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Laurie Anderson on...

… Brighton Festival 2016’s theme of ‘home and place’:

‘I’m really happy to be part of Brighton Festival this year. I love the theme, maybe because I’m a working musician and often on the road, the idea of home is pretty appealing. It’s also a great idea for a festival, trying to find out who and where you are. It’s a pretty amazing collection of work. See you there!’

… Brighton Festival 2016 exclusive performance Song as a Place:

‘We’ll be doing a lot of new things in the Festival, one is a collaboration with Nik Bärtsch and Eivind Aarset. They are incredible musicians and we’ve played together once before. It’s going to be like a song conversation. Imagine walking through a piece of music with people you really like and we get to play it and kind of think about it and talk about it at the same time… it’s going to be a blast.’

… Brighton Festival 2016 exclusive performance Slideshow:

‘This is about an attempt to describe several places I’ve been in my life and what they might have in common. This is a brand new piece so I can’t tell you that much about it, it’s going to be a surprise to me too!’

… her unique concert for dogs making its UK premiere:

‘I’m so curious who is going to show up. We’ll be playing things that are kind of in their range - although they hear very well across the spectrum - so we’re going to see what happens.

… on the Brighton Festival 2016 screening of her critically acclaimed film Heart of a Dog:

‘It’s full of stories about how you make a story. It’s nominally a film about me and my dog, but really it’s not… it’s about love and language, I guess. I hope you like it.’

… on what Brighton Festival 2016 audiences can expect of her works:

‘I like to make a really big, fun, interesting playing field and not predict what people are going to get from of it. It’s so different for each person. I’m often really surprised when people tell me what they’ve got from my work, and then I think “that’s really interesting and brilliant… but that had really nothing to do with the work I was doing”. It’s your interpretation, so I guess that’s what I hope… that people use it to go places themselves.’

… the UK premiere of Lou Reed’s Drones project:

‘We’re going to be doing a really exiting installation plus sort of ‘improv site’, let’s say. It’s based on Lou Reed’s feedback work - he worked with guitars and the incredible harmonics and sound structures that happen when you use feedback. His guitar tech, Stewart Hurwood will be doing it with Lou’s guitars and Lou’s amps… so it’s kind of as close to Lou’s music as we can get these days. It’s a very hypnotic, beautiful sound, I think you are really going to like it. We’re inviting musicians to come and do improvisations with it as well - that is really fun - so I hope you get a chance to come by and play. You could improvise any way you want really, you could come and do some drawings or pottery… I guess… bit messy!’

… on being Guest Director of Brighton Festival in May:

‘Brighton Festival is so big and sprawling and exciting and there’s so many different things going on - it really has a kind of celebratory, crazy, art party feel to it. I also love the chance to meet other artists and hang out with them. It’s a free for all so I’m really looking forward to it.’

Danny Wallace introduces Young City Reads 2016, Brighton & Hove

Brighton Festival and Collected Works CIC are rather excited for the 2016 Big Read. The concept is simple: one book, by one author is selected for the whole community to read, explore, discuss and creatively engage with. This year's featured book is Danny Wallace’s Hamish and the Worldstoppers

Watch the video and see what Danny Wallace has to say about this year's Young City Reads and head over to Collected Works CIC website and find out more.

More on the Young City Reads Big Event

Brighton Festival 2016 branding: Fifty years on the edge

What’s black and white and read all over? The 50th Brighton Festival brochure…

Working to create our striking monochrome 50th identity has been a lot of fun. Here’s what designers Johnson Banks said about their inspiration and direction,

‘This year Brighton Festival asked us to create a special identity to celebrate their fiftieth year. It really was a gift for us, that their current F logo could become the initial letter for 'FIFTY' in a one-off logotype.

The festival has always celebrated the experimental, unusual and cutting edge in the arts, wanting to disrupt the quotidian. So the 'FIFTY' marque began from there - avoiding the traditional, and sitting on the edge, literally and figuratively. The vertical type, chevrons and diagonal cut letters add to the dislocated effect. This year's line 'Fifty years on the edge' developed from the same starting point.

Laurie Anderson, the Guest Director for 2016, herself an experimental performance artist, is a perfect fit with the festival ethos for their golden year.’ 

The design process in progress:


Be part of Gillian Wearing’s A Room With Your Views

Turner-Prize winning artist Gillian Wearing is seeking participants to be part of a unique, global, collective filmmaking project - one of the largest of its kind ever to be produced - for a new commission, A Room With Your Views, as part of this year’s Brighton Festival and HOUSE festival.

The project aims to capture a snapshot of views from people’s homes all over the world - from urban spaces to remote countryside - and invites the public to film a short clip of either their curtains or blinds opening to reveal a view from their window. Like the curtains going up at the beginning of a stage play, each view will be a pictorial unveiling of a landscape, cityscape or even a brick wall.

The results will feature in a new exhibition as part of the 50th edition of Brighton Festival and HOUSE festival called A Room with Your Views – Wearing’s first solo exhibition on the South Coast of England – which will take place at the Brighton University Galleries from 7-29 May 2016.

Participants are not required have experience as a filmmaker - raw footage filmed on phones, video cameras or in more professional formats will all be accepted. The only stipulation is that the shot is static and is shot on a horizontal and participants follow some simple instructions so all the clips are similar in specification. Creative ideas of revealing the view are welcomed for windows without curtains or blinds.

The project asks for contributions to be uploaded to yourviewsfilm.com. It is hoped that Brighton & Hove residents will send their own films to the project as well as participants from far further afield. 

Gillian Wearing, OBE, commented, “It feels personal in the way that each person has approached the instructions to the film and universal as it unites the world in the harmonious gesture of opening the curtains, blinds or shutters to give us a glimpse of their views. I am delighted by this opportunity to present ‘A Room With Your Views’ to the HOUSE and Brighton Festival audience and hopefully the work will include some local participant’s films too.”

Andrew Comben, CEO, Brighton Dome & Brighton Festival, said, “We are delighted to have co-commissioned Gillian Wearing for Brighton Festival 2016. In this – our 50th year – we particularly wanted to reflect on the nature of ‘home’ and ‘place’ and this project does just that, providing an insight into people’s views from their windows throughout the world. I can’t wait to see the project develop and hope that the whole community will get involved by sending in their own films”

Please upload your contributions to  yourviewsfilm.com.


Astounding film footage of first Brighton Festival discovered

See extracts in our 50th Brighton Festival film

Film footage of the very first Brighton Festival in 1967 has been discovered in an attic. The long lost material, shot by former Brighton College of Art students Ian Beck and Tim Grimes, captures the inaugural festival’s many different events alongside behind the scenes footage. 

You can enjoy extracts of this historic and unique footage in our latest Brighton Festival video (watch above). Made by Echo Video, with Ian Beck and Tim Grimes’ original footage and featuring footage from Screen archive South East. With voiceover from Spymonkey's Toby Park.

Ian Beck says ‘In 1967 we were encouraged by Tom Buckeridge, head of photography at Brighton College of Art, to make a record of the first Brighton Festival. We were handed two Bolex 16 mm cameras and some film stock and we were more or less left to run wild to film what we were interested in… so we did!’

Historical gems uncovered in the 100 minutes of silent film include footage of a young Eric Clapton playing with Cream in Brighton Dome, early robotic works from acclaimed artist and eccentric Bruce Lacey, and an International baseball game held between England and the United States of America.

Ian Beck explains ‘We all thought the film was lost. Tim Grimes, my fellow worker on the film, was cleaning out an attic and found several rusty tins in which was the original untouched negatives. It was quite the find. We then had them digitised, although it’s mute because the sound recordings are still lost!’

Also captured is the frantic moment Keith Moon destroys his drum kit following a concert by The Who and the intriguingly titled Destruction of Hideous Objects; a large bonfire on the beach comprised of discarded furniture and art pieces.

Ian Beck continues ‘We were allowed to film anywhere. We shot both John Dankworth and Georgie Fame rehearsing at Brighton Dome. We seemed to have access to all sorts of things and we filmed everything and everyone without anyone turning their head and asked ‘what are you doing? We don’t want you filming this!’ These were relaxed times I suppose you say!’

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin.

Brighton Festival 2016 Merchandise

This year we worked with Johnson Banks once again to create the visual identity for Brighton Festival 2016: A tessellated and dislocated fifty descending from the Brighton Festival F, marking Brighton Festival's half century of celebrating the experimental, the unusual and the cutting edge in the arts.

We have created a selection of merchandise for you to enjoy:

T-shirts (S, M, M Ladies, L, XL)
£12 /£15.50 online incl. p&p

Small posters (A3: 297mm x 420mm)
£2/ £5.50 online incl. p&p

Large posters (B2: 707mm x 500mm) 
£4/ £7.50 online incl. p&p

Canvas bags
£6/ £9.50 online inc. p&p 

These products are available to buy online by clicking the links below.

The prices above include P&P to UK locations only.
If you live abroad, please contact marketing@brightondome.org to purchase and get a quote for P&P.

If you live locally, you can buy these items at our Ticket Office at 20 New Road, Brighton. 

Spotlight: Operation Black Antler

Learn more from Jem Wall and Matt Adams about Operation Black Antler

Two Brighton Festival Associate Companies come together in an exciting new collaboration. Blast Theory (Rider Spoke, 2008; Fixing Point 2013) are celebrated for their inventive use of technology and their thought-provoking subject matter. Hydrocracker have delighted and terrified audiences with Shakespeare á la Carte (2008), the uproarious The Erpingham Camp (2009), and the chilling production of Pinter plays The New World Order (2007 & 2011). Having these two companies working together has been on all our wish lists for a number of years

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Echo Video

The Brighton Commissions

For our milestone 50th Festival, we have commissioned more new works than ever before, including many by Brighton artists or about Brighton itself. Wildly different and each fascinating, the 'Brighton Commissions' below are presented as a tribute to our home and the talent within it.

Brighton: Symphony of a City
One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

Charles Linehan Company
Loved by dancers and dance audiences, Brighton-based choreographer Charles Linehan (The Fault Index/ The Clearing, 2011), brings us a contrasting double bill of new works including one with William Trevitt and Michael Nunn (BalletBoyz). Described by The Guardian as ’one of our classiest choreographers’ Charles’s return to Brighton Festival in our 50th year feels especially appropriate. 

The Complete Deaths
Another match made in Brighton. Leading physical comedy company Spymonkey (Oedipussy, 2012 and Cooped, 2006) and award winning playwright and performer Tim Crouch (I, Caliban, 2003, I, Peaseblossom, 2004, I, Banquo, 2005, An Oak Tree 2006, I, Malvolio, 2010 and what happens to the hope at the end of the evening, 2014) come together to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death. We’re holding onto our hats. 

Digging for Shakespeare
Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up. 

Dr Blighty
One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history.

The Last Resort
Using binaural technology to create a shifting world of sound, Brighton-based artists Rachel Champion and Tristan Shorr (who worked with Charlotte Spencer on Walking Stories, 2013), working as Art Of Disappearing, have created an immersive work set on Portslade beach that takes a wry look at science fiction traditions and dystopian societies. 

Operation Black Antler
Two Brighton Festival Associate Companies come together in an exciting new collaboration. Blast Theory (Rider Spoke, 2008; Fixing Point 2013) are celebrated for their inventive use of technology and their thought-provoking subject matter. Hydrocracker have delighted and terrified audiences with Shakespeare á la Carte (2008), the uproarious The Erpingham Camp (2009), and the chilling production of Pinter plays The New World Order (2007 & 2011). Having these two companies working together has been on all our wish lists for a number of years. 

Stella
Veteran Brighton artist Neil Bartlett (Oliver Twist, 2004, The Maids, 2007; For Alfonso, 2011; What Can You Do?, 2012; Britten: The Canticles, 2013) is one of Britain’s most individual theatre makers and a generous friend of Brighton Festival. We’re honoured that Neil’s wonderful, intense and distilled new play, inspired by the life and death of Ernest Boulton, can open in Theatre Royal Brighton before going on to performances at London International Festival of Theatre and Holland Festival. 

The 50th Brighton Festival launches with Laurie Anderson as Guest Director

The full programme for the 50th Brighton Festival (7-29 May 2016) - the largest and most established curated annual multi-arts festival in England - was unveiled today with experimental artist and musician Laurie Anderson as Guest Director.

Renowned for her inventive use of technology, Anderson is one of America’s most daring creative pioneers. In roles as varied as artist, composer, poet, photographer, filmmaker, vocalist and instrumentalist, she has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. Anderson takes the helm as Brighton Festival marks its milestone 50th year of commissioning and producing innovative arts and culture by exploring the theme of ‘home and place’ across its 2016 programme.

Taking inspiration from Anderson’s multidisciplinary career as well as the original intentions of Brighton Festival to celebrate the new and the avant-garde, the eclectic programme - which spans music, theatre, dance, visual art, film, literature and debate - features work from some of the most innovative national and international artists. It includes 54 commissions, co-commissions, exclusives and premieres such as two exclusive performances from ‘folktronica’ pioneer Beth Orton, choreographer and dancer Akram Khan’s new full-length production Until The Lions; and the world premiere of a global collaborative work by Turner Prize-winning British artist Gillian Wearing.

Anderson’s own events include the UK premiere of her unique Music for Dogs, a concert specially designed for the canine ear; a screening of her acclaimed new film Heart of a Dog, described by Anderson herself as: “full of stories about how you make a story . . . nominally a film about me and my dog but really it’s not, it’s about love and language”; an exclusive new performance monologue about place and places called Slideshow; and a freewheeling walk through sonic spaces with fellow musician-composers, pianist Nik Bärtsch and guitarist Eivind Aarset.

Many of Anderson’s interests, passions and achievements are also explored including the UK premiere of Lou Reed Drones, an installation of her late husband’s guitars and amps in feedback mode which she describes as “kind of as close to Lou’s music as we can get these days”; a special screening of critically acclaimed Sans Soleil (Sunless) - an elegiac masterpiece by her favourite director Chris Marker; and a series of events that explore innovation and technology in the arts, including Complicite /Simon Burney’s acclaimed The Encounter and Brighton-based Art of Disappearing’s outdoor adventure The Last Resort.

With the theme of ‘home’ at the heart of the programme, Brighton Festival 2016 will celebrate its relationship with the unique, energetic and creative city of Brighton, its artists, its characters, its sense of place and spirit whilst also considering universal issues and ideas around home, our communities and places of safety. Highlights include a new work from Argentinian artist Lola Arias developed with and performed by veterans of the Falklands conflict; experimental composer and musician Yuval Avital’s potent and thought-provoking new work, Fuga Perpetua, which reflects on the situation of refugees; and the UK premiere of Berlin’s Zvizdal, a filmic portrait of an elderly couple’s self-imposed solitude in the region affected by the 1986 Chernobyl disaster.

The rich diversity of home-grown artists and companies are celebrated in a series of special commissions that include two works marking the 400th anniversary of William Shakespeare’s death: The Complete Deaths, a re-enactment of every onstage death from Brighton-based artistic powerhouses Spymonkey and Tim Crouch, and Digging for Shakespeare by Marc Rees, a site-specific homage to 19th Century Brighton eccentric and world-renowned Shakespearean scholar James Orchard Halliwell-Phillipps; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by playwright Neil Bartlett; and the world premiere of Blast Theory & Hydrocracker’s immersive undercover police drama Operation Black Antler.

Other city-inspired highlights include a specially commissioned film Brighton: Symphony of a City, screened to a new score performed by Orchestra of Sound and Light, and the entire Royal Pavilion Estate playing host to Dr Blighty; an ambitious, large-scale, immersive outdoor experience which highlights the untold story of wounded Indian soldiers hospitalised in Brighton during World War One. Kicking off with the Children’s Parade - the largest of its kind in Europe – Brighton Festival 2016 will also see a record number of community-focussed events throughout the programme including the annual City Reads and Young City Reads produced in partnership with Collected Works and Future Gazers which asks school pupils to imagine the world in 50 years’ time.

2016 also sees Brighton Festival work with Guardian Live in a special partnership to deliver the Books and Debate programme with a series of events including Yanis Varoufakis, Lionel Shriver, Marlon James and Mark Haddon. It will also see the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances open to the public. 

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. I've been part of the Festival several times and it is so big and sprawling and exciting and there’s so many different things going on - it really has a kind of celebratory, crazy, art party feel to it. And I love the theme of home and place. It is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. Maybe because I’m a working musician and often on the road, the idea of home is pretty appealing to me. It’s also a great idea for a festival - trying to find out who and where you are. See you there!” 

Andrew Comben, Chief Executive of Brighton Festival says: “It’s very special for us to be marking the 50th Brighton Festival with Laurie Anderson as Guest Director. Every year since 1967 some of the greatest artists, performers and thinkers have come together with some of the most open-minded and enthusiastic audiences anywhere for a festival whose home is one of the most artistically rich and geographically blessed places in the country. Laurie is well-known and well-loved by the city and has been has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. Alongside the startling international and newly commissioned work that we’re bringing, she has been particularly enthusiastic about finding ways in which the festival can invite the participation of the whole community – time and again throughout the programme we see opportunities to get involved to explore our own creativity and to celebrate, together, this wonderful festival in its 50th year.”

Hedley Swain, Area Director, South East, Arts Council England, said: “It is very fitting that the theme for Brighton Festival’s 50th programme is ‘home and place’. The Festival, and more widely arts and culture in general, have long been synonymous with Brighton. Collectively they deliver inspiring performances and exhibitions for local communities, attract people from far and wide to drive cultural tourism and make a strong contribution to the local economy. This success is built on strong partnerships across the city, including Brighton & Hove City Council, and is a great example of collaborative investment and working that others can learn from. Brighton Dome & Brighton Festival’s forthcoming capital project will help to build on the success to date, ensuring Brighton remains one of England’s cultural leading lights.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Its original intentions as set out by the first Director Sir Ian Hunter were: “to stimulate townsfolk and visitors into taking a new look at the arts and to give them the opportunity to assess developments in the field of culture where the serious and the apparently flippant ride side by side”. The inaugural programme included the first ever exhibition of Concrete Poetry in the UK, a ‘Kinetic labyrinth’ on the West pier, and a site specific project which attempted to ‘change the colour of the sea’ alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere.

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press & PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Christoforou, Freelance Broadcast PR (national) - anna@annachristoforou.com | 07818 035 690
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

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NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

Click here to view the PDF 

Laurie Anderson photo © Tom Oldham

Spotlight: Digging for Shakespeare

Find out more from Marc Rees on Digging for Shakespeare in our Spotlight film. Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Film by Echo Video

Spotlight: Minefield

Learn more from Lola Arias on her latest work Minefield

Argentinian writer and director Lola Arias brought her acclaimed show My Life After to Brighton Festival 2013. Now she returns with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival

Video by Echo Video

Welcome from Laurie Anderson

'I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. 

'Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year.'

Spotlight: Dr Blighty

Find out more about Dr.Blighty

One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history. 

Video by Ed Inglis and Nutkhut: http://www.nutkhut.co.uk/


Spotlight: Stella

Hear more from veteran Brighton artist Neil Bartlett, one of Britain’s most individual theatre makers. We’re honoured that Neil’s wonderful, intense and distilled new play Stella, inspired by the life and death of Ernest Boulton, can open in Theatre Royal Brighton before going on to performances at London International Festival of Theatre and Holland Festival.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Echo Video

Spotlight: The Complete Deaths

We cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival. Tim Crouch and Toby Parks discuss their work The Complete Deaths

Another match made in Brighton. Leading physical comedy company Spymonkey (Oedipussy, 2012 and Cooped, 2006) and award winning playwright and performer Tim Crouch (I, Caliban, 2003, I, Peaseblossom, 2004, I, Banquo, 2005, An Oak Tree 2006, I, Malvolio, 2010 and what happens to the hope at the end of the evening, 2014) come together to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death. We’re holding onto our hats.


Video by Echo Video

Spotlight: Brighton: Symphony of a City

Discover more from Lizzie Thynne and Ed Hughes, as they discuss Brighton: Symphony of a City

One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Catalina Balan with Neil Whitehead

Brighton Festival: Fifty years on the edge

For 50 years this popular seaside destination has been the incomparable setting for Brighton Festival, a magnet for culture loving visitors and artists from all corners of our Globe.

Long known as a haven for ‘dirty weekenders’, the festival’s arrival in 1967 ushered a new era of cultural sophistication for Brighton. But it was one that embraced its raffish spirit! In the words of inaugural director Sir Ian Hunter, it was to be a festival where ‘the serious and the apparently flippant ride side by side’.

Now entering its milestone 50th year the festival’s trail-blazing traditions proudly continue with 2016’s eclectic programme featuring a dazzling array of some of the most innovative artists and companies from the UK and around the world. And with pioneering artist and musician Laurie Anderson at the helm as Guest Director, it’s really going to be something worth celebrating.

This footage of the very first Brighton Festival in 1967 was discovered recently in an attic. The long lost material, shot by former Brighton College of Art students Ian Beck and Tim Grimes, captures the inaugural festival’s many different events alongside unseen footage of Eric Clapton, The Who and more. Read more on the discovery of this footage. 

Made by Echo Video, with Ian Beck and Tim Grimes’ original footage and featuring footage from Screen archive South East. With voiceover from Spymonkey's Toby Park.

Brighton Festival 2016 Listing Highlights

Contemporary music


Laurie Anderson: Music for DogsUK Premiere
Tue 10 May, 7.30pm
‘Wouldn’t it be great if you’re playing a concert and you look out and everyone’s a dog?’ Laurie Anderson mused while waiting backstage with cellist Yo-Yo Ma. True to form, Anderson made her outlandish dream come true: first at the Sydney Opera House, and again in New York’s Times Square in January, making headlines the world over. The 20-minute piece has been specifically designed for the canine ear, including higher pitches audible only to them, as well as other sounds for humans to enjoy.

Laurie Anderson, Nik Bärtsch & Eivind Aarset: Song Conversation, Song as a Place.
Brighton Festival Exclusive
Tue 17 May, 7.30pm, Brighton Dome Concert Hall
Laurie Anderson is joined by fellow musician-composers, Zurich-based pianist Nik Bärtsch and one of Norway’s most in-demand guitarists, Eivind Aarset, for a freewheeling walk through sonic spaces. These master improvisers will take on the idea of space in songs, while dissecting song structure, melody, lyrics, inspiration, dedication, and improvisation. 

Laurie Anderson, Slideshow
World Premiere

Brighton Festival Exclusive
Wed 18 May, 7.30pm, Brighton Dome Concert Hall.
In the second of two exclusive performances for Brighton Festival, Laurie Anderson presents Slideshow, a specially created performance monologue about place and places, described by Anderson herself as a “collection of adventure stories about love, cities, diners, Mars, how we see, living by rivers, Dollywood, my home town and many other places along the way.”

Yuval Avital & Ensemble Meitar, Fuga Perpetua
Co-commissioned by Brighton Festival
Fri 20 May, 8pm., Brighton Dome Corn Exchange.
Fuga Perpetua - musical terms meaning ‘always running’ - reflects on the situation of refugees compelled always to move on. In this potent and thought-provoking new work, Yuval Avital, a unique voice in the contemporary and experimental scene, creates an immersive environment using a combination of music, sound recordings, visual projections and movement. With contemporary music group Ensemble Meitar. Produced by Magà Global Arts, Ensemble Meitar &Third Ear. Supported by Arts Council England.

Haçienda Classical: House and club classics
Fri 20 May, 9pm
Brighton Dome Concert Hall
The DJs who shaped the Haçienda sound, Graeme Park and Mike Pickering, will perform a continuous set of house and club classics alongside the Manchester Camerata Orchestra and special guests. Taking the euphoria of the legendary club nights to a whole new level, Haçienda Classical is a unique meeting of styles.

Beth Orton
Brighton Festival Exclusive
Fri 27 & Sat 28 May, 8pm. Attenborough Centre for Creative Arts
Beth Orton returns to the UK for two shows at Brighton Festival premiering highly anticipated new material exploring her electronic roots. Orton has been one of the country’s most unique and beguiling voices in contemporary music for the past two decades - from debut LP Trailer Park in which she pioneered the synthesis of electronic beats and acoustic song writing to her follow-up Central Reservation which brought international acclaim and a BRIT award. These one-off shows will feature new material performed live for the first time.

Floating Points Live
Sun 29 May, 8pm. Brighton Dome Concert Hall
Dance music trailblazer Sam Shephard – otherwise known as Floating Points – is renowned for his ambitious, forward-thinking DJ sets around the world. His debut album Elaenia draws upon classical, jazz, electronic music, soul and even Brazilian popular music. At times delicate and intense, with moments of utter stillness, it provides the bridge between his rapturous dance music and his classical roots. Performing with a full live band, don’t miss what promises to be a remarkable live performance from one of electronic music’s most perceptive new artists.

Visual Art


Gillian Wearing: A Room With Your Views
Co-commissioned by Brighton Festival, World premiere
Sat 7 – Sun 29 May, 10am – 5pm (Thu 10am –8pm), University of Brighton Gallery
Turner Prize-winning British artist Gillian Wearing – the invited artist for HOUSE 2016 - will present Your Views, a global collaborative work which captures a snapshot of 'views' from windows across the world. Wearing’s work examines our public personas and private lives, describing her working method as ‘editing life’. Drawing on fly-on-the-wall documentaries, reality TV and theatrical techniques, she explores how we present ourselves to the world, as well as her involvement with extensive self-portraiture. Co-commissioned with HOUSE 2016.

Ron Haselden: Luminary
Co-produced by Brighton Festival
Sat 7 – Sun 29 May, 12pm – 7pm, Fabrica
A series of beautiful LED light-drawings at locations across the city by respected British artist Ron Haselden that range in scale from the monumental, presented as a walk-through installation at Fabrica, to the intimate, shining out from homes in several of the city’s neighbourhoods. Stemming from Haselden’s love of drawings produced by the ‘untutored hand’, sketches by young children and older people have provided the inspiration for Luminary, scaled up with LED ropelight, to amplify their spontaneous, uninhibited style. Co-produced by Fabrica and Brighton Festival in partnership with MSL Projects, Hastings.

Lou Reed Drones
UK Premiere
Fri 13 – Tue 17 May, 12pm – 5pm. The Spire
A visceral, emotional and spiritual experience, Lou Reed Drones is an installation of Lou Reed’s guitars and amps in feedback mode: 24 strings set in motion from the push of magnetically driven cones; 360 partial harmonics colliding against each other. Introducing gain and sculpting sonic frequencies, a feedback loop is created with each guitar and its respective amplifier. Their overlapping harmonic structures produce pseudo-acoustic notes in which a beating sensation is then set in motion. 

Film


No Home Movie

(2015, Belgium/France, cert. U), Directed by Chantal Akerman
Sun 8 May, 1.30pm, Duke’s at Komedia
The final film of the great Belgian film-maker Chantal Akerman is a moving memoir of her mother’s last months. Confined to her Brussels apartment, Natalia’s harrowing past as an Auschwitz survivor and her chronic anxiety, greatly influenced Akerman’s art. This special preview screening ahead of the film’s UK release is a tribute to one of the most original and influential figures in feminist cinema, who died last year.

Heart of a Dog
Plus Q&A with Laurie Anderson
(2015, USA), Directed by Laurie Anderson
Tue 10 May, 9pm. Duke of York's Picturehouse
Visually rich and poetic, Laurie Anderson's Oscar nominated Heart of a Dog sees her reflect on love, language and death - inspired by the affection she had for pet Rat Terrier, Lolabelle, who died in 2011. Essayistic in style, and constructed like a collage of original musical compositions, contemporary footage, narration, animation and 8mm home movies, it deftly flits between the serious and the playful, the funny and heartfelt.

Sans Soleil (Sunless)
(1982, France, cert. 15), Directed by Chris Marker
Sun 15 May, 1.30pm., Duke of York's Picturehouse
This elegiac masterpiece by Laurie Anderson's favourite director Chris Marker is a poetic documentary tour of Tokyo, Guinea-Bissau, Iceland and San Francisco. Sans Soleil is a hugely influential essay film in which the spoken word and haunting visuals conjure the disorientation of a world traveller, journeying through cultures, secret rituals and confusions of time.

The Human Face
(1990, UK, cert. 12A), Directed by Nichola Bruce.
Sun 22 May, 4.30pm, Duke’s at Komedia
Nominated for a BAFTA, The Human Face is a documentary made for the BBC series Arena. Laurie Anderson presents, narrating an examination of mankind’s obsession with its own image, looking at the use of heads and the human face in art and sculpture, and at the prejudices applied every day based solely on a person’s appearance.

THEATRE


Blast Theory & Hydrocracker: Operation Black Antler
World Premiere. Co-commissioned by Brighton Festival
Sat 7 & Sun 8, Tues 10 - Sat 14, Tues 17 - Sat 21, Tues 24 - Sat 28. Every 15 minutes from 6pm - 9pm (timed entry allocated on booking).
For 40 years British police officers have been operating undercover inside protest groups, ‘deep swimming’ by forming relationships and even having children with their targets. This ground-breaking piece of immersive theatre by Blast Theory and Hydrocracker will give audiences a chance to go undercover for the night in a thrilling and unforgettable walk in someone else’s shoes. Visit the safehouse to meet your police handler and build up your identity, choose your cover story and meet the rest of the team then head out to the gig to use your new skills.
Commissioned by Brighton Festival and Ideas Test. In partnership with Dramatic Resources. 

Spymonkey & Tim Crouch: The Complete Deaths
World Premiere. Commissioned by Brighton Festival
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm. Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. Directed by Tim Crouch, The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Berlin (Antwerp): Zvizdal (Chernobyl – so far so close)
UK Premiere.
Mon 23 – Wed 25 May, 8pm. Brighton Dome Corn Exchange
Co-produced by Brighton Festival.
26 April 1986, Pripyat, Ukraine. A nuclear reactor explodes and some 90 towns and villages are evacuated. But one couple, Pétro and Nadia, refuse to leave. Without running water, electricity, telephone or mail, they hold on indestructibly in the infected zone for 30 years. Berlin returns to Brighton Festival with a filmic portrait of one elderly couple’s self-imposed solitude. Featuring interviews with Pétro and Nadia filmed between 2011 and 2016, Zvizdal tells a poignant story of survival. Co-produced with Brighton Festival; Het Zuidelijk Toneel, Tilburg; PACT Zollverein, Essen; Dublin Theatre Festival; Kunstenfestivaldesarts, Brussels; BIT Teatergarasjen, Bergen; and CENTQUATRE, Paris.

Neil Bartlett: Stella
World Premiere. Co-commissioned by Brighton Festival.
Fri 27 & Sat 28 May, 8pm. Theatre Royal Brighton.
A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – this new work from Neil Bartlett is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A co-commission by LIFT, Brighton Festival and Holland Festival.

Lola Arias (Buenos Aires): Minefield
World Premiere. Co-commissioned by Brighton Festival.
Sat 28 May, 8pm. Sun 29 May, 2pm & 7pm. Brighton Dome Corn Exchange
Argentinian writer and director Lola Arias returns to Brighton Festival with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict. Merging film, re-enactment and documentary theatre, Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Co-commissioned by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm.

OUTDOOR


Art of Disappearing: The Last Resort
World Premiere. Commissioned by Brighton Festival
Sat 7 – Sun 29 May (no performances Mon & Tue), Wed – Fri, 2pm – 8pm, Sat & Sun, 11am – 9pm
Amidst a barren landscape, a neon light stands bleak and stark. Welcome to The Last Resort. For those brave enough to return to this long deserted resort, beauty, science fiction and history merge to create a unique outdoor experience. Using binaural technology to create a constantly shifting world of sound, artists Rachel Champion and Tristan Shorr have created an exciting immersive work that takes a wry look at science fiction traditions and dystopian societies.

Marc Rees: Digging for Shakespeare
World Premiere. Commissioned by Brighton Festival
Sat 7 & Sun 8 May, Sat 14 & Sun 15 May, Sat 21 & Sun 22 May, 10.30am & 2.30pm. Roedale Allotments.
Meet James Orchard Halliwell-Phillipps, 19th century joker and world-renowned Shakespearean scholar who lived on the outskirts of Brighton. There in his 'rustic wigwam' (a series of conjoined sheds), he obsessively curated a huge hoard of Shakespearean rarities. Marking the 400th anniversary of Shakespeare’s death, director Marc Rees has devised a unique promenade performance through Roedale Allotments, close to the site of this eccentric recluse's former home. 


Nutkhut: Dr Blighty
World Premiere. Co-commissioned by Brighton Festival
Tue 24 – Sat 28 May, 2pm – 10pm. Royal Pavilion Gardens.
Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front were brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. In a major new collaboration with Nutkhut and a creative team that includes designer Tom Piper (Tower of London Poppies), Dr Blighty recalls this unexpected episode in Brighton’s history. Bringing the experiences of the soldiers - inspired by letters they sent home - and the locals who came to care for them, the Royal Pavilion Gardens will host a dreamlike environment of immersive installations, soundscapes and theatrical interludes, alongside concerts featuring Philharmonia Orchestra with Kala Ramnath, Debashish Bhattacharya and Gurdain Rayatt within Brighton Dome. A Nutkhut Production co-commissioned by 14-18 NOW, WW1 Centenary Art Commissions, Brighton Festival and Royal Pavilion and Museums, Brighton & Hove

BOOKS AND DEBATE
Presented in partnership with Guardian Live


Guardian Book Club: Howard Jacobson
Sun 8 May, 5pm. Sallis Benney Theatre
Perhaps the leading observer of Jewishness in modern Britain, Howard Jacobson examines Shakespeare’s most controversial character in his new novel, Shylock is My Name. Including a shocking twist on Shylock’s infamous demand for a pound of flesh, the novel examines contemporary questions of Jewish identity and the relationship between fathers and daughters. Join him for a discussion with Guardian Book Club host John Mullan about the novel and the endlessly fascinating play that inspired it.

Yanis Varoufakis
Tue 10 May, 7.30pm. Brighton Dome Concert Hall
In his new book, And the Weak Suffer What They Must?, former Greek finance minister Yanis Varoufakis assesses the history of the European monetary union. A passionate campaigner against austerity, Varoufakis argues that it is a fundamental threat to Europe and to the global economy. He also shows that the origins of the Eurozone crisis lie not with governments or the banks but in its founding structure. He will talk to Channel 4 economics editor and Guardian columnist Paul Mason about the current crisis and present his case for economic reform.

Lionel Shriver
Wed 11 May, 8pm. Brighton Dome Corn Exchange.
Orange Prize-winning writer Lionel Shriver talks about her new novel, The Mandibles – a dark, witty and frightening dystopia about a nation in decline. Set during a fiscal crisis in near-future America, the book follows three generations of a family as they cope with the loss of their fortune and learn how to survive as America’s economy spirals into dysfunction.

The Guardian Newsroom: The EU Referendum
Thu 26 May, 7pm. Attenborough Centre for the Creative Arts
David Cameron's promised referendum on the UK's membership of the EU could be called as early as June 2016. As both the EU exit and pro-Europe campaigns gather momentum, Britain faces profound questions about its future. Business leaders claim that withdrawal would lead to economic calamity, while others on the left and the right argue the case for Britain to govern itself. Join a panel of Guardian writers, including Brighton Festival Chair Polly Toynbee, to analyse and discuss both sides of the debate.

Marlon James
Thu 26 May, 7.30pm. Brighton Dome Studio Theatre.
Join us for an evening with 2015 Man Booker prize winner, Marlon James. A Brief History of Seven Killings is a fictional account of an attempt to assassinate Bob Marley in 1976, a novel described by the New York Times as a ‘Tarantino remake of The Harder They Come…sweeping, mythic, over-the-top, colossal and dizzyingly complex’. Spanning three decades, the novel uses multiple voices - CIA agents, drug dealers, ghosts, beauty queens - to explore the turbulent world of Jamaican gangs and politics.

DANCE AND CIRCUS


Charles Linehan Company: Double bill
World Premiere. Co-commissioned by Brighton Festival.
Sat 7 & Sun 8 May, 8pm. Brighton Dome Corn Exchange
Charles Linehan returns to Brighton Festival with a contrasting double bill of new works. My Mother’s Tears mines the personal history of William Trevitt and Michael Nunn (BalletBoyz) performing classical ballet mime from The Royal Ballet repertoire with unpredictable consequences. In A Quarter Plus Green ideas of transformation are applied to movement, light and sound in a unique new setting at Brighton Dome Corn Exchange. Co-commissioned by Brighton Festival, Dance4, South East Dance, Trinity Laban Conservatoire of Music & Dance and Tanztendenz, Munich.

The Ricochet Project (New Mexico): Smoke and Mirrors
Mon 9 & Tue 10 May, 8pm.
Brighton Dome Corn Exchange
Circus as you’ve never seen it before: audacious and thought-provoking, technically brilliant and profound. The Ricochet Project is pushing the boundaries of contemporary circus using poetic acrobatics, contemporary dance, contortion and high flying feats to explore the human condition. Revealing the inner workings of the mind and our search to find a place of realness and connecting in an enduring culture of illusion, Smoke and Mirrors is a mesmerising and intimate two-hander for grown-ups.

Nederlands Dans Theater 2
Fri 13 - Sat 14 May, 7.30pm. Brighton Dome Concert Hall.
Nederlands Dans Theater is one of the world's most celebrated dance companies, wowing audiences with their unique brand of breath-taking dance, awe-inspiring skill and passionate creativity. Artistically directed by award-winning choreographer Paul Lightfoot, NDT2 presents 18 international dancers aged 18-23. For their long awaited return to Brighton Festival, they bring a vibrant mixed programme including works by Sol León & Paul Lightfoot, Edward Clug, Hans van Manen and the international hit Cacti by Associate Choreographer Alexander Ekman. Presented in partnership with Dance Consortium.

Akram Khan Company: Until the Lions
Co-commissioned by Brighton Festival
Thu 26 & Fri 27 May, 7.30pm. Brighton Dome Concert Hall.
One of the most respected figures in the dance world, Akram Khan returns to Brighton Festival with his new, full-length production Until the Lions - his most arresting work to date. Khan is joined by two of his company dancers alongside four musicians providing haunting vocals and soundscape. Together they give a breath-taking performance in this partial adaptation of poet Karthika Naïr’s original reworking of the epic Mahabharata, bautifully combining the classical Indian dance form kathak with contemporary dance. Initiated by the 360° Network of round artistic venues across the world and produced during residency at Sadler's Wells London and Curve Leicester. 

CLASSICAL


London Symphony Orchestra
Sat 7 May, 7.30pm. Brighton Dome Concert Hall.
A rare opportunity to hear the LSO outside of London, this unique opening concert reflects the Festival’s strong classical tradition over the past 50 years with some of the most remarkably talented performers of today. One of the most brilliant pianists of our time (Leif Ove Andsnes) basks in the lyrical genius of Mozart (Piano Concerto No.20 in D minor K466). Bruckner’s Third Symphony (Symphony No. 3 in D minor) with its grand and majestic orchestration is directed here by the LSO’s Principal Guest Conductor. 

La Nuova Musica: Dido and Aeneas
Sun 8 May, 7.30pm, Theatre Royal Brighton
Ann Murray DBE, one of the great singers of her generation, brings her magisterial artistry to the role of Dido. She is joined by Benjamin Appl, who is fast establishing a major career; and La Nuova Musica, noted for its rigorous yet sparkling approach to the Baroque repertory embellished here by Zack Winokur's evocative dancers. One of the first operas in English, Dido and Aeneas is a tale of love and loss, as Dido, Queen of Carthage, is abandoned by the Trojan prince Aeneas and dies overwhelmed by grief.

Brighton: Symphony of a City
World Premiere. Commissioned by Brighton Festival.
Wed 11 May, 7.30pm. Brighton Dome Concert Hall
Brighton in all its festive, bohemian, campaigning, glory has inspired a remarkable fusion of silent film and live music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive film of the lost glories and contemporary events that have defined Brighton’s profile as the UK’s most vibrant location. This kaleidoscope of local identity is accompanied by a sumptuous symphonic score performed live by Orchestra of Sound and Light. 

City of Birmingham Symphony Orchestra & Brighton Festival Chorus: The Dream of Gerontius
Sun 22 May, 7pm. Brighton Dome Concert Hall.
Lush orchestration, massed forces and profound subject matter: The Dream of Gerontius is an overwhelming musical experience. This is the kind of music that Brighton Festival Chorus was created to perform, and which is woven into the identity of the renowned CBSO, whose very first performance in 1920 was conducted by Elgar. A truly stellar cast (Alice Coote: mezzo-soprano, Robert Murray: tenor, Matthew Rose: bass), led by the eminent British conductor Edward Gardner, luxuriates in music of rare power and eloquence that etches the vision of the journey of a pious man’s soul from his deathbed to his judgment before God.

CHILDREN AND FAMILY


Globe Theatre on Tour: The Two Gentlemen of Verona
Wed 25 – Sat 28 May, 6pm, Thu 26, Sat 28 & Sun 29 May, 1.30pm. Brighton Open Air Theatre.
Hidden identities, cross-dressing and subterfuge crisscross in a tale of love, friendship, betrayal and reconciliation. This riotous new production hurls Shakespeare’s anarchic comedy into the 21st century, in the perfect setting of Brighton Open Air Theatre. Remember to bring a picnic and dress for the weather.

A Weekend Without Walls
Sat 14 May, 12 – 5pm. Easthill Park, Portslade, Sun 15 May, 12 – 5pm. East Brighton Park, Whitehawk
Get ready for a weekend of fun and adventures as Easthill Park and East Brighton Park host five extraordinary new performances: Les Enfants Terribles’ Dr Latitude and his team of misguided misfits in The Fantastical Flying Exploratory Laboratory, NOWish's Le Cheval Solitaire, Miss High Leg Kick's Audition Project and H.O.H. by Far From the Norm. Bring a picnic and all the family.

26 LETTERS


Michael Morpurgo
Wed 11 May, 6pm. Brighton Dome Corn Exchange
Former Children’s Laureate Michael Morpurgo is spellbinding company, a master storyteller who has created some of the most brilliant children’s books of recent years. Join him as he talks about his work, which includes War Horse, Private Peaceful and Why the Whales Came, and hear all about his latest book, An Eagle in the Snow, the extraordinary story of the man who could have stopped World War Two before it even began.

Chris Riddell Children's Laureate in residence
Winner of two Kate Greenaway medals for illustration, Brighton’s own Chris Riddell (The Edge Chronicles, Goth Girl) joins 26 Letters for no less than three events: Ask the Laureate (Sat 14 May), 6pm. Sallis Benney Theatre, Poems and Pictures Live (Sun 15 May, 2.30pm. Sallis Benney Theatre) and Picture Book Masterclass (Sun 22 May, 10am. Brighton Dome Founders Room.

Young City Reads 2016
Thu 19 May, 1.30pm. Brighton Dome Concert Hall.
Brighton & Hove’s Big Read for young people returns. This year young story-lovers are invited to read and discuss Hamish and the World Stoppers by Danny Wallace. For the Young City Reads Big Event, the award-winning author and presenter, together with the book’s illustrator Jamie Littler, will take centre stage for a live, interactive schools event to talk about their book and tell us more about Hamish, Alice and some disgusting creatures called ‘The Terribles’, who might come from outer space — or maybe France…

Notes to Editors:


About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

Brighton Festival 2016 Listing Highlights

Contemporary music


Laurie Anderson: Music for Dogs

UK Premiere
Tue 10 May, 7.30pm
‘Wouldn’t it be great if you’re playing a concert and you look out and everyone’s a dog?’ Laurie Anderson mused while waiting backstage with cellist Yo-Yo Ma. True to form, Anderson made her outlandish dream come true: first at the Sydney Opera House, and again in New York’s Times Square in January, making headlines the world over. The 20-minute piece has been specifically designed for the canine ear, including higher pitches audible only to them, as well as other sounds for humans to enjoy.

Laurie Anderson, Nik Bärtsch & Eivind Aarset: Song Conversation, Song as a Place.
Brighton Festival Exclusive
Tue 17 May, 7.30pm, Brighton Dome Concert Hall
Laurie Anderson is joined by fellow musician-composers, Zurich-based pianist Nik Bärtsch and one of Norway’s most in-demand guitarists, Eivind Aarset, for a freewheeling walk through sonic spaces. These master improvisers will take on the idea of space in songs, while dissecting song structure, melody, lyrics, inspiration, dedication, and improvisation. 

Laurie Anderson, Slideshow
World Premiere

Brighton Festival Exclusive
Wed 18 May, 7.30pm, Brighton Dome Concert Hall.
In the second of two exclusive performances for Brighton Festival, Laurie Anderson presents Slideshow, a specially created performance monologue about place and places, described by Anderson herself as a “collection of adventure stories about love, cities, diners, Mars, how we see, living by rivers, Dollywood, my home town and many other places along the way.”

Yuval Avital & Ensemble Meitar, Fuga Perpetua
Co-commissioned by Brighton Festival
Fri 20 May, 8pm., Brighton Dome Corn Exchange.
Fuga Perpetua - musical terms meaning ‘always running’ - reflects on the situation of refugees compelled always to move on. In this potent and thought-provoking new work, Yuval Avital, a unique voice in the contemporary and experimental scene, creates an immersive environment using a combination of music, sound recordings, visual projections and movement. With contemporary music group Ensemble Meitar. Produced by Magà Global Arts, Ensemble Meitar &Third Ear. Supported by Arts Council England.

Haçienda Classical: House and club classics
Fri 20 May, 9pm
Brighton Dome Concert Hall
The DJs who shaped the Haçienda sound, Graeme Park and Mike Pickering, will perform a continuous set of house and club classics alongside the Manchester Camerata Orchestra and special guests. Taking the euphoria of the legendary club nights to a whole new level, Haçienda Classical is a unique meeting of styles.

Beth Orton
Brighton Festival Exclusive
Fri 27 & Sat 28 May, 8pm. Attenborough Centre for Creative Arts
Beth Orton returns to the UK for two shows at Brighton Festival premiering highly anticipated new material exploring her electronic roots. Orton has been one of the country’s most unique and beguiling voices in contemporary music for the past two decades - from debut LP Trailer Park in which she pioneered the synthesis of electronic beats and acoustic song writing to her follow-up Central Reservation which brought international acclaim and a BRIT award. These one-off shows will feature new material performed live for the first time.

Floating Points Live
Sun 29 May, 8pm. Brighton Dome Concert Hall
Dance music trailblazer Sam Shephard – otherwise known as Floating Points – is renowned for his ambitious, forward-thinking DJ sets around the world. His debut album Elaenia draws upon classical, jazz, electronic music, soul and even Brazilian popular music. At times delicate and intense, with moments of utter stillness, it provides the bridge between his rapturous dance music and his classical roots. Performing with a full live band, don’t miss what promises to be a remarkable live performance from one of electronic music’s most perceptive new artists.

Visual Art


Gillian Wearing: A Room With Your Views

Co-commissioned by Brighton Festival, World premiere
Sat 7 – Sun 29 May, 10am – 5pm (Thu 10am –8pm), University of Brighton Gallery
Turner Prize-winning British artist Gillian Wearing – the invited artist for HOUSE 2016 - will present Your Views, a global collaborative work which captures a snapshot of 'views' from windows across the world. Wearing’s work examines our public personas and private lives, describing her working method as ‘editing life’. Drawing on fly-on-the-wall documentaries, reality TV and theatrical techniques, she explores how we present ourselves to the world, as well as her involvement with extensive self-portraiture. Co-commissioned with HOUSE 2016.

Ron Haselden: Luminary
Co-produced by Brighton Festival
Sat 7 – Sun 29 May, 12pm – 7pm, Fabrica
A series of beautiful LED light-drawings at locations across the city by respected British artist Ron Haselden that range in scale from the monumental, presented as a walk-through installation at Fabrica, to the intimate, shining out from homes in several of the city’s neighbourhoods. Stemming from Haselden’s love of drawings produced by the ‘untutored hand’, sketches by young children and older people have provided the inspiration for Luminary, scaled up with LED ropelight, to amplify their spontaneous, uninhibited style. Co-produced by Fabrica and Brighton Festival in partnership with MSL Projects, Hastings.

Lou Reed Drones
UK Premiere
Fri 13 – Tue 17 May, 12pm – 5pm. The Spire
A visceral, emotional and spiritual experience, Lou Reed Drones is an installation of Lou Reed’s guitars and amps in feedback mode: 24 strings set in motion from the push of magnetically driven cones; 360 partial harmonics colliding against each other. Introducing gain and sculpting sonic frequencies, a feedback loop is created with each guitar and its respective amplifier. Their overlapping harmonic structures produce pseudo-acoustic notes in which a beating sensation is then set in motion. 

Film


No Home Movie

(2015, Belgium/France, cert. U), Directed by Chantal Akerman
Sun 8 May, 1.30pm, Duke’s at Komedia
The final film of the great Belgian film-maker Chantal Akerman is a moving memoir of her mother’s last months. Confined to her Brussels apartment, Natalia’s harrowing past as an Auschwitz survivor and her chronic anxiety, greatly influenced Akerman’s art. This special preview screening ahead of the film’s UK release is a tribute to one of the most original and influential figures in feminist cinema, who died last year.

Heart of a Dog
Plus Q&A with Laurie Anderson
(2015, USA), Directed by Laurie Anderson
Tue 10 May, 9pm. Duke of York's Picturehouse
Visually rich and poetic, Laurie Anderson's Oscar nominated Heart of a Dog sees her reflect on love, language and death - inspired by the affection she had for pet Rat Terrier, Lolabelle, who died in 2011. Essayistic in style, and constructed like a collage of original musical compositions, contemporary footage, narration, animation and 8mm home movies, it deftly flits between the serious and the playful, the funny and heartfelt.

Sans Soleil (Sunless)
(1982, France, cert. 15), Directed by Chris Marker
Sun 15 May, 1.30pm., Duke of York's Picturehouse
This elegiac masterpiece by Laurie Anderson's favourite director Chris Marker is a poetic documentary tour of Tokyo, Guinea-Bissau, Iceland and San Francisco. Sans Soleil is a hugely influential essay film in which the spoken word and haunting visuals conjure the disorientation of a world traveller, journeying through cultures, secret rituals and confusions of time.

The Human Face
(1990, UK, cert. 12A), Directed by Nichola Bruce.
Sun 22 May, 4.30pm, Duke’s at Komedia
Nominated for a BAFTA, The Human Face is a documentary made for the BBC series Arena. Laurie Anderson presents, narrating an examination of mankind’s obsession with its own image, looking at the use of heads and the human face in art and sculpture, and at the prejudices applied every day based solely on a person’s appearance.

THEATRE


Blast Theory & Hydrocracker: Operation Black Antler
World Premiere. Co-commissioned by Brighton Festival
Sat 7 & Sun 8, Tues 10 - Sat 14, Tues 17 - Sat 21, Tues 24 - Sat 28. Every 15 minutes from 6pm - 9pm (timed entry allocated on booking).
For 40 years British police officers have been operating undercover inside protest groups, ‘deep swimming’ by forming relationships and even having children with their targets. This ground-breaking piece of immersive theatre by Blast Theory and Hydrocracker will give audiences a chance to go undercover for the night in a thrilling and unforgettable walk in someone else’s shoes. Visit the safehouse to meet your police handler and build up your identity, choose your cover story and meet the rest of the team then head out to the gig to use your new skills.
Commissioned by Brighton Festival and Ideas Test. In partnership with Dramatic Resources. 

Spymonkey & Tim Crouch: The Complete Deaths
World Premiere. Commissioned by Brighton Festival
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm. Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. Directed by Tim Crouch, The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Berlin (Antwerp): Zvizdal (Chernobyl – so far so close)
UK Premiere.
Mon 23 – Wed 25 May, 8pm. Brighton Dome Corn Exchange
Co-produced by Brighton Festival.
26 April 1986, Pripyat, Ukraine. A nuclear reactor explodes and some 90 towns and villages are evacuated. But one couple, Pétro and Nadia, refuse to leave. Without running water, electricity, telephone or mail, they hold on indestructibly in the infected zone for 30 years. Berlin returns to Brighton Festival with a filmic portrait of one elderly couple’s self-imposed solitude. Featuring interviews with Pétro and Nadia filmed between 2011 and 2016, Zvizdal tells a poignant story of survival. Co-produced with Brighton Festival; Het Zuidelijk Toneel, Tilburg; PACT Zollverein, Essen; Dublin Theatre Festival; Kunstenfestivaldesarts, Brussels; BIT Teatergarasjen, Bergen; and CENTQUATRE, Paris.

Neil Bartlett: Stella
World Premiere. Co-commissioned by Brighton Festival.
Fri 27 & Sat 28 May, 8pm. Theatre Royal Brighton.
A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – this new work from Neil Bartlett is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A co-commission by LIFT, Brighton Festival and Holland Festival.

Lola Arias (Buenos Aires): Minefield
World Premiere. Co-commissioned by Brighton Festival.
Sat 28 May, 8pm. Sun 29 May, 2pm & 7pm. Brighton Dome Corn Exchange
Argentinian writer and director Lola Arias returns to Brighton Festival with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict. Merging film, re-enactment and documentary theatre, Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Co-commissioned by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm.

OUTDOOR


Art of Disappearing: The Last Resort
World Premiere. Commissioned by Brighton Festival
Sat 7 – Sun 29 May (no performances Mon & Tue), Wed – Fri, 2pm – 8pm, Sat & Sun, 11am – 9pm
Amidst a barren landscape, a neon light stands bleak and stark. Welcome to The Last Resort. For those brave enough to return to this long deserted resort, beauty, science fiction and history merge to create a unique outdoor experience. Using binaural technology to create a constantly shifting world of sound, artists Rachel Champion and Tristan Shorr have created an exciting immersive work that takes a wry look at science fiction traditions and dystopian societies.

Marc Rees: Digging for Shakespeare
World Premiere. Commissioned by Brighton Festival
Sat 7 & Sun 8 May, Sat 14 & Sun 15 May, Sat 21 & Sun 22 May, 10.30am & 2.30pm. Roedale Allotments.
Meet James Orchard Halliwell-Phillipps, 19th century joker and world-renowned Shakespearean scholar who lived on the outskirts of Brighton. There in his 'rustic wigwam' (a series of conjoined sheds), he obsessively curated a huge hoard of Shakespearean rarities. Marking the 400th anniversary of Shakespeare’s death, director Marc Rees has devised a unique promenade performance through Roedale Allotments, close to the site of this eccentric recluse's former home. 


Nutkhut: Dr Blighty
World Premiere. Co-commissioned by Brighton Festival
Tue 24 – Sat 28 May, 2pm – 10pm. Royal Pavilion Gardens.
Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front were brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. In a major new collaboration with Nutkhut and a creative team that includes designer Tom Piper (Tower of London Poppies), Dr Blighty recalls this unexpected episode in Brighton’s history. Bringing the experiences of the soldiers - inspired by letters they sent home - and the locals who came to care for them, the Royal Pavilion Gardens will host a dreamlike environment of immersive installations, soundscapes and theatrical interludes, alongside concerts featuring Philharmonia Orchestra with Kala Ramnath, Debashish Bhattacharya and Gurdain Rayatt within Brighton Dome. A Nutkhut Production co-commissioned by 14-18 NOW, WW1 Centenary Art Commissions, Brighton Festival and Royal Pavilion and Museums, Brighton & Hove

BOOKS AND DEBATE
Presented in partnership with Guardian Live


Guardian Book Club: Howard Jacobson
Sun 8 May, 5pm. Sallis Benney Theatre
Perhaps the leading observer of Jewishness in modern Britain, Howard Jacobson examines Shakespeare’s most controversial character in his new novel, Shylock is My Name. Including a shocking twist on Shylock’s infamous demand for a pound of flesh, the novel examines contemporary questions of Jewish identity and the relationship between fathers and daughters. Join him for a discussion with Guardian Book Club host John Mullan about the novel and the endlessly fascinating play that inspired it.

Yanis Varoufakis
Tue 10 May, 7.30pm. Brighton Dome Concert Hall
In his new book, And the Weak Suffer What They Must?, former Greek finance minister Yanis Varoufakis assesses the history of the European monetary union. A passionate campaigner against austerity, Varoufakis argues that it is a fundamental threat to Europe and to the global economy. He also shows that the origins of the Eurozone crisis lie not with governments or the banks but in its founding structure. He will talk to Channel 4 economics editor and Guardian columnist Paul Mason about the current crisis and present his case for economic reform.

Lionel Shriver
Wed 11 May, 8pm. Brighton Dome Corn Exchange.
Orange Prize-winning writer Lionel Shriver talks about her new novel, The Mandibles – a dark, witty and frightening dystopia about a nation in decline. Set during a fiscal crisis in near-future America, the book follows three generations of a family as they cope with the loss of their fortune and learn how to survive as America’s economy spirals into dysfunction.

The Guardian Newsroom: The EU Referendum
Thu 26 May, 7pm. Attenborough Centre for the Creative Arts
David Cameron's promised referendum on the UK's membership of the EU could be called as early as June 2016. As both the EU exit and pro-Europe campaigns gather momentum, Britain faces profound questions about its future. Business leaders claim that withdrawal would lead to economic calamity, while others on the left and the right argue the case for Britain to govern itself. Join a panel of Guardian writers, including Brighton Festival Chair Polly Toynbee, to analyse and discuss both sides of the debate.

Marlon James
Thu 26 May, 7.30pm. Brighton Dome Studio Theatre.
Join us for an evening with 2015 Man Booker prize winner, Marlon James. A Brief History of Seven Killings is a fictional account of an attempt to assassinate Bob Marley in 1976, a novel described by the New York Times as a ‘Tarantino remake of The Harder They Come…sweeping, mythic, over-the-top, colossal and dizzyingly complex’. Spanning three decades, the novel uses multiple voices - CIA agents, drug dealers, ghosts, beauty queens - to explore the turbulent world of Jamaican gangs and politics.

DANCE AND CIRCUS


Charles Linehan Company: Double bill
World Premiere. Co-commissioned by Brighton Festival.
Sat 7 & Sun 8 May, 8pm. Brighton Dome Corn Exchange
Charles Linehan returns to Brighton Festival with a contrasting double bill of new works. My Mother’s Tears mines the personal history of William Trevitt and Michael Nunn (BalletBoyz) performing classical ballet mime from The Royal Ballet repertoire with unpredictable consequences. In A Quarter Plus Green ideas of transformation are applied to movement, light and sound in a unique new setting at Brighton Dome Corn Exchange. Co-commissioned by Brighton Festival, Dance4, South East Dance, Trinity Laban Conservatoire of Music & Dance and Tanztendenz, Munich.

The Ricochet Project (New Mexico): Smoke and Mirrors
Mon 9 & Tue 10 May, 8pm.
Brighton Dome Corn Exchange
Circus as you’ve never seen it before: audacious and thought-provoking, technically brilliant and profound. The Ricochet Project is pushing the boundaries of contemporary circus using poetic acrobatics, contemporary dance, contortion and high flying feats to explore the human condition. Revealing the inner workings of the mind and our search to find a place of realness and connecting in an enduring culture of illusion, Smoke and Mirrors is a mesmerising and intimate two-hander for grown-ups.

Nederlands Dans Theater 2
Fri 13 - Sat 14 May, 7.30pm. Brighton Dome Concert Hall.
Nederlands Dans Theater is one of the world's most celebrated dance companies, wowing audiences with their unique brand of breath-taking dance, awe-inspiring skill and passionate creativity. Artistically directed by award-winning choreographer Paul Lightfoot, NDT2 presents 18 international dancers aged 18-23. For their long awaited return to Brighton Festival, they bring a vibrant mixed programme including works by Sol León & Paul Lightfoot, Edward Clug, Hans van Manen and the international hit Cacti by Associate Choreographer Alexander Ekman. Presented in partnership with Dance Consortium.

Akram Khan Company: Until the Lions
Co-commissioned by Brighton Festival
Thu 26 & Fri 27 May, 7.30pm. Brighton Dome Concert Hall.
One of the most respected figures in the dance world, Akram Khan returns to Brighton Festival with his new, full-length production Until the Lions - his most arresting work to date. Khan is joined by two of his company dancers alongside four musicians providing haunting vocals and soundscape. Together they give a breath-taking performance in this partial adaptation of poet Karthika Naïr’s original reworking of the epic Mahabharata, bautifully combining the classical Indian dance form kathak with contemporary dance. Initiated by the 360° Network of round artistic venues across the world and produced during residency at Sadler's Wells London and Curve Leicester. 

CLASSICAL


London Symphony Orchestra
Sat 7 May, 7.30pm. Brighton Dome Concert Hall.
A rare opportunity to hear the LSO outside of London, this unique opening concert reflects the Festival’s strong classical tradition over the past 50 years with some of the most remarkably talented performers of today. One of the most brilliant pianists of our time (Leif Ove Andsnes) basks in the lyrical genius of Mozart (Piano Concerto No.20 in D minor K466). Bruckner’s Third Symphony (Symphony No. 3 in D minor) with its grand and majestic orchestration is directed here by the LSO’s Principal Guest Conductor. 

La Nuova Musica: Dido and Aeneas
Sun 8 May, 7.30pm, Theatre Royal Brighton
Ann Murray DBE, one of the great singers of her generation, brings her magisterial artistry to the role of Dido. She is joined by Benjamin Appl, who is fast establishing a major career; and La Nuova Musica, noted for its rigorous yet sparkling approach to the Baroque repertory embellished here by Zack Winokur's evocative dancers. One of the first operas in English, Dido and Aeneas is a tale of love and loss, as Dido, Queen of Carthage, is abandoned by the Trojan prince Aeneas and dies overwhelmed by grief.

Brighton: Symphony of a City
World Premiere. Commissioned by Brighton Festival.
Wed 11 May, 7.30pm. Brighton Dome Concert Hall
Brighton in all its festive, bohemian, campaigning, glory has inspired a remarkable fusion of silent film and live music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive film of the lost glories and contemporary events that have defined Brighton’s profile as the UK’s most vibrant location. This kaleidoscope of local identity is accompanied by a sumptuous symphonic score performed live by Orchestra of Sound and Light. 

City of Birmingham Symphony Orchestra & Brighton Festival Chorus: The Dream of Gerontius
Sun 22 May, 7pm. Brighton Dome Concert Hall.
Lush orchestration, massed forces and profound subject matter: The Dream of Gerontius is an overwhelming musical experience. This is the kind of music that Brighton Festival Chorus was created to perform, and which is woven into the identity of the renowned CBSO, whose very first performance in 1920 was conducted by Elgar. A truly stellar cast (Alice Coote: mezzo-soprano, Robert Murray: tenor, Matthew Rose: bass), led by the eminent British conductor Edward Gardner, luxuriates in music of rare power and eloquence that etches the vision of the journey of a pious man’s soul from his deathbed to his judgment before God.

CHILDREN AND FAMILY


Globe Theatre on Tour: The Two Gentlemen of Verona
Wed 25 – Sat 28 May, 6pm, Thu 26, Sat 28 & Sun 29 May, 1.30pm. Brighton Open Air Theatre.
Hidden identities, cross-dressing and subterfuge crisscross in a tale of love, friendship, betrayal and reconciliation. This riotous new production hurls Shakespeare’s anarchic comedy into the 21st century, in the perfect setting of Brighton Open Air Theatre. Remember to bring a picnic and dress for the weather.

A Weekend Without Walls
Sat 14 May, 12 – 5pm. Easthill Park, Portslade, Sun 15 May, 12 – 5pm. East Brighton Park, Whitehawk
Get ready for a weekend of fun and adventures as Easthill Park and East Brighton Park host five extraordinary new performances: Les Enfants Terribles’ Dr Latitude and his team of misguided misfits in The Fantastical Flying Exploratory Laboratory, NOWish's Le Cheval Solitaire, Miss High Leg Kick's Audition Project and H.O.H. by Far From the Norm. Bring a picnic and all the family.

26 LETTERS


Michael Morpurgo
Wed 11 May, 6pm. Brighton Dome Corn Exchange
Former Children’s Laureate Michael Morpurgo is spellbinding company, a master storyteller who has created some of the most brilliant children’s books of recent years. Join him as he talks about his work, which includes War Horse, Private Peaceful and Why the Whales Came, and hear all about his latest book, An Eagle in the Snow, the extraordinary story of the man who could have stopped World War Two before it even began.

Chris Riddell Children's Laureate in residence
Winner of two Kate Greenaway medals for illustration, Brighton’s own Chris Riddell (The Edge Chronicles, Goth Girl) joins 26 Letters for no less than three events: Ask the Laureate (Sat 14 May), 6pm. Sallis Benney Theatre, Poems and Pictures Live (Sun 15 May, 2.30pm. Sallis Benney Theatre) and Picture Book Masterclass (Sun 22 May, 10am. Brighton Dome Founders Room.

Young City Reads 2016
Thu 19 May, 1.30pm. Brighton Dome Concert Hall.
Brighton & Hove’s Big Read for young people returns. This year young story-lovers are invited to read and discuss Hamish and the World Stoppers by Danny Wallace. For the Young City Reads Big Event, the award-winning author and presenter, together with the book’s illustrator Jamie Littler, will take centre stage for a live, interactive schools event to talk about their book and tell us more about Hamish, Alice and some disgusting creatures called ‘The Terribles’, who might come from outer space — or maybe France…

Notes to Editors:


About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

caravan 2016 programme announced

caravan, a partnership between Farnham Maltings and Brighton Festival presents a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers. This press release announces its 2016 programme.

  • caravan 2016 will take place on 15-17 May 2016 as part of the 50th Brighton Festival, which is celebrating its 50th anniversary in May
  •  The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  •  In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  •  Eight of the performances within the showcase will be open to the public to attend, as part of the Brighton Festival programme.

caravan 2016 follows the success of the showcases in 2008, 2010, 2012 and 2014 building on the ambition of previous years. The showcase aims to strengthen international networks and expand the range of opportunities for performing artists and companies based in England to work abroad.

The 2016 programme will be presenting a selection of the best new English performance, selected by a curatorial group drawn from some of the country’s leading directors and producers. The 2016 curatorial group included Andrew Jones, Fiona Baxter, Gavin Stride, Gabriella Triantafyllis, Jo Verrent, Lorne Campbell, Orla Flanagan and Sally Cowling.

2016 artists
Full performances


Eric MacLennan – A Voyage Around My Bedroom

An interactive journey, in a bedroom, in a glass box, in a field with audience input shaping the narrative

Christopher Brett Bailey – This is how we die
A highly verbose collage of spoken word and storytelling: tales of paranoia, young love and ultra-violence

Lost Dog – Paradise Lost (Lies unopened beside me)
Inspired by Milton, a re-telling of the story of the beginning of everything using words, music and dance

Greg Wohead – Comeback Special
Jam sessions and dance numbers combine in a re-enactment of Elvis Presley's 1968 Comeback Special

Jo Bannon – Alba
Influenced by her albinism, Jo Bannon blends light, proximity, movement and sound into a visual poem

Still House – Of Riders and Running Horses
A stirring and visceral new dance event created as a communal animation of urban spaces

Dickie Beau - Blackouts: Twilight of the Idols
Drag fabulist Dickie Beau conjures the spirits of celebrated Hollywood icons in a bewitching adventure

Sue MacLaine Company - Can I Start Again Please
A play exploring our capacity to process traumatic experiences and language’s ability to represent it

Spymonkey – The Complete Deaths
All 72 onstage deaths of Shakespeare’s plays are performed in 90 minutes

Andy Field – Lookout
A site-sensitive one-on-one encounter between one adult audience member and one child performer

Selina Thompson - Dark and Lovely
A solo piece exploring Black identity, inspired by the cultural and social debate surrounding Black hair

Emma Frankland - Rituals for Change
A performance creating a series of rituals to explore gender transition and the fluid notion of change

Pitches


Brian Lobel, 24 Italian Songs and Arias
Catherine Ireton, The Salon Project (working title)
Action Hero, RV project Europe (working title)
The Other Way Works, Agent in a Box
Sleepdogs, Steady State
Sheila Ghelani, Elemental

Gavin Stride, Director of Farnham Maltings & co-director of caravan, says:
We had over 200 proposals from every part of the country suggesting that there is a real appetite amongst theatre makers to connect internationally. I think the programme suggests that we have a vibrant, ambitious theatre community keen to find new ways of reaching new audiences”.

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival, says:
We are really looking forward to collaborating again with Farnham Maltings, to present the best of new English performance for the fifth biennial caravan showcase as part of our 50th Brighton Festival celebrations. The showcase has grown substantially since it was launched in 2008, and now encompasses a selection of the most dynamic and innovative theatre and performance from around England. It has become a leading showcase and touchstone for international promoters and programmers to experience a diverse range of new work by our most innovative artists who are prime candidates at this stage in their careers to tour internationally”.

Ends


Notes to Editors:

caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council.

Farnham Maltings is a creative organisation based in Farnham, Surrey which works with artists and communities across South East England to encourage the greatest number of people to make, see and enjoy the best art possible.Brighton Festival commissions and produces an ambitious programme of local, national and international work across music, theatre, dance, visual art, outdoor performance, literature and debates.

Brighton Festival will take place in venues across the city and beyond from 7 to 29 May 2016.

Full details of caravan 2016 curatorial group:
Andrew Jones, Senior Programme Manager for Drama & Dance – British Council
Fiona Baxter, Deputy Director, Arts – Farnham Maltings
Gabriella Triantafyllis, General Manager –bios, Greece
Gavin Stride, Director – Farnham Maltings
Jo Verrent, Senior Producer – Unlimited
Lorne Campbell, Artistic Director – Northern Stage
Orla Flanagan, Theatre Producer – Brighton Dome & Festival
Sally Cowling, Associate Producer – Brighton Dome & Festival

Fifty years on the edge

50 Springs. 50 Festivals. 50 opportunities, in the words of the first Festival Director Sir Ian Hunter, to ‘…take a new look at the arts and [have] the opportunity to assess developments in the field of culture where the serious and the apparently flippant ride side by side.’ Every year some of the greatest artists, performers and thinkers have congregated for a festival in one of the most artistically rich and geographically blessed places in the country. Now that’s something to celebrate.

In a potent mix of art made here and art from all around the world, Brighton Festival has developed a legacy we are proud to have inherited. Since Sir Ian Hunter each Festival Director – Gavin Henderson, Chris Baron and Nick Dodds – has served those initial ideals and made each Festival a unique celebration of this ‘City on the Edge’, this place where the exciting meets the exotic meets the exasperating meets the exceptional.

The Guest Directors with whom we have worked since 2009 – Anish Kapoor, Brian Eno, Aung San Suu Kyi, Vanessa Redgrave, Michael Rosen, Hofesh Shechter, Ali Smith and this year the wonderful Laurie Anderson – have allowed us to celebrate this truly eclectic and all-embracing Festival in a new way whilst retaining a sense of past and place. It is this combination of the search for the new with a deep respect for our traditions which I believe is at the heart of Brighton Festival and at the heart of this magical creative city. And in this 50th year we particularly wanted to reflect on the nature of ‘home’ and ‘place’: ours as well as those evoked by the places our visiting artists call home. 

I’m particularly proud that as part of the 20 new commissions in this year’s programme, we are able to present so many new works by Brighton artists or about Brighton itself. Wildly different and each fascinating, the ‘Brighton Commissions’ are presented as a tribute to our home and the talent within it. Here’s to the 50th Brighton Festival, here’s to you, our audience, and here’s to the next 50 to come!

Andrew Comben
Chief Executive

Read more on the Brighton Commissions 

Explore what's on at Brighton Festival 2016 

Brighton Festival announces major new commission for 2016 inspired by untold story of First World War

Brighton Festival - alongside commissioning partners 14-18 NOW and Royal Pavilion & Museums, Brighton & Hove - has today announced a major new commission inspired by the untold story of the hundreds of thousands of men who travelled from India to fight for the Allies in the First World War.  

Created by performance company Nutkhut and brought together by a creative team that includes designer Tom Piper (Tower of London poppies), the ambitious, large-scale, immersive outdoor experience Dr Blighty is the latest event revealed for the 50th edition of Brighton Festival in May 2016.

More than a million men travelled from India to fight for the Allies during the First World War, their collective experiences constituting one of military history’s great untold stories. Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front would be brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. 

This major new collaboration, Dr Blighty, recalls this episode in Brighton’s wartime history, bringing the experiences of the soldiers - and the locals who came to care for them - movingly back to life via an immersive walk-through installation across the Royal Pavilion Estate. Animated by actors and enhanced by immersive installations, enthralling video projections, ambient soundscapes and theatrical interludes, inspired by letters the soldiers sent back home, the event will seek to capture the essence of the hospital and those who recuperated here.

The hospital installation will be complemented by a series of related performances and participatory outreach activities, drawing parallels with contemporary events while bringing this moving episode in Brighton’s history back to life. For four nights, a spectacular after-dark production will incorporate video projections on the Royal Pavilion, evoking memories of a very distant home for the soldier convalescents. In addition, the Philharmonia Orchestra will perform in a special ticketed concert at Brighton Dome with some of India’s leading contemporary musicians, marrying Western and Eastern classical music traditions.

Ajay Chhabra, Artistic Director of Nutkhut says: “Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Ajay Chhabra, Artistic Director of Nutkhut says: “Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Jenny Waldman, Director, 14-18 NOW, said: “We are thrilled to be working with Brighton Festival to present this ambitious project with an amazing group of artists brought together by Nutkhut, which will offer audiences an insight into the little-known and remarkable story underpinning the city’s involvement with the First World War."

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details of Brighton Festival 2016 will be announced on 17 February 2016

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

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NOTES TO EDITORS:

About Dr. Blighty:

• Co-commissioned by Brighton Festival, 14-18 Now and Royal Pavilion & Museums, Brighton & Hove.

• The full Dr. Blighty creative team includes:
Ajay Chhabra (Artistic Director)
Shri Shriram (Composer)
Tom Piper & Amanda Stoodley (Design)
Sian Thomas (Performance Director)
Stephen Clark (Writer)
Phil Supple (Lighting Designer)
Novak (Video & Animation)
Ed Carter (Sound Designer)

About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Full programme details will be announced on Wednesday 17 February 2016.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About 14-18 NOW:

• 14-18 NOW is a programme of extraordinary arts experiences connecting people with the First World War. Their programme takes place from 2014 to 2018 and is timed to mark the centenary of the war, which raged across Europe, Asia and Africa from 1914 to 1918.

• 14-18 NOW commission artists from all art forms to look afresh at the First World War conflict and create shared experiences exploring this significant moment in time. They work with cultural organisations across the UK to commission new art, theatre, film, dance, digital, music, poetry and mass-participation events
• 14-18 NOW firmly believes in the transformative power of the arts to bring the stories of the First World War to life. Perceptions of the war have been shaped by the artists of the time, including poets, painters, photographers and film-makers – many of whom served and who reflected on the war and its effects. One hundred years later, today’s artists are opening up new perspectives on the present as well as the past.

About Nutkhut:

• Formed in 2003, Nutkhut exists to fulfil the creative vision of Simmy Gupta and Ajay Chhabra

• As an ideas-led, art focused performance company, Nutkhut creates work mixing performance, dance, film, participation and a distinctly British comedic sensibility and eccentricity. Nutkhut has been delighting audiences for over 10 years and are a major presence in the outdoor performing arts sector, working regularly with festivals and events across the UK and beyond.

• Nutkhut is led by two British Asian artists, Simmy Gupta and Ajay Chhabra. The company is unique as it draws inspiration from the Artistic Directors’ backgrounds and mixes it with a very British sense of humour and mischief. Nutkhut is highly representative of modern Britain and create work which could only have come from the here and now.

About Royal Pavilion & Museums

• Royal Pavilion & Museums is the museum service of Brighton & Hove City Council. It directly operates: The Royal Pavilion, Brighton Museum & Art Gallery, Hove Museum & Art Gallery, The Booth Museum of Natural History and Preston Manor

• Its collections include three which are Designated: World Art, Decorative Art and Natural History. Other collections include Local History, Archaeology, Fashion, Fine Art, Toys and Media.

• It has responsibility for a number of historically important listed buildings and monuments: William lV Gatehouse, India Gate, Northgate House, 4/5 Pavilion Buildings, Portslade Old Manor, The Old Courthouse and Courtroom, Jaipur Gate at Hove Museum & Art Gallery

• The service provides advice and support to voluntary-run museums and heritage organisations within the city: The Old Police Cells Museum, the Fishing Museum, the Toy and Model Museum, West Pier Trust and West Blatchington Windmill.

City Reads 2016 novel announced

Paul McVeigh’s novel The Good Son becomes Brighton’s ‘Big Read’ as part of the 50th Brighton Festival

Brighton-based author Paul McVeigh’s The Good Son – shortlisted in The Guardian’s ‘Not The Booker Prize’ annual list – has been chosen for City Reads 2016. Delivered by award winning literary organisation Collected Works CIC, City Reads is the longest running ‘big read’ in the UK conceived to spread a love of books and ideas to the widest possible audience throughout the region. The annual event will return to its cultural home in 2016 as it becomes part of Brighton Festival’s 50th anniversary celebrations.

Paul McVeigh says ‘when I moved to Brighton a few years ago, one of the first things I did was volunteer for City Reads to celebrate books and get to know my new city. Who could believe that just a few years later my book would be chosen and my adopted city would adopt me right back. That it will be part of the 50th anniversary of the Brighton Festival is such an honour. I can’t wait to get started.’

The Good Son – chosen to mark the centenary of the Easter Rising in 2016 – is a bitter sweet tale, set in 1980s Belfast. Mickey Donnelly is smart, which isn’t a good thing in his part of town. Despite having a dog called Killer and being in love with the girl next door, everyone calls him ‘gay’. He has to protect his Ma and his sister Wee Maggie from the Troubles and from Da. And sometimes... you have to be a bad boy to be a good son.


Sarah Hutchings, Artistic Director of City Reads says ‘This outstanding debut from Brighton based Irish writer Paul McVeigh was the perfect choice, particularly as it’s the centenary of the 1916 Easter Rising this year. I defy anyone not to fall in love with its protagonist Mickey Donnelly. He’s clever, naive and hilariously funny. I hope you love it as much as we do at City Reads.

From its launch on World Book Day (3 March) to the final event at Brighton Festival on 29 May, City Reads will encompass a wide range of events and discussions themed around the novel that encourages residents across Brighton & Hove to get reading and start talking. Highlights include an Irish Whiskey Tasting on St Patrick’s Day (17 March) - from top taster Dave Broom - with readings from The Good Son and live music, a special screening on the official centenary of the 1916 Easter Rising (24 April) of Pat ‘O Connor’s 1984 film Cal (starring Helen Mirren) and of course the perennial favourite: The City Reads Book Quiz returns on 27 April.

Andrew Comben, Chief Executive Brighton Dome & Brighton Festival says: ‘We are delighted that City Reads is part of Brighton Festival this year - building on our strong relationship with Collected Works through other partnership projects such as Young City Reads and Adopt an Author. It’s especially exciting for us to champion the work of a local writer as part of 50th edition of the Festival – in which we explore the concept of home and the various writers, artists and performers that live in this city on the edge.’ 

Do you have a Brighton Festival story to tell?

Did you see The Who at Brighton Festival 1967? Ella Fitzgerald at Brighton Festival 1971? The Ramones at Brighton Festival 1986? Do you remember The Zap Club tent or The Town Plays? Have you ever performed at Brighton Festival? Do you have any memories of the city itself during Festival time? If so, we’d love to hear from you.

In 2016, Brighton Festival marks its milestone 50th year. Over five decades the three-week celebration of the arts has become a major milestone in the international cultural calendar; bringing visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances to the city.

We’re collecting memories, memorabilia and musings on the last 50 years of Brighton Festival – if you’ve got a story to tell or a memory to share, please email mymemories@brightonfestival.org and we’ll be in touch.

Brighton Festival announces major new commission for 2016 inspired by untold story of First World War

Brighton Festival - alongside commissioning partners 14-18 NOW and Royal Pavilion & Museums, Brighton & Hove - has today announced a major new commission inspired by the untold story of the hundreds of thousands of men who travelled from India to fight for the Allies in the First World War.

Created by performance company Nutkhut and brought together by a creative team that includes designer Tom Piper (Tower of London poppies), the ambitious, large-scale, immersive outdoor experience Dr Blighty is the latest event revealed for the 50th edition of Brighton Festival in May 2016.

More than a million men travelled from India to fight for the Allies during the First World War, their collective experiences constituting one of military history’s great untold stories. Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front would be brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate.

This major new collaboration, Dr Blighty, recalls this episode in Brighton’s wartime history, bringing the experiences of the soldiers - and the locals who came to care for them - movingly back to life via an immersive walk-through installation across the Royal Pavilion Estate. Animated by actors and enhanced by immersive installations, enthralling video projections, ambient soundscapes and theatrical interludes, inspired by letters the soldiers sent back home, the event will seek to capture the essence of the hospital and those who recuperated here.

The hospital installation will be complemented by a series of related performances and participatory outreach activities, drawing parallels with contemporary events while bringing this moving episode in Brighton’s history back to life. For four nights, a spectacular after-dark production will incorporate video projections on the Royal Pavilion, evoking memories of a very distant home for the soldier convalescents. In addition, the Philharmonia Orchestra will perform in a special ticketed concert at Brighton Dome with some of India’s leading contemporary musicians, marrying Western and Eastern classical music traditions.

Ajay Chhabra, Artistic Director of Nutkhut says: 'Thousands of letters were written from the Western Front back home to wives, mothers, daughters and sisters, and it’s the emotion within these letters that Dr Blighty is trying to bring into the public domain. They, alongside the propaganda and the censorship, give us an insight into the lives of these young men, and give these many anonymous soldiers a voice. The project will essentially tell a 100-year-old story, and make it a contemporary one for new audiences.’

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: 'This is an important story, both in the history of Brighton & Hove and in the wider context of the First World War - one which we think deserves to be better known. In Brighton Festival’s 50th year, it’s even more appropriate that we present this piece now and I am delighted to be working with our partners to bring it to fruition.'

Jenny Waldman, Director, 14-18 NOW, said: 'We are thrilled to be working with Brighton Festival to present this ambitious project with an amazing group of artists brought together by Nutkhut, which will offer audiences an insight into the little-known and remarkable story underpinning the city’s involvement with the First World War.'

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

Full programme details of Brighton Festival 2016 will be announced on 17 February 2016.