Five Minutes with Ultima Vez: TrapTown
TrapTown takes you to a parallel universe, free from defined time and space. Conflicts from the early days and curious strange catastrophes dominate the relationships between the people. The necessity and apparent possibility of emancipation rise to the surface. We discuss the inspiration behind the show with Ultima Vez.
Why should someone come and see your show?
Young, old, fan of dance, theatre or movies? TrapTown is a mixture of different arts melting together in a mythological history.
Where did the idea and inspiration come from?
From the old myths and the stories of today.
Wim Vandekeybus’ fascination for the universal nature of the age-old myths was already demonstrated in Blush (2002) and Oedipus/bêt noir (2011). For TrapTown, he returns to the limitless and obscure cosmos of the ancient souls, using dance, film, text and music to conceive a new mythology.
What will surprise people about this show?
Dance and film sequences create a seamless live experience. Pieter De Buysser writes the text. The soundtrack is composed by Trixie Whitley and Phoenician Drive and forms the background to an avalanche of images. The architect duo Gijs Van Vaerenbergh signed for the design of the scenography. All together they take the audience to oracles, catharsis and euphoria.