in the current emotional, environmental, and political climate.

What are your top 3 picks of the Brighton Festival 2018 programme and why?

  • Adopt an author
  • The Journey to Publication
  • Young City Reads

As a company that is passionate about story telling we believe that any event that supports sharing and promotion of written and verbal storytelling, and the encouragement of those storytellers whatever their age, is to be applauded and supported.

--------------------------------------------------------------------------------------------------------------

CEO Ian McAulay from Southern Water 
How many events do you attend in Brighton Festival and how do you choose what you see?
I attend as many as I can, I try and choose things that will broaden my perspective

Are you a regular audience member at Brighton Dome year-round?
Yes, we are fortunate to have so much cultural activity in Brighton. I really enjoy living in such a vibrant and creative city and Brighton dome is an iconic building with a rich history which is always a pleasure to visit.

What are your top 3 picks of the Brighton Festival 2018 programme and why?Southern Water is supporting A Weekend without Walls in Easthill Park and Brighton seafront this year so this event is definitely one of my top picks. We are excited to be supporting the artists who will be transforming these spaces and meeting our community and inviting them to join the conversation with us about our future plans to ensure the resilience of water and waste water services in the South East. Its going to be an event packed with captivating performers, story tellers, dance and new experiences to explore. Look forward to seeing you all there!

Why are you supporting Brighton Dome & Brighton Festival?
Brighton Festival is a moment every year when Brighton & Hove becomes a hive of art, music, culture and celebration in a way which seems to magnify the essence of the year round city. I’m delighted that Southern Water is supporting it this year and we’re proud to be part of such an amazing event.

--------------------------------------------------------------------------------------------------------------

Tara Clifford from Travelbag
What are your top 3 picks of the Brighton Festival 2018 programme and why?We are very excited to be sponsoring Attractor, which of course has to be our first pick!

As a travel company we have always held Australia close to our hearts with our Travel Experts tailor-making holidays to Australia for over 30 years. Attractor is the UK premiere of an enthralling contemporary performance by Australian dance luminaries that is based on the cultural traditions of remote Java.

We are also looking forward to Rear View (we love the idea of a “moving adventure”) and the Arms of Sleep.

Why are you supporting Brighton Dome & Brighton Festival?
We are supporting Brighton Dome & Festival as it is an integral part of the Brighton community and culture. At Travelbag we encourage everyone to discover different cultures and embrace new perspectives - this is true of both travelling to explore a new destination and visiting cultural events such as Brighton Dome & Festival.

--------------------------------------------------------------------------------------------------------------

Hugh Jones from University of Brighton 
How many events do you attend in Brighton Festival and how do you choose what you see?
Anywhere from five to twenty depending on the programme.

Are you a regular audience member at Brighton Dome year-round?
Yes!

What are your top 3 picks of the Brighton Festival 2018 programme and why?

  • Amanda Palmer – A legendary part of the global alternative cabaret scene.
  • Ceyda Tanq – Fabulous home grown talent crossing the boundaries between contemporary and traditional folk dance.
  • Penguins – One of the best stories in the world

Also highly recommend seeing Michael Rosen and Viv Albertine.

Why are you supporting Brighton Dome & Brighton Festival?
It is a cultural hub of the years arts activities in Brighton

--------------------------------------------------------------------------------------------------------------

Laura McDermott from Attenborough Centre for the Creative Arts, University of Sussex
How many events do you attend in Brighton Festival and how do you choose what you see?
May is a busy month! I usually see something every single day. I'm not a typical audience member, though, as seeing lots of art is part of my job. I love the energy in the city during festival time, and all the chance encounters with friends, colleagues and artists from all over the world. As soon as the festival programme launches I start planning - carrying the brochure everywhere and marking pages. Then it's a question of making a schedule - fitting it all together in space and time…

Are you a regular audience member at Brighton Dome year-round?
Yes - I am a regular audience member at Brighton Dome year-round. It been interesting seeing the concert hall being used in different ways but I'm excited for when the Corn Exchange and Studio re-open following their refurbishment.

What are your top 3 picks of the Brighton Festival 2018 programme and why?

  • The Last Poets, What an incredible, rare chance to see these legendary spoken word artists - whose work (emerging from Harlem in 1968, as part of the Civil Rights Movement) laid the foundations for the emergence of hip-hop.
  • Brownton Abbey (with Big Freedia)I've seen Big Freedia perform before and it was one of the best gigs of my entire life - a frenzy of dancing and twerking. Under the skilful curatorial The Marlborough and Brighton Festival, this event will bring politics to the dancefloor, in a joyful, Afro-futurist rave.
  • Gob Squad - Creation (Picture for Dorian) Attenborough Centre for the Creative Arts has co-commissioned this work with Brighton Festival, LIFT and international partners. Inspired by Oscar Wilde's The Picture of Dorian Gray it's going to involve six local performers and Gob Squad, considering ageing, beauty and what drives our desire to be looked at. Gob Squad are one of my favourite companies - they are sharp, political, playful and irreverent - don't miss this UK Premiere!

Why are you supporting Brighton Dome & Brighton Festival?
The University of Sussex has supported the arts for over 50 years. Brighton Festival is one of the biggest arts events in the national culture calendar, so sponsorship is a perfect fit.

For more information on our full programme, see our whats on page, or our page on sponsorship. 

Festival Hot Seat: Snigel and Friends

Join Snigel (leading UK disabled dancer Caroline Bowditch) the inquisitive snail in their cozy home underneath the leaf canopy; a colourful and sensory world, designed by Laura Hook, where Snigel's insect friends come to visit. We talked to co-creators Caroline Bowditch and Laura Hook about this inviting new work for children.

Firstly, can you introduce your show and tell us what it is about?
Snigel and Friends is an interactive sensory world for babies and their adults to explore. Snigel is an inquisitive snail who plays, dances, sings and makes music with their insect friends.

How and where will the work be staged?
The work will be performed at the Brighton Dome Founders Room. Babies and their adults join the cast in the undergrowth, sitting on mats and cushions under a magical leafy canopy.

Why should someone come and see your show?
There are very few shows that made specifically for babies this young. We worked with our ‘baby board’ to make sure we created the best possible environment for little ones to engage in the colours and live music of the undergrowth while interacting with the characters and the props.

Where did the idea and inspiration come from?
The presence of visibly disabled performers in performance work targeted at young audiences is incredibly rare. Caroline has been working with Imaginate on the Weren’t You Expecting Me Project, taking a closer look at the impact, if any, that this may have on disabled and non-disabled children, particularly looking at the effect on aspirations, self-esteem and overall perceptions of disability. Snigel and Friends was created to address the lack of this kind of work for young people.

Click here to learn more about ‘Weren’t You Expecting Me'

Laura has created a set that is built in proportion to Caroline, which also means all the action happens at perfect baby height. The leafy canopy creates a magical world that allows the audience to relax in the undergrowth.

Why do you think it’s an important story to tell?
It’s not necessarily the story that’s important, but more the overall experience. It’s an exercise in mindfulness and diversity that allows a positive theatre experience for parents and their wee ones.

What sort of person is going to love this show?
Babies who like bright colours, soothing sounds and making friends with slippery snails, singing cicadas, buzzing bees and beautiful butterflies.

What’s going to surprise people about this show?
That not only are babies welcome in the show, but they are free to wriggle around, make noise, be fed and interact with each other and the performers. At the end of the performance everyone is invited to come on stage to meet the characters and play with the props.

What does Brighton Festival mean to you? 
This is the first time any of us from the company will be performing as part of Brighton Festival. The programme looks amazing and it’s so exciting to be part of it.

We are also excited to be performing with Brighton resident, dancer Welly O’Brien at the performances on 25th May and then can't wait to watch her perform in the outdoor piece ‘Dedicated to…’ - part of Weekend Without Walls - that Laura, Zac and myself made for Candoco Dance Company earlier this year.

What are you most looking forward to in this year’s Brighton Festival programme?
The programme looks amazing and it’s so exciting to be part of it. We’re very much hoping we can be part of the party that is Brownton Abbey. Would also love to be in Andy Hamilton’s audience.

Head to the event page to find out more about ticket availability.