Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

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What's On: Must-see Events This Weekend at Brighton Festival

We’ve had an incredible few weeks at Brighton Festival. With a jam-packed closing weekend, here’s a quick rundown of what’s happening…


Cooped
Wed 22-Sun 26 May

As Spymonkey celebrate its 20th anniversary, don’t miss the opportunity to catch the show which made them an international comedy sensation. Cooped, a deliciously demented take on the pulp gothic romance – think Hitchcock’s Rebecca meets The Pink Panther

Read our interview with Spymonkey to find out more


Silence

Wed 22-Sat 25 May

Poland’s Teatr Biuro Podrozy make their Brighton debut with this extraordinary large-scale spectacle, a moving insight into the lives of ordinary citizens trapped by war. Using light, sound and pyrotechnics to conjure the visceral reality of war.


A Midsummer Night’s Dream

Thu 23-Sat 25 May

Shakespeare’s magic-filled comedy A Midsummer Night’s Dream is performed in the open air by The Lord Chamberlain’s Men. Bring a chair or a rug to enjoy a glorious May’s evening watching one of Shakespeare’s best-loved plays. Experience this enchanting performance, overflowing with Elizabethan costumes, fairies, sprites, dukes, confused lovers and music and dance.

True Copy
Thu 23-Sun 16

Based on the true story of possibly the most successful art forger in the world, BERLIN uses its genre-curious style to expose the hypocrisy of the art world.


SESSION
Thu 23-Sun 26 may

Part gig, part social and part dance party, the show is led by an ensemble of young dances who move across hip hop, contemporary folk and Afrobeats – celebrating community, youth and belonging. Join us for a high-energy night of dance and live music!


Peter Sellars and Rokia Traoré
Fri 24 May

Join our Guest Director, Rokia Traoré and Peter Sellars as they explore our world through the lens of humanity, compassion and art. Warm and intimate, this is a conversation not to be missed.

New Daughters of Africa
Fri 24 May

In 1992, Margaret Busby edited what Carol Boyce Davis described as ‘one of the most significant assemblages of writers across the diaspora’, effectively collating oral and written work from women of African descent.. A quarter of a century later, Margaret Busby has edited New Daughters of Africa, with over 200 writers and a much greater focus on the contemporary. Experience the newest new daughters first hand as Margaret Busby introduces three exciting UK contributors - Candice Carty-Williams, Irenosen Okojie and Catherine Johnson.

Varhung: Heart to heart
Sat 25 May

Taiwanese Tjimur Dance Theatre presents a richly patterned performance that shows how the Paiwan people, not used to discussing private feelings, use artforms to bring them to the surface. Experience a deeply emotional and open-hearted performance.


Our Place – Hangleton Community Centre
Sat 25 May

For the third year running we’ve been working in partnership with Brighton People’s Theatre, Due East, Hangleton and Knoll Project, and the community steering committee to enable local residents to make their vision come to life. This year the communities have taken control of the event, bringing more free family-friendly theatre, dance, music, games, activities and workshops to Hangleton and East Brighton. View the full programme here.


A Jar of Pickles & a Pinch of Justice with Chinta Soundar
Sat 25 May

Chitra Soundar has collected and retold some ancient trickster tales from India in which young Prince Veera and his friend Suku get into a pickle or two. The king is away, and they have the power to run his kingdom! What will they do? Come and listen to Chitra bring these stories alive in Brighton.

Another Star to Steer By
Sat 25-Sun 26 May

Another Star to Steer By is a magical 45-minute play (for audiences of 6+) celebrating the special power of storytelling, using drama, humour, audience participation and singing.

Read our interview with writer Andrew McCaldon


BOYS
Sat 25-Sun 26 May

The PappyShow celebrates male tenderness, silliness, vulnerability and community with a cast of young men of colour from England, BOYS gives us a window to share their experiences, their hopes, families and globe-spanning heritage.

Read our interview with The PappyShow to find out more about BOYS


Neneh Cherry + Celeste
Sat 25 May

Join iconic Swedish singer-songwriter Neneh Cherry for an evening as she shares her new album 'Broken Politics' along with Brighton native, Celeste.

Neneh Cherry at Brighton Festival

Acts of Care
Sat 25 May

Author of Distortion and Financial Times journalist Gautam Malkani joins author of Hold Michael Donkor at Brighton Festival this May. Discussing the 'Acts of Care' and their novels along with Naana Orleans-Amissah, a counsellor and literary enthusiast.

Safe
Sun 26 May

Derek Owusu, Mostly Lit podcast host and editor of SAFE: On Black British Men Reclaiming Space, is joined by Okechukwu Nzelu and Stephen Morrison-Burke as he leads a conversation that embraces family, mental health, the LGBT community and grime music.

A Child of our Time
Sun 26 May

This special concert is performed by the Philharmonia Orchestra alongside Brighton Festival Chorus and a cast of world-class soloists and promises a deeply emotional journey and particularly poignant end to our 2019 Festival programme.

Don’t miss out – it’s your last chance to check out Iron Men and Current Affairs

Five Minutes with Gravity & Other Myths: Backbone

We snatched five minutes with internationally renowned circus company, Gravity and Other Myths (GOM) to find out more about the folks that tumble, flip and literally walk across each other's heads in Backbone - their newest, most dazzling show ever. 

Firstly, can you introduce us to your show and tell us what it is about?

Backbone is GOM’s second international touring work. It premiered as part of the 2017 Adelaide Festival and since then, it has taken the world by storm! The work examines human connection and strength in all its forms; physical, emotional, collective and individual.

Why should someone come and see your show?

Not only is Backbone filled with dynamic, exciting, high level group acrobatics but it touches audiences, young and old in a deeper way. GOM’s work has always focused on group dynamic’s, trust and camaraderie and Backbone is no different. The connection the artists on stage hold is engaging and infectious.


Where did the idea and inspiration come from?

Strength, of all kinds, is inherent in acrobatics so we found it an interesting topic to deconstruct and explore using physicality and acrobatics.

What sort of person is going to love this show?

GOM creates work for everyone to enjoy so no matter how old you are, if you have seen countless circus shows or none at all, this show will be for you!

What will surprise people about this show?

The satisfying and beautiful amalgamation of ground-breaking acrobatics, detailed design and production and real humans performing onstage, being themselves.

Get making with Our Place Creative Makers

We recently visited an Our Place Creative Makers Workshop at Hangleton Library to find out how the local community is responding to this year's craftivism project. 


We spoke to Sara Gregory who has been attending the Creative Makers workshops with her children.

Can you tell me a bit about the piece that you’ve made and your craftivism message?
The first one I made was ‘Everyone’s an artist’ because I feel quite strongly about the democracy of art. Art belonging to everyone. Some people are ‘artists’ and therefore what they create is more important. There are people who can do brilliant stuff, but they do it privately… I think, also, a lot of people don’t realise what they’re capable of, maybe they didn’t have a good experience of art at school or they just didn’t get a good art or textiles education. And so many people don’t know what they’re capable of! I think it’s so important to try and get people to realise what they can do.

What’s so great about these workshops is that you bring people who wouldn’t try it normally and give them a chance to have a go. This isn’t something I tend to do. I do sew but I basically sew costumes for kids school plays and things. But sewing something like this is very different.


And it’s nice that you’re able to do it with your children as well. Have they enjoyed it?
I’ve been stunned by how much they’ve enjoyed it. Finlay had trouble getting into it to start with, but once he did he REALLY got into it. We got home and after an hour or so he and his sister both asked if they could do some more. And when we went off to bed we sat there reading Harry Potter and they’re both sat there stitching while I’m reading to them.


What does it mean to the community to have this kind of activity?
I think it’s so important. For the young people it’s important because there’s not enough importance given to arts activities or textile activities in schools these days. My older ones are lucky in that they actually do textiles, which quite a few secondary schools don’t seem to do. It’s an afterthought now, it’s not considered academic and there’s no time for it in the curriculum. I find that so upsetting. I think it’s important to give children the opportunity to try the arts.


Has it made a difference to your life that will continue beyond the project?
Yeah I think definitely. Certainly Finlay has found it a good way to relax, because he gets quite stressed at times and it’s a good outlet for that.

Do you think it will be hard to 'gift' your piece to the installation project after you’ve spent so long working on it?
Not really. I’m one of the people that runs the Hangleton Rocks Group so I’m very much used to working for ages on art and then dumping it somewhere for someone to find. I’m all for art that you give away. It’s a similar philosophy.


Rhianydd Summersett, a member of the Hangleton Our Place Steering Committee, said:

'It’s been a great project for the local community because it’s brought local families together. As you can see today in this room there’s lots of families turned up. It gives them something to do.

Everyone who’s taken part in the workshops have really enjoyed it. We’ve had such a varied age range, from older people going to the lunch club to now, the children. So it’s been great seeing different people’s reactions. Some of the older ladies had previously sewn and hadn’t done it in years, they really enjoyed getting back into sitting and sewing.'


Get making

You can find out more about Our Place Creative Makers here.
There's still time to get involved and make a piece of craftivism yourself to be included in the final installations at Our Place in East Brighton (Sat 18 May) and Hangleton (Sat 25 May).

Download your 'how to' makers guide

Pick up a FREE craftivism makers kit at...
Hangleton: Hangleton Community Centre / St Richard's Community Centre / Hangleton Library / Hangleton and Knoll Project Youth Workers

East Brighton: The Manor Gym / Whitehawk Inn / Whitehawk Library / Wellsbourne GP Surgery


The Creative Makers project is produced in association with Brighton People's Theatre, the Hangleton and Knoll ProjectDue East and the Hangleton & East Brighton Our Place Steering Groups

Supported by


Our Place Creative Makers

Our Place Creative Makers is a project that invites the communities of East Brighton and Hangleton and Knoll to explore and celebrate what the idea of Our Place means to them.

This is an invitation to participate in the creation of a large-scale, craft-based installation during this year’s Our Place at the Manor Gym, East Brighton on Saturday 18 May and in Hangleton Community Centre on Saturday 25 May as part of Brighton Festival.


The project is inspired by existing talent and enthusiasm in both communities for making craft. It will become part of the global movement of craftivism, which uses making as a form of social or political, peaceful, creative activism. Its roots are in the creative campaigns of the suffragettes and other activists internationally, with the term ‘craftivism’ itself being coined by American ‘craftivista’ Betsy Greer. 


Get making

Download your 'how to' makers guide

Pick up a FREE craftivism makers kit at...

Hangleton: Hangleton Community Centre / St Richard's Community Centre / Hangleton Library / Hangleton and Knoll Project Youth Workers

East Brighton: The Manor Gym / Whitehawk Inn / Whitehawk Library / Wellsbourne GP Surgery


Come along to a FREE workshop in your area and get making...

Hangleton:
Mon 8 Apr, 10.30am–12.30pm | Hangleton Community Centre
Thu 18 Apr, 2.30–4.30pm | Hangleton Library
Join the Facebook event page

East Brighton:
Tue 2 April, 1–3pm | Ruby Tuesday Group at the Bristol Estate Community Room
Fri 5 Apr 2–4pm | The Worry Tree Cafe in the Whitehawk Inn
Tue 9 Apr 10.30am–12.30pm | Robert Lodge
Thu 18 Apr 10.30am–12.30pm | Whitehawk Library
Wed 24 Apr 10.30am–12.30pm | The Manor Gym
Join the Facebook event

Workshops are suitable for everyone. Children aged 5+ can participate as long as they are accompanied by an adult who is also taking part. All materials are provided


Find out more about Our Place

Produced in partnership with the Our Place Steering Committees of Hangleton and East Brighton, Brighton People's Theatre, Due East, Hangleton and Knoll Project, Hangleton Community Centre and The Manor Gym

Supported by:
 

Five Minutes with: Spymonkey

As Brighton’s Spymonkey celebrates its 20th anniversary, don’t miss the opportunity to catch the show which made them an international comedy sensation. 

Cooped, a deliciously demented take on the pulp gothic romance – think Hitchcock’s Rebecca meets The Pink Panther – is replete with brilliant characters, rip-roaring farce and virtuoso physical comedy. Beautiful, fawn-like Laura du Lay arrives in the heart of darkest Northumberlandshirehampton to work for the reclusive Forbes Murdston, but there are unsettling rumours that surround her new boss and his ominous manservant Klaus. A spooky mansion, a plucky young heroine and a handsome English aristocrat. Add a German butler and a Spanish soap star and you're...COOPED with Spymonkey! Directed by Cal McCrystal, the comedy genius behind One Man Two Guvnors. We have a quick chat with Artistic Directors: Aitor Basauri, Petra Massey & Toby Park...


Why should someone come and see your show?

In the best tradition of British Comedy, from Monty Python to Vic & Bob, Cooped overflows with Spymonkey’s signature clown-esque style: brilliant characters, visual humour, slapstick comedy, naughtiness and nudity. It also features some of the funniest song-and-dance routines you will ever see. The show was written with and directed by Cal McCrystal, the comedy genius behind National Theatre’s One Man Two Guvnors and some of the best-loved sequences of the Paddington films.

Where did the idea and inspiration come from?

Inspirations include Pink Panther, Alfred Hitchcock, Daphne du Maurier’s Rebecca, pulp gothic romance in film and fiction, and director Cal McCrystal’s childhood obsession with the American TV Gothic Soap Opera - Dark Shadows

How will Cooped make someone feel?

Aitor: All shows of Spymonkey are really funny so at the end of any show people leave felling quite good. I like to think that there is a little bit of something for everybody.

Petra: It depends on the person. If they like this kind of thing then they may snort, wet themselves and at times be moved. If they don't then they will sit with a lemon face and say idiots under their breath a lot. And that would be right.

Toby: We hope it will be the funniest thing they have ever seen. At the end of Cooped they will be wrung out like a limp dish cloth with tears of joy streaming down their faces and sides that ache from laughing so much. Only later, in the death despair of night, when they wake from a fitful slumber, drenched in sweat and with their pulses racing, panic rising like nausea in their chests, will they realise how profoundly disturbed they are. And will remain. Life will never be the same again, once you’ve seen it, you cannot un-know the darkness that lives in every one of us: You will never again see Cooped by Spymonkey for the first time.

What sort of person is going to love this show?

Fans of comedy, physical theatre, the circus, lovers of grown-up silliness, sophisticated fun-seekers, and anyone looking for an entertaining laugh out loud.

What will surprise people about this show?

Cooped notably contains the most hilariously ill-positioned fig-leaves since Adam and Eve danced a pas-de-deux!

Calling all artists to take part in Your Place at Brighton Festival 2019

Brighton Festival’s Your Place - two weekends of free entertainment in Hangleton and Knoll and East Brighton, in partnership with Brighton People’s Theatre and community steering groups – returns next May 2019. Artists and performers are invited to submit creative ideas for a community wide celebration of arts and culture in each area. 


Over the last two years, Your Place has surpassed all expectations, reaching over 2,000 members of the Hangleton and East Brighton communities. A steering group of local residents in each location programme art made by, with and for people living in the area.  

Naomi Alexander, Artistic Director of Brighton People’s Theatre explains more:

'We’re looking for small scale performances and workshops by professional artists who can surprise, entertain and bring people together. Crucially, we’re interested in work that engages audiences as active participants and co-creators in some way.'

Valerie Foucher, Hangleton Community Centre Manager and a member of the Steering Group added:

'We are open to ideas for creative activities that could take place inside or outside both venues. We want to create a buzz so that if someone is waiting to see a show in the main hall they might be able to listen to a musician in the community café or take part in some dance outside in the park.'

For Brighton Festival 2019, award-winning Malian singer, songwriter and multi-instrumentalist Rokia Traoré is the Guest Director and will be supporting and appearing with the communities in Your Place 2019. People from the local area will have the opportunity to showcase their creative projects and stage fun, pop up activities for children, families and young people throughout the Festival taking place from 4–26 May 2019. Brighton People’s Theatre will have an artist in residence co-creating with local people and Brighton Festival will programme artists from the Festival to perform in Hangleton and East Brighton.

Brighton Festival’s Guest Directors have played an integral role in the project, appearing at events and helping programme Festival artists. The inaugural Your Place was initiated by recording artist, poet, playwright and novelist Kate Tempest in 2017 saying:

'It was such an exciting time for everyone, for the people that run the Festival to meet the community steering groups. Everyone was blown away by how much enthusiasm and excitement there was.'

Your Place 2018 followed with a range of events including a talk by visual artist and Guest Director David Shrigley; Phoenix artist in residence Kiki Stickl’s craft making activities; Dundu & Worldbeaters puppet procession and a ‘Belonging’ bandstand designed by award-winning artist Morag Myerscough in collaboration with local residents.

Beth Burgess, Executive Producer, Brighton Festival said:

'We are so excited to be working with the steering groups and Brighton People’s Theatre for the third year of Your Place. Everyone who participates, performs or visits has something unique to contribute to the arts. Let’s make Your Place 2019 the biggest and best one yet!'

Your Place 2019 will take place in locations in East Brighton on 18 May 2019 and Hangleton on 25 May 2019.

The deadline for applications is 9am, Friday 30 November 2018. We welcome applications from BAME and disabled artists. For further information on how to apply.


Brighton Festival 2018 Guest Director David Shrigley to design giant snail sculpture for Martlets' public art trail

Hot on the heels of his turn as Guest Director for Brighton Festival 2018, Turner Prize nominated artist and Brighton resident David Shrigley will be designing a giant snail sculpture for Snailspace, a unique public art event in aid of Martlets Hospice.

Run by the team responsible for the immensely popular Snowdogs campaign which raised over £310,000 for the charity, the trail of 50 giant snail sculptures will take place across the streets of Brighton & Hove from 15 Sept to 18 November 2018. Shrigley’s contribution, sponsored by leading local printers One Digital, will be sited outside the Grade 1 listed Brighton Dome on Church street.

Best known for his dark and funny drawings that comment on the absurdity of modern society, David Shrigley was nominated for the prestigious Turner Prize in 2013. Last year, he created Really Good - a seven-metre-high bronze sculpture of a thumbs-up - for Trafalgar Square's Fourth Plinth.  

As the first locally-based Guest Director of Brighton Festival, David Shrigley was involved in more events than ever across the programme from his exhibition Life Model II at Fabrica, which invited everyone to take part in a life drawing class with a difference, to the world premiere of alt/pop rock musical Problem in Brighton at The Old Market.

On his involvement in the project David Shrigley says:

“I’m very happy to participate in this project and to be able to help the wonderful work of the Martlets hospice.”

The trail of 50 giant snail sculptures, each uniquely decorated by an artist, will be on show for nine weeks, encouraging locals to be tourists in their own city and generating a giant snail sized ‘feel-good’ factor. The giant gastropods will be joined by a host of smaller snails as part of the Junior Snailway. More than 50 nurseries, schools and youth groups will decorate their own snails, which will be displayed in accessible locations across the city. At the end of the trail there will be a celebratory Farewell Event; a chance to see the snail sculptures together. Finally, the giant gastropods will be auctioned to raise money for Martlets and its life-changing care.

Lynn Brazier from One Digital says: “Our connection with Brighton Dome & Brighton Festival extends many years and we have happily supported the Festival and will continue to do so. To have the opportunity to sponsor the snail, designed by David Shrigley and to be positioned at the beautiful Brighton Dome, was most welcome and a very easy decision to make. Above all we are very pleased to be involved with helping raise money for Martlets Hospice and support the amazing work they do. Let’s hope we beat last years’ fundraiser – we do love a challenge!”

Imelda Glackin, CEO Martlets Hospice says: “We’re delighted that David Shrigley is designing a snail for our Snailspace public art event and it is highly fitting that it will be displayed at Brighton Dome, in the year that he was Guest Director of the Brighton Festival. We’d like to thank One Digital for sponsoring this snail and supporting our campaign which will ultimately help fund our life-changing care.”

Discover more about Snailspace and Martlets Hospice.

Budding young artists selected to meet Brighton Festival Guest Director David Shrigley

A group of aspiring young artists, illustrators and graphic designers are to meet Brighton Festival 2018 Guest Director David Shrigley for an afternoon of coffee and conversation next weekend. The group of seven 16 to 19-year-olds have all been specially selected for the honour after successfully making the case for why the opportunity would be helpful to them.

Each year Brighton Festival invites a group of young people to join the Guest Director for an informal chat over a cup of coffee. Those who are interested in a career in the arts can ask questions, gain advice and learn invaluable lessons from a leading exponent of their field.

Many of these guests are starting their journey towards studying at University level, or A-Level, hoping to pursue a career in the arts. One applicant says: “Meeting Shrigley would be a great experience as I am currently studying at Brighton Met on an Art Foundation and will be going to University next year to study Graphic Design. Personally, I would be interested in finding out more about Shrigley’s experience at university seeing as he went to GSA (a university I have applied for) and more about how his practise has evolved since graduating”

Another’s application reads: “I was just seven-years-old when I discovered a postcard in a storage box belonging to my parents. I liked the image on the card immediately and promptly stuck it on my bedroom wall with Blu-Tack. I'm now a student at Goldsmiths University but when I go back to Brighton the card is still there, in pride of place above my bed. Yet it was only three years ago that I realised that this funny little plasticine face holding up a strange note to a lamppost was the work of David Shrigley.”

This year, this event will be hosted by David Shrigley, best known for his distinctive drawing style and works that make satirical comments on the absurdity of 21st-century society, Shrigley’s darkly humorous compositions reflect the inconsequential, the bizarre, and the disquieting elements of daily life. While drawing is at the centre of his practice, his work spans an extensive range of media including sculpture, large-scale installation, animation, painting, photography and music.

Widely admired by the art world and public alike, David Shrigley was nominated for the prestigious Turner Prize in 2013 for his solo show David Shrigley: Brain Activity at the Hayward Gallery. In September 2016, Really Good, a 7 metre-high elongated bronze sculpture of a thumbs-up, was unveiled as the latest incumbent of Trafalgar Square's Fourth Plinth - described as the ‘tallest and most positive yet’.

Brighton Festival Family Programmer says: “We are thrilled to see the return of our annual event where young people between the ages about 17 and 19, come along and meet our Guest Director, have a coffee and have the chance to ask questions. There are so many people doing witty, clever drawings inspired by Shrigley at art school at the moment. They want to meet him because they’ll in the same world, and they look up to him a lot. I’m really looking forward to the meeting, it’s always great.”

Festival show harnesses the power of the Tesla coil in electrifying multi-sensory performance

In XFRMR, Robbie Thomson uses the power of the Tesla coil to create a unique sensory phenomenon in a gig-cum-visual art performance as lively as electricity itself. Accompanied by live soundscapes inspired by the sounds of space weather and percussive sections rooted in industrial music and techno, XFRMR will be on at The Spire until Sunday 20th.

XFRMR is a live audio-visual performance which explores the creative possibilities of the Tesla Coil as a musical instrument. The technology is based on Nikola Tesla's 1891 design which was originally developed for long range power transmission. Tesla tamed lightning with his Tesla coil, a device that renders electricity visible. Now, more than a century later, Glasgow-based artist Robbie Thomson utilises the coil in a wholly unique way. By synthesizing the ever-changing sonic geometries of the apparatus to produce distorted tones and percussive stabs, XFRMR offers a glimpse into the subatomic relationships that govern the universe.

Housed in an imposing steel Faraday cage and accompanied by audio-reactive projections, the Tesla coil itself is a physical assault on the senses. The grid of the cage displays ever-changing geometries, as light seems to fuse with sound to make synesthetic patterns, in a unique sensory phenomenon.

This is Glasgow based artist, Robbie Thomson’s first ever Brighton Festival. He says: “I think people will be surprised by how musical the Tesla Coil can be, you can make it really expressive and create quite delicate timbres as well as distorted tones and harsh percussive stabs. I was interested in high voltage devices and so was drawn to using the Tesla coil on a visual level and from a historical perspective before I was really aware of its musical potential. The direct correlation of the sonic and visual elements and the real physicality of the coil as an electro-acoustic instrument (the air ionising to create sound and light) made it ideal to use in an artistic context.”

“The ways in which technology is being used to synthesise natural phenomena relates to so many aspects of where the frontier of science is at today. The boundaries between synthetic and natural worlds are constantly being tested (whether that be in artificial intelligence or nanotechnology) so it's interesting to consider the nature of electricity and invisible wavelengths within this context, as it is something that we usually either ignore or take for granted”

XFRMR is a Cryptic commission for Sonica in association with Cove Park. As an Associate Artist for Sonica, Robbie has toured worldwide with his kinetic sculpture, music and lighting design. XFRMR has toured extensively including sell out performances at Melbourne Festival and was selected for the Made in Scotland showcase during the 2017 Edinburgh Festival. His Cryptic projects have also been presented in Australia, France, Indonesia, South Korea, Mexico, the Netherlands and widely around the UK. 

You can see XFRMR at the Spire until Sunday.

Morag Myerscough’s colourful touring bandstand comes to Brighton beachfront

Contemporary designer Morag Myerscough’s first ever mobile installation, Belonging - a bright, bold, touring bandstand - launches this weekend on the beach level next to the i360.

Co-commissioned by Brighton Festival and Ditchling Museum of Art + Craft, Belonging celebrates the spirit of seminal 1960s Los Angeles artist and nun Corita Kent whose work brought together a belief in the strength of creativity, togetherness, love and social justice

The specially-made bandstand will play host to a variety of music and activities programmed in conjunction with communities across Sussex. It will be adorned with a series of placards on the theme of ‘belonging’ drawn from conversations and workshops with communities across Sussex, based on assignments taken from Corita’s inspirational book Learning from the Heart (a blueprint for creative exploration and community empowerment, published posthumously in 1992).

Morag Myerscough says: “The Belonging bandstand is a project I have been wanting to do for many years. I have an obsession with bandstands. I love how they just stand in a place dormant for long lengths of time and then can be transformed by performance. They are beautiful empty and when a performance takes place people just gravitate towards it. I love that they are free for everybody to experience. I work a lot with communities on various projects. I find when people are involved in the creating and the making they connect so much more with the piece and ultimately the piece is their piece. I want it to belong to them and for everybody to own - it does not belong to me.

Belonging kicks off this weekend with a day of music curated by BIMM on Sat 12 May featuring a variety of local young musicians programmed by BIMM Brighton including The Yellow Bellies, Marius Bear, Stranger Girl, Megan Lara Mae, Hayley Harland and The Villas, from 12pm until 5pm. On Sunday, the Sussex Pistols Ceilidh band will be performing English and Scottish dance and ceilidh music throughout the afternoon (2-5pm).

The Belonging Bandstand will then tour to Your Place venues in Brighton and on to the South of England Show at Ardingly, Crawley Festival, Newhaven, Ditchling and Coastal Currents Arts Festival in Hastings, taking on a different local character with each new iteration as the placard formation of the crown is changed to show off the communities’ own designs, and as the bandstand is programmed with local performers.

The project accompanies the exhibition Get With The Action: Corita Kent, showing at Ditchling Museum of Art + Craft from 5 May – 14 October 2018. Corita was an American artist, a famously charismatic educator and a Roman Catholic nun based in Los Angeles during the 1960s. As an advocate for social justice, she believed in the democratisation of art, producing screen-printed posters and banners incorporating advertising slogans, song lyrics, biblical references and commercial design into her Warhol-inspired work.

There will also be a complementary exhibition, Belonging, featuring a commission reflecting on the concept of belonging in the museum’s Wunderkammer by Myerscough and Luke Morgan. A second edition of the duo’s Sign Machine (2016) will also be installed in the introduction space.

Belonging Bandstand Tour Dates

12/13 May: Brighton Festival, Beach Level (next to i360)

19/20 May: Brighton Festival, Your Place, Hangleton

26/27 May: Brighton Festival, Your Place, East Brighton

7-9 June: South of England Show

2-7 July: Crawley Festival

25 – 27 August: Newhaven (in association with Artwave)

1 – 9 September : Coastal Currents Arts Festival, Hastings/St Leonards

22 September: Ditchling (as part of Ditchling Museum of Art + Craft’s 5th birthday celebrations)

Belonging with Morag Myerscough

Join award winning contemporary designer Morag Myerscough as she celebrates the spirit of seminal 1960s Los Angeles artist Corita Ken Co-commissioned by Brighton Festival and Ditchling Museum of Art + Craft, Belonging will be Myerscough’s first ever mobile installation: a bright, bold, touring bandstand programmed in conjunction with communities across Sussex, inviting them to reflect on the concept of ‘belonging’ by making banners to adorn its crown and programming a diverse range of local performers to use it as a stage.

Launching on the beach level next to the i360 as part of Brighton Festival, the Belonging Bandstand will tour to Your Place venues in Brighton and on to the South of England Show at Ardingly, Crawley Festival, Newhaven, Ditchling and Coastal Currents Arts Festival in Hastings, taking on a different local character with each new iteration as the placard formation of the crown is changed to show off the communities’ own designs, and as the bandstand is programmed with local performers.

The project accompanies the exhibition Get With The Action: Corita Kent, showing at Ditchling Museum of Art + Craft from 5 May – 14 October 2018.

Grime, art and science collide to re-imagine culture for Brighton Festival

Last Dance: The Wave Epoch is a unique collaboration between grime DJ and producer Elijah, musician GAIKA and visual artists Haroon Mirza and Jack Jelfs that imagines what culture will be like in 2000 years time.

Devised and created at the world’s largest scientific experiment – the Large Hadron Collider at CERN – the immersive club experience imagines a scenario where the collider has been rediscovered by a future civilisation and turned into a ceremonial site, similar to Stonehenge.

Elijah, whose label, Butterz, has made him a leading name in grime, has been Artistic Director at Lighthouse developing the Last Dance programme for the past year. Last Dance is a series of events that look at the changing nature of club culture, of which The Wave Epoch is the great crescendo.

Elijah says: Last Dance: The Wave Epoch [is] a club experience with a deeper layer, full of sound, music, and colour. The ecosystem of club culture is breaking down. Clubs are shutting down; music ownership is going over to streaming services. Because of that, the spaces where young musicians and artists collaborate are changing.

“I’ve been playing in clubs all over the world for ten years, and I’ve seen culture changing right in front of me. Technology plays a big part of that change – camera phones have now become a big part of a club experience – images and video are part of the dance floor. So, social platforms like Instagram, Instagram stories and Snapchat become an immediate contact to a different audience. Whatever new technology comes in, people won’t stop gathering together for a shared experience. Last Dance: The Wave Epoch is a physical manifestation of all these ideas.”

Collaborating on Last Dance: The Wave Epoch are internationally acclaimed visual artists Haroon Mirza and Jack Jelfs who are renowned for creating immersive environments by connecting light, sound, music, video, text and performance and building on a mutual fascination with media, time and transmission. GAIKA is an artist and musician whose expansive, experimental sound blends the sonic textures of the streets, influenced by Brixton, Jamaica and Grenada.

Also performing at Last Dance: The Wave Epoch are two Brighton based DJ collectives: all-female DJ collective Shook, who specialise in Jersey club, footwork, hip-hop and trap, and Off-Peak, an underground club night run by a collective of artists and producers specialising in grime, dubstep and UK garage.

For more information visit lighthouse.org.uk, or the event page on the Brighton Festival website.

First glimpse of Brighton Festival 2018: David Shrigley’s Life Model II opens this weekend

The first glimpse of Brighton Festival 2018 is to be unveiled at Fabrica this weekend, with David Shrigley’s interactive installation, Life Model II, launching on Saturday 14 April.

Transforming Fabrica into a classroom, Life Model II plays on the age-old tradition of life drawing classes by replacing the live model with a caricatured robotic sculpture of a (blinking) nine-foot-tall woman. Visitors are invited to sit, observe and draw the model using materials provided, with the resulting artworks displayed as part of the exhibition.

David Shrigley says: ‘Life Model II is an artwork that begets other artwork. There’s the three-dimensional work of the life model - a sculpture of somebody trying to stand still (which is a good thing to make a sculpture of when you think about it). And there’s the two-dimensional work which is made by the visitors to the exhibition. It’s a piece about drawing, it’s a piece about everybody being included, about participating and making an exhibition yourself.’

Life Model II is a follow-up to the original Life Model, David Shrigley’s Turner Prize-nominated installation of the same name. The first iteration of Life Model featured a giant sculpture of a naked man blinking and urinating into a bucket, which visitors were invited to draw and then exhibit. Reviewing the work in the Observer, Laura Cumming said: “It admits all-comers, and makes a Turner prize exhibitor of each and every one; and in their joint works the boy comes alive.” 

David Shrigley explains: ‘I showed the original incarnation of the work in the Turner prize show, because I thought that people see the arts, and visual art in particular, as being elitist and inaccessible. I suppose that’s what the piece is about, that art is for everybody, and that making art is also for everybody as well. It’s a therapeutic thing, it’s something that can make you happy. For some reason, in terms of our education, the majority of us are dissuaded from making art. When we go into adulthood we stop making it when we’re about 10-years-old because we think we’re not good at a drawing, but I guess I’m a person who has built a career around not demonstrating many craft skills. Life Model for me is some kind of redress, and there’s something positive and joyful in that redress.’

Brighton Festival 2018 Guest Director David Shrigley is best known for his illustrations that satirically comment on everyday life. His animations, which accompany the installation, are a natural extension of these, bringing to life their quick-witted narratives. David Shrigley is the first visual artist to take on the role of Guest Director since the inaugural Guest Director, Anish Kapoor in 2009.

Shrigley’s offbeat take is reflected the Festivals’ eclectic programme spanning music, theatre, dance, visual art, film, literature and debate, including Brighton Festival commission Problem in Brighton, a brand new alt rock/pop pantomime, written and directed by David Shrigley himself and featuring Spymonkey’s Stephan Kreiss and Scottish actor Pauline Knowles. (Problem in Brighton, Thu 10- Fri 11 May, Sat 12 May, 2pm & 7:30pm, The Old Market). David Shrigley is also presenting an illustrated talk about his work, containing numerous rambling anecdotes. It will not be in the slightest bit boring: he has signed a written agreement to this effect, signed in his own blood. (David Shrigley: Illustrated talk, Wed 23 May, 8pm, Brighton Dome Concert Hall)

In 2011, David Shrigley wrote the libretto to a sort-of opera called Pass the Spoon, which played to sell-out theatres in Glasgow, Edinburgh and London. Two unknown video artists documented its creation from page to stage, lovingly crafting 160 hours of footage into David Shrigley: A Shit Odyssey, which will receive its UK Premiere on Mon 21 May at Duke of York’s Picturehouse.

Festival Hotseat: XFRMR

We caught up with Robbie Thomson, artist and thearte maker to talk about XFRMR, an installation that explores the possibilities of the Tesla Coil as an instrument.

Firstly, can you introduce your show and tell us what it is about?
XFRMR is a live audio-visual performance which explores the creative possibilities of the Tesla Coil as a musical instrument in its own right. The technology is based on Nikola Tesla's 1891 design which was originally developed for long range power transmission. In the show, I synthesise waveforms that manipulate the high voltage discharges from the coil to create live musical tones which is set against an underlying electronic score.

The composition itself moves between soundscapes inspired by the sounds of space weather and percussive sections rooted in industrial music and techno.

How and where will the work be staged?
In XFRMR the Tesla Coil takes centre stage, it's housed in a large steel Faraday cage that shields the 250,000 Volt arcs of plasma and the electromagnetic fields that the coil produces. The show is driven along by dynamic lighting effects and audio-reactive projections which are mapped onto the setup. The performances at Brighton Festival are taking place in The Spire.

Why should someone come and see your show?
It's a chance to experience raw electricity first hand, the Tesla Coil is a visceral phenomenon to be up-close to, and you might even smell the ozone being created from the sparks.

Where did the idea and inspiration come from?
I was interested in high voltage devices and so was drawn to using the Tesla coil on a visual level and from a historical perspective before I was really aware of it's musical potential. The direct correlation of the sonic and visual elements and the real physicality of the coil as an electro-acoustic instrument (the air ionising to create sound and light) made it ideal to use in an artistic context.

Why do you think it’s an important story to tell?
The ways in which technology is being used to synthesise natural phenomena relates to so many aspects of where the frontier of science is at today. The boundaries between synthetic and natural worlds are constantly being tested (whether that be in artificial intelligence or nanotechnology) so it's interesting to consider the nature of electricity and invisible wavelengths within this context, as it is something that we usually either ignore or take for granted.

What sort of person is going to love this show?
Audiences for XFRMR have been really varied in the past; I've played in clubs where the emphasis has been on dancing and in seated theatres where people have tuned in more to the nuances of the sound. I think there's something there for anyone with an interest in electronic music and technology but also for people who are more visually orientated and want to experience a dramatic display of electricity.

What’s going to surprise people about this show?
I think people will be surprised by how musical the Tesla Coil can be, you can make it really expressive and create quite delicate timbres as well as distorted tones and harsh percussive stabs.

What are you most looking forward to in this year’s Brighton Festival programme?
The Wave Epoch sounds like a really interesting project; it'd also be wicked to see Deerhoof again.

Head to our event page to find out more about ticket availability.

Festival Hot Seat: SHUT DOWN

Charlotte Vincent, choreographer and director of Brighton-based company Vincent Dance Theatre, tells us about her newest piece SHUT DOWN, a brother work to last Festival's VIRGIN TERRITORY.

Firstly, can you introduce your show and tell us what it is about?
It’s not exactly a show! It’s a full-length production, in film installation form, that explores the pressures, contradictions and confusions of being a man today, filtered through my eyes as a female choreographer / director.

How and where will the work be staged?
SHUT DOWN film installation, shot and edited by VDT’s brilliant cinematographer Bosie Vincent, plays across six screens at ONCA Gallery, throughout the festival. This complex, humorous and visually layered production is accompanied by short works made by young men working with VDT and Audio Active as part of Mankind’s Room To Rant programme (LINK) and at The Connected Hub (LINK).  Reflecting on modern masculinity using charcoal drawing, stills photography and spoken word, Young People’s work will also be shared on Vincent Dance Theatre’s Youtube Youth Channel from May onwards.


Why should someone come and see your production?
It’s funny, sensitive and moving and relevant for us all – particularly as we see the ‘crisis of masculinity’ continuing to gather momentum all around us with the #metoo and #timesup campaigns.

Where did the idea and inspiration come from?
SHUT DOWN is the brother piece to VDT’s VIRGIN TERRITORY, which appeared at ONCA in the 2017 Brighton Festival and is currently on tour throughout the UK. These two partner pieces - full-length stage productions that become widely shared full-length film installations - consider the society that we have created for young people, in particular examining the impact of growing up within a gender divisive world where social media presents very real crises of confidence, online dangers and a degree of self-loathing.

Why do you think it’s an important story to tell?
The themes we consider in both works are around the influence of pornography on our kids and how they treat each other, the pressures to be masculine and feminine when we know there is a spectrum of experience, the challenge to mental health that a body obsessed society incites and issues around absent parents, home and belonging that everyone can relate to.

What sort of person is going to love this show?
Although the piece is about perceptions of masculinity and pressures on boys and men to behave a particular way, it’s relevant for anyone interested in dance, theatre and film or gender politics. The choreography is influenced by partnering, street dance and ensemble work, and there is some passionate spoken word performed by 15-year-old Eben ‘Flo from local music organisation AudioActive – a charity that supports young urban artists - in the past including Rag ‘n’ Bone Man (who is now their Patron) and Rizzle Kicks.

What does Brighton Festival mean to you? 
I’ve presented work in the last three Brighton Festivals, since moving my company to Brighton from Sheffield. As an Associate Company of Brighton Dome this is how it should be – the festival is a great platform for any artist’s work and I love the way work that crosses political boundaries and challenges expected forms can be seen by such a diverse audience. Last year we had 1000 people pass through ONCA over two weeks seeing dance theatre as part of VIRGIN TERRITORY multiscreen film installation. These are audience figures that are hard to gather live on tour in one venue, so the digital model is working for us to get my choreographic work seen by non-dance attenders, film enthusiasts, general public and visual artists. 

Head to our event page to find out more about ticket availability.

Spotlight: Cuckmere: A Portrait

Discover more about Cuckmere: A Portrait, a Brighton Festival Co-commission.

For centuries the Cuckmere River has inspired artists, sheltered smugglers and preserved a host of rare habitats and wildlife as it charts a course through some of the most evocative landscapes in southern England.

In a work of beauty and eloquence, the filmmaker Cesca Eaton and the composer/conductor Ed Hughes trace the changing moods of the Cuckmere river, from its source in the Sussex Downs to its dramatic twists and turns as it meanders to the sea at Cuckmere Haven. The score, specially composed by Ed Hughes, is played live by The Orchestra of Sound and Light in this world premiere.

Head to our event page to find out more about ticket availability
Video edited by echovideo.co.uk

Spotlight: Your Place

Your Place returns to the Brighton Festival with another exciting programme of free theatre, art, dance, music, outdoor games and workshops. For the past year, the community steering committees of East Brighton & Hangleton have been working together to create a vibrant weekend of arts and activities for their local communities.

Brighton Festival, Brighton People’s Theatre and the community steering groups are proud to bring back Your Place for a second year following its wonderful success in 2017. Expect new and exciting additions including bouncy castles, delicious food and more activities for people of all ages.

Artists joining us this year include David Shrigley, The Ragroof Players, The Future is Unwritten Theatre Company, Herringbone Arts, Joanna Neary, Kate McCoy, Culture Clash, Touched Theatre, Dundu and Worldbeaters, Brighton & Hove Music & Arts and many more.

Video produced by echovideo.co.uk

Spotlight: Your Place

Your Place returns for a second year with another exciting programme of free theatre, dance, music, art, outdoor games and workshops. For the past year, the community steering committees of East Brighton & Hangleton have been working together to conjure up a weekend of adventure for the people of their local areas.

Now, Brighton Festival, Brighton People’s Theatre and the community steering groups are proud to bring back Your Place following its wonderful success in 2017.This year will feature lots more exciting additions including bouncy castles, delicious food and more activities for people of all ages.

Artists joining us this year include David Shrigley, The Ragroof Players, The Future is Unwritten Theatre Company, Herringbone Arts, Joanna Neary, Kate McCoy, Culture Clash, Touched Theatre, Dundu and Worldbeaters, Brighton & Hove Music & Arts and many more.

Video produced by echovideo.co.uk

In photos: Week 1

The first week of Brighton Festival 2017 has come and gone! We've been really enjoying all the shows, events and happenings – here's a few pictures of what's been going on

Photos by Victor Frankowski and Adam Weatherley.

Volunteer call-out: For the Birds

Take part in an immersive night time adventure where sound and light take flight!

Brighton Festival is taking to the Sussex woodland to create an enchanting journey for our guests to explore a world of sound and vision across May.

We are inviting volunteers to be part of our friendly front of house team for this mesmerising event.

Every Wed - Sun throughout May we are looking for a team of helpers between 8pm-12.30am to welcome and guide our customers throughout this magical experience. If you can volunteer an evening or several over May we'd be delighted to hear from you at festival.rota@brightondome.org. Please let us know what dates you are able to be involved. 

To take part there is a training session and preview on Fri 5 May 7pm-11.30pm, which we would invite you to attend in order to take part for the rest of the Festival. 

More on For the Birds...

As night falls, gather family and friends to embark on an enchanting journey into the Sussex woodland. Against a canvas of darkness and the sound of wind in the trees, you will follow a magical trail of beautiful and ingenious installations of light, sound and moving sculpture inspired by the world of birds.

Whether it’s the iconic robin, the chip-thieving gull, or blackbirds baked in a pie, we have an enduring connection with these special creatures. For the Birds will get you thinking about the mystery and beauty of the avian world - and why it should be protected.

Artist and producer Jony Easterby has brought together some of the most dynamic sound and lighting artists in the UK to create this unforgettable Brighton Festival outdoor experience.




Festival Hot Seat... Portraits in Motion

Volker Gerling spent over a decade touring Germany by foot, capturing the people that he met in his distinctive flipbook portraits. We caught up with him to find out about the development of his craft and his extraordinary show Portraits in Motion

Can you tell us what your show is about?

In the summer of 2002 I took an old wooden kitchen tray and made it into a simple hawker’s tray. It had room for six photographic flipbooks, which showed portraits of my friends, and I hung a sign on it saying “Please visit my traveling exhibition”.

I walked through Berlin, showing people my flipbook ‘movies’. I screwed an empty honey jar underneath the hawker’s tray so that visitors could pay a symbolic entrance fee.

For nearly a year I showed people my flipbook movies in Berlin. Then, I decided to become a journeyman – I wanted to find out how people all over the country would react to my flipbooks.

And I wanted to make some new flipbooks.

I was afraid that I would miss something if I travelled too quickly, so I decided to walk. In the summer of 2003 I walked from Berlin to Basel – a walk of 1,200 kilometres – and it was a great experience. So I decided to do it again.

Since then I have walked nearly every summer and in total I have walked some 3,500 kilometres, nearly all in Germany. On all of these walks my only source of money came from showing my flipbooks. Portraits in Motion is based on my long summer walks and the people I met on them.

Volker with his tray of flipbooks

How and where will it be staged?

I leaf through the flipbooks under a video camera that projects them onto a large screen, and I tell the stories about the people that are portrayed. The show is a reflection on the passing of time and what it means when people meet each other.

Why should someone come and see your show?

To see my protagonists come to life on screen in a way that you’ve probably never experienced before.

Where did the idea and inspiration come from?

My inspiration comes from my fascination for human beings, faces, portrait photography, walking and storytelling.

Why do you think it’s an important story to tell?

Because every story that is told from the heart is important.

What sort of person is going to love this show?

Everybody who is able to see great things emerge from small things.

What’s going to surprise people about this show?

Nothing will prepare you for the intimacy of the flip books. There's something magical about these miniature glimpses into human souls.

This year marks 50 years of Brighton Festival. What does it mean for you to be part of the festival in this milestone year?

It feels like a big honour for me to be part of the festival this year.

Book now for Portraits in Motion

Brighton Festival celebrates the city's memories with new oral history app

'Jimi Hendrix signed my tambourine and I had to run for my life...'

A free interactive oral history app unfolding the ordinary personal stories of young love, loss and rebellion in the 1940s, 50s and 60s is launching during May as part of Brighton Festival 2016.

The Giddy app, from Brighton arts collective The Nimbus Group and funded with support from the Heritage Lottery Fund, takes users on an alternative walking tour of the city, punctuated by GPS triggered personal histories straight from the mouths of the people who lived them.

From a chance meeting with Jimi Hendrix in the back of a beaten up MG and tales of daytime runaways who never got caught, to stories about sneaking into strip bars and dancing til dawn with the Teddy boys, Giddy offers a view of life in the postwar years that is conspicuously absent from the history books.

All of the content – the stories, photographs, app design – has been gathered and created by teenaged pupils of Brighton’s Longhill School, with the support of a team of archive specialists, oral history interviewers and photographers.

‘Every generation of young people thinks they are the first to experience the intense highs, lows and giddy adventures of the teenage years,’ says Carina Westling of The Nimbus Group. 

‘We wanted to use digital technology to create something that celebrates the stuff of life that unites us as humans, reveals our individuality but also highlights universal themes associated with youth that span the generations,’ she says.

‘Oral history offers a perspective of the past that stands outside the received wisdom of the history books. Our intention for Giddy is to bring history to life in such a way that the young (or not so young) people who hear these stories will never look at older people in quite the same way again.’

Giddy is available for iOS and Android smartphones from May, sign up for a notification of the app’s release at www.giddybrighton.com.

An accompanying online archive and exhibition featuring portraits and archive images gathered during the making of the app will launch at University of Brighton's on 7 May 2016, which will be open to the public till the end of the Festival on 29 May.

Brighton Festival 2016 branding: Fifty years on the edge

What’s black and white and read all over? The 50th Brighton Festival brochure…

Working to create our striking monochrome 50th identity has been a lot of fun. Here’s what designers Johnson Banks said about their inspiration and direction,

‘This year Brighton Festival asked us to create a special identity to celebrate their fiftieth year. It really was a gift for us, that their current F logo could become the initial letter for 'FIFTY' in a one-off logotype.

The festival has always celebrated the experimental, unusual and cutting edge in the arts, wanting to disrupt the quotidian. So the 'FIFTY' marque began from there - avoiding the traditional, and sitting on the edge, literally and figuratively. The vertical type, chevrons and diagonal cut letters add to the dislocated effect. This year's line 'Fifty years on the edge' developed from the same starting point.

Laurie Anderson, the Guest Director for 2016, herself an experimental performance artist, is a perfect fit with the festival ethos for their golden year.’ 

The design process in progress:


Spotlight: Brighton: Symphony of a City

Discover more from Lizzie Thynne and Ed Hughes, as they discuss Brighton: Symphony of a City

One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Catalina Balan with Neil Whitehead

caravan 2016 programme announced

caravan, a partnership between Farnham Maltings and Brighton Festival presents a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers. This press release announces its 2016 programme.

  • caravan 2016 will take place on 15-17 May 2016 as part of the 50th Brighton Festival, which is celebrating its 50th anniversary in May
  •  The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  •  In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  •  Eight of the performances within the showcase will be open to the public to attend, as part of the Brighton Festival programme.

caravan 2016 follows the success of the showcases in 2008, 2010, 2012 and 2014 building on the ambition of previous years. The showcase aims to strengthen international networks and expand the range of opportunities for performing artists and companies based in England to work abroad.

The 2016 programme will be presenting a selection of the best new English performance, selected by a curatorial group drawn from some of the country’s leading directors and producers. The 2016 curatorial group included Andrew Jones, Fiona Baxter, Gavin Stride, Gabriella Triantafyllis, Jo Verrent, Lorne Campbell, Orla Flanagan and Sally Cowling.

2016 artists
Full performances


Eric MacLennan – A Voyage Around My Bedroom

An interactive journey, in a bedroom, in a glass box, in a field with audience input shaping the narrative

Christopher Brett Bailey – This is how we die
A highly verbose collage of spoken word and storytelling: tales of paranoia, young love and ultra-violence

Lost Dog – Paradise Lost (Lies unopened beside me)
Inspired by Milton, a re-telling of the story of the beginning of everything using words, music and dance

Greg Wohead – Comeback Special
Jam sessions and dance numbers combine in a re-enactment of Elvis Presley's 1968 Comeback Special

Jo Bannon – Alba
Influenced by her albinism, Jo Bannon blends light, proximity, movement and sound into a visual poem

Still House – Of Riders and Running Horses
A stirring and visceral new dance event created as a communal animation of urban spaces

Dickie Beau - Blackouts: Twilight of the Idols
Drag fabulist Dickie Beau conjures the spirits of celebrated Hollywood icons in a bewitching adventure

Sue MacLaine Company - Can I Start Again Please
A play exploring our capacity to process traumatic experiences and language’s ability to represent it

Spymonkey – The Complete Deaths
All 72 onstage deaths of Shakespeare’s plays are performed in 90 minutes

Andy Field – Lookout
A site-sensitive one-on-one encounter between one adult audience member and one child performer

Selina Thompson - Dark and Lovely
A solo piece exploring Black identity, inspired by the cultural and social debate surrounding Black hair

Emma Frankland - Rituals for Change
A performance creating a series of rituals to explore gender transition and the fluid notion of change

Pitches


Brian Lobel, 24 Italian Songs and Arias
Catherine Ireton, The Salon Project (working title)
Action Hero, RV project Europe (working title)
The Other Way Works, Agent in a Box
Sleepdogs, Steady State
Sheila Ghelani, Elemental

Gavin Stride, Director of Farnham Maltings & co-director of caravan, says:
We had over 200 proposals from every part of the country suggesting that there is a real appetite amongst theatre makers to connect internationally. I think the programme suggests that we have a vibrant, ambitious theatre community keen to find new ways of reaching new audiences”.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival, says:
We are really looking forward to collaborating again with Farnham Maltings, to present the best of new English performance for the fifth biennial caravan showcase as part of our 50th Brighton Festival celebrations. The showcase has grown substantially since it was launched in 2008, and now encompasses a selection of the most dynamic and innovative theatre and performance from around England. It has become a leading showcase and touchstone for international promoters and programmers to experience a diverse range of new work by our most innovative artists who are prime candidates at this stage in their careers to tour internationally”.

Ends


Notes to Editors:

caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council.

Farnham Maltings is a creative organisation based in Farnham, Surrey which works with artists and communities across South East England to encourage the greatest number of people to make, see and enjoy the best art possible.Brighton Festival commissions and produces an ambitious programme of local, national and international work across music, theatre, dance, visual art, outdoor performance, literature and debates.

Brighton Festival will take place in venues across the city and beyond from 7 to 29 May 2016.

Full details of caravan 2016 curatorial group:
Andrew Jones, Senior Programme Manager for Drama & Dance – British Council
Fiona Baxter, Deputy Director, Arts – Farnham Maltings
Gabriella Triantafyllis, General Manager –bios, Greece
Gavin Stride, Director – Farnham Maltings
Jo Verrent, Senior Producer – Unlimited
Lorne Campbell, Artistic Director – Northern Stage
Orla Flanagan, Theatre Producer – Brighton Dome & Festival
Sally Cowling, Associate Producer – Brighton Dome & Festival

Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate.

Spymonkey is the UK's leading physical comedy company, based in Brighton and comprising a core creative ensemble of five lead artists: artistic directors Toby Park, Petra Massey and Aitor Basauri, and associate artists Stephan Kreiss and designer Lucy Bradridge. They’ve been making sublimely hilarious and deeply ridiculous theatre since 1998. Recent Brighton Festival appearances include Oedipussy (2012) and Cooped (2006)

Tim Crouch is a multi-award winning playwright and performer living in Brighton. His work has played in theatres and at festivals around the world. His four award-winning solo Shakespeare plays I, Caliban. I, Peaseblossom, I, Banquo and I, Malvolio were commissioned by Brighton Festival. 

Established in 1967, Brighton Festival is a three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. 

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

The 50th Brighton Festival takes place from 7-29 May 2016.

Listings information:


The Complete Deaths by Spymonkey & Tim Crouch
World Premiere.
Commissioned by Brighton Festival.
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm
Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare (75 if you count the black ill-favoured fly killed in Titus Andronicus). From the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. And then there’s the pie that Titus serves his guests. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. These ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them. Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death.  

-ENDS-


For further enquiries, please contact:

Emma Robertson, Head of Press and PR – emma.robertson@brightonfestival.org I 01273 260803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Ticket Office - 01273 709709 | www.brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

• It aims to champion the power of the arts, to enrich and change lives, and to inspire and enable artists to be their most creative.

• Brighton Dome & Brighton Festival are a registered arts charity

• Brighton Dome & Brighton Festival are working with the Royal Pavilion & Museums on a joint masterplan to realize a future vision for the Royal Pavilion Estate. For updates and news please visit www.brightondome.org or contact 

Brighton Festival 2015 soars to a close

Brighton Festival 2015 - with award-wining author Ali Smith at the helm as Guest Director - came to a soaring conclusion this weekend.

Over the three-week Festival - the biggest and most established in England - many of Ali Smith’s ideas, interests and passions were explored in a thrilling selection of events which spanned music, theatre, dance, visual art, film, literature and debate featuring artists and performers the world over from Ukrainian ‘ethnic chaos’ band DakhaBrakha to the newly Palme d’Or honoured filmmaker Agnès Varda.

Three central themes - Art and Nature, the Crossing Places between art forms, and Taking Liberty - provided a fascinating jumping off point to explore some of the key ideas and issues of the moment as well as a memorable visual image of a swift in flight which proved a fitting and popular emblem for the 2015 Festival.

The opening weekend asked audiences to ‘take flight’ for the annual children’s parade, the largest of its kind in Europe. Supported by regional businesses Class of their Own, Gatwick Airport and Riverford, the annual parade traditionally marks the start of Brighton Festival and was attended by almost 5,000 children from 83 schools and community groups from across the region; each dressed in costumes they had specifically designed and made for the event. Taking inspiration from Brighton Festival 2015 Guest Director Ali Smith’s deep fascination with birds and other migratory patterns, costumes included bird life in all its forms as well as flying machines, creatures from fantasy and fable, bugs, bees and butterflies.


The Children's Parade. Photo by Jordan Hughes

During the ensuing 23 days it wasn’t just the kids who took flight – with more reviews praising the artistic excellence of this year’s programme than ever. One of the Festival’s biggest hits was the European premiere of Tony award-winning playwright Richard Nelson’s highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York which was lavished with 5 stars across the board. Glowing reviews in The Guardian, The Stage and the artsdesk amongst others described them as “exemplary”, “extraordinary”, “profound” and “faultlessly directed”. This was swiftly followed by the top accolade going to violinist Isabelle Faust’s amazing feat of solo virtuosity, Paine’s Plough’s poignant exploration of love and relationships in Lungs and Nina Conti’s extraordinary tour de force of improvised comedy amongst others.


Fleeting on Brighton Beach. Photo by Chris Bethall

At just under 400 performances across 150 events, including 34 that were entirely free to the public, Brighton Festival 2015 featured the highest number of exclusives, premieres and commissions to date including a sizeable proportion of events that cannot - and could not - be experienced anywhere else outside of Brighton Festival, from Sam Lee’s intimate Nightingale Walks on the Downs to Laurie Anderson’s one-off concert All the Animals and Festival finale Fleeting, the spectacular installation over the West Pier by And Now in which hundreds of individual points of fire created shapes and swathes of glowing light and shade.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2015 saw a plethora of shows - including high profile events such as physical theatre show The Spalding Suite which takes as its subject the UK's basketball sub-culture and Jess Thom’s inspiring and uplifting exploration of her experience of living with Tourette’s, Backstage in Biscuit Land - live-streamed to audiences around the world, for free. Brighton Festival also reached out beyond the centre more than ever before, working with Without Walls to present a number of family-friendly performances in Saltdean and Woodingdean for the first time as well as the enthralling 451 at Preston Barracks and playful Ear Trumpet in Queen’s Park. This was complemented by a fantastic response to community driven events such as a new children’s birdwatching trail which was generously embraced by the business community, and the return of the Guest Director’s Guests, the Peacock Poetry Prize and the Young City Reads schemes.


Backstage in Biscuit Land. Photo by Victor Frankowski

Other Festival highlights included a one off live screening of Peter Strickland’s daring masterpiece The Duke of Burgundy; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; and the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene.

Brighton Festival 2015 featured 396 performances across 150 events including 45 exclusives, premieres and commissions and 34 free events.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “From the 5 stars across-the-board success of Richard Nelson’s extraordinary Apple Family Plays to the headline-grabbing performance of Kate Tempest and a very special personal appearance by newly Palme D’Or honoured Agnes Varda - this year really has been a Festival to remember. Ali Smith, as Guest Director, has been an absolute pleasure to work with and a wonderful inspiration to us all. Her remarkable sense of possibility, wonder, imagination and excitement at anything that she encounters has been evident every step of the way, from her invaluable input during the programming process to her lively and engaging presence throughout the month. The Festival’s continued ability to not only bring such an eclectic range of artists onto one bill but to make it a resounding success, is testament to the extraordinary support we have from funders, sponsors and from audiences themselves. It’s an exciting time for Brighton Festival as we look towards our 50th birthday next year. I cannot wait to lift the lid on what surprises we have in store for the city and beyond.”

The Tallest Tortillas, to the World’s Largest Timewarp - we investigate Brighton's world record attempts

The Measure of All Things, coming to Brighton Festival on Sat 23 and Sun 24 May, is an innovative ‘live documentary’, created by Academy Award-nominated film-maker Sam Green. The multi-disciplinary performance incorporates film, a live soundtrack from yMusic, and live narration from Green. This format allows him freedom from the restrictions of film, combined with the energy of a live audience, in an unparalleled production which promises to push the boundaries of the documentary genre. 


The Measure of All Things by Sam Green from The Kitchen on Vimeo.

Loosely inspired by the Guinness Book of World Records, the film weaves together portraits of record-breaking people, places and things: from the tallest man on earth, to the oldest living thing. Green tells Extended Play “in my mind, it’s a piece about time and fate and weird things we’re compelled to do — things we don’t even understand why we’re compelled to do them”. World Record Breakers form the basis for a poignant exploration of what Green calls the oddness and ‘inexplicable nature of being alive’.

In the spirit of The Measure of All Things, we decided to delve into Brighton’s very own collection of World Records (and attempts), from the wonderful to the wacky. Here are some of our favourites:

  • The Official UK Rocky Horror Fan Club danced their way to victory as the most people dancing the Time Warp in costume on Brighton Beach in 2009. 1635 people took part, but were outdone in 2010 by 8239 time warp-ers at the Annual Halloween Carnival in Hollywood. Watch the Brighton Time Warpers...


  • Heroic Brighton resident Dan Lawson holds the World Record for treadmill running, managing 226 kilometers in 7 days – the equivalent of 20 marathons! Keeping occupied by watching films, and fuelling himself on rice, veggie burgers and poppadums with mango chutney, he ran across the finish line in 2009 and remains unbeaten.
  • The Wold Record for the most people crammed in a Mini is 27, and was achieved by Dani and the mini-skirts at the London to Brighton Mini Run in 2014. See how it's done...



  • Brighton’s beloved Volks Railway holds the record for the First Public Electric Railway Still in Operation - it set off on its maiden voyage in 1883.
  • The tallest stack of tortillas was created in Jubilee Square in 2010 – standing at an impressive 58 cm (1 ft 10 in)
  • Karl-Heinz Hille from Germany is the holder of the World Record for most wins at the World Beard and Moustache Championships. Helping him make history was his title of Best Imperial Partial Beard at the 2007 Championships in Brighton.
  • In 2012 over 300 people gathered in an unofficial record attempt to bring together as many people dressed as Kate Bush re-enacting the dance to the iconic Wuthering Heights music video. Here is the final result...

Book now for The Measure of All Things


Sources:

More on Sam Green Extended Play 
Timewarp record Timewarp.org 
Treadmill record - The Argus 
Mini record Guinness World Records 
Volks Railway Guinness Book of Records
Tallest stack of Tortillas Guinness World Records
Beard Championship Record Guinness World Records
Spooning Record Virtual Festivals 

Agnès Varda is first woman to receive honorary Palme D’Or at Cannes

Agnès Varda – who made a very special personal appearance at Brighton Festival 2015 – is to receive an honorary Palme D’Or at Cannes this year in recognition of her career.

The legendary French filmmaker and artist, whose incredible body of work is celebrated at Brighton Festival this year with a new art installation called Beaches, Beaches at University of Brighton Gallery, a series of screenings of a selection of her films, and a special lecture at Duke of York’s, will be the first woman ever selected for the distinction.

Varda joins the ranks of only three other directors — Woody Allen, Clint Eastwood and Bernardo Bertolucci —in being recognised in this way for the global impact of their body of work.

Already the recipient of a Lifetime Achievement Award by the European Film Academy for her outstanding body of work, Varda - now 86 - has created some of the most interesting female protagonists in 20th-century cinema.

Audiences can visit her Brighton Festival gallery installation ‘Beaches, Beaches’ at University of Brighton Gallery until 24 May 2015. Comprised of images and videos related to French beaches, the installation references, in Varda’s words:

 “memories of an old photograph, a puzzled image of a young man on the beach, colourful plastic objects such as flip flops and rubber rings and all through the lovely sound of the sea border.”

The free installation runs from Saturday 2 May to Sunday 24 May, open daily from 10am – 5pm (and 10am – 8pm on Thursdays) at University of Brighton Gallery. Click here for more information.

Varda’s work is often connected to the French New Wave, and her early films were clear precedents for the stylistic tendencies which the New Wave directors delineated. However, her work remains particular to her own unique perspective on the world, resisting the paradigms of movements in art and film.

The themes and issues in her films focus on time and people, the collective unconscious, and social taboos. Her work is also distinct from the French New Wave for its crossing of genres, as she is known as much for her documentaries and short films as for her feature-length dramas. Not limiting herself to France, her films have been shot in a variety of locations, including the USA, Cuba and Iran.

Brighton Festival performance takes visitors into maze of tunnels under Old Ship Hotel

Ticket holders for Brighton Festival event Vast White Stillness will get a sneak peak into a unique Brighton space as the performance takes them deep underground into the maze of tunnels beneath the Old Ship Hotel.

Reality, imagination and memory blur in the intriguing new work which has been created by Brighton composer Claudia Molitor and director Dan Ayling. Part installation, part performance, Vast White Stillness combines music, image and theatre to create an immersive journey through the nuances of memory - the fleeting glance, the not-quite-heard, the half-remembered - that colour a lifetime.

The piece has its roots in Claudia’s personal experience of a trans-national upbringing - she grew up in the Bavarian Alps and now lives in the South of England – and how that has affected her experience of identity and memory: ”The idea of being from one place only, having only one nation that you would call home, seems quite an odd idea to me. There is always this sense of longing for the other, no matter where you are - a sense of home sickness - that you will always have because you are multiple. I don’t mean this in a negative way; it is, in fact, a sense of freedom from being bound to a particular national identity.”

One of the intentions of Vast White Stillness is for audiences to have as unmediated an experience as possible and relate what they hear and see to their own experiences and memories. On using the space Claudia said: “I had no idea the spaces under the hotel existed until Laura Ducceschi, from Brighton Festival, suggested them and took us there. We fell in love with their potential straight away. You never quite know how a space is going to inflect your work and how in turn your work might colour the space. So a sound that appears lovely in one situation - say some trickling water in a forest brook - could sound quite ominous and frightening in a dark cellar. And, as with all live work, each performance depends very much on the audience attending”

Vast White Stillness is at The Old Ship Cellars from 8-10 May 2015. Returns only

In Photos: Brighton Festival Week One

Our 49th Festival with Ali Smith at the helm has been a joy so far. We've had heaps of fun and with a plethora of great theatre, circus, dance, music, classical, outdoor, family, books and debates and visual art and film events still  to come the fun is nowhere near over yet!

Take a look back over our first week of Brighton Festival 2015 right here...

The past week has flown by and lots of exciting events have happened so far at Brighton Festival 2015 and there's still so much more to come! Check out what’s up next at: https://brightonfestival.org/whats_on/

Posted by Brighton Festival on Friday, 8 May 2015

Photos: Brighton Festival 2015 Opening Weekend

This weekend Brighton Festival began and we had smashing time! Here are some photos that showcase the festivities and it's nowhere near over yet, as there are lots more exciting events to come - see our What’s On page for full details

Brighton Festival 2015 kicked off with a bang this weekend, with an exciting programme of events .

Posted by Brighton Festival on Monday, 4 May 2015

Video: Emily Gravett illustrates The Imaginary Girl from The Imaginary

Take a moment and watch the award-winning Emily Gravett illustrate The Imaginary Girl from A.F. Harrold's The Imaginary in this beautiful time lapse video.

You can meet the creators of this frightening, captivating and funny tale at Brighton Festival on Sat 9 May. Find out more about this event 26 Letters event.


Marcus Coates talks birds, shamanism, intoxicated animals and Brighton Festival with the Artsdesk

Marcus Coates brings his work Dawn Chorus to Fabrica this year. This immersive piece uses unique digital methods to explore the relationship between birdsong and the human voice, drawing out similarities between the behaviour of birds and humans. Recently, he spoke with Thomas H Green for The Arts Desk about his influences and works, past and present.

‘Coates tendency towards the bizarre and comic mask a deeply held desire to explore humankind’s understanding of nature and the world around.’

Find out more about the artist himself and his work in an enlightening interview with The Arts Desk.

‘Birds are particularly interesting because their lives mirror our own. They build homes, they have very complex ways of communicating vocally, a lot of their culture is similar to ours. Birdsong is a very interesting parallel because even the form of their song - repetition, endurance, musicality - is reflected in how we use music and language in song. We can see so much of ourselves in what birds are doing.'

Read the full interview






Video: Squarepusher - Most Valid Reason

Producer, bass virtuoso, composer and sound artist, Squarepusher aka Tom Jenkinson has constantly strived to push the boundaries and limits of music, drawing on influences as broad as drum and bass, acid house, jazz and electroacoustic music - with pretty incredible results. Watch him now in this new video performing Most Valid Reason via VICE Japan or - even better - experience Squarepusher live in action on Fri 8 May at Brighton Dome.

Back with eagerly anticipated new material, Squarepusher brings his all-new live show to Brighton Festival 2015. Jenkinson Told BBC 6Music,

‘It’ll be very fast, very experimental, it’ll be an evening of extremity… the music I’m writing is born to be heard at a very high volume on stage, accompanied by a visually slamming presentation.'


And we can't wait...

Photos: Brighton Festival Street Art by Sinna One

Brighton based artist and illustrator Sinna One has been busy creating some brilliant Brighton Festival pieces and transforming these utilitarian boxes around town. Featured in a number of books and exhibitions, Sinna One’s work ranges across a wide spectrum and includes large-scale murals, live paint display for events, festival sculptures, illustration and more.

Spray painted around our fair city, there are plenty to see. Take a look at the photos below to see how these wonderful beasts take form…






Get involved: Wonderful ways to be part of Brighton Festival

There are plenty of wonderful ways to get involved with Brighton Festival and we’d love you to be part of it. We’ve tonnes of volunteer and artist opportunities - we’ve got options for writers and readers, performers and greeters and treasure seekers and culture needers, not to mention, there’ll be heaps of competitions to enter over the coming weeks.

Peacock Poetry Prize

Put another feather in your cap and enter the Peacock Poetry Prize - a poetry competition for ages 7-18 and this year’s theme is Birds. Fly this way to see how you can enter. 


Volunteer with us

You could be meeting artists, helping with artistic planning, turning your hand to a spot of marketing or being right in the middle of the action as a front of house volunteer team member. Fill in our survey to get involved.


Young City Reads

There’s a city wide read going on and it’s rather exciting! This year young storylovers are invited to read and discuss the arnarchic Circus of Thieves and the Raffle of Doom. Carnegie Medal shortlisted author William Sutcliffe and illustrator David Tazzyman take centre stage for a live, interactive schools event to talk about this thrilling book and tell us more about Shanks’ Impossible Circus. Find out more about this amazing project launched on world book day. See what happened on their launch day in the video below...


Collidescope

Collidescope offers artists an in-depth insight into Brighton Festival and is suitable for artists who have been making work for at least five years, this opportunity will provide an immersive experience through a packed show schedule across the 23 days of Brighton Festival, and the chance to meet Guest Director Ali Smith and Festival artists in up-close encounters. Artists and creators making work in all areas of the performing arts are welcome to apply - 6-8 participants will be selected.


Fleeting

We are looking for volunteer performers ideally with some dance, movement or performance experience for our closing show. Evoking a sense of awe, wonder and calm contemplation, Fleeting will be a tribute to the West Pier, the people of Brighton and Hove and the transforming power of nature – a fitting finale to Brighton Festival 2015


Join in the festivities

Explore our programme and come and see a show - there’s heaps on offer – join in our celebration of music, theatre, dance, circus, art, film, literature, debate, outdoor and family events. Immerse yourself fully and challenge yourself to see all our free events this May too!

Keep an eye open for competitions. Rapid review will return, with plenty of tickets as prizes and they’ll be plenty more competitive ways to get involved with Brighton Festival 2015 – just watch this space… 

Five of the best…Female Filmmakers at Brighton Festival

After picking up a lifetime achievement award at the European Film awards last year, the amazing and iconoclastic French filmmaker Agnes Varda commented by saying ‘What I have noticed is that it is very sweet to receive this award but when I see the nominees here, I feel there are not enough women...I think more women should be included. I know a lot of very good female directors and women editors and I would like them be more represented and helped by the European film academy.’

We agree – and to mark International Women’s Day this Sunday we thought we would shine a light on five of them – who all happen to feature in this year’s Brighton Festival programme...

Agnes Varda

Often dubbed the ‘Godmother of the French New Wave’ the varied and brilliant career of Agnes Varda has spanned six decades. Her films, photographs, and art installations focus on documentary realism, feminist issues, and social commentary - with a distinct experimental style. We are delighted that the 86-year-old filmmaker and artist will be curating an installation in the Brighton University Gallery which will be open throughout the Brighton Festival 2015. We’ll also being showing many of her ground-breaking films such as the 60th anniversary screening of La Pointe Courte (1955) on Sun 3 May at Dukes at Komedia at 1.30pm and a 30th anniversary screening of Varda’s Vagabond (1985) at The Duke of Yorks on Sun 10 May, 1.30pm.

Carol Morley

British film director Carol Morley first came to prominence with her documentary The Alcohol Years, a BAFTA nominated film that was later released on DVD to critical acclaim. The film was nominally an autobiography but became as much about the people in it as Morley herself - and was seen to define the era and place in which it was set (Manchester in the 1980s). We will be bringing a screening of her acclaimed 2011 film Dreams of a Lifewhich explores mysterious the life and death of Joyce Vincent. Morley will also take part in a Q&A session after the screening on Mon 11 May at Dukes at Komedia.


Clio Barnard

Winner of various awards, British filmmaker Clio Barnard’s most recent film The Selfish Giant, about two boys who scavenge to survive on a Bradford estate, has been called 'a Kes for the 21st century'. For Brighton Festival 2015 we revisit her acclaimed debut feature The Arbor (2010) to Dukes at Komedia on Mon 18 May, 6.30pm. The film focuses around the life of the late Bradford playwright Andrea Dunbar. Barnard will also part in a post screening discussion.


Joanna Hogg

Joanna Hogg is an utterly distinctive figure in contemporary British cinema, making thoughtful, provocative arthouse movies about the lives of bourgeois characters. Her films are intimate, closely focused character studies that probe away at the behaviour and discontents of her protagonists in a forensic but quietly comical fashion. We are delighted that Joanna Hogg, will be taking part in a Q&A discussion at the Dukes at Komedia on Sun 17 May following a screening of her film Archipelago (2010) at 1.15pm. The film surrounds Edward (Tom Hiddleston) and his family as they have a get-together before he departs for a volunteering trip to Africa.


Sarah Wood

Sarah Wood has been working in the British film industry for over 10 years and has won several awards for her work. Her latest film projects have all been an exploration into ideas of the archive using found footage. Wood will be joined by film-maker Lucy Harris in this year’s visual art event at the Onca Gallery. Commissioned by Brighton Festival and a Brighton Festival Exclusive A Murmuration explores the natural world especially the relationship between art and nature in collaboration with writers Helen MacDonald and Olivia Laing.

By Charlotte Newell

Brighton Festival 2015 announces full programme of events

Clear your diaries in May as England’s largest mixed arts festival returns with award-winning author Ali Smith as its Guest Director

Brighton Festival – under the watchful eye of award-winning author Ali Smith as this year’s Guest Director – has announced its full programme of events.

Over the three-week Festival - which runs from 2-24 May 2015 - many of Ali Smith’s ideas, interests and passions will be explored in a programme which spans music, theatre, dance, visual art, film, literature and debate from a wide range of national and international companies and artists; from a rare UK visit by 86-year-old legendary film maker and artist Agnès Varda to rising stars Kate Tempest, George the Poet and Hollie McNish.

With three central themes at its heart - Art and Nature, the Crossing Places between art forms, and Taking Liberty - this year’s Brighton Festival challenges visitors to look again, featuring an eye-opening array of artists and performers with the power to deliver the world we think we know to us re-seen, renewed, with a visionary twist in the tale.

Ali Smith says: “It's tremendously exciting to have been asked to help programme the 2015 Brighton Festival. I'm delighted and honoured – what a gift, to be asked to do this, imagine – the biggest international multi-arts spectacular in England. I've always loved Brighton's sense of fun and friendliness, its vibrant open-mindedness, the way it opens to sky, the way the rest of Europe is so close it's almost visible. It's a city that's always known how to live on the edge, a place full of endless energy, argument, possibilities, light. No matter the wildness or mildness of the weather, no matter the zigzag of zeitgeist elsewhere north or south of it, Brighton is always itself, and always uniquely welcoming.”

Posing questions about whether life imitates art or art imitates life, Art and Nature is explored in a host of events including an exclusive nightingale walk, with Mercury-nominated folk singer Sam Lee; an immersive multi-screen film installation of Marcus Coates’ entitled Dawn Chorus, featuring singers who uncannily recreate birdsong and bird movement; a discussion of the urgent conservation issues that face us today with celebrated author and bird enthusiast Margaret Atwood and her partner and fellow writer Graeme Gibson; and Fleeting, an outdoor spectacular over the West Pier by And Now, in which hundreds of individual points of fire create shapes and swathes of glowing light and shade.

Central to the programme is the notion of Crossing Places - where poetry meets music meets theatre meets dance – from works that defy categorisation such as The Measure of All Things, a new live cinema performance by Academy Award-nominated filmmaker Sam Green to Claudia Molitor’s part installation part performance Vast White Stillness in the maze of tunnels beneath the Old Ship Hotel. In Being Both, acclaimed mezzo soprano Alice Coote, English Concert’s Harry Bicket and Susannah Waters stage a theatrical journey into the heart of Handel’s sublime vocal music, which, in a nod to Smith’s own prize-winning work How to Be Both, explores and challenges the experience and perception of gender.

Set against the backdrop of the General Election, Liberty, equality and freedom is celebrated in all its shapes in an astonishing cutting-edge line-up of artists, performers, thinkers and commentators - all contemporary game changers in their chosen forms. These include Liberty Director and author Shami Chakrabati who hosts an evening in celebration of the Human Rights Act featuring a dazzling collection of writers and performers such as Billy Bragg, Neil Bartlett, Rachel Holmes and Jackie Kay; Tony award-winning playwright Richard Nelson who brings the European premiere of his highly acclaimed four play cycle The Apple Family Plays from The Public Theater, New York; award-winning Pakistani/British author Kamila Shamsie; celebrated Russian-American journalist, author and activist Masha Gessen, Turkish writer Elif Shafak and Turner Prize nominated artist Nathan Coley, whose new commission Portraits of Dissension explore ideas of unrest, edge and shift, space and occupation.

Other highlights include Peter Strickland’s daring masterpiece The Duke of Burgundy accompanied by a one-off live performance of its seductive score by Cat’s Eyes - the collaborative project of The Horrors’ frontman Faris Badwan and Italian-Canadian singer and composer Rachel Zeffira; a series of screenings and accompanying talks by prominent female directors including Joanna Hogg, Carol Morley and the legendary Agnès Varda who will also create a special installation at Brighton University Gallery for the duration of the Festival; the English premiere of Vanishing Point & National Theatre of Scotland’s The Beautiful Cosmos of Ivor Cutler, a homage to one of Scotland's most likeable, most individual and most unexpected 20th century figures; a new lecture specially commissioned for Brighton Festival by acclaimed author Jeanette Winterson OBE on the practices and craft of writing; the UK premiere of Lucia’s Chapters of Coming Forth by Day, a theatrical ode to the life - and afterlife – of Lucia Joyce, the adored daughter of James Joyce created by legendary New York theatre ensemble Mabou Mines; the UK premiere of The Forgotten / L’Oublié(e), the directorial debut of Raphaëlle Boitel, one of the most remarkable performers on the European visual and physical theatre scene; and Laurie Anderson: All the Animals, a specially curated performance by one of America’s most daring creative pioneers.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “Ali Smith, as Guest Director this year, has been a wonderful inspiration to us all in programming the festival. In her writing, Ali is renowned for pushing form and working with her has taught us to think differently about how we programme and the work that we bring. She has also brought an incredible range of artists to the festival who are responding to the world in a particular way, both people she knows well, and also people she has loved for many years and perhaps longed for an opportunity to work with - from Agnès Varda to Elif Shafak, Jeanette Winterson, Margaret Atwood and Mabou Mines - the list is long and extensive and I think thrilling. I look forward to welcoming audiences to experience another exciting and innovative month of events in May.”

The annual celebration of music, theatre, dance, circus, art, film, literature, debate, outdoor and family events will take place in venues across the city and beyond from 2 to 24 May 2015. Brighton Festival 2015 features 396 performances taking place across 150 events including 42 exclusives, premieres and commissions.

Spreading our Wings with Brighton Festival 2015 Branding

As we swoop headfirst into another jam-packed year of festival goodness we thought we’d tell you a bit more about Brighton Festival 2015’s avian branding.

You may have noticed our yellow, big bird, but there’s no hint of Sesame Street about it. Working with our Guest Director Ali Smith and agency Johnson Banks to create this striking, bespoke identity has been a lot of fun.

Drawing inspiration from Ali’s words and this year’s theme has led us to our final design. See Ali Smith’s welcome for the full introduction to the concepts behind this Festival’s programming, which include Art & Nature, Crossing Places and Taking Liberty.

Our designer’s Johnson Banks spoke of their inspiration and direction, ‘This year’s image was inspired by guest director Ali Smith’s words and thoughts on her themes for the festival. She says ‘Imagine the world seen from the eye of a bird’, and talks specifically about swifts as they migrate to the UK in May. This fits perfectly with the time of year the festival takes place.

We felt swifts were also a great analogy for the artists coming together from all over the world to perform at the festival. So we imagined how Brighton could look from a swift's perspective. As it flies overhead it casts a yellow shadow of the city itself on the ground. The swift graphic is designed with flexibility in mind, to ‘fly' over various parts of Brighton from the sea, to its parks, to the lanes and streets. For the principal image, we enjoyed the harsh contrast of the swift’s vibrant colour against the stark concrete street, perhaps symbolising the diversity of the festival itself.’

Here’s a little insight into the design process...


So now you know - why not take inspiration and enjoy the view at this year’s Brighton Festival? See the full and fantastic line-up here.

‘Visionary’ Brighton Festival 2014 comes to a close

Brighton Festival 2014 - with critically acclaimed choreographer, dancer, musician, composer and performer Hofesh Shechter at the helm as Guest Director - came to a close this week. Described as ‘visionary’ by the Daily Telegraph, the wide-ranging programme of quality performance, visual arts, literature and debate from international, national and home-grown companies and artists has been acclaimed by audiences, artists and critics alike, with attendance across the Festival exceeding 81% of capacity.

With Hofesh Shechter as Guest Director, this year’s Brighton Festival programme was truly genre defying; and featured the highest number of premieres and commissions to date, including the world premieres of Vanishing Point’s Tomorrow and Lost Dog & Lucy Kirkwood’s dance piece Like Rabbits, alongside UK premieres of international theatre company Berlin’s multi-media work Perhaps All the Dragons and contemporary circus from Feria Musica in Sinué

Opus No.7 by acclaimed Russian theatre director Dmitry Krymov - which also had its UK premiere at the Festival - received 4 stars across the board from all the major broadsheet critics. Matt Trueman, writing in the Daily Telegraph, described the work as ‘visionary stuff, utterly singular’; Lyn Gardner in the Guardian said it was ‘unbearably poignant’, ‘visually stunning’ and ‘more like alchemy than theatre’; Dominic Maxwell in The Times praised the work for being ‘merry and macabre in a memorable mix’; while Maxie Szalwinski, in the Sunday Times referred to the piece’s ‘almost paranormal intensity’ and William McEvoy in The Stage described it as ‘unforgettable’.

One of the Festival’s biggest hits was William Forsythe’s interactive choreographic installation Nowhere and Everywhere at the Same time, no.2 in Circus Street Market with more than 12 500 visitors dancing in the piece during the three week period. Visitors described it as ‘amazing’, ‘hypnotic’ and ‘better than brilliant’, popular social networking site Instagram spread word about the installation to 32million international followers via its weekly ‘ArtThursday’ blog and a video documenting its installation attracted 60 000 views.

The 80th birthday of legendary composer Sir Harrison Birtwistle was celebrated with a series of events, headlined by a revival of his 1969 Brighton Festival commission Down by the Greenwood Side. Set in a disused brewery depot in Lewes, this unique production continued the Festival’s tradition of pioneering site-specific and immersive performances in unusual locations.

Other Brighton Festival 2014 exclusives included a new visual arts co-commission by Yinka Shonibare MBE titled The British Library, which has now been extended until 22 June due to popular demand, Tangled Feet’s immersive, free outdoor performance One Million and much more.

Brighton Festival also played host to an eclectic mix of names across contemporary music; from iconic country music singer Emmylou Harris to a rare live performance from Cat Power and a tour de force performance from Peaches in her one woman rendition of Peaches Christ Superstar – of which Caroline Sullivan in the Guardian wrote simply ‘what a woman. What a show.’

The books and debate strand of the programme boasted a number of high-profile events included a sell-out lecture by best-selling author and designer David McCandless, conversations with Irvine Welsh, Jeremy Deller, Viv Albertine alongside discussions and talks about maths, migration and dementia.

Events for all the family this year included a UK premieres of Tanzfuchs Produktion’s dance extravaganza Munch! for the under 4s and Enhanced Dance to Disguised Music; Belgian choreographer Thomas Hauert’s first piece for young people accompanied by a prepared piano soundtrack by John Cage. Meanwhile, on film the Cinema of Childhood (throughout May) - curated by Mark Cousins - looked at the depiction of children in cinema.

In a continuation of the Festival’s dedication to making the arts accessible for all, 2014 saw 13 shows - including six Brighton Festival exclusives like Wim Vandekeybus in conversation with Hofesh Shechter and a debate on immigration chaired by Simon Fanshawe - live-streamed to audiences around the world, for free. Brighton Festival 2014 also saw the launch of a new initiative Collidescope. Designed for artists and creators to intensively engage with the Brighton Festival programme, the scheme offered seven artists who have been making work for at least five years the opportunity for peer-to-peer creative development, with the goal of potentially creating new marriages of minds for future explorations.

As Guest Director, Hofesh Shechter followed in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012) and poet, author and former Children’s Laureate Michael Rosen (2013) in shaping the Brighton Festival programme. Resident in Brighton throughout the month, Hofesh was actively engaged in the programme – attending countless events and appearing in many, including leading in-conversations with Williiam Forsythe, Wim Vandekeybus and Yinka Shinbare. He also challenged audiences to respond to the world’s ugly injustices in the Brighton Festival co-commission Sun which “came home” to Brighton after touring globally.

This year’s Brighton Festival featured 448 performances and 147 events in 34 venues across the city. In total there were 37 premieres, exclusives and co-commissions and 26 free events. 

Yinka Shonibare MBE’s 10,000 book installation ‘The British Library’ extended due to popular demand

Brighton Festival and HOUSE, Brighton’s festival of visual art and domestic space, are delighted to announce that YinkaShonibare MBE’s The British Library - a dramatic sculptural installation which responds to the immigration debate has been extended due to popular demand. The installation, which was co-commissioned by HOUSE and Brighton Festival 2014, will now remain open to the public until Sunday 22 June.

Yinka Shonibare The British Library
Photo: Victor Frankowski

Presented in the former Reference Library in Brighton Museum and Art Gallery, once the stable block for the Royal Pavilion, The British Library is comprised of over 10, 000 books bound in Shonibare's trademark African Dutch wax batik fabric. Printed in gold foil on the spines of 3,500 of the books are the names of notable British cultural figures; either immigrants themselves or descendants from an immigrant family, including examples of those who have actively opposed immigration. The names –including Henry James, T S Eliot, Hans Holbein, Helen Mirren, Tony Blair, Kazuo Ishiguro and Nigel Farage - appear individually on the books, which are arranged on the original wood bookcases of the dramatic Edwardian library - a space used for almost 100 years by writers, historians, academics and local residents.

Yinka Shonibare MBE says, “Whilst the installation is a celebration of the ongoing contributions made to British society by people who have arrived here from other parts of the world or whose ancestors came to Britain as immigrants, it does not exclude the points of view of those who object to it. The British Library is inspired by the current debates about immigration and the public response to the new presence of Romanians in Britain. In creating the piece I thought about the space – a Library - and I surrendered to the space and let the space be my muse.”

Yinka Shonibare at Brighton Festival

The British Library was created partly in the artist’s studio and largely in the Library itself with the assistance of over 60 volunteers drawn from the local community.

Yinka Shonibare The British LibraryPhoto: Victor Frankowski

William Forsythe's Nowhere and Everywhere at the Same Time No. 2. attracts thousands

Over 5,000 people have already visited Circus Street Market to see William Forsythe’s installation Nowhere and Everywhere at the Same Time No.2 - including the American choreographer himself, who experienced the piece ahead of his own Brighton Festival event.

Throughout May the derelict Circus Street Market site near Grand Parade will play host to the unique choreographic art installation. Co-programmed by South East Dance as part of Brighton Festival, the work asks audiences to move between hundreds of delicate pendulums, each swinging in timed sequences. Becoming dancers themselves, their strides and side steps produce a lively, intricate and unique choreography.


William Forsythe has been credited with moving the focus of dance from the classical tradition to a dynamic 21st century art form, exploring the idea of movement in its widest context. He is one of the world’s most celebrated choreographers.

'Nowhere and Everywhere at the Same Time No. 2, an installation by choreographer and artist William Forsythe, comprises some 400 swinging pendulums, suspended from an automated rig in an empty old marketplace in Brighton, England. You can think of it like a daunting booby trap or an elaborate heist movie security system. Just like Indiana Jones and Catherine Zeta Jones before you, the objective is to pass through unscathed.' Wired 

Film by Shy Camera.
The installation is open daily until Sun 25 May, 11am – 7pm (Mon – Sun) and 11am – 8pm (Thu). Entry is free.


Brighton Festival’s free visual arts programme also includes The British Library by Yinka Shonibare MBE (3-25 May), a new sculptural installation which explores the impact of immigration on British culture and considers notions of territory and place, cultural identity, displacement and refuge; Zimoun: Sound in Motion at Brighton University Gallery (Mon 5–Sun 25 May), Kathy Hinde’s Tipping Point at Brighton Dome Founders Room (20–24 May) and Jacob Dahlgren’s Heaven is a place and The Wonderful World of Abstraction (3 May–25 May) at Fabrica. 

Video Playlist: Art at Brighton Festival 2014

Discover Art at Brighton Festival 2014


Minimalism, simplicity, repetition - all themes of this year’s Brighton Festival Art programme. Do not miss work by Yinka Shonibare MBEZimounJacob DahlgrenKathy Hinde and many more. Get a glimpse into the world of the artists and their work here:

Video Playlist: Film at Brighton Festival 2014

Discover Film at Brighton Festival 2014


During this year’s Brighton Festival films from different countries across the world look at the depiction of children in the cinema. Little Fugitive from America, Hugo and Josephine from Sweden, Children in the Wind from Japan and Mark Cousin’s A Story of Children and Film are just some of the highlights. We also get into the mood of all things Dark & Stormy with the original Brighton RockDown TerraceLayer Cake Tea Party and more. Here’s a little taster:

Be part of HOUSE 2014

The deadline is fast approaching...

HOUSE 2014 Artist Commissioning Opportunity

In partnership with Brighton Festival, Lighthouse and University of Brighton, Photoworks and The Regency Town House.

HOUSE is Brighton & Hove’s annual visual arts event concerned with the commissioning of new work in partnership with Brighton Festival. HOUSE utilises domestic and unusual spaces to situate work throughout the city.

HOUSE 2014 invites outline proposals from artists based in the South East region, including London, for a series of commissions to be realised in May 2014.

Head to the HOUSE website to download a brief and application form.

Deadline for submissions: 17 Jan 2014


HOUSE 2013 launches with news of Brighton Festival Co-commission

HOUSE, Brighton’s festival of art and domestic space, is pleased to announce Mariele Neudecker as Lead Artist for the 2013 edition of the Festival, in a co-commission with Brighton Festival. 

Other artists also being announced for HOUSE 2013 include Andrew Kotting with Anonymous Bosch, Emma Critchley, Dylan Shipton & Ben Fitton and David Wightman who have all been chosen by Open Submission to develop work connecting to Neudecker’s commission - Heterotopias and other domestic landscapes - and responding to the Festival’s overarching domestic theme.

For her commission Neudecker undertook a sled expedition with native hunters to North West Greenland, documenting the experience using cameras spanning the whole history of photography – from pinhole through Polaroid to modern digital technology- to createHeterotopias and other domestic landscapes. The work utilises Brighton’s Regency Town House as a container for an increasingly immersive installation of sculpture, film and photography.

Andrew Comben, CEO Brighton Dome & Brighton Festival, said, 'We are delighted to have co-commissioned Mariele Neudecker’s visionary installation in partnership with HOUSE 2013, which reflects on one of the themes of this year’s festival - Vergissmeinnicht forget me not) - and in particular considers the disappearance of people, ideas of loss and the extinction of habitats. By working in partnership with HOUSE 2013 and others across the city we have again been able to thread together an ambitious and wide ranging festival of events including a strong visual arts offer of which this co-commission is part.'

Guest Curator for HOUSE 2013, Celia Davies, said, 'HOUSE 2013 revolves around the idea of inside/outside landscapes that distort and play with our ideas of perception. With human interest and relationship to landscape central to Neudecker’s work, her ambitious commission attempts to capture change and temporality, permanence and stability in the otherworldly atmosphere of Regency Town House.'

HOUSE 2013’s other commissioned artists have responded to Neudecker’s mediated dissection of the landscape, and the festival’s domestic theme by taking real or imagined journeys inside the Earth, high above it, underground, or simply by staying put in suburbia: Andrew Kotting and Anonymous Bosch go on a subterranean adventure in the French Pyrenees; Emma Critchley interweaves voice and under water movement underground; Dylan Shipton& Ben Fitton’s grounded airship collapses the Sublime with the ridiculous; and David Wightman collages large-scale Romantic landscape paintings using patterned domestic wallpaper.

Fabrica needs the shirt off your back

Well not literally, but if you want to give us the actual shirt off your back then that’s fine too.

Leading Brighton gallery Fabrica is working in partnership with Brighton Festival to commission two major new works, one for its gallery space and another for an outdoor location in the city, both created by leading Finnish artist Kaarina Kaikkonen.

Working primarily in public and easily accessible places, Kaarina Kaikkonen uses simple, everyday objects such as second-hand clothing and shoes to create large-scale sculptures.

The two new works that she is creating for Brighton Festival will be made from shirts. Lots of shirts. Probably around 1200 of them. And that’s where you come in!

Over the next few weeks we are collecting men’s, women’s and children’s shirts of all shapes, styles and sizes. We are working in with Oxfam to get started but we also need your help. So have a rummage in your wardrobe, your partner’s wardrobe or anyone else’s wardrobe and let us have your no longer loved (or fitting) shirts. The shirts will be used whole (not cut up, dyed or damaged in any way) and at the end of the exhibition they will all be donated to Oxfam. In the meantime they - and by extension you - can become part of these new artworks.

'My idea is that people could feel themselves to be part of my work' Kaarina Kaikkonen

Shirts can be donated at the Fabrica office at 40 Duke Street during office hours or by arrangement. Contact 01273 778646 or info@fabrica.org.uk if you have any questions.

Brighton Festival Live: The Cult of Water

The Cult of Water will be live streamed on Sun 27 May at 9pm. 

Join ‘masterful storyteller’ (Radio Times) Dr. David Bramwell for a candle-lit journey in search of the supernatural secrets of our waterways.

Aided by a witch, Jarvis Cocker, and magician-author Alan Moore, David Bramwell battles his own thalassophobia (the fear of ‘what lurks beneath’) to unearth little-known stories and myths that surround our rivers.

The River Don is the focal point for this psycho-geographical journey that blends music, animation and film with captivating monologue. You’ll also learn about Brighton’s lost River Wellsbourne in a post-show Q&A.