Festival Hot Seat: SHUT DOWN
Charlotte Vincent, choreographer and director of Brighton-based company Vincent Dance Theatre, tells us about her newest piece SHUT DOWN, a brother work to last Festival's VIRGIN TERRITORY.
Firstly, can you introduce your show and tell us what it is about?
It’s not exactly a show! It’s a full-length production, in film installation form, that explores the pressures, contradictions and confusions of being a man today, filtered through my eyes as a female choreographer / director.
How and where will the work be staged?
SHUT DOWN film installation, shot and edited by VDT’s brilliant cinematographer Bosie Vincent, plays across six screens at ONCA Gallery, throughout the festival. This complex, humorous and visually layered production is accompanied by short works made by young men working with VDT and Audio Active as part of Mankind’s Room To Rant programme (LINK) and at The Connected Hub (LINK). Reflecting on modern masculinity using charcoal drawing, stills photography and spoken word, Young People’s work will also be shared on Vincent Dance Theatre’s Youtube Youth Channel from May onwards.
Why should someone come and see your production?
It’s funny, sensitive and moving and relevant for us all – particularly as we see the ‘crisis of masculinity’ continuing to gather momentum all around us with the #metoo and #timesup campaigns.
Where did the idea and inspiration come from?
SHUT DOWN is the brother piece to VDT’s VIRGIN TERRITORY, which appeared at ONCA in the 2017 Brighton Festival and is currently on tour throughout the UK. These two partner pieces - full-length stage productions that become widely shared full-length film installations - consider the society that we have created for young people, in particular examining the impact of growing up within a gender divisive world where social media presents very real crises of confidence, online dangers and a degree of self-loathing.
Why do you think it’s an important story to tell?
The themes we consider in both works are around the influence of pornography on our kids and how they treat each other, the pressures to be masculine and feminine when we know there is a spectrum of experience, the challenge to mental health that a body obsessed society incites and issues around absent parents, home and belonging that everyone can relate to.
What sort of person is going to love this show?
Although the piece is about perceptions of masculinity and pressures on boys and men to behave a particular way, it’s relevant for anyone interested in dance, theatre and film or gender politics. The choreography is influenced by partnering, street dance and ensemble work, and there is some passionate spoken word performed by 15-year-old Eben ‘Flo from local music organisation AudioActive – a charity that supports young urban artists - in the past including Rag ‘n’ Bone Man (who is now their Patron) and Rizzle Kicks.
What does Brighton Festival mean to you?
I’ve presented work in the last three Brighton Festivals, since moving my company to Brighton from Sheffield. As an Associate Company of Brighton Dome this is how it should be – the festival is a great platform for any artist’s work and I love the way work that crosses political boundaries and challenges expected forms can be seen by such a diverse audience. Last year we had 1000 people pass through ONCA over two weeks seeing dance theatre as part of VIRGIN TERRITORY multiscreen film installation. These are audience figures that are hard to gather live on tour in one venue, so the digital model is working for us to get my choreographic work seen by non-dance attenders, film enthusiasts, general public and visual artists.