Brighton Festival 2019Public booking opens: Fri 24 Feb, 9am

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Festival Fifty: Producers' Standout Moments

In our 50th year, five producers look back and share their personal highlights of past festivals, from hunting around the globe to find and reconstruct the score to Laurence Olivier’s Henry V, to wiping sheep sneezes off Anish Kapoor’s C-Curve

Philip Morgan, producer (1991 – present day)

One of my most memorable Brighton Festival moments was Gaudeamus by the Maly Theatre in 1996. This devised show was directed by Lev Dodin - considered to be one of the best theatre directors in the world. It’s based on a Russian short story about life in the army in 1980. It was a steeply raked stage covered in artificial snow and honeycombed with traps which the cast of twenty literally dived in and out of. We flew a grand piano across stage with a couple making love on top of it. It was an incredibly exciting show demonstrating ensemble work that no longer exists in the UK and we built a temporary theatre in Brighton Dome Corn Exchange to show it.

Pippa Smith, producer (1990 – present day)

In 1990 I was working at Same Sky when Brighton Festival director Gavin Henderson asked us to take over the organisation of the annual Children’s Parade. In my previous job I had been involved with Notting Hill Carnival so I was able to bring many of their ideas to Brighton; it was a really exciting to see them work with children and train teachers to make the parade the amazing spectacle it is today! In the early years the entire event would end up on the Café lawn of Pavilion Gardens; all the children, their parents and teachers could gather on the one lawn and there was still room for the Millstones – the Blatchington Mill Big Band! The parade now features dozens of bands, every single school from Brighton and Hove and many from outside the city.

children's parade 2
Children's Parade

Beth Burgess, producer (2015 – present day)

A producer’s first festival is always memorable, but in 2015 there was a great moment when I was sitting in my office which overlooks Castle Square. I had run up to do some quick e-mails and the Children’s Parade was still going past… I had been on the ground, so to speak, as it began and that made me smile from ear to ear, but seeing it from above, it was amazing. As I leaned out my window to watch all these amazing costumes, sculptures and children marching past, I could not believe that I was part of something so huge, so joyous and this was just the beginning! There were all sorts of wonders but, later that week, sitting with Agnes Varda - my all-time heroine of cinema - was my dream come true. She was such a lovely human being and delightful to work with. I learned so much from her and her work. What could be better?!

Gill Kay, producer (1985 – present day)

One of my most memorable festival moments was the 2007 performance of Laurence Olivier’s film Henry V with Carl Davis and the Royal Philharmonic Orchestra playing the famous Walton score live. That year was Olivier’s centenary and Granada Film/TV were issuing a new celebratory HD print of this iconic 1944 film. The original score had been lost, and so began a hunt which took us, literally, around the world to the US, via Italy and back to Christie’s in London. Finally, along with a brilliant composer/transcriber Dominic Sewell we managed to reconstruct the score… only to find that all the sound on the film had been put onto one track so extracting the music to enable ‘live’ performance became a mammoth task. Dominic, myself and some dedicated Granada technicians spent hours going through the film frame by frame to produce this new version of the score and film. It can now be performed by any orchestra anywhere in the world so definitely worth all that effort!

Tanya Peters, producer (2007 – present)

In 2009 bringing Guest Director Anish Kapoor’s C-Curve to Brighton was definitely one of my most memorable Festival experiences. The location was up on a South Downs hill that overlooked the Chattri and down across the city to the sea. For such a stunningly simple-looking piece it was deceptively complex to do in terms of agreeing the site, transporting the valuable sculpture across farmland, the meticulous installation and maintenance. One unanticipated issue was the local lambs sharing the field would cuddle behind it as a windbreak overnight – they’d keep sneezing on it and I’d have to go back up there at 6am to remove the evidence and buff it up! One day I remember looking down toward Brighton and seeing all these dots on the hill. After a while it dawned on me that they were people; it was the first day of the Festival and lots of people were walking up to see the sculpture! This continued throughout May – people arriving throughout the night and at dawn, from campers to cyclists and poi jugglers. You’ve got to love Brighton people haven’t you – we are going to put an amazing sculpture in the middle of absolutely nowhere and everyone comes along - I love that! What amazed me, and this is really what Brighton Festival is all about, is how the piece inspired so many people, with many then creating their own works of art. Beautiful photography and portraits created in response to it were being shared online and across social media. It was amazing and Anish loved seeing that too. I miss my days starting with a walk in the Downs and sheep sneezes.


Anish Kapoor's C-Curve
Photo by Matthew Andrews

Festival Hot Seat... The Last Resort

In the first of a new blog series we caught up with artists Tristan Shorr and Rachel Champion aka Art Of Disappearing to find out more about upcoming Brighton Festival commission The Last Resort

Can you tell us what your show is about?

The Last Resort takes a wry look at a rather bleak future. It throws out questions and ideas and possibilities. It’s an experience that should challenge imagination and thought.

How and where will it be staged?

Two participants at a time embark on a fictional tour of a forgotten resort. They move along the barren stretch of beach, imagining what might or might not have been, led by an immersive score.. The site is near the dock at Portslade which we chose for its bleakness and solitary position, the perfect environment for the imagination to be set loose!

Why should someone come and see your show?

If you enjoy dystopian ideas, beautiful barren landscapes and sci-fi whilst spending time in an imaginative experience then this is the show for you. With an original score, the chance to spend quality time with friend, family or stranger, and a shop to buy The Last Resort goodies...what more could you want!

Where did the idea and inspiration come from?

The outdoor site in Portslade was a perfect fit for certain ideas we have been mulling over for a while. The opportunity to create a work for Brighton Festival gave us the chance to bring the idea to life in a very real and raw way.

How we make the work and what the work is about are intrinsically linked for us. Within the creation of imaginary realities and reinterpreted landscapes the work looks to inspire, challenge and feed the participants imagination and create a space for action rather than passivity.

The context is of a future where our imaginations and our ability to think for ourselves as individuals is placed in doubt. Our inspiration is in the making of a work that encourages both active listening and active participation from our audiences.

Why do you think it’s an important story to tell?

Its both exciting and depressing to think about the future...what will happen, what are we doing and what choices will be made….this work looks at one extreme possibility all wrapped up in the nicest possible experience. It’s important to think ahead…

The Last Resort is a work that hopefully you leave asking a few questions.

What’s going to surprise people about this show?

The nudist beach along the route might be an eye opener!

The show is unusual, in that it uses sound along with the participants imaginations to create an immersive world.

What sort of person is going to love this show?

Anyone who holds a fascination with the future, enjoys being outdoors, loves listening to music in headphones, enjoys the challenge of spending time with a friend, a stranger or a family member and definitely anyone who wants to broaden and challenge their imagination.

What does Brighton Festival mean to you?

Rachel:

I was born locally and have lived near Brighton for the majority of my life. Brighton has always been a place of positive escapism for me, the live music, the great coffee shops and the Brighton Festival. I actually performed in Brighton Fringe with my school 27 years ago! Ouch! It’s always been there...long may it continue!

Tristan:

I think at a time where funding for the arts is dwindling and when challenging audiences and social passivity to the world around us is also taking a step back, it's hugely important that arts and cultural festivals like Brighton Festival exist. It is also important that places that support work and artists pushing the boundaries of the arts exist too and this is what the festival means to us both.

This isn't to say that we view ourselves as particularly radical in our approach, but we definitely appreciate the importance of Brighton Festival giving a place for us artists to call home!

Do you have a favourite festival moment?

It hasn’t happened yet!! The festival is always great, the city wakes up! Can’t ask for more than that! We’re going to be pretty busy this year with the show so it will be a very different experience… we might have to hear about it rather than join in!

Book now for the last remaining slots of The Last Resort.

Competition: For the Love of Dogs

What is it about our relationship with our dogs that is so special?

We’re giving our audience the chance to pay tribute to the animals who love us so unconditionally. We’ll be selecting 50 dogs to be immortalised in a special Brighton Festival graffiti mural in a city centre location.

Brighton Festival Guest Director Laurie Anderson is presenting two events this year around dogs. In her film Heart of a Dog, her relationship with her pet rat terrier Lolabelle provides the starting point for a meditation on love, loyalty and memory.

If you would like to see your furry friend featured on this one-off mural, email competitions@brightonfestival.org by Thu 21 Apr with:

  • The name of your dog and up to 50 words on why your dog is so special to you
  • A high-quality portrait-style photograph
  • Your name and email address

50 dogs will be chosen to be immortalised on a Brighton wall, a tribute to unwavering loyalty and to 50 years of our bold, brilliant & sometimes barking mad Brighton Festival. We will also create an online gallery featuring all dog submissions and their stories.

Gallery: Brighton Festival Brochure Covers 1967 - 1976

Look back through Brighton Festival's design history 

Check out the first ten years of Brighton Festival Programme Covers.
The next four decades will be coming soon... 
Find out more on the branding for our milestone 50th year. 

1968

1969

1970

1971

1972

1973

1974

1975

1976


Peacock Poetry Prize 2016

For the 50th Brighton Festival, our annual poetry competition in partnership with Brighton, Hove & Sussex 6th Form College (BHASVIC) takes the theme of ‘Celebration’. Rejoice in the everyday or revel in the outlandish: what will you choose to celebrate?

Entries will be judged by our panel of experts and prizes awarded at a special ceremony at Brighton Dome on Thu 26 May, 5pm. There are four categories, for ages 8–11, 12–15, 16–17 and 18+. You can submit up to three poems with a maximum length of 40 lines per poem.

Email your entry, together with your full name, age and date of birth to writing@brightonfestival.org 

Deadline for entries: Fri 22 Apr, 5pm

The Peacock Poetry Prize is an annual competition produced by Brighton Festival and Brighton, Hove & Sussex Sixth Form College (BHASVIC) to encourage young writers to explore the written word from a creative point of view. The aim is to get young people writing right across Sussex and encourage them to engage with the Festival’s theme. The competition is open to residents of Brighton & Hove, East and West Sussex aged 8 and over.

Supported by GM Building

Brighton Festival celebrates the city's memories with new oral history app

'Jimi Hendrix signed my tambourine and I had to run for my life...'

A free interactive oral history app unfolding the ordinary personal stories of young love, loss and rebellion in the 1940s, 50s and 60s is launching during May as part of Brighton Festival 2016.

The Giddy app, from Brighton arts collective The Nimbus Group and funded with support from the Heritage Lottery Fund, takes users on an alternative walking tour of the city, punctuated by GPS triggered personal histories straight from the mouths of the people who lived them.

From a chance meeting with Jimi Hendrix in the back of a beaten up MG and tales of daytime runaways who never got caught, to stories about sneaking into strip bars and dancing til dawn with the Teddy boys, Giddy offers a view of life in the postwar years that is conspicuously absent from the history books.

All of the content – the stories, photographs, app design – has been gathered and created by teenaged pupils of Brighton’s Longhill School, with the support of a team of archive specialists, oral history interviewers and photographers.

‘Every generation of young people thinks they are the first to experience the intense highs, lows and giddy adventures of the teenage years,’ says Carina Westling of The Nimbus Group. 

‘We wanted to use digital technology to create something that celebrates the stuff of life that unites us as humans, reveals our individuality but also highlights universal themes associated with youth that span the generations,’ she says.

‘Oral history offers a perspective of the past that stands outside the received wisdom of the history books. Our intention for Giddy is to bring history to life in such a way that the young (or not so young) people who hear these stories will never look at older people in quite the same way again.’

Giddy is available for iOS and Android smartphones from May, sign up for a notification of the app’s release at www.giddybrighton.com.

An accompanying online archive and exhibition featuring portraits and archive images gathered during the making of the app will launch at University of Brighton's on 7 May 2016, which will be open to the public till the end of the Festival on 29 May.

Laurie Anderson on...

… Brighton Festival 2016’s theme of ‘home and place’:

‘I’m really happy to be part of Brighton Festival this year. I love the theme, maybe because I’m a working musician and often on the road, the idea of home is pretty appealing. It’s also a great idea for a festival, trying to find out who and where you are. It’s a pretty amazing collection of work. See you there!’

… Brighton Festival 2016 exclusive performance Song as a Place:

‘We’ll be doing a lot of new things in the Festival, one is a collaboration with Nik Bärtsch and Eivind Aarset. They are incredible musicians and we’ve played together once before. It’s going to be like a song conversation. Imagine walking through a piece of music with people you really like and we get to play it and kind of think about it and talk about it at the same time… it’s going to be a blast.’

… Brighton Festival 2016 exclusive performance Slideshow:

‘This is about an attempt to describe several places I’ve been in my life and what they might have in common. This is a brand new piece so I can’t tell you that much about it, it’s going to be a surprise to me too!’

… her unique concert for dogs making its UK premiere:

‘I’m so curious who is going to show up. We’ll be playing things that are kind of in their range - although they hear very well across the spectrum - so we’re going to see what happens.

… on the Brighton Festival 2016 screening of her critically acclaimed film Heart of a Dog:

‘It’s full of stories about how you make a story. It’s nominally a film about me and my dog, but really it’s not… it’s about love and language, I guess. I hope you like it.’

… on what Brighton Festival 2016 audiences can expect of her works:

‘I like to make a really big, fun, interesting playing field and not predict what people are going to get from of it. It’s so different for each person. I’m often really surprised when people tell me what they’ve got from my work, and then I think “that’s really interesting and brilliant… but that had really nothing to do with the work I was doing”. It’s your interpretation, so I guess that’s what I hope… that people use it to go places themselves.’

… the UK premiere of Lou Reed’s Drones project:

‘We’re going to be doing a really exiting installation plus sort of ‘improv site’, let’s say. It’s based on Lou Reed’s feedback work - he worked with guitars and the incredible harmonics and sound structures that happen when you use feedback. His guitar tech, Stewart Hurwood will be doing it with Lou’s guitars and Lou’s amps… so it’s kind of as close to Lou’s music as we can get these days. It’s a very hypnotic, beautiful sound, I think you are really going to like it. We’re inviting musicians to come and do improvisations with it as well - that is really fun - so I hope you get a chance to come by and play. You could improvise any way you want really, you could come and do some drawings or pottery… I guess… bit messy!’

… on being Guest Director of Brighton Festival in May:

‘Brighton Festival is so big and sprawling and exciting and there’s so many different things going on - it really has a kind of celebratory, crazy, art party feel to it. I also love the chance to meet other artists and hang out with them. It’s a free for all so I’m really looking forward to it.’

Danny Wallace introduces Young City Reads 2016, Brighton & Hove

Brighton Festival and Collected Works CIC are rather excited for the 2016 Big Read. The concept is simple: one book, by one author is selected for the whole community to read, explore, discuss and creatively engage with. This year's featured book is Danny Wallace’s Hamish and the Worldstoppers

Watch the video and see what Danny Wallace has to say about this year's Young City Reads and head over to Collected Works CIC website and find out more.

More on the Young City Reads Big Event

Brighton Festival 2016 branding: Fifty years on the edge

What’s black and white and read all over? The 50th Brighton Festival brochure…

Working to create our striking monochrome 50th identity has been a lot of fun. Here’s what designers Johnson Banks said about their inspiration and direction,

‘This year Brighton Festival asked us to create a special identity to celebrate their fiftieth year. It really was a gift for us, that their current F logo could become the initial letter for 'FIFTY' in a one-off logotype.

The festival has always celebrated the experimental, unusual and cutting edge in the arts, wanting to disrupt the quotidian. So the 'FIFTY' marque began from there - avoiding the traditional, and sitting on the edge, literally and figuratively. The vertical type, chevrons and diagonal cut letters add to the dislocated effect. This year's line 'Fifty years on the edge' developed from the same starting point.

Laurie Anderson, the Guest Director for 2016, herself an experimental performance artist, is a perfect fit with the festival ethos for their golden year.’ 

The design process in progress:


Be part of Gillian Wearing’s A Room With Your Views

Turner-Prize winning artist Gillian Wearing is seeking participants to be part of a unique, global, collective filmmaking project - one of the largest of its kind ever to be produced - for a new commission, A Room With Your Views, as part of this year’s Brighton Festival and HOUSE festival.

The project aims to capture a snapshot of views from people’s homes all over the world - from urban spaces to remote countryside - and invites the public to film a short clip of either their curtains or blinds opening to reveal a view from their window. Like the curtains going up at the beginning of a stage play, each view will be a pictorial unveiling of a landscape, cityscape or even a brick wall.

The results will feature in a new exhibition as part of the 50th edition of Brighton Festival and HOUSE festival called A Room with Your Views – Wearing’s first solo exhibition on the South Coast of England – which will take place at the Brighton University Galleries from 7-29 May 2016.

Participants are not required have experience as a filmmaker - raw footage filmed on phones, video cameras or in more professional formats will all be accepted. The only stipulation is that the shot is static and is shot on a horizontal and participants follow some simple instructions so all the clips are similar in specification. Creative ideas of revealing the view are welcomed for windows without curtains or blinds.

The project asks for contributions to be uploaded to yourviewsfilm.com. It is hoped that Brighton & Hove residents will send their own films to the project as well as participants from far further afield. 

Gillian Wearing, OBE, commented, “It feels personal in the way that each person has approached the instructions to the film and universal as it unites the world in the harmonious gesture of opening the curtains, blinds or shutters to give us a glimpse of their views. I am delighted by this opportunity to present ‘A Room With Your Views’ to the HOUSE and Brighton Festival audience and hopefully the work will include some local participant’s films too.”

Andrew Comben, CEO, Brighton Dome & Brighton Festival, said, “We are delighted to have co-commissioned Gillian Wearing for Brighton Festival 2016. In this – our 50th year – we particularly wanted to reflect on the nature of ‘home’ and ‘place’ and this project does just that, providing an insight into people’s views from their windows throughout the world. I can’t wait to see the project develop and hope that the whole community will get involved by sending in their own films”

Please upload your contributions to  yourviewsfilm.com.


Astounding film footage of first Brighton Festival discovered

See extracts in our 50th Brighton Festival film

Film footage of the very first Brighton Festival in 1967 has been discovered in an attic. The long lost material, shot by former Brighton College of Art students Ian Beck and Tim Grimes, captures the inaugural festival’s many different events alongside behind the scenes footage. 

You can enjoy extracts of this historic and unique footage in our latest Brighton Festival video (watch above). Made by Echo Video, with Ian Beck and Tim Grimes’ original footage and featuring footage from Screen archive South East. With voiceover from Spymonkey's Toby Park.

Ian Beck says ‘In 1967 we were encouraged by Tom Buckeridge, head of photography at Brighton College of Art, to make a record of the first Brighton Festival. We were handed two Bolex 16 mm cameras and some film stock and we were more or less left to run wild to film what we were interested in… so we did!’

Historical gems uncovered in the 100 minutes of silent film include footage of a young Eric Clapton playing with Cream in Brighton Dome, early robotic works from acclaimed artist and eccentric Bruce Lacey, and an International baseball game held between England and the United States of America.

Ian Beck explains ‘We all thought the film was lost. Tim Grimes, my fellow worker on the film, was cleaning out an attic and found several rusty tins in which was the original untouched negatives. It was quite the find. We then had them digitised, although it’s mute because the sound recordings are still lost!’

Also captured is the frantic moment Keith Moon destroys his drum kit following a concert by The Who and the intriguingly titled Destruction of Hideous Objects; a large bonfire on the beach comprised of discarded furniture and art pieces.

Ian Beck continues ‘We were allowed to film anywhere. We shot both John Dankworth and Georgie Fame rehearsing at Brighton Dome. We seemed to have access to all sorts of things and we filmed everything and everyone without anyone turning their head and asked ‘what are you doing? We don’t want you filming this!’ These were relaxed times I suppose you say!’

Brighton Festival marks its milestone 50th year in 2016 with the pioneering artist and musician Laurie Anderson as its Guest Director. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin.

Spotlight: Operation Black Antler

Learn more from Jem Wall and Matt Adams about Operation Black Antler

Two Brighton Festival Associate Companies come together in an exciting new collaboration. Blast Theory (Rider Spoke, 2008; Fixing Point 2013) are celebrated for their inventive use of technology and their thought-provoking subject matter. Hydrocracker have delighted and terrified audiences with Shakespeare á la Carte (2008), the uproarious The Erpingham Camp (2009), and the chilling production of Pinter plays The New World Order (2007 & 2011). Having these two companies working together has been on all our wish lists for a number of years

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Echo Video

Spotlight: Dr Blighty

Find out more about Dr.Blighty

One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history. 

Video by Ed Inglis and Nutkhut: http://www.nutkhut.co.uk/


Spotlight: Stella

Hear more from veteran Brighton artist Neil Bartlett, one of Britain’s most individual theatre makers. We’re honoured that Neil’s wonderful, intense and distilled new play Stella, inspired by the life and death of Ernest Boulton, can open in Theatre Royal Brighton before going on to performances at London International Festival of Theatre and Holland Festival.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Echo Video

The 50th Brighton Festival launches with Laurie Anderson as Guest Director

The full programme for the 50th Brighton Festival (7-29 May 2016) - the largest and most established curated annual multi-arts festival in England - was unveiled today with experimental artist and musician Laurie Anderson as Guest Director.

Renowned for her inventive use of technology, Anderson is one of America’s most daring creative pioneers. In roles as varied as artist, composer, poet, photographer, filmmaker, vocalist and instrumentalist, she has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. Anderson takes the helm as Brighton Festival marks its milestone 50th year of commissioning and producing innovative arts and culture by exploring the theme of ‘home and place’ across its 2016 programme.

Taking inspiration from Anderson’s multidisciplinary career as well as the original intentions of Brighton Festival to celebrate the new and the avant-garde, the eclectic programme - which spans music, theatre, dance, visual art, film, literature and debate - features work from some of the most innovative national and international artists. It includes 54 commissions, co-commissions, exclusives and premieres such as two exclusive performances from ‘folktronica’ pioneer Beth Orton, choreographer and dancer Akram Khan’s new full-length production Until The Lions; and the world premiere of a global collaborative work by Turner Prize-winning British artist Gillian Wearing.

Anderson’s own events include the UK premiere of her unique Music for Dogs, a concert specially designed for the canine ear; a screening of her acclaimed new film Heart of a Dog, described by Anderson herself as: “full of stories about how you make a story . . . nominally a film about me and my dog but really it’s not, it’s about love and language”; an exclusive new performance monologue about place and places called Slideshow; and a freewheeling walk through sonic spaces with fellow musician-composers, pianist Nik Bärtsch and guitarist Eivind Aarset.

Many of Anderson’s interests, passions and achievements are also explored including the UK premiere of Lou Reed Drones, an installation of her late husband’s guitars and amps in feedback mode which she describes as “kind of as close to Lou’s music as we can get these days”; a special screening of critically acclaimed Sans Soleil (Sunless) - an elegiac masterpiece by her favourite director Chris Marker; and a series of events that explore innovation and technology in the arts, including Complicite /Simon Burney’s acclaimed The Encounter and Brighton-based Art of Disappearing’s outdoor adventure The Last Resort.

With the theme of ‘home’ at the heart of the programme, Brighton Festival 2016 will celebrate its relationship with the unique, energetic and creative city of Brighton, its artists, its characters, its sense of place and spirit whilst also considering universal issues and ideas around home, our communities and places of safety. Highlights include a new work from Argentinian artist Lola Arias developed with and performed by veterans of the Falklands conflict; experimental composer and musician Yuval Avital’s potent and thought-provoking new work, Fuga Perpetua, which reflects on the situation of refugees; and the UK premiere of Berlin’s Zvizdal, a filmic portrait of an elderly couple’s self-imposed solitude in the region affected by the 1986 Chernobyl disaster.

The rich diversity of home-grown artists and companies are celebrated in a series of special commissions that include two works marking the 400th anniversary of William Shakespeare’s death: The Complete Deaths, a re-enactment of every onstage death from Brighton-based artistic powerhouses Spymonkey and Tim Crouch, and Digging for Shakespeare by Marc Rees, a site-specific homage to 19th Century Brighton eccentric and world-renowned Shakespearean scholar James Orchard Halliwell-Phillipps; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by playwright Neil Bartlett; and the world premiere of Blast Theory & Hydrocracker’s immersive undercover police drama Operation Black Antler.

Other city-inspired highlights include a specially commissioned film Brighton: Symphony of a City, screened to a new score performed by Orchestra of Sound and Light, and the entire Royal Pavilion Estate playing host to Dr Blighty; an ambitious, large-scale, immersive outdoor experience which highlights the untold story of wounded Indian soldiers hospitalised in Brighton during World War One. Kicking off with the Children’s Parade - the largest of its kind in Europe – Brighton Festival 2016 will also see a record number of community-focussed events throughout the programme including the annual City Reads and Young City Reads produced in partnership with Collected Works and Future Gazers which asks school pupils to imagine the world in 50 years’ time.

2016 also sees Brighton Festival work with Guardian Live in a special partnership to deliver the Books and Debate programme with a series of events including Yanis Varoufakis, Lionel Shriver, Marlon James and Mark Haddon. It will also see the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances open to the public. 

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. I've been part of the Festival several times and it is so big and sprawling and exciting and there’s so many different things going on - it really has a kind of celebratory, crazy, art party feel to it. And I love the theme of home and place. It is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. Maybe because I’m a working musician and often on the road, the idea of home is pretty appealing to me. It’s also a great idea for a festival - trying to find out who and where you are. See you there!” 

Andrew Comben, Chief Executive of Brighton Festival says: “It’s very special for us to be marking the 50th Brighton Festival with Laurie Anderson as Guest Director. Every year since 1967 some of the greatest artists, performers and thinkers have come together with some of the most open-minded and enthusiastic audiences anywhere for a festival whose home is one of the most artistically rich and geographically blessed places in the country. Laurie is well-known and well-loved by the city and has been has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed. Alongside the startling international and newly commissioned work that we’re bringing, she has been particularly enthusiastic about finding ways in which the festival can invite the participation of the whole community – time and again throughout the programme we see opportunities to get involved to explore our own creativity and to celebrate, together, this wonderful festival in its 50th year.”

Hedley Swain, Area Director, South East, Arts Council England, said: “It is very fitting that the theme for Brighton Festival’s 50th programme is ‘home and place’. The Festival, and more widely arts and culture in general, have long been synonymous with Brighton. Collectively they deliver inspiring performances and exhibitions for local communities, attract people from far and wide to drive cultural tourism and make a strong contribution to the local economy. This success is built on strong partnerships across the city, including Brighton & Hove City Council, and is a great example of collaborative investment and working that others can learn from. Brighton Dome & Brighton Festival’s forthcoming capital project will help to build on the success to date, ensuring Brighton remains one of England’s cultural leading lights.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Its original intentions as set out by the first Director Sir Ian Hunter were: “to stimulate townsfolk and visitors into taking a new look at the arts and to give them the opportunity to assess developments in the field of culture where the serious and the apparently flippant ride side by side”. The inaugural programme included the first ever exhibition of Concrete Poetry in the UK, a ‘Kinetic labyrinth’ on the West pier, and a site specific project which attempted to ‘change the colour of the sea’ alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere.

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press & PR - emma.robertson@brightonfestival.org | 01273 260 803
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NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

Click here to view the PDF 

Laurie Anderson photo © Tom Oldham

Spotlight: Brighton: Symphony of a City

Discover more from Lizzie Thynne and Ed Hughes, as they discuss Brighton: Symphony of a City

One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Video by Catalina Balan with Neil Whitehead

Brighton Festival 2016 Merchandise

This year we worked with Johnson Banks once again to create the visual identity for Brighton Festival 2016: A tessellated and dislocated fifty descending from the Brighton Festival F, marking Brighton Festival's half century of celebrating the experimental, the unusual and the cutting edge in the arts.

We have created a selection of merchandise for you to enjoy:

T-shirts (S, M, M Ladies, L, XL)
£12 /£15.50 online incl. p&p

Small posters (A3: 297mm x 420mm)
£2/ £5.50 online incl. p&p

Large posters (B2: 707mm x 500mm) 
£4/ £7.50 online incl. p&p

Canvas bags
£6/ £9.50 online inc. p&p 

These products are available to buy online by clicking the links below.

The prices above include P&P to UK locations only.
If you live abroad, please contact marketing@brightondome.org to purchase and get a quote for P&P.

If you live locally, you can buy these items at our Ticket Office at 20 New Road, Brighton. 

Spotlight: Digging for Shakespeare

Find out more from Marc Rees on Digging for Shakespeare in our Spotlight film. Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival.

Film by Echo Video

Brighton Festival: Fifty years on the edge

For 50 years this popular seaside destination has been the incomparable setting for Brighton Festival, a magnet for culture loving visitors and artists from all corners of our Globe.

Long known as a haven for ‘dirty weekenders’, the festival’s arrival in 1967 ushered a new era of cultural sophistication for Brighton. But it was one that embraced its raffish spirit! In the words of inaugural director Sir Ian Hunter, it was to be a festival where ‘the serious and the apparently flippant ride side by side’.

Now entering its milestone 50th year the festival’s trail-blazing traditions proudly continue with 2016’s eclectic programme featuring a dazzling array of some of the most innovative artists and companies from the UK and around the world. And with pioneering artist and musician Laurie Anderson at the helm as Guest Director, it’s really going to be something worth celebrating.

This footage of the very first Brighton Festival in 1967 was discovered recently in an attic. The long lost material, shot by former Brighton College of Art students Ian Beck and Tim Grimes, captures the inaugural festival’s many different events alongside unseen footage of Eric Clapton, The Who and more. Read more on the discovery of this footage. 

Made by Echo Video, with Ian Beck and Tim Grimes’ original footage and featuring footage from Screen archive South East. With voiceover from Spymonkey's Toby Park.

Spotlight: Minefield

Learn more from Lola Arias on her latest work Minefield

Argentinian writer and director Lola Arias brought her acclaimed show My Life After to Brighton Festival 2013. Now she returns with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict.

See more Spotlight films, where we cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival

Video by Echo Video

Welcome from Laurie Anderson

'I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. 

'Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year.'

Spotlight: The Complete Deaths

We cast a spotlight on some of our special commissions and co-commissions in our milestone 50th Brighton Festival. Tim Crouch and Toby Parks discuss their work The Complete Deaths

Another match made in Brighton. Leading physical comedy company Spymonkey (Oedipussy, 2012 and Cooped, 2006) and award winning playwright and performer Tim Crouch (I, Caliban, 2003, I, Peaseblossom, 2004, I, Banquo, 2005, An Oak Tree 2006, I, Malvolio, 2010 and what happens to the hope at the end of the evening, 2014) come together to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death. We’re holding onto our hats.


Video by Echo Video

The Brighton Commissions

For our milestone 50th Festival, we have commissioned more new works than ever before, including many by Brighton artists or about Brighton itself. Wildly different and each fascinating, the 'Brighton Commissions' below are presented as a tribute to our home and the talent within it.

Brighton: Symphony of a City
One of the Brighton Festival events people still talk about is the screening of Battleship Potemkin (2005) with Ed Hughes’s new score in the Hove Engineerium. When Ed and Brighton based filmmaker Lizzie Thynne proposed a Brighton homage to Walther Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, we grabbed the opportunity to celebrate Brighton in all its festive, bohemian, campaigning, fun-filled glory.

Charles Linehan Company
Loved by dancers and dance audiences, Brighton-based choreographer Charles Linehan (The Fault Index/ The Clearing, 2011), brings us a contrasting double bill of new works including one with William Trevitt and Michael Nunn (BalletBoyz). Described by The Guardian as ’one of our classiest choreographers’ Charles’s return to Brighton Festival in our 50th year feels especially appropriate. 

The Complete Deaths
Another match made in Brighton. Leading physical comedy company Spymonkey (Oedipussy, 2012 and Cooped, 2006) and award winning playwright and performer Tim Crouch (I, Caliban, 2003, I, Peaseblossom, 2004, I, Banquo, 2005, An Oak Tree 2006, I, Malvolio, 2010 and what happens to the hope at the end of the evening, 2014) come together to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death. We’re holding onto our hats. 

Digging for Shakespeare
Marc Rees studied in Brighton with Liz Aggiss and has gone on to make wonderful work with communities and for specific sites, most notably with National Theatre Wales. He brought us the captivating story of James Orchard Halliwell-Phillipps who was a world-renowned Shakespearean scholar in the 19th Century and an eccentric recluse. When Marc suggested making this piece on the Roedale allotments where Halliwell-Phillipps lived it was too beguiling an idea to pass up. 

Dr Blighty
One of the most affecting and complex stories of the Royal Pavilion Estate is its use as a military hospital for wounded Indian soldiers in World War I. As we work towards reunifying the Royal Pavilion Estate to bring collections, heritage and the arts together to create compelling new work for the Estate, the opportunity was ripe for Royal Pavilion & Museums, Brighton & Hove and ourselves to work with British Asian performance company Nutkhut and with 14-18 NOW to commemorate this special chapter in Brighton’s history.

The Last Resort
Using binaural technology to create a shifting world of sound, Brighton-based artists Rachel Champion and Tristan Shorr (who worked with Charlotte Spencer on Walking Stories, 2013), working as Art Of Disappearing, have created an immersive work set on Portslade beach that takes a wry look at science fiction traditions and dystopian societies. 

Operation Black Antler
Two Brighton Festival Associate Companies come together in an exciting new collaboration. Blast Theory (Rider Spoke, 2008; Fixing Point 2013) are celebrated for their inventive use of technology and their thought-provoking subject matter. Hydrocracker have delighted and terrified audiences with Shakespeare á la Carte (2008), the uproarious The Erpingham Camp (2009), and the chilling production of Pinter plays The New World Order (2007 & 2011). Having these two companies working together has been on all our wish lists for a number of years. 

Stella
Veteran Brighton artist Neil Bartlett (Oliver Twist, 2004, The Maids, 2007; For Alfonso, 2011; What Can You Do?, 2012; Britten: The Canticles, 2013) is one of Britain’s most individual theatre makers and a generous friend of Brighton Festival. We’re honoured that Neil’s wonderful, intense and distilled new play, inspired by the life and death of Ernest Boulton, can open in Theatre Royal Brighton before going on to performances at London International Festival of Theatre and Holland Festival. 

Brighton Festival 2016 Listing Highlights

Contemporary music


Laurie Anderson: Music for DogsUK Premiere
Tue 10 May, 7.30pm
‘Wouldn’t it be great if you’re playing a concert and you look out and everyone’s a dog?’ Laurie Anderson mused while waiting backstage with cellist Yo-Yo Ma. True to form, Anderson made her outlandish dream come true: first at the Sydney Opera House, and again in New York’s Times Square in January, making headlines the world over. The 20-minute piece has been specifically designed for the canine ear, including higher pitches audible only to them, as well as other sounds for humans to enjoy.

Laurie Anderson, Nik Bärtsch & Eivind Aarset: Song Conversation, Song as a Place.
Brighton Festival Exclusive
Tue 17 May, 7.30pm, Brighton Dome Concert Hall
Laurie Anderson is joined by fellow musician-composers, Zurich-based pianist Nik Bärtsch and one of Norway’s most in-demand guitarists, Eivind Aarset, for a freewheeling walk through sonic spaces. These master improvisers will take on the idea of space in songs, while dissecting song structure, melody, lyrics, inspiration, dedication, and improvisation. 

Laurie Anderson, Slideshow
World Premiere

Brighton Festival Exclusive
Wed 18 May, 7.30pm, Brighton Dome Concert Hall.
In the second of two exclusive performances for Brighton Festival, Laurie Anderson presents Slideshow, a specially created performance monologue about place and places, described by Anderson herself as a “collection of adventure stories about love, cities, diners, Mars, how we see, living by rivers, Dollywood, my home town and many other places along the way.”

Yuval Avital & Ensemble Meitar, Fuga Perpetua
Co-commissioned by Brighton Festival
Fri 20 May, 8pm., Brighton Dome Corn Exchange.
Fuga Perpetua - musical terms meaning ‘always running’ - reflects on the situation of refugees compelled always to move on. In this potent and thought-provoking new work, Yuval Avital, a unique voice in the contemporary and experimental scene, creates an immersive environment using a combination of music, sound recordings, visual projections and movement. With contemporary music group Ensemble Meitar. Produced by Magà Global Arts, Ensemble Meitar &Third Ear. Supported by Arts Council England.

Haçienda Classical: House and club classics
Fri 20 May, 9pm
Brighton Dome Concert Hall
The DJs who shaped the Haçienda sound, Graeme Park and Mike Pickering, will perform a continuous set of house and club classics alongside the Manchester Camerata Orchestra and special guests. Taking the euphoria of the legendary club nights to a whole new level, Haçienda Classical is a unique meeting of styles.

Beth Orton
Brighton Festival Exclusive
Fri 27 & Sat 28 May, 8pm. Attenborough Centre for Creative Arts
Beth Orton returns to the UK for two shows at Brighton Festival premiering highly anticipated new material exploring her electronic roots. Orton has been one of the country’s most unique and beguiling voices in contemporary music for the past two decades - from debut LP Trailer Park in which she pioneered the synthesis of electronic beats and acoustic song writing to her follow-up Central Reservation which brought international acclaim and a BRIT award. These one-off shows will feature new material performed live for the first time.

Floating Points Live
Sun 29 May, 8pm. Brighton Dome Concert Hall
Dance music trailblazer Sam Shephard – otherwise known as Floating Points – is renowned for his ambitious, forward-thinking DJ sets around the world. His debut album Elaenia draws upon classical, jazz, electronic music, soul and even Brazilian popular music. At times delicate and intense, with moments of utter stillness, it provides the bridge between his rapturous dance music and his classical roots. Performing with a full live band, don’t miss what promises to be a remarkable live performance from one of electronic music’s most perceptive new artists.

Visual Art


Gillian Wearing: A Room With Your Views
Co-commissioned by Brighton Festival, World premiere
Sat 7 – Sun 29 May, 10am – 5pm (Thu 10am –8pm), University of Brighton Gallery
Turner Prize-winning British artist Gillian Wearing – the invited artist for HOUSE 2016 - will present Your Views, a global collaborative work which captures a snapshot of 'views' from windows across the world. Wearing’s work examines our public personas and private lives, describing her working method as ‘editing life’. Drawing on fly-on-the-wall documentaries, reality TV and theatrical techniques, she explores how we present ourselves to the world, as well as her involvement with extensive self-portraiture. Co-commissioned with HOUSE 2016.

Ron Haselden: Luminary
Co-produced by Brighton Festival
Sat 7 – Sun 29 May, 12pm – 7pm, Fabrica
A series of beautiful LED light-drawings at locations across the city by respected British artist Ron Haselden that range in scale from the monumental, presented as a walk-through installation at Fabrica, to the intimate, shining out from homes in several of the city’s neighbourhoods. Stemming from Haselden’s love of drawings produced by the ‘untutored hand’, sketches by young children and older people have provided the inspiration for Luminary, scaled up with LED ropelight, to amplify their spontaneous, uninhibited style. Co-produced by Fabrica and Brighton Festival in partnership with MSL Projects, Hastings.

Lou Reed Drones
UK Premiere
Fri 13 – Tue 17 May, 12pm – 5pm. The Spire
A visceral, emotional and spiritual experience, Lou Reed Drones is an installation of Lou Reed’s guitars and amps in feedback mode: 24 strings set in motion from the push of magnetically driven cones; 360 partial harmonics colliding against each other. Introducing gain and sculpting sonic frequencies, a feedback loop is created with each guitar and its respective amplifier. Their overlapping harmonic structures produce pseudo-acoustic notes in which a beating sensation is then set in motion. 

Film


No Home Movie

(2015, Belgium/France, cert. U), Directed by Chantal Akerman
Sun 8 May, 1.30pm, Duke’s at Komedia
The final film of the great Belgian film-maker Chantal Akerman is a moving memoir of her mother’s last months. Confined to her Brussels apartment, Natalia’s harrowing past as an Auschwitz survivor and her chronic anxiety, greatly influenced Akerman’s art. This special preview screening ahead of the film’s UK release is a tribute to one of the most original and influential figures in feminist cinema, who died last year.

Heart of a Dog
Plus Q&A with Laurie Anderson
(2015, USA), Directed by Laurie Anderson
Tue 10 May, 9pm. Duke of York's Picturehouse
Visually rich and poetic, Laurie Anderson's Oscar nominated Heart of a Dog sees her reflect on love, language and death - inspired by the affection she had for pet Rat Terrier, Lolabelle, who died in 2011. Essayistic in style, and constructed like a collage of original musical compositions, contemporary footage, narration, animation and 8mm home movies, it deftly flits between the serious and the playful, the funny and heartfelt.

Sans Soleil (Sunless)
(1982, France, cert. 15), Directed by Chris Marker
Sun 15 May, 1.30pm., Duke of York's Picturehouse
This elegiac masterpiece by Laurie Anderson's favourite director Chris Marker is a poetic documentary tour of Tokyo, Guinea-Bissau, Iceland and San Francisco. Sans Soleil is a hugely influential essay film in which the spoken word and haunting visuals conjure the disorientation of a world traveller, journeying through cultures, secret rituals and confusions of time.

The Human Face
(1990, UK, cert. 12A), Directed by Nichola Bruce.
Sun 22 May, 4.30pm, Duke’s at Komedia
Nominated for a BAFTA, The Human Face is a documentary made for the BBC series Arena. Laurie Anderson presents, narrating an examination of mankind’s obsession with its own image, looking at the use of heads and the human face in art and sculpture, and at the prejudices applied every day based solely on a person’s appearance.

THEATRE


Blast Theory & Hydrocracker: Operation Black Antler
World Premiere. Co-commissioned by Brighton Festival
Sat 7 & Sun 8, Tues 10 - Sat 14, Tues 17 - Sat 21, Tues 24 - Sat 28. Every 15 minutes from 6pm - 9pm (timed entry allocated on booking).
For 40 years British police officers have been operating undercover inside protest groups, ‘deep swimming’ by forming relationships and even having children with their targets. This ground-breaking piece of immersive theatre by Blast Theory and Hydrocracker will give audiences a chance to go undercover for the night in a thrilling and unforgettable walk in someone else’s shoes. Visit the safehouse to meet your police handler and build up your identity, choose your cover story and meet the rest of the team then head out to the gig to use your new skills.
Commissioned by Brighton Festival and Ideas Test. In partnership with Dramatic Resources. 

Spymonkey & Tim Crouch: The Complete Deaths
World Premiere. Commissioned by Brighton Festival
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm. Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. Directed by Tim Crouch, The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Berlin (Antwerp): Zvizdal (Chernobyl – so far so close)
UK Premiere.
Mon 23 – Wed 25 May, 8pm. Brighton Dome Corn Exchange
Co-produced by Brighton Festival.
26 April 1986, Pripyat, Ukraine. A nuclear reactor explodes and some 90 towns and villages are evacuated. But one couple, Pétro and Nadia, refuse to leave. Without running water, electricity, telephone or mail, they hold on indestructibly in the infected zone for 30 years. Berlin returns to Brighton Festival with a filmic portrait of one elderly couple’s self-imposed solitude. Featuring interviews with Pétro and Nadia filmed between 2011 and 2016, Zvizdal tells a poignant story of survival. Co-produced with Brighton Festival; Het Zuidelijk Toneel, Tilburg; PACT Zollverein, Essen; Dublin Theatre Festival; Kunstenfestivaldesarts, Brussels; BIT Teatergarasjen, Bergen; and CENTQUATRE, Paris.

Neil Bartlett: Stella
World Premiere. Co-commissioned by Brighton Festival.
Fri 27 & Sat 28 May, 8pm. Theatre Royal Brighton.
A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – this new work from Neil Bartlett is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A co-commission by LIFT, Brighton Festival and Holland Festival.

Lola Arias (Buenos Aires): Minefield
World Premiere. Co-commissioned by Brighton Festival.
Sat 28 May, 8pm. Sun 29 May, 2pm & 7pm. Brighton Dome Corn Exchange
Argentinian writer and director Lola Arias returns to Brighton Festival with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict. Merging film, re-enactment and documentary theatre, Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Co-commissioned by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm.

OUTDOOR


Art of Disappearing: The Last Resort
World Premiere. Commissioned by Brighton Festival
Sat 7 – Sun 29 May (no performances Mon & Tue), Wed – Fri, 2pm – 8pm, Sat & Sun, 11am – 9pm
Amidst a barren landscape, a neon light stands bleak and stark. Welcome to The Last Resort. For those brave enough to return to this long deserted resort, beauty, science fiction and history merge to create a unique outdoor experience. Using binaural technology to create a constantly shifting world of sound, artists Rachel Champion and Tristan Shorr have created an exciting immersive work that takes a wry look at science fiction traditions and dystopian societies.

Marc Rees: Digging for Shakespeare
World Premiere. Commissioned by Brighton Festival
Sat 7 & Sun 8 May, Sat 14 & Sun 15 May, Sat 21 & Sun 22 May, 10.30am & 2.30pm. Roedale Allotments.
Meet James Orchard Halliwell-Phillipps, 19th century joker and world-renowned Shakespearean scholar who lived on the outskirts of Brighton. There in his 'rustic wigwam' (a series of conjoined sheds), he obsessively curated a huge hoard of Shakespearean rarities. Marking the 400th anniversary of Shakespeare’s death, director Marc Rees has devised a unique promenade performance through Roedale Allotments, close to the site of this eccentric recluse's former home. 


Nutkhut: Dr Blighty
World Premiere. Co-commissioned by Brighton Festival
Tue 24 – Sat 28 May, 2pm – 10pm. Royal Pavilion Gardens.
Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front were brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. In a major new collaboration with Nutkhut and a creative team that includes designer Tom Piper (Tower of London Poppies), Dr Blighty recalls this unexpected episode in Brighton’s history. Bringing the experiences of the soldiers - inspired by letters they sent home - and the locals who came to care for them, the Royal Pavilion Gardens will host a dreamlike environment of immersive installations, soundscapes and theatrical interludes, alongside concerts featuring Philharmonia Orchestra with Kala Ramnath, Debashish Bhattacharya and Gurdain Rayatt within Brighton Dome. A Nutkhut Production co-commissioned by 14-18 NOW, WW1 Centenary Art Commissions, Brighton Festival and Royal Pavilion and Museums, Brighton & Hove

BOOKS AND DEBATE
Presented in partnership with Guardian Live


Guardian Book Club: Howard Jacobson
Sun 8 May, 5pm. Sallis Benney Theatre
Perhaps the leading observer of Jewishness in modern Britain, Howard Jacobson examines Shakespeare’s most controversial character in his new novel, Shylock is My Name. Including a shocking twist on Shylock’s infamous demand for a pound of flesh, the novel examines contemporary questions of Jewish identity and the relationship between fathers and daughters. Join him for a discussion with Guardian Book Club host John Mullan about the novel and the endlessly fascinating play that inspired it.

Yanis Varoufakis
Tue 10 May, 7.30pm. Brighton Dome Concert Hall
In his new book, And the Weak Suffer What They Must?, former Greek finance minister Yanis Varoufakis assesses the history of the European monetary union. A passionate campaigner against austerity, Varoufakis argues that it is a fundamental threat to Europe and to the global economy. He also shows that the origins of the Eurozone crisis lie not with governments or the banks but in its founding structure. He will talk to Channel 4 economics editor and Guardian columnist Paul Mason about the current crisis and present his case for economic reform.

Lionel Shriver
Wed 11 May, 8pm. Brighton Dome Corn Exchange.
Orange Prize-winning writer Lionel Shriver talks about her new novel, The Mandibles – a dark, witty and frightening dystopia about a nation in decline. Set during a fiscal crisis in near-future America, the book follows three generations of a family as they cope with the loss of their fortune and learn how to survive as America’s economy spirals into dysfunction.

The Guardian Newsroom: The EU Referendum
Thu 26 May, 7pm. Attenborough Centre for the Creative Arts
David Cameron's promised referendum on the UK's membership of the EU could be called as early as June 2016. As both the EU exit and pro-Europe campaigns gather momentum, Britain faces profound questions about its future. Business leaders claim that withdrawal would lead to economic calamity, while others on the left and the right argue the case for Britain to govern itself. Join a panel of Guardian writers, including Brighton Festival Chair Polly Toynbee, to analyse and discuss both sides of the debate.

Marlon James
Thu 26 May, 7.30pm. Brighton Dome Studio Theatre.
Join us for an evening with 2015 Man Booker prize winner, Marlon James. A Brief History of Seven Killings is a fictional account of an attempt to assassinate Bob Marley in 1976, a novel described by the New York Times as a ‘Tarantino remake of The Harder They Come…sweeping, mythic, over-the-top, colossal and dizzyingly complex’. Spanning three decades, the novel uses multiple voices - CIA agents, drug dealers, ghosts, beauty queens - to explore the turbulent world of Jamaican gangs and politics.

DANCE AND CIRCUS


Charles Linehan Company: Double bill
World Premiere. Co-commissioned by Brighton Festival.
Sat 7 & Sun 8 May, 8pm. Brighton Dome Corn Exchange
Charles Linehan returns to Brighton Festival with a contrasting double bill of new works. My Mother’s Tears mines the personal history of William Trevitt and Michael Nunn (BalletBoyz) performing classical ballet mime from The Royal Ballet repertoire with unpredictable consequences. In A Quarter Plus Green ideas of transformation are applied to movement, light and sound in a unique new setting at Brighton Dome Corn Exchange. Co-commissioned by Brighton Festival, Dance4, South East Dance, Trinity Laban Conservatoire of Music & Dance and Tanztendenz, Munich.

The Ricochet Project (New Mexico): Smoke and Mirrors
Mon 9 & Tue 10 May, 8pm.
Brighton Dome Corn Exchange
Circus as you’ve never seen it before: audacious and thought-provoking, technically brilliant and profound. The Ricochet Project is pushing the boundaries of contemporary circus using poetic acrobatics, contemporary dance, contortion and high flying feats to explore the human condition. Revealing the inner workings of the mind and our search to find a place of realness and connecting in an enduring culture of illusion, Smoke and Mirrors is a mesmerising and intimate two-hander for grown-ups.

Nederlands Dans Theater 2
Fri 13 - Sat 14 May, 7.30pm. Brighton Dome Concert Hall.
Nederlands Dans Theater is one of the world's most celebrated dance companies, wowing audiences with their unique brand of breath-taking dance, awe-inspiring skill and passionate creativity. Artistically directed by award-winning choreographer Paul Lightfoot, NDT2 presents 18 international dancers aged 18-23. For their long awaited return to Brighton Festival, they bring a vibrant mixed programme including works by Sol León & Paul Lightfoot, Edward Clug, Hans van Manen and the international hit Cacti by Associate Choreographer Alexander Ekman. Presented in partnership with Dance Consortium.

Akram Khan Company: Until the Lions
Co-commissioned by Brighton Festival
Thu 26 & Fri 27 May, 7.30pm. Brighton Dome Concert Hall.
One of the most respected figures in the dance world, Akram Khan returns to Brighton Festival with his new, full-length production Until the Lions - his most arresting work to date. Khan is joined by two of his company dancers alongside four musicians providing haunting vocals and soundscape. Together they give a breath-taking performance in this partial adaptation of poet Karthika Naïr’s original reworking of the epic Mahabharata, bautifully combining the classical Indian dance form kathak with contemporary dance. Initiated by the 360° Network of round artistic venues across the world and produced during residency at Sadler's Wells London and Curve Leicester. 

CLASSICAL


London Symphony Orchestra
Sat 7 May, 7.30pm. Brighton Dome Concert Hall.
A rare opportunity to hear the LSO outside of London, this unique opening concert reflects the Festival’s strong classical tradition over the past 50 years with some of the most remarkably talented performers of today. One of the most brilliant pianists of our time (Leif Ove Andsnes) basks in the lyrical genius of Mozart (Piano Concerto No.20 in D minor K466). Bruckner’s Third Symphony (Symphony No. 3 in D minor) with its grand and majestic orchestration is directed here by the LSO’s Principal Guest Conductor. 

La Nuova Musica: Dido and Aeneas
Sun 8 May, 7.30pm, Theatre Royal Brighton
Ann Murray DBE, one of the great singers of her generation, brings her magisterial artistry to the role of Dido. She is joined by Benjamin Appl, who is fast establishing a major career; and La Nuova Musica, noted for its rigorous yet sparkling approach to the Baroque repertory embellished here by Zack Winokur's evocative dancers. One of the first operas in English, Dido and Aeneas is a tale of love and loss, as Dido, Queen of Carthage, is abandoned by the Trojan prince Aeneas and dies overwhelmed by grief.

Brighton: Symphony of a City
World Premiere. Commissioned by Brighton Festival.
Wed 11 May, 7.30pm. Brighton Dome Concert Hall
Brighton in all its festive, bohemian, campaigning, glory has inspired a remarkable fusion of silent film and live music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive film of the lost glories and contemporary events that have defined Brighton’s profile as the UK’s most vibrant location. This kaleidoscope of local identity is accompanied by a sumptuous symphonic score performed live by Orchestra of Sound and Light. 

City of Birmingham Symphony Orchestra & Brighton Festival Chorus: The Dream of Gerontius
Sun 22 May, 7pm. Brighton Dome Concert Hall.
Lush orchestration, massed forces and profound subject matter: The Dream of Gerontius is an overwhelming musical experience. This is the kind of music that Brighton Festival Chorus was created to perform, and which is woven into the identity of the renowned CBSO, whose very first performance in 1920 was conducted by Elgar. A truly stellar cast (Alice Coote: mezzo-soprano, Robert Murray: tenor, Matthew Rose: bass), led by the eminent British conductor Edward Gardner, luxuriates in music of rare power and eloquence that etches the vision of the journey of a pious man’s soul from his deathbed to his judgment before God.

CHILDREN AND FAMILY


Globe Theatre on Tour: The Two Gentlemen of Verona
Wed 25 – Sat 28 May, 6pm, Thu 26, Sat 28 & Sun 29 May, 1.30pm. Brighton Open Air Theatre.
Hidden identities, cross-dressing and subterfuge crisscross in a tale of love, friendship, betrayal and reconciliation. This riotous new production hurls Shakespeare’s anarchic comedy into the 21st century, in the perfect setting of Brighton Open Air Theatre. Remember to bring a picnic and dress for the weather.

A Weekend Without Walls
Sat 14 May, 12 – 5pm. Easthill Park, Portslade, Sun 15 May, 12 – 5pm. East Brighton Park, Whitehawk
Get ready for a weekend of fun and adventures as Easthill Park and East Brighton Park host five extraordinary new performances: Les Enfants Terribles’ Dr Latitude and his team of misguided misfits in The Fantastical Flying Exploratory Laboratory, NOWish's Le Cheval Solitaire, Miss High Leg Kick's Audition Project and H.O.H. by Far From the Norm. Bring a picnic and all the family.

26 LETTERS


Michael Morpurgo
Wed 11 May, 6pm. Brighton Dome Corn Exchange
Former Children’s Laureate Michael Morpurgo is spellbinding company, a master storyteller who has created some of the most brilliant children’s books of recent years. Join him as he talks about his work, which includes War Horse, Private Peaceful and Why the Whales Came, and hear all about his latest book, An Eagle in the Snow, the extraordinary story of the man who could have stopped World War Two before it even began.

Chris Riddell Children's Laureate in residence
Winner of two Kate Greenaway medals for illustration, Brighton’s own Chris Riddell (The Edge Chronicles, Goth Girl) joins 26 Letters for no less than three events: Ask the Laureate (Sat 14 May), 6pm. Sallis Benney Theatre, Poems and Pictures Live (Sun 15 May, 2.30pm. Sallis Benney Theatre) and Picture Book Masterclass (Sun 22 May, 10am. Brighton Dome Founders Room.

Young City Reads 2016
Thu 19 May, 1.30pm. Brighton Dome Concert Hall.
Brighton & Hove’s Big Read for young people returns. This year young story-lovers are invited to read and discuss Hamish and the World Stoppers by Danny Wallace. For the Young City Reads Big Event, the award-winning author and presenter, together with the book’s illustrator Jamie Littler, will take centre stage for a live, interactive schools event to talk about their book and tell us more about Hamish, Alice and some disgusting creatures called ‘The Terribles’, who might come from outer space — or maybe France…

Notes to Editors:


About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

Brighton Festival 2016 Listing Highlights

Contemporary music


Laurie Anderson: Music for Dogs

UK Premiere
Tue 10 May, 7.30pm
‘Wouldn’t it be great if you’re playing a concert and you look out and everyone’s a dog?’ Laurie Anderson mused while waiting backstage with cellist Yo-Yo Ma. True to form, Anderson made her outlandish dream come true: first at the Sydney Opera House, and again in New York’s Times Square in January, making headlines the world over. The 20-minute piece has been specifically designed for the canine ear, including higher pitches audible only to them, as well as other sounds for humans to enjoy.

Laurie Anderson, Nik Bärtsch & Eivind Aarset: Song Conversation, Song as a Place.
Brighton Festival Exclusive
Tue 17 May, 7.30pm, Brighton Dome Concert Hall
Laurie Anderson is joined by fellow musician-composers, Zurich-based pianist Nik Bärtsch and one of Norway’s most in-demand guitarists, Eivind Aarset, for a freewheeling walk through sonic spaces. These master improvisers will take on the idea of space in songs, while dissecting song structure, melody, lyrics, inspiration, dedication, and improvisation. 

Laurie Anderson, Slideshow
World Premiere

Brighton Festival Exclusive
Wed 18 May, 7.30pm, Brighton Dome Concert Hall.
In the second of two exclusive performances for Brighton Festival, Laurie Anderson presents Slideshow, a specially created performance monologue about place and places, described by Anderson herself as a “collection of adventure stories about love, cities, diners, Mars, how we see, living by rivers, Dollywood, my home town and many other places along the way.”

Yuval Avital & Ensemble Meitar, Fuga Perpetua
Co-commissioned by Brighton Festival
Fri 20 May, 8pm., Brighton Dome Corn Exchange.
Fuga Perpetua - musical terms meaning ‘always running’ - reflects on the situation of refugees compelled always to move on. In this potent and thought-provoking new work, Yuval Avital, a unique voice in the contemporary and experimental scene, creates an immersive environment using a combination of music, sound recordings, visual projections and movement. With contemporary music group Ensemble Meitar. Produced by Magà Global Arts, Ensemble Meitar &Third Ear. Supported by Arts Council England.

Haçienda Classical: House and club classics
Fri 20 May, 9pm
Brighton Dome Concert Hall
The DJs who shaped the Haçienda sound, Graeme Park and Mike Pickering, will perform a continuous set of house and club classics alongside the Manchester Camerata Orchestra and special guests. Taking the euphoria of the legendary club nights to a whole new level, Haçienda Classical is a unique meeting of styles.

Beth Orton
Brighton Festival Exclusive
Fri 27 & Sat 28 May, 8pm. Attenborough Centre for Creative Arts
Beth Orton returns to the UK for two shows at Brighton Festival premiering highly anticipated new material exploring her electronic roots. Orton has been one of the country’s most unique and beguiling voices in contemporary music for the past two decades - from debut LP Trailer Park in which she pioneered the synthesis of electronic beats and acoustic song writing to her follow-up Central Reservation which brought international acclaim and a BRIT award. These one-off shows will feature new material performed live for the first time.

Floating Points Live
Sun 29 May, 8pm. Brighton Dome Concert Hall
Dance music trailblazer Sam Shephard – otherwise known as Floating Points – is renowned for his ambitious, forward-thinking DJ sets around the world. His debut album Elaenia draws upon classical, jazz, electronic music, soul and even Brazilian popular music. At times delicate and intense, with moments of utter stillness, it provides the bridge between his rapturous dance music and his classical roots. Performing with a full live band, don’t miss what promises to be a remarkable live performance from one of electronic music’s most perceptive new artists.

Visual Art


Gillian Wearing: A Room With Your Views

Co-commissioned by Brighton Festival, World premiere
Sat 7 – Sun 29 May, 10am – 5pm (Thu 10am –8pm), University of Brighton Gallery
Turner Prize-winning British artist Gillian Wearing – the invited artist for HOUSE 2016 - will present Your Views, a global collaborative work which captures a snapshot of 'views' from windows across the world. Wearing’s work examines our public personas and private lives, describing her working method as ‘editing life’. Drawing on fly-on-the-wall documentaries, reality TV and theatrical techniques, she explores how we present ourselves to the world, as well as her involvement with extensive self-portraiture. Co-commissioned with HOUSE 2016.

Ron Haselden: Luminary
Co-produced by Brighton Festival
Sat 7 – Sun 29 May, 12pm – 7pm, Fabrica
A series of beautiful LED light-drawings at locations across the city by respected British artist Ron Haselden that range in scale from the monumental, presented as a walk-through installation at Fabrica, to the intimate, shining out from homes in several of the city’s neighbourhoods. Stemming from Haselden’s love of drawings produced by the ‘untutored hand’, sketches by young children and older people have provided the inspiration for Luminary, scaled up with LED ropelight, to amplify their spontaneous, uninhibited style. Co-produced by Fabrica and Brighton Festival in partnership with MSL Projects, Hastings.

Lou Reed Drones
UK Premiere
Fri 13 – Tue 17 May, 12pm – 5pm. The Spire
A visceral, emotional and spiritual experience, Lou Reed Drones is an installation of Lou Reed’s guitars and amps in feedback mode: 24 strings set in motion from the push of magnetically driven cones; 360 partial harmonics colliding against each other. Introducing gain and sculpting sonic frequencies, a feedback loop is created with each guitar and its respective amplifier. Their overlapping harmonic structures produce pseudo-acoustic notes in which a beating sensation is then set in motion. 

Film


No Home Movie

(2015, Belgium/France, cert. U), Directed by Chantal Akerman
Sun 8 May, 1.30pm, Duke’s at Komedia
The final film of the great Belgian film-maker Chantal Akerman is a moving memoir of her mother’s last months. Confined to her Brussels apartment, Natalia’s harrowing past as an Auschwitz survivor and her chronic anxiety, greatly influenced Akerman’s art. This special preview screening ahead of the film’s UK release is a tribute to one of the most original and influential figures in feminist cinema, who died last year.

Heart of a Dog
Plus Q&A with Laurie Anderson
(2015, USA), Directed by Laurie Anderson
Tue 10 May, 9pm. Duke of York's Picturehouse
Visually rich and poetic, Laurie Anderson's Oscar nominated Heart of a Dog sees her reflect on love, language and death - inspired by the affection she had for pet Rat Terrier, Lolabelle, who died in 2011. Essayistic in style, and constructed like a collage of original musical compositions, contemporary footage, narration, animation and 8mm home movies, it deftly flits between the serious and the playful, the funny and heartfelt.

Sans Soleil (Sunless)
(1982, France, cert. 15), Directed by Chris Marker
Sun 15 May, 1.30pm., Duke of York's Picturehouse
This elegiac masterpiece by Laurie Anderson's favourite director Chris Marker is a poetic documentary tour of Tokyo, Guinea-Bissau, Iceland and San Francisco. Sans Soleil is a hugely influential essay film in which the spoken word and haunting visuals conjure the disorientation of a world traveller, journeying through cultures, secret rituals and confusions of time.

The Human Face
(1990, UK, cert. 12A), Directed by Nichola Bruce.
Sun 22 May, 4.30pm, Duke’s at Komedia
Nominated for a BAFTA, The Human Face is a documentary made for the BBC series Arena. Laurie Anderson presents, narrating an examination of mankind’s obsession with its own image, looking at the use of heads and the human face in art and sculpture, and at the prejudices applied every day based solely on a person’s appearance.

THEATRE


Blast Theory & Hydrocracker: Operation Black Antler
World Premiere. Co-commissioned by Brighton Festival
Sat 7 & Sun 8, Tues 10 - Sat 14, Tues 17 - Sat 21, Tues 24 - Sat 28. Every 15 minutes from 6pm - 9pm (timed entry allocated on booking).
For 40 years British police officers have been operating undercover inside protest groups, ‘deep swimming’ by forming relationships and even having children with their targets. This ground-breaking piece of immersive theatre by Blast Theory and Hydrocracker will give audiences a chance to go undercover for the night in a thrilling and unforgettable walk in someone else’s shoes. Visit the safehouse to meet your police handler and build up your identity, choose your cover story and meet the rest of the team then head out to the gig to use your new skills.
Commissioned by Brighton Festival and Ideas Test. In partnership with Dramatic Resources. 

Spymonkey & Tim Crouch: The Complete Deaths
World Premiere. Commissioned by Brighton Festival
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm. Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. Directed by Tim Crouch, The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Berlin (Antwerp): Zvizdal (Chernobyl – so far so close)
UK Premiere.
Mon 23 – Wed 25 May, 8pm. Brighton Dome Corn Exchange
Co-produced by Brighton Festival.
26 April 1986, Pripyat, Ukraine. A nuclear reactor explodes and some 90 towns and villages are evacuated. But one couple, Pétro and Nadia, refuse to leave. Without running water, electricity, telephone or mail, they hold on indestructibly in the infected zone for 30 years. Berlin returns to Brighton Festival with a filmic portrait of one elderly couple’s self-imposed solitude. Featuring interviews with Pétro and Nadia filmed between 2011 and 2016, Zvizdal tells a poignant story of survival. Co-produced with Brighton Festival; Het Zuidelijk Toneel, Tilburg; PACT Zollverein, Essen; Dublin Theatre Festival; Kunstenfestivaldesarts, Brussels; BIT Teatergarasjen, Bergen; and CENTQUATRE, Paris.

Neil Bartlett: Stella
World Premiere. Co-commissioned by Brighton Festival.
Fri 27 & Sat 28 May, 8pm. Theatre Royal Brighton.
A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – this new work from Neil Bartlett is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A co-commission by LIFT, Brighton Festival and Holland Festival.

Lola Arias (Buenos Aires): Minefield
World Premiere. Co-commissioned by Brighton Festival.
Sat 28 May, 8pm. Sun 29 May, 2pm & 7pm. Brighton Dome Corn Exchange
Argentinian writer and director Lola Arias returns to Brighton Festival with the world premiere of her new work about the Falkland Islands/Islas Malvinas, developed with and performed by Argentinian and British veterans of the 1982 conflict. Merging film, re-enactment and documentary theatre, Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Co-commissioned by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm.

OUTDOOR


Art of Disappearing: The Last Resort
World Premiere. Commissioned by Brighton Festival
Sat 7 – Sun 29 May (no performances Mon & Tue), Wed – Fri, 2pm – 8pm, Sat & Sun, 11am – 9pm
Amidst a barren landscape, a neon light stands bleak and stark. Welcome to The Last Resort. For those brave enough to return to this long deserted resort, beauty, science fiction and history merge to create a unique outdoor experience. Using binaural technology to create a constantly shifting world of sound, artists Rachel Champion and Tristan Shorr have created an exciting immersive work that takes a wry look at science fiction traditions and dystopian societies.

Marc Rees: Digging for Shakespeare
World Premiere. Commissioned by Brighton Festival
Sat 7 & Sun 8 May, Sat 14 & Sun 15 May, Sat 21 & Sun 22 May, 10.30am & 2.30pm. Roedale Allotments.
Meet James Orchard Halliwell-Phillipps, 19th century joker and world-renowned Shakespearean scholar who lived on the outskirts of Brighton. There in his 'rustic wigwam' (a series of conjoined sheds), he obsessively curated a huge hoard of Shakespearean rarities. Marking the 400th anniversary of Shakespeare’s death, director Marc Rees has devised a unique promenade performance through Roedale Allotments, close to the site of this eccentric recluse's former home. 


Nutkhut: Dr Blighty
World Premiere. Co-commissioned by Brighton Festival
Tue 24 – Sat 28 May, 2pm – 10pm. Royal Pavilion Gardens.
Between 1914 and 1916, over 2000 Indian soldiers wounded on the Western Front were brought to a temporary hospital housed in Brighton’s Royal Pavilion Estate. In a major new collaboration with Nutkhut and a creative team that includes designer Tom Piper (Tower of London Poppies), Dr Blighty recalls this unexpected episode in Brighton’s history. Bringing the experiences of the soldiers - inspired by letters they sent home - and the locals who came to care for them, the Royal Pavilion Gardens will host a dreamlike environment of immersive installations, soundscapes and theatrical interludes, alongside concerts featuring Philharmonia Orchestra with Kala Ramnath, Debashish Bhattacharya and Gurdain Rayatt within Brighton Dome. A Nutkhut Production co-commissioned by 14-18 NOW, WW1 Centenary Art Commissions, Brighton Festival and Royal Pavilion and Museums, Brighton & Hove

BOOKS AND DEBATE
Presented in partnership with Guardian Live


Guardian Book Club: Howard Jacobson
Sun 8 May, 5pm. Sallis Benney Theatre
Perhaps the leading observer of Jewishness in modern Britain, Howard Jacobson examines Shakespeare’s most controversial character in his new novel, Shylock is My Name. Including a shocking twist on Shylock’s infamous demand for a pound of flesh, the novel examines contemporary questions of Jewish identity and the relationship between fathers and daughters. Join him for a discussion with Guardian Book Club host John Mullan about the novel and the endlessly fascinating play that inspired it.

Yanis Varoufakis
Tue 10 May, 7.30pm. Brighton Dome Concert Hall
In his new book, And the Weak Suffer What They Must?, former Greek finance minister Yanis Varoufakis assesses the history of the European monetary union. A passionate campaigner against austerity, Varoufakis argues that it is a fundamental threat to Europe and to the global economy. He also shows that the origins of the Eurozone crisis lie not with governments or the banks but in its founding structure. He will talk to Channel 4 economics editor and Guardian columnist Paul Mason about the current crisis and present his case for economic reform.

Lionel Shriver
Wed 11 May, 8pm. Brighton Dome Corn Exchange.
Orange Prize-winning writer Lionel Shriver talks about her new novel, The Mandibles – a dark, witty and frightening dystopia about a nation in decline. Set during a fiscal crisis in near-future America, the book follows three generations of a family as they cope with the loss of their fortune and learn how to survive as America’s economy spirals into dysfunction.

The Guardian Newsroom: The EU Referendum
Thu 26 May, 7pm. Attenborough Centre for the Creative Arts
David Cameron's promised referendum on the UK's membership of the EU could be called as early as June 2016. As both the EU exit and pro-Europe campaigns gather momentum, Britain faces profound questions about its future. Business leaders claim that withdrawal would lead to economic calamity, while others on the left and the right argue the case for Britain to govern itself. Join a panel of Guardian writers, including Brighton Festival Chair Polly Toynbee, to analyse and discuss both sides of the debate.

Marlon James
Thu 26 May, 7.30pm. Brighton Dome Studio Theatre.
Join us for an evening with 2015 Man Booker prize winner, Marlon James. A Brief History of Seven Killings is a fictional account of an attempt to assassinate Bob Marley in 1976, a novel described by the New York Times as a ‘Tarantino remake of The Harder They Come…sweeping, mythic, over-the-top, colossal and dizzyingly complex’. Spanning three decades, the novel uses multiple voices - CIA agents, drug dealers, ghosts, beauty queens - to explore the turbulent world of Jamaican gangs and politics.

DANCE AND CIRCUS


Charles Linehan Company: Double bill
World Premiere. Co-commissioned by Brighton Festival.
Sat 7 & Sun 8 May, 8pm. Brighton Dome Corn Exchange
Charles Linehan returns to Brighton Festival with a contrasting double bill of new works. My Mother’s Tears mines the personal history of William Trevitt and Michael Nunn (BalletBoyz) performing classical ballet mime from The Royal Ballet repertoire with unpredictable consequences. In A Quarter Plus Green ideas of transformation are applied to movement, light and sound in a unique new setting at Brighton Dome Corn Exchange. Co-commissioned by Brighton Festival, Dance4, South East Dance, Trinity Laban Conservatoire of Music & Dance and Tanztendenz, Munich.

The Ricochet Project (New Mexico): Smoke and Mirrors
Mon 9 & Tue 10 May, 8pm.
Brighton Dome Corn Exchange
Circus as you’ve never seen it before: audacious and thought-provoking, technically brilliant and profound. The Ricochet Project is pushing the boundaries of contemporary circus using poetic acrobatics, contemporary dance, contortion and high flying feats to explore the human condition. Revealing the inner workings of the mind and our search to find a place of realness and connecting in an enduring culture of illusion, Smoke and Mirrors is a mesmerising and intimate two-hander for grown-ups.

Nederlands Dans Theater 2
Fri 13 - Sat 14 May, 7.30pm. Brighton Dome Concert Hall.
Nederlands Dans Theater is one of the world's most celebrated dance companies, wowing audiences with their unique brand of breath-taking dance, awe-inspiring skill and passionate creativity. Artistically directed by award-winning choreographer Paul Lightfoot, NDT2 presents 18 international dancers aged 18-23. For their long awaited return to Brighton Festival, they bring a vibrant mixed programme including works by Sol León & Paul Lightfoot, Edward Clug, Hans van Manen and the international hit Cacti by Associate Choreographer Alexander Ekman. Presented in partnership with Dance Consortium.

Akram Khan Company: Until the Lions
Co-commissioned by Brighton Festival
Thu 26 & Fri 27 May, 7.30pm. Brighton Dome Concert Hall.
One of the most respected figures in the dance world, Akram Khan returns to Brighton Festival with his new, full-length production Until the Lions - his most arresting work to date. Khan is joined by two of his company dancers alongside four musicians providing haunting vocals and soundscape. Together they give a breath-taking performance in this partial adaptation of poet Karthika Naïr’s original reworking of the epic Mahabharata, bautifully combining the classical Indian dance form kathak with contemporary dance. Initiated by the 360° Network of round artistic venues across the world and produced during residency at Sadler's Wells London and Curve Leicester. 

CLASSICAL


London Symphony Orchestra
Sat 7 May, 7.30pm. Brighton Dome Concert Hall.
A rare opportunity to hear the LSO outside of London, this unique opening concert reflects the Festival’s strong classical tradition over the past 50 years with some of the most remarkably talented performers of today. One of the most brilliant pianists of our time (Leif Ove Andsnes) basks in the lyrical genius of Mozart (Piano Concerto No.20 in D minor K466). Bruckner’s Third Symphony (Symphony No. 3 in D minor) with its grand and majestic orchestration is directed here by the LSO’s Principal Guest Conductor. 

La Nuova Musica: Dido and Aeneas
Sun 8 May, 7.30pm, Theatre Royal Brighton
Ann Murray DBE, one of the great singers of her generation, brings her magisterial artistry to the role of Dido. She is joined by Benjamin Appl, who is fast establishing a major career; and La Nuova Musica, noted for its rigorous yet sparkling approach to the Baroque repertory embellished here by Zack Winokur's evocative dancers. One of the first operas in English, Dido and Aeneas is a tale of love and loss, as Dido, Queen of Carthage, is abandoned by the Trojan prince Aeneas and dies overwhelmed by grief.

Brighton: Symphony of a City
World Premiere. Commissioned by Brighton Festival.
Wed 11 May, 7.30pm. Brighton Dome Concert Hall
Brighton in all its festive, bohemian, campaigning, glory has inspired a remarkable fusion of silent film and live music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann’s 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive film of the lost glories and contemporary events that have defined Brighton’s profile as the UK’s most vibrant location. This kaleidoscope of local identity is accompanied by a sumptuous symphonic score performed live by Orchestra of Sound and Light. 

City of Birmingham Symphony Orchestra & Brighton Festival Chorus: The Dream of Gerontius
Sun 22 May, 7pm. Brighton Dome Concert Hall.
Lush orchestration, massed forces and profound subject matter: The Dream of Gerontius is an overwhelming musical experience. This is the kind of music that Brighton Festival Chorus was created to perform, and which is woven into the identity of the renowned CBSO, whose very first performance in 1920 was conducted by Elgar. A truly stellar cast (Alice Coote: mezzo-soprano, Robert Murray: tenor, Matthew Rose: bass), led by the eminent British conductor Edward Gardner, luxuriates in music of rare power and eloquence that etches the vision of the journey of a pious man’s soul from his deathbed to his judgment before God.

CHILDREN AND FAMILY


Globe Theatre on Tour: The Two Gentlemen of Verona
Wed 25 – Sat 28 May, 6pm, Thu 26, Sat 28 & Sun 29 May, 1.30pm. Brighton Open Air Theatre.
Hidden identities, cross-dressing and subterfuge crisscross in a tale of love, friendship, betrayal and reconciliation. This riotous new production hurls Shakespeare’s anarchic comedy into the 21st century, in the perfect setting of Brighton Open Air Theatre. Remember to bring a picnic and dress for the weather.

A Weekend Without Walls
Sat 14 May, 12 – 5pm. Easthill Park, Portslade, Sun 15 May, 12 – 5pm. East Brighton Park, Whitehawk
Get ready for a weekend of fun and adventures as Easthill Park and East Brighton Park host five extraordinary new performances: Les Enfants Terribles’ Dr Latitude and his team of misguided misfits in The Fantastical Flying Exploratory Laboratory, NOWish's Le Cheval Solitaire, Miss High Leg Kick's Audition Project and H.O.H. by Far From the Norm. Bring a picnic and all the family.

26 LETTERS


Michael Morpurgo
Wed 11 May, 6pm. Brighton Dome Corn Exchange
Former Children’s Laureate Michael Morpurgo is spellbinding company, a master storyteller who has created some of the most brilliant children’s books of recent years. Join him as he talks about his work, which includes War Horse, Private Peaceful and Why the Whales Came, and hear all about his latest book, An Eagle in the Snow, the extraordinary story of the man who could have stopped World War Two before it even began.

Chris Riddell Children's Laureate in residence
Winner of two Kate Greenaway medals for illustration, Brighton’s own Chris Riddell (The Edge Chronicles, Goth Girl) joins 26 Letters for no less than three events: Ask the Laureate (Sat 14 May), 6pm. Sallis Benney Theatre, Poems and Pictures Live (Sun 15 May, 2.30pm. Sallis Benney Theatre) and Picture Book Masterclass (Sun 22 May, 10am. Brighton Dome Founders Room.

Young City Reads 2016
Thu 19 May, 1.30pm. Brighton Dome Concert Hall.
Brighton & Hove’s Big Read for young people returns. This year young story-lovers are invited to read and discuss Hamish and the World Stoppers by Danny Wallace. For the Young City Reads Big Event, the award-winning author and presenter, together with the book’s illustrator Jamie Littler, will take centre stage for a live, interactive schools event to talk about their book and tell us more about Hamish, Alice and some disgusting creatures called ‘The Terribles’, who might come from outer space — or maybe France…

Notes to Editors:


About Brighton Festival:

• Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.

• For nearly 30 years Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round