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Danny Wallace’s Hamish and the Worldstoppers chosen for Young City Reads

Collected Works CIC and Brighton Festival - which celebrates its 50th edition in 2016 - are delighted to reveal that Danny Wallace's Hamish and the Worldstoppers has been chosen as the 2016 'Big Read' for children across Brighton & Hove. The concept is simple: one book, by one author is selected for the whole community to read, explore, discuss and creatively engage with.

‘Everyone knows that Brighton has the funniest, coolest, stinkiest children in Britain - and when I heard that they’d all be reading my book, my feet fell off in delight. Brighton Young City Reads is a brilliant thing, and for Hamish to be at the centre of it this year is a real honour. Jamie and I can’t wait to see what the kids think. Now excuse me while I put my feet back on.’ Danny Wallace, Young City Reads author, Jan 2016

About the book

What would YOU do... if the whole world just stopped? Yes the WHOLE WORLD. Birds in the air. Planes in the sky. And every single person on the planet - except you. Because that's what keeps happening to ten-year-old Hamish Ellerby. And it's being caused by The WorldStoppers and their terrifying friends The Terribles! They have a PLAN. They want to take our world for their own . . . Oh, and they hate children. Especially if you're a child who knows about them. Hang on - You know now, don't you? Oh dear. Can Hamish save us from the WorldStoppers? Only time will tell…..

Sarah Hutchings, Artistic Director, Collected Works CIC, commented, ‘Young City Reads is all about the pure pleasure of reading. It inspires children to take time over the reading a book and then encourages them to discuss it with friends, teachers, parents or grandparents. It’s a celebration of words and pictures. And did I mention it’s also great fun!’

Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival said: ‘Young City Reads is always a highlight of Brighton Festival; young booklovers, en masse, discussing and sharing one story before meeting the author themselves… it’s a unique event and something we’re very proud of. One theme we’ll be exploring at our 50th Brighton Festival is the future of art - who are the new voices, what will the next generation make and what role might they play? That Danny Wallace’s adventurous tale sees the fate of the world in the hands of one plucky youngster is, to me, a very fitting and apt choice for the whole city to enjoy.’

How can local primary schools get involved?

• Primary school teachers and classes are being invited to register online (for FREE) and agree to read Hamish and the Worldstoppers together in class between (3 March – 19 May 2016). The Class Teacher or Head Teacher can complete a sign-up form on the City Reads website at: cityreads.co.uk

• Throughout the project, participating classes will receive FREE weekly e-bulletins which will include bite-size Hamish quizzes, puzzles and fun activities to complete.

• This is a great way for classes to get excited about a book and to experience the benefits of shared reading and the fun it brings.

Find out more on the Young City Reads page

Young City Reads 2016 - Key Dates

• 3rd March 2016 (World Book Day) Young City Reads launches at Jubilee Library

• 19th May 2016 (Brighton Festival Event) Special Young City Reads event at Brighton Festival featuring the author and illustrator LIVE.

Call out for artists to participate in caravan marketplace 2016

caravan is a three-day showcase of site specific, interactive and incidental performance presented as part of Brighton Festival that aims to strengthen the international networks and expand the range of opportunities for performing artists and companies in England to work abroad. 

The curated programme features England’s most exciting artists from established international names to the brightest new talent. The 2016 programme includes performances from: Lost Dog’s Edinburgh Festival hit Paradise Lost (lies unopened beside me), new work from Spymonkey and Greg Wohead, Of Riders and Running Horses by Still House, alongside work from Eric MacLennan, Andy Field, Christopher Brett Bailey, Dickie Beau, Jo Bannon, Emma Frankland, Selina Thompson and Sue MacLaine.

Paradise Lost at Brighton Dome


caravan marketplace

caravan is a convivial event designed to encourage artists, commissioners, programmers and potential collaborators to explore new ways of working together, to share ambitions and to reach new audiences. 

The caravan marketplace takes place on Tuesday 17 May from 10am-12pm, and is an opportunity for artists and companies to host a stand in Brighton Dome Corn Exchange, and to share information about current or future projects with approximately 50 national and international delegates.

For more information or to apply to be part of marketplace, please complete the application form and submit by email to Monica at monica.bakir@farnhammaltings.com by 12pm on Friday, 05 February. A small subsidy is available to support travel and/or access costs.

Pioneering artist and musician Laurie Anderson announced as Guest Director for 50th Brighton Festival

Brighton Festival is delighted to announce that the Guest Director for 2016 is the pioneering artist and musician Laurie Anderson. Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home. 

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance and Buddhist teachings. 

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says: "I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year."

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies. Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Memory is a Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public. 

Andrew Comben, Chief Executive of Brighton Festival says: “We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.”

The eighth Guest Director of Brighton Festival, Laurie Anderson follows in the footsteps of visual artist Anish Kapoor (2009), musician Brian Eno (2010), Burmese democracy leader Aung San Suu Kyi (2011), actress and human rights campaigner Vanessa Redgrave (2012), poet, author and former Children’s Laureate Michael Rosen (2013), choreographer, composer and performer Hofesh Shechter (2014) and award-winning author Ali Smith (2015) in shaping the three week programme of cultural events. 

Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world. 

Full programme details will be announced on 17 February 2016. Events for 2016 which can be revealed now are:

Memory is a Minefield by Lola Arias
Brighton Festival co-commission, World Premiere

Argentinian writer, director and songwriter Lola Arias returns to Brighton Festival following her acclaimed Brighton Festival 2013 UK premiere of My Life After with a new work about the Falklands Islands /Islas Malvinas, developed with and performed by Argentinian and British veterans of the conflict. In a production that is political, playful and highly personal, Arias brings together soldiers who fought on opposite sides, giving them an opportunity to share with us and each other their first hand experiences on a battlefield 8000 miles from London. Merging film, re-enactment and documentary theatre Memory is a Minefield blurs the lines between truth and fiction to give a fascinating insight into how and what people remember, and how war continues to cast a long shadow over the lives of its protagonists. Memory is a Minefield will premiere at Brighton Festival and is co-produced by LIFT Festival, Royal Court Theatre, Brighton Festival, Le Quai Angers and Künstlerhaus Mousonturm. 

The Complete Deaths, performed by Spymonkey & directed by Tim Crouch
Brighton Festival commission, World premiere

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus - ranging from the Roman suicides in Julius Caesar to the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Leading Brighton-based physical theatre company Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. Directed by Brighton-based multi-award winning playwright and performer Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb) - The Complete Deaths will be a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death. Presented by Spymonkey in a co-production with Brighton Festival and Royal & Derngate Northampton. 

Until The Lions by Akram Khan Company
Brighton Festival co-commission

A brand new, full-length production from award-winning choreographer and dancer Akram Khan. In this partial adaptation of poet Karthika Naïr’s book Until the Lions, an original reworking of the epic Mahabharata, Khan uses kathak and contemporary dance to tell the tale of Amba, a princess abducted on her wedding day and stripped of her honour, who invokes the gods to seek revenge. 

Bringing together some of the original team from his acclaimed solo DESH, Khan will explore the notion and the physical expression of gender. Until the Lions is set to be one of Khan’s most startling and spectacular works to date, in which he will perform alongside two of his company dancers and four musicians.

Stella by Neil Bartlett
Brighton Festival co-commission. World premiere

A new work written and directed by one of Britain’s most individual theatre makers. Inspired by the strange life and lonely death of Ernest Boulton – also known as one half of the now-infamous Victorian cross-dressing duo Fanny and Stella – Stella is an intense and deeply personal meditation on what it means to keep your nerve as the lights go out. It's about being old, about being young, and about what it means to really be yourself. A theatrical love-letter to a truly remarkable person, Stella is a co-commission by LIFT, Brighton Festival and Holland Festival.

-ENDS-

For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfestival (@brightfest)

Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:

 About Brighton Festival:

  • · Brighton Festival is England’s largest and most established annual curated multi-arts festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and 2016 marks a landmark in its history with the 50th Brighton Festival.
  • · Full programme details will be announced on Wednesday 17 February 2016.
  • · Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme.
  • · Since 1985 Brighton Festival has opened with the Children’s Parade, which includes participants from schools and community groups and bands across the city. One of the most spectacular community events in the UK with up to 4,000 participants and an audience of around 10,000, this year the Children’s Parade, devised and delivered by Same Sky, will be themed around Brighton Celebrates in response to Brighton Festival’s milestone year.
  • · Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.
  • · Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.
  • · Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round

About Laurie Anderson:

  • · Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist.
  • · O Superman launched Anderson’s recording career in 1980, rising to number two on the British pop charts and subsequently appearing on Big Science, the first of her seven albums on the Warner Brothers label. Other record releases include Mister Heartbreak, United States Live, Strange Angels, Bright Red, and the soundtrack to her feature film Home of the Brave. A deluxe box set of her Warner Brothers output, Talk Normal, was released in the autumn of 2000 on Rhino/Warner Archives. In 2001, Anderson released her first record for Nonesuch Records, entitled Life on a String, which was followed by Live in New York, recorded at Town Hall in New York City in September 2001, and released in May 2002.
  • · Anderson has toured the United States and internationally numerous times with shows ranging from simple spoken word performances to elaborate multimedia events. Major works include United States I-V (1983), Empty Places (1990), The Nerve Bible (1995), and Songs and Stories for Moby Dick, a multimedia stage performance based on the novel by Herman Melville. Songs and Stories for Moby Dick toured internationally throughout 1999 and 2000. In the autumn of 2001, Anderson toured the United States and Europe with a band, performing music from Life on a String. She has also presented many solo works, including Happiness, which premiered in 2001 and toured internationally through Spring 2003.
  • · Anderson has published six books. Text from Anderson’s solo performances appears in the book Extreme Exposure, edited by Jo Bonney. Anderson has also written the entry for New York for the Encyclopedia Britannica and in 2006, Edition 7L published Anderson’s book of dream drawings entitled “Night Life”.
  • · Laurie Anderson’s visual work has been presented in major museums throughout the United States and Europe. In 2003, The Musée Art Contemporain of Lyon in France produced a touring retrospective of her work, entitled The Record of the Time: Sound in the Work of Laurie Anderson. This retrospective included installation, audio, instruments, video and art objects and spans Anderson’s career from the 1970's to her most current works. It continued to tour internationally from 2003 to 2005. As a visual artist, Anderson is represented by the Sean Kelly Gallery in New York where her exhibition, The Waters Reglitterized, opened in September 2005. In 2008, the Museum of Modern Art acquired her “Self-Playing Violin” which was featured in the “Making Music” exhibition in autumn 2008.
  • · As a composer, Anderson has contributed music to films by Wim Wenders and Jonathan Demme; dance pieces by Bill T. Jones, Trisha Brown, Molissa Fenley, and a score for Robert LePage’s theater production, Far Side of the Moon. She has created pieces for National Public Radio, The BBC, and Expo ‘92 in Seville. In 1997 she curated the two-week Meltdown Festival at Royal Festival Hall in London. Her most recent orchestra work Songs for Amelia Earhart. premiered at Carnegie Hall in February 2000 performed by the American Composers Orchestra and later toured Europe with the Stuttgart Chamber Orchestra conducted by Dennis Russell Davies. The piece was performed as part of the Groningen Festival honoring Laurie Anderson in autumn 2008 with the Noord Nederlands Orkest.
  • · Recognized worldwide as a groundbreaking leader in the use of technology in the arts, Anderson collaborated with Interval Research Corporation, a research and development laboratory founded by Paul Allen and David Liddle, in the exploration of new creative tools, including the Talking Stick. She created the introduction sequence for the first segment of the PBS special Art 21, a series about Art in the 21st century. Her awards include the 2001 Tenco Prize for Songwriting in San Remo, Italy and the 2001 Deutsche Schallplatten prize for Life On A String as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. She recently collaborated with Bran Ferren of Applied Minds, Inc to create an artwork that was displayed in “The Third Mind” exhibition at the Guggenheim Museum in New York in Winter 2009.
  • · In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance “The End of the Moon”. Recent projects include a series of audio-visual installations and a high definition film, “Hidden Inside Mountains”, created for World Expo 2005 in Aichi, Japan.
  • · In 2007 she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. In 2008 she completed a two-year worldwide tour of her performance piece, “Homeland”, which was released as an album on Nonesuch Records in June, 2010.
  • · Anderson’s solo performance “Delusion” debuted at the Vancouver Cultural Olympiad in February, 2010 and toured internationally throughout 2011. In 2010 a retrospective of her visual and installation work opened in Sao Paulo, Brazil and later traveled to Rio de Janeiro.
  • · In 2011 her exhibition of all new work titled “Forty-Nine Days In the Bardo” opened at the Fabric Workshop and Museum in Philadelphia.   That same year she was awarded with the Pratt Institute’s Honorary Legends Award.  
  • · In January of 2012 Anderson was the artist-in-residence at the High Performance Rodeo in Calgary, Alberta where she developed her latest solo performance titled “Dirtday!”  Her exhibition “Boat” curated by Vito Schnabel opened in May of 2012. 
  • · She has recently finished residencies at both CAP in UCLA in Los Angeles and EMPAC in Troy New York.
  • · In 2015 her film Heart of a Dog was chosen as an official selection of the 2015 Venice and Toronto Film Festivals and her exhibition Habeas Corpus opened at the Park Avenue Armory to wide critical acclaim.  Anderson lives in New York City.

About Guardian Live

  • · Guardian Live is the Guardian's programme of events that offer readers the chance to hear first-hand from people in the news and from those who create the arts and culture we admire. Readers can meet the people behind the Guardian - journalists, columnists and editors - as well as watch and join the debates that shape stories. For more information on the programme, visit theguardian.com/guardianlive  

About caravan

  • · caravan is a three-day biennial curated showcase of the best new theatre from across England to an international audience of festival organisers and programmers.
  • · caravan 2016 will take place from 15-17 May 2016 as part of Brighton Festival.
  • · The showcase offers opportunities for England based artists and companies and international commissioners, presenters, festival programmers and potential collaborators to explore new ways of working, share ambitions, reach new audiences and develop new ideas.
  • · In 2016, caravan will be offering opportunities for twelve artists and companies to showcase full performances of their work, while another six will have the chance to pitch to delegates.
  • · caravan is delivered by Farnham Maltings and Brighton Festival. It is funded by Arts Council England and British Council. www.caravanshowcase.org.uk 

Download the PDF here


Laurie Anderson is Guest Director of Brighton Festival 2016

Brighton Festival is delighted to announce the pioneering artist and musician Laurie Anderson as Guest Director for 2016.

Anderson will take the helm as Brighton Festival marks its milestone 50th year, celebrates its unique, energetic and creative city, and reflects on the nature of home.

Renowned for her inventive use of technology - from her 1981 hit O Superman to her appointment as NASA’s first artist-in-residence - Laurie Anderson is one of America’s most daring creative pioneers. Her eclectic, multidisciplinary career has spanned the worlds of art, theatre and experimental music and has seen her create works as a writer, director, visual artist and vocalist. Most recently Anderson has garnered acclaim for her first feature film in almost 30 years - Heart of a Dog - which reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.

A long-time supporter of Brighton Festival, Anderson is well-known and well-loved by the city, following successful appearances such as Delusion (BF2011) and All the Animals (BF2015). An inspiration to audiences and artists alike, she has been described by Brighton Festival 2015 Guest Director Ali Smith as: “the performance artist, singer, musician, artist of our lifetime I think - a great, great figure of liberty and liberation of the arts”.

Laurie Anderson says:

'I'm so happy to be serving as Guest Director of Brighton Festival in its historic 50th year. Our theme of home and place is especially relevant with so many people in the world on the move now looking, like all of us, for a place we can belong. I've been part of the Festival several times and it was exciting to watch the city become the heart of so much art. I'm looking forward to being part of it this year.'

The 50th Brighton Festival - which will take place from 7-29 May 2016 - will feature new works from Laurie Anderson alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies.

Full programme details will be announced on Wednesday 17 February but some of the key commissions that can be revealed now include The Complete Deaths, a partnership between two Brighton-based artistic powerhouses - Tim Crouch and Spymonkey - to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death; Minefield, a new work from Argentinian artist Lola Arias developed with and performed by Argentinian and British veterans of the Falklands conflict; Stella, a theatrical love letter to one half of the infamous Victorian cross-dressing duo Fanny and Stella by Neil Bartlett; and Until the Lions, a brand new full-length production from award-winning choreographer and dancer Akram Khan.

Andrew Comben, Chief Executive of Brighton Festival says: 'We are thrilled and honoured to announce such a major international figure as Guest Director for Brighton Festival 2016. In our 50th year, it feels right to reflect on the original intentions of the Festival which from the start were about celebrating international culture, the new and the avant-garde. Laurie Anderson has been experimenting, creating and challenging audiences all over the world for almost as long as Brighton Festival has existed – indeed, she’s been a part of the Festival’s journey in past years with some very special commissions and appearances in the city. She continues to break new ground in her own work and through collaborations with some of the most promising artists of the future, and we are looking forward to celebrating all this in what we hope will be a very special 50th Brighton Festival in May.'

Alongside the pieces announced at this stage, Brighton Festival 2016 will feature a major new commission in partnership with 14-18 NOW - whose nationwide programme of arts experiences seeks to connect people with the First World War - as part of the UK’s official centenary commemorations (full details of which will be announced on 20 January 2016). Brighton Festival 2016 will also see a Books and Debate programme delivered in a special partnership with Guardian Live, as well as the return of caravan (15-17 May 2016), a three-day biennial curated industry showcase of the best new theatre from across England, which this year features eight performances which will be open to the public.

Full programme details of Brighton Festival 2016 will be announced on Wednesday 17 Feb 2016. 

Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate.

Spymonkey is the UK's leading physical comedy company, based in Brighton and comprising a core creative ensemble of five lead artists: artistic directors Toby Park, Petra Massey and Aitor Basauri, and associate artists Stephan Kreiss and designer Lucy Bradridge. They’ve been making sublimely hilarious and deeply ridiculous theatre since 1998. Recent Brighton Festival appearances include Oedipussy (2012) and Cooped (2006)

Tim Crouch is a multi-award winning playwright and performer living in Brighton. His work has played in theatres and at festivals around the world. His four award-winning solo Shakespeare plays I, Caliban. I, Peaseblossom, I, Banquo and I, Malvolio were commissioned by Brighton Festival. 

Established in 1967, Brighton Festival is a three week celebration of music, theatre, dance, visual art, film, literature and debate and family events has become one of the city's most enduring symbols of inventiveness and celebration over the past half century. Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. 

Now one of Europe’s leading arts festivals, Brighton Festival is known for its ambitious and daring programme that aims to make the most of the city’s distinctive cultural atmosphere, drawing some of the most innovative artists and companies and adventurous audiences from the UK and around the world.

The 50th Brighton Festival takes place from 7-29 May 2016.

Listings information:


The Complete Deaths by Spymonkey & Tim Crouch
World Premiere.
Commissioned by Brighton Festival.
Wed 11 - Sat 14 May, 7.30pm, Sat 14 & Sun 15 May, 2.30pm
Theatre Royal Brighton
There are 74 onstage deaths in the works of William Shakespeare (75 if you count the black ill-favoured fly killed in Titus Andronicus). From the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra. And then there’s the pie that Titus serves his guests. Spymonkey will perform them all – sometimes lingeringly, sometimes messily, sometimes movingly, always hysterically. These ‘seriously, outrageously, cleverly funny clowns’ (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them. Directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), The Complete Deaths is a solemn, sombre and sublimely funny tribute to the 400th anniversary of Shakespeare’s death.  

-ENDS-


For further enquiries, please contact:

Emma Robertson, Head of Press and PR – emma.robertson@brightonfestival.org I 01273 260803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Ticket Office - 01273 709709 | www.brightonfestival.org

Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival

NOTES TO EDITORS:


About Brighton Festival –

• Brighton Festival is an annual mixed arts festival which takes place across three weeks in the city each May, with an average audience reach of 150,000

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013, choreographer, composer, musician and performer Hofesh Shechter in 2014 and award-winning author Ali Smith in 2015..

• Brighton Festival is an innovative commissioning and producing arts festival, offering an ambitious programme that makes the most of the city’s distinctive atmosphere.

• Brighton Festival is England’s most established mixed arts Festival and a major milestone in the international cultural calendar

• Brighton Festival includes visual art, theatre, music, dance, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round. It aims to champion the power of the arts, to enrich and change lives and inspire and enable artists to be their most creative.

• The first Brighton Festival in 1967 controversially included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin

• Brighton Dome & Brighton Festival manages a year round programme of arts at Brighton Dome – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre - and produces the annual Brighton Festival in May. 

• It aims to champion the power of the arts, to enrich and change lives, and to inspire and enable artists to be their most creative.

• Brighton Dome & Brighton Festival are a registered arts charity

• Brighton Dome & Brighton Festival are working with the Royal Pavilion & Museums on a joint masterplan to realize a future vision for the Royal Pavilion Estate. For updates and news please visit www.brightondome.org or contact 

Sponsorship opportunities for 50th Brighton Festival

Local businesses are being offered a unique opportunity to be part of a major historical landmark next year as Brighton Festival - the largest and most established annual curated multi-arts festival in England – celebrates its 50th year of bringing arts and culture to the city in 2016.

Established in 1967, Brighton Festival become one of the city's most enduring symbols of inventiveness and celebration over the past half century. This milestone year offers a chance for companies to be a part of the celebrations and also to demonstrate the spirit of partnership that will enable the city to thrive for the next fifty years.

With audiences reaching over 460,000 in 2013, Brighton Festival not only encourages visitors the city, but also engenders a sense of pride that increases leisure visits. Audience data demonstrates that 36% of Brighton Festival bookers are from outside the city and of the rest - a third of these local resident bookers - also buy tickets for visiting friends and family.

The annual Children’s Parade - the largest of its kind in Europe - which traditionally opens the Festival is embraced by the whole city, attended by 5,000 children from over 80 schools and community groups from across the region and watched by many thousands of spectators.

Andrew Comben, Chief Executive, Brighton Dome & Brighton Festival said: “I believe Brighton Festival has become part of the city’s DNA – one of the things everyone thinks about when they think of Brighton and part of the reason businesses and visitors want to come here. One of the most exciting thing is that the whole city gets involved, from our colleagues in the cultural sector to the city’s hotels and pubs. Together, we make sure the month is not only a cause for celebration, but also one that contributes tens of millions of pounds to our local economy every year.

As a registered arts charity with just 34% of its operational costs covered by regular public funding, Brighton Dome & Brighton Festival has to raise from a variety of sources, the other 66% needed to operate and to continue to successfully run the various strands of the organisation. Sponsoring Brighton Festival not only allows businesses to raise their profile, reach new customers by engaging with over half a million audiences and expand their networks, but also meet corporate social responsibility objectives by supporting the local community through outreach work. 

2015 sponsors included University of Sussex, Southern Water, Brighton and Sussex Medical School, London Gatwick, Mayo Wynne Baxter, Class of Their Own, Riverford Organic Farms, DMH Stallard, The Montefiore Hospital, Nutshell Construction Limited, Griffith Smith Farrington Webb LLP solicitors and GM Building.

Confirmed sponsors for 2016 already include Nutshell Construction and SELITS.

Managing Director, Nutshell Construction, Ben Copper said: “We are delighted to be renewing our sponsorship of the Brighton Festival during its 50th anniversary year. Sponsorship of the event gets us in front of potential customers, it raises our profile by associating our business with a gilt-edged brand and it makes real business sense – as well as giving us a chance to support the arts and our home town.”

Andrew Comben continues: “Bringing Brighton Festival together every year is an incredible privilege. We wouldn’t be able to present the sheer number of quality performances, installations and exclusive talks that make up Brighton Festival without the help of sponsors, many of whom also support the work of Brighton Dome year-round. It’s an exciting time for Brighton Festival as we look towards our 50th celebrations in 2016 - and with the help of new and returning supporters we hope to make it very special indeed.”

To find out more about sponsorship opportunities for the 50th Brighton Festival in 2016, please contact Kata Gyongyosi on 01273 260 810 or email kata.gyongyosi@brightondome.org

-Ends-


For further enquiries, please contact our press team:

Emma Robertson, Head of Press and PR - emma.robertson@brightonfestival.org | 01273 260 803
Chris Challis, Senior Press Officer – chris.challis@brightonfestival.org | 01273 260838
Anna Whelan, Digital Marketing Officer – anna.whelan@brightonfestival.org | 01273 260825

Ticket Office - 01273 709709 | brightonfestival.org
Follow us on Twitter - www.twitter.com/brightfest (@brightfest)
Join our Facebook fan site - www.facebook.com/brightonfestival
Listen to our monthly podcast - http://soundcloud.com/brighton-dome

Notes to Editors:

About Brighton Festival:


Brighton Festival is England’s most established annual mixed arts Festival which takes place across three weeks in the city each May. It is a major milestone in the international cultural calendar and in 2013 achieved a new record audience reach of 468,000

• Renowned for its pioneering spirit and experimental reputation, Brighton Festival’s inaugural programme included the first ever exhibition of Concrete Poetry in the UK, alongside performances by Laurence Olivier, Anthony Hopkins and Yehudi Menuhin. Now one of Europe’s leading arts festivals for artists and audiences, Brighton Festival is known for commissioning and producing an ambitious programme that aims to make the most of the city’s distinctive cultural atmosphere.

• Brighton Festival attracts inspiring and internationally significant Guest Directors who bring cohesion to the artistic programme with British sculptor Anish Kapoor as inaugural curator in 2009 followed by the Godfather of modern music Brian Eno in 2010, the Burmese Democracy leader Aung San Suu Kyi in 2011, actress and Human Rights campaigner Vanessa Redgrave in 2012, poet, author and former Children’s Laureate Michael Rosen in 2013 and choreographer, composer, musician and performer Hofesh Shechter in 2014.

• Brighton Festival includes visual art, theatre, music, dance, circus, books and debates, family friendly events and outdoor performances throughout the city including site-specific and unusual locations.

• Brighton Dome & Brighton Festival produces the annual Brighton Festival and also manages the three venues of Brighton Dome year round – a three space, Grade 1 listed building made up of the Concert Hall, Corn Exchange and Studio Theatre.

• Each year, the work of the Creative Learning team reaches over 15,000 people in Brighton & Hove and beyond through innovative projects such as Miss Represented - an arts collective of vulnerable young women who have been involved with the criminal justice system and isolated young women in the community; the Umbrella Club - a membership club for children and young people with life-limiting conditions and their siblings and carers; and Three Score Dance Company, created to offer contemporary dance opportunities for men and women aged 60+ in Brighton & Hove.

• Brighton Dome & Brighton Festival is a registered arts charity (registered charity no 249748)

Click here to view the PDF

The Complete Deaths at Brighton Festival

Your first glimpse at Brighton Festival 2016

Key commission revealed as 50th Brighton Festival takes shape

The Complete Deaths – performed by physical comedy company Spymonkey and directed by Tim Crouch – is the first show revealed as part of the 50th Brighton Festival programme.

A Brighton Festival commission, the world premiere is a partnership between two Brighton-based artistic powerhouses to re-enact every onstage death from the works of William Shakespeare in a sublimely funny tribute to mark the 400th anniversary of the Bard’s death.

There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there’s the pie that Titus serves the Queen of the Goths.

Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ‘seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.

The Complete Deaths is directed by Tim Crouch (I, Malvolio, An Oak Tree, Adler & Gibb), designed by Spymonkey regular Lucy Bradridge and presented by Spymonkey in co-production with Brighton Festival and Royal & Derngate. The Brighton Festival performances are supported by ZSTa.

The 50th Brighton Festival takes place from 7-29 May 2016 – a full programme of events will be announced mid-February 2016 when tickets will go on sale. Click here to become a Member and be first in line to book.

More news about the 50th Brighton Festival programme will be announced shortly.