Hanging in the Queens Park during Brighton Festival will be Luke Jerram’s Museum of the Moon. A model of the moon, seven metres in diameter, it features mind-boggling detailed NASA imagery of the lunar surface, each centimetre of the internally-lit sphere representing 5km of the moon’s surface.
Where did you get the idea to make an artwork such as Museum of the Moon?
Bristol has the highest tidal range in Europe. There’s a 13 metre gap between high tide and low tide. Cycling to work each day over the river reminded me that it’s the gravitational pull of the Moon that’s making this happen. I had the idea to create the Museum of the Moon some 15 years ago, but it was only until very recently that the data for creating the Moon imagery was made available by NASA.
As a child I always wanted a telescope so I could study the Moon and the night’s sky. Now with my own Moon, I can fly there, study every detail and share this experience with the public. We can explore the far side of the Moon which is never visible from Earth.
The moon has always been an inspiration for artists. What was so inspiring for you about the moon?
From the beginning of human history, the moon has acted as a ‘cultural mirror’ to our beliefs, understanding, and ways of seeing. Over the centuries, the moon has been interpreted as a god and as a planet. It has been used as a timekeeper, calendar, and aid to night time navigation. Throughout history the moon has inspired artists, poets, scientists, writers, and musicians the world over. The ethereal blue light cast by a full moon, the delicate crescent following the setting sun, or the mysterious dark side of the moon has evoked passion and exploration. Different cultures around the world have their own historical, cultural, scientific, and religious relationships to the moon.
Museum of the Moon allows us to observe and contemplate cultural similarities and differences around the world and consider the latest moon science.
During its tour, the Moon has always been shown in public spaces. Why is it important to you to show your artworks in public spaces?
Depending on where the artwork is presented, its meaning and interpretation will shift. Through local research at each location of the artwork, new stories and meanings will be collected and compared from one presentation to the next. The interpretation of the Moon will be completely different if it is presented in a cathedral, warehouse, science museum or arts centre.
Whether the artwork is exhibited in China, the USA, India or Europe, the cultural context and audience affects the public’s interpretation. Every culture has its own relationship to the Moon which varies from one country to another.
Museum of the Moon is made of precise lunar imagery from NASA. Can you explain this choice?
I wanted to make the artwork seem as authentic and realistic as possible to give the public the opportunity to fly to the Moon. For most people, this will be the most intimate, personal encounter they will ever have with the Moon.
What do you expect to provoke among the public with Museum of the Moon?
It’s been wonderful to witness the public’s response to the artwork. Many people spend hours with the Moon exploring its every detail. Some visitors lie down and moon-bathe. In Marseille I arranged an arc of deckchairs beneath the Moon. Within minutes, many of the chairs had been groups into pairs and were occupied by couples holding hands! In Bristol, we had an unexpected group of visitors who arrived in slow motion to the exhibition, dressed as spacemen!
Each venue that hosted the Moon had its own architectural specificities. It also offered different performances beneath the Moon. Therefore, it is always a new story. Why is it important to you to have several performances going on beneath your Moon?
The Museum of the Moon is an installation artwork that combines the architecture of the space, the sculpture of the Moon and a surround sound composition. Each venue and host has the opportunity to curate their own moon-inspired events which reflect their local culture and creativity.
Like many of my artworks like Play Me, I’m Yours and Withdrawn, this work provides opportunities for collaboration and the creative input of others.
Music is also very important for your artwork. How relevant and important is Dan Jones’ composition to your work?
The Museum of the Moon installation is a fusion of lunar imagery, moonlight and surround sound composition. As the artwork tours, new audio compositions will be created and performed by a range of established composers and musicians, so adding to the Museum of the Moon collection.
Find out more about the Mueseum of the Moon or discover FREE things to do at Brighton Festival