Festival Hot Seat: The Boy, The Piano and The Beach
The Boy, The Piano and The Beach is a lovingly created show by Lewes based Slot Machine Theatre. It is a story about adventure and transformation, full of warmth, music and surprises. We talked to artistic directors Nick Tigg and Nicola Blackwell to find out more.
Firstly, can you introduce your show and tell us what it is about?
Our show is called The Boy, The Piano and The Beach, and it’s an epic adventure told through puppetry, projection, dance, with the whole story set to live piano music. Turn it inside out and it’s a piano recital with an amazing visual story. It opens with a young boy waking on a beach - and the tide coming in fast. Before he can escape, the world of the beach begins to shift, objects start to take on a life of their own, and an unearthly sound lures him into a big adventure - into another dimension.
How and where will the work be staged?
The show is on at the Brighthelm Centre on North Road, from the 5th-7th May. Brighthelm itself is a really family-friendly venue, in central Brighton near to the station, with a great cafe and plenty of space for buggies, wheelchairs etc.
Why should someone come and see your show?
Whole families can come and see The Boy, The Piano and The Beach together: it's not just for kids, there's something for all ages, which is how we make all of our family shows. If you like live music and a richly imaginative visual world, then this is for you.
As a show with no spoken word, it’s highly accessible for families, including those with SEN children and adults. There is a relaxed performance on the 6th of May, and bespoke touch tours available on request from box office for those with impaired sight, or those on the autistic spectrum.
Where did the idea and inspiration come from?
We took a lot of inspiration from Selkie myths - selkies are seal-like beings that emerge from the sea. When they take off their special coats, they can become human. There's a lot of selkie myths from around the north coast of Scotland, they're sort of like mermaids, but a bit more scary and interesting! We are also inspired by the work of our award-winning projection artist, Will Monks. Will makes amazing textural projections for theatre, dance and bands, and we’re hugely excited to be working with him.
Why do you think it’s an important story to tell?
It’s important because it’s a story about adventure and transformation and finding your way back home. It’s also important because of it’s elements: Dance, beguiling visuals, puppetry and the incredibly varied world of piano repertoire. We are really passionate as a company about making world-class work accessible to the most diverse audiences we are able to reach. And we love work that is relevant across generations and abilities.
What does Brighton Festival mean to you?
Cutting-edge, international work and world class performances, all brought to our city.
What are you most looking forward to in this year’s Brighton Festival programme?
We love David Shrigley so we’re looking forward to his exhibition, and the music made from his writing. Brownton Abbey looks brilliant too. Also, Hofesch Shechter, that’s exciting, No Fit State are great, Kneehigh and their Chagal show we really want to see, Blaas looks interesting, Malcolm Middleton’s versions of David Shrigley works are funny and interesting, The Wave Epoch looks good - too much, too much.