Under David Shrigley's directorship, we are going to have an amazing Brighton Festival 2018 - he’s pretty good at picking and making great shows and events. Obviously, we’ve loved a lot of his work, but here are some of his picks…
Brett and I met in 2013 when we were both on an artist-in-residency programme in Headlands Centre for the Arts which is near San Francisco. We became good friends, and he’s just a really interesting visual artist: an amazing painter, print-maker and he also make great drawings. Brett has never exhibited his work in UK: I thought it would be a great opportunity to have his work shown here.
Brett is also a truck driver because lower-income artists don’t seem to be well supported in the United States. Most people there who are visual artists have another job as well. Oddly Brett is a truck driver which is not an easy thing to do. He drives organic vegetables from northern California to southern Texas once a week. It’s an interesting job for a visual artist to do and he’s an unusual truck driver.
Shrigley Talk & Big Book Group
I’m doing a talk about my work, which is something I do periodically. I show images of my work, and I waffle on about it and try not to make it boring! Big Book Group is an event which Craig Melvin is hosting. Craig has hosted it quite several times, and this year Matt Haig – who’s Brighton based - and Jess Kid are speaking. I think that it will be a really interesting event because they’re both really fantastic writers… and then there’s me who isn’t really.
Deerhoof are a rock band from San Francisco who I made a record cover for about ten years ago. We’ve stayed in touch ever since. They’re a fantastic band, and a band whose music is not just great on record, but also really makes sense live. So, as the Guest Director, I, they were near the top of my list for bands I wanted to bring. Whenever anyone sees them play a live show, they’re always blown away by them. They’re also going to be doing a collaboration with Stargaze which is going to be well worth seeing.
Life Drawing II
Life Model II is the second incarnation of the life model piece that I made for the Turner prize show. The first one was a male, whilst this one is a female figure. Everybody who visits the exhibition is invited to make a drawing of the life model, and all the drawings will form part of the exhibition.
Those drawings will form the two-dimensional aspect to the exhibition. It’s a piece about drawing, it’s a piece about everybody being included, about participating and making an exhibition yourself. I suppose that the arts – visual art particularly – is often seen as elitist and inaccessible. I suppose that’s what the piece is about; that art is for everybody, and that making art is for everybody too. It’s an artwork that begets other artworks and invites you to think about who’s the artist and who’s the subject.
Iain Shaw is also a friend of mine, from Glasgow. He’s a singer-songwriter in the tradition of Elliott Smith or Jackson C Frank. I wrote a lot of silly lyrics and he made them into some really wonderful songs, quite wistful, pop, folky type songs that he’s done largely with acoustic guitar. It’s a great collaboration.
A Shit Odyssey
A Shit Odyssey is a fly on the wall documentary about the making of Pass the Spoon, an opera I made in Glasgow in 2011. A Shit Odyssey was made by Cara Connolly and Martin Clark who are friends of mine. They are documentary film makers from the fine art world in Glasgow. It’s a project that’s taken around seven years to finally be shown! I think that will be a voyage of discovery to see a slightly younger version of myself, making a fool of myself. It is really a very interesting documentary because it’s a really, really strange project. So that will be fantastic.
Ezra Furman is, I think, one of the best writers of pop songs around today. He’s somebody I haven’t seen play, but I’ve got all his records. I’ve always managed to be out of town when he’s visited before, so this is just a great opportunity. I’m really looking forward to it.
Bridget Christie is a brilliant comedian from London. Again, she’s a person whose proper show I’ve always managed to miss. I’ve seen her in a small vignette of her acts that she did at an event, but I wanted to see the full show. Fortunately, she said yes to performing at the Festival – so I’m really looking forward to that!
Malcom Middleton is well known as a solo artist; however, he is also part of the influential indie rock band Arab Strap. Malcom and I made a spoken word record together a couple years ago and I’ve also made some artwork for album covers for him. I’m a big fan of his music. I think he’s one of the best singer-songwriters in the country at the moment, or at least of his generation.
The Problem in Brighton
The main project that I’m bringing to the festival is called Problem in Brighton and it’s a new musical theatre piece. It’s a bizarre rock and roll opera in collaboration with Lee Baker, a visual artist and a talented musician. I’m not really a writer as such, but I thought it was an opportunity to make something in Brighton, sort of my first project that’s made here – the first big project – outside my studio. It’s an opportunity to get to work with people, with a venue and it’s part funded by the festival which is really great! Lee’s writing the music and then some other people I’ve met will be playing the music on instruments I’ve created.