Behind the scenes at this year’s Children’s Parade
We’re giving you a glimpse behind the scenes of Brighton Festival’s marvellous and entirely free Children’s Parade. Thousands of teachers, parents and students are working tirelessly to create the incredible sculptures and costumes that will take to the streets of Brighton to mark the start of the Festival on Saturday 4 May.
Moulescoomb Primary School gave us special permission to visit them as they prepare to be the lead school in the Parade with the West African folk tale, The Hunterman and the Crocodile, written and illustrated by author Baba Wagué Diakité. The characters take turns being captive and captor in a humorous story that teaches the importance of living in harmony with nature.
Read our interview with Pippa Smith and Sarah Parsons to learn more about the Children's Parade
Producer Picks | Young Literature
Chineke! / Philharmonia Orchestra / Brighton Festival Chorus
Our Classical Music Producer, Gill Kay discusses two shows coming to Brighton this May featuring Chineke!, Philharmonia Orchestra and Brighton Festival Chorus.
Producer Picks | Dance, Theatre and Spoken Word
Brighton Festival Live: The Cult of Water
The Cult of Water will be live streamed from 7.30pm on Sat 5 May.
Join ‘masterful storyteller’ (Radio Times) Dr. David Bramwell for a candle-lit journey in search of the supernatural secrets of our waterways....
Aided by a witch, Jarvis Cocker, and magician-author Alan Moore, David Bramwell battles his own thalassophobia (the fear of ‘what lurks beneath’) to unearth little-known stories and myths that surround our rivers.
The River Don is the focal point for this psycho-geographical journey that blends music, animation and film with captivating monologue. You’ll also learn about Brighton’s lost River Wellsbourne in a post-show Q&A.
Filmed and edited in partnership with Brighton Metropolitan Colleg
Brighton Festival Live: Brownton Abbey
Brownton Abbey will be live streamed from 8pm on Fri 25 May
With Big Freedia, Rachael Young, Ria Hartley, Malik Nashad Sharpe, Lasana Shabazz & DJ Sets from Sista Selecta
From the folks that brought Mykki Blanco to Brighton Festival 2017 comes Brownton Abbey - a new Afro-futurist collective that will take you to church!
For this pastoral performance party, celestial beings from queer dimensions will transform Brighton Dome into a kaleidoscopic off-world temple. Congregate with your fam, drench yourself in contemporary ritual, and get transcendental on the dance floor!
Headlining will be New Orleans ‘Queen of Bounce’ Big Freedia, who you’ll know from Beyonce’s Formation, her collaborations with Diplo and RuPaul, and her own Netflix series. Plus performance interventions throughout the evening by a heavenly constellation of Queer Artists of Colour.
Brighton Festival Live: Elephant and Castle
Elephant and Castle will be live streamed from Wed 23 May at 7.30pm
The first time my wife and I shared a bed I told her, ‘I want to get in a wardrobe and take you to Elephant and Castle.’ I was asleep. Do people tell the truth when they talk in their sleep? Could anyone be on the verge of admitting some dark desire, or telling the person beside them what they really think?
That’s the dangerous premise behind Elephant & Castle, the result of three years of Tom Adams’ recorded sleep-talk. With original songs performed live by Adams and Henley, this is a tender, funny and entirely unique gig theatre show about the joy and terror of talking in your sleep
Brighton Festival Live: Ezra Furman
Ezra Furman will be live streamed from Sat 26 May at 8pm
Plus support from Du Blonde & Honey Harper
‘The kind of performer that makes you feel like a teenager all over again’ The Guardian
Tears. Heartbreak. Unbridled joy. Ezra Furman is the real deal.
Fans of Chicago’s rock’n’roll hero will testify as to the electric energy of his live shows that teeter on the edge of hysteria.
His onstage presence, hook-laden garage-punk (think Jonathan Richman meets Spector-era Ramones meets the E Street Band), and confessional lyrics about sexuality, depression, faith and politics, have all earned him a legion of followers on both sides of the Atlantic.
Back with his newly re-christened band The Visions, and hot on the heels of the release of latest album Transangelic Exodus, this is a performer that must be seen to be believed.
Du Blonde, AKA Beth Jeans Houghton, is a multidisciplinary artist and musician, working with animation, illustration, sculpture, video editing, songwriting and music production.
Honey Harper is both an old and a new project. The songs were written in the past three years but they’ve been around for much longer. They resist temporality and eschew spatial specificity. Whether they were written on a lake in northern Ontario, a haunted hotel room in Atlanta, or in a car at 5AM in east London makes little difference as they all reside within. Honey Harper is intrinsically honest, pure, universal country.
Brighton Festival Live: The World of Moominvalley
The World of Moominvalley will be live streamed from Sunday 20 May at 3:00 PM.
The World of Moominvalley with Philip Ardagh & Daniel Hahn
Join award-winning children's author, Philip Ardagh, and Daniel Hahn as they introduce The World of Moominvalley. This beautiful new book is filled with illustrated maps and family trees, facts about Moomin behaviour and habits, all you could wish to know about each beloved character, the world in which they live and their creator Tove Jansson. A family event for Moomins fans young and old.
Over 60’s dance troupe recreates Pina Bausch's 1982 masterpiece – the NELKEN-Line - on Brighton's seafront
Three Score Dance, the Brighton-based contemporary dance company for over 60s, will re-create Pina Bausch’s masterpiece, The NELKEN-Line, with a team of around 200 volunteers along the Brighton beachfront this weekend (Saturday 19th May, 6.30pm) as part of Brighton Festival.
The legendary Spring, Summer, Autumn, Winter sequence is from one of Pina Bausch’s best-known works, the 1982 piece Nelken, and features West End Blues by Louis Armstrong and his Hot Five.
The Three Score Dance company will be joined in the participatory performance by around 200 people, many of whom attended workshops to learn the four iconic movements led by Three Score Artistic Director Jason Keenan-Smith
The aim is to create the most fabulous and colourful NELKEN-Line on Brighton seafront, becoming a part of an exciting world-wide project run by the Pina Bausch Foundation and ARTE which invites people to submit their own NELKEN-Line video to the Foundation’s website.
In France, Ireland, Chile, Cyprus, Spain and Germany, dance lovers of all ages – professionals and amateurs – have responded to the call and danced their own individual NELKEN-Line, with performance videos from around the world posted on the NELKEN-Line website. Three Score has already uploaded their own Company version, the film made by Company member Vincent with long term collaborator DOP Patrick Duval.
Three Score Dance Volunteer Management Group member Vicki Crowther says: “Being part of Three Score Dance means we are standing up for the older dancer and we’re looking forward to leading a glorious celebration of Pina Bausch with people from all walks of life as we dance The Nelken Line along the beach from the i360 to the peace statue on Saturday.”
The company is led by Rehearsal Director, Jason Keenan-Smith, with professional choreographers commissioned to create bespoke pieces for performance. As an associate Brighton Dome company, Three Score have a history of commissioned pieces 50th Brighton Festival celebration Tall Tales - a special reconstruction from memory of a series of performed paintings believed to have been presented at some time during the Festival’s history.
Brighton Festival Live: The Last Poets
The Last Poets will be live streamed from 7.30pm on Tue 15 May
Legendary Godfathers of hip hop and creators of influential albums - The Last Poets (1970) and This is Madness (1971) – The Last Poets fuse politically outspoken lyrics with inventive percussion in an electrifying celebration of 50 years of the power of words and music. The Last Poets are modern day griots, with withering attacks on everything from racists to government to the bourgeoisie, their spoken word albums preceded politically laced R&B projects such as Marvin Gaye's What's Going On and foreshadowed the work of hard-hitting rap groups such as Public Enemy.
Now in a rare appearance, Umar Bin Hassan, Abiodun Oyewole and Donn Babatunde - legendary Godfathers of hip hop - bring an electrifying celebration of 50 years of powerful words and music to Brighton Festival.
Brighton Festival Live: KAYA
Join us for an inside viewing of KAYA, a moving new performance that explores human experiences of displacement, drawing on the strength and resilience of those searching for belonging in a new community.
Ceyda Tanc is a Brighton-based choreographer creating dynamic dance influenced by her Turkish heritage and highlighting the intersection of modern Britain’s diverse cultures. With a unique movement vocabulary fusing traditional Turkish folk dance with contemporary styles, Ceyda’s work challenges gender stereotypes by utilising the virtuoso movements of male Turkish dancers for her all-female company, conveying striking shapes and an emotive and sensual energy.
Brighton Festival Live: The Boy, The Piano and The Beach
The Boy, The Piano and The Beach will be live streamed from 3pm on Mon 7 May
Slot Machine Theatre - The Boy, The Piano and The Beach
World premiere & Brighton Festival commission
A little boy is playing on the beach when, all of a sudden, he is magically transported to another world. His adventures through this enchanting land are packed full of extraordinary encounters with curious and mystical creatures. The question is: can the boy find his way back home?
This enchanting tale is told through puppetry, dance and light projections, all accompanied by stunning live music played on a grand piano. A sensory feast, the show will captivate children of six and upwards, who are welcome to stay and play after the performance to explore the dreamy world of the boy on the beach.
Brighton Festival Live: Cuckmere: A Portrait & Environmentalism
Cuckmere: A Portrait & Environmentalism will be live streamed from 7.30pm on Sat 5 May
Join us for a live screening of this powerful collaboration of film and live music.
Cuckmere: A Portrait
Ed Hughes -Composer
Cesca Eaton - Filmmaker
Score played live by The Orchestra of Sound and Light. For centuries the Cuckmere River has inspired artists, sheltered smugglers and preserved a host of rare wildlife as it charts a course through the evocative landscapes of southern England.
Filmmaker Cesca Eaton and composer/conductor Ed Hughes trace the changing moods of the Cuckmere, from its source in the High Weald to the sea at Cuckmere Haven.
Caroline Lucas discusses the future of the environmental movement with author Tony Juniper, whose new book, Rainforest, draws on his many years' experience as a frontline campaigner.
Spotlight on Contemporary Music at Brighton Festival: Part Two
From jazz to alt-rock to folk, we've got some epic gigs coming up this May. We shine a light on just a few of the many amazing contemporary music events at this year’s Festival.
Deerhoof + s t a r g a z e
Deerhoof, an american experimental rock group, was formed in San Francisco in 1994. In a career that has spanned nearly 25 years and showing no signs of letting up, these revered rockers seem to change course on every album they release, displaying breathtaking originality, and creating a genre all of their own.
In an exclusive performance from Brighton Festival, they will be collaborating with orchestral collective S t a r g a z e. In the first half, Deerhoof’s founding member and drummer Greg Saunier presents special compositions for individual musicians based on tracks from the seminal 1993 album In on the Kill Taler by post-hardcore band Fugazi. The second half sees Deerhoof perform songs from their extensive back catalogue, before members of S t a r g a z e rejoin the band onstage for a stunning finale. Take a look at ticket availability for Deerhoof.
Xylouris White is firmly rooted in the past and future. Playing Cretan music of original and traditional composition, the band consists of Georgios Xylouris on Cretan laouto and vocals and Jim White on drum kit. Xylouris is known and loved by Cretans and Greeks at home and abroad and has been playing professionally from age 12. Jim White is an Australian drummer known and loved throughout the world as the drummer of Dirty Three, Venom P Stinger and now Xylouris White. For the last four years these two men have been performing as Xylouris White, the culmination of 25 years of friendship forged through music and place. Now they’re back with their third album Mother, more elegant and thoughtful than its predecessors yet still retaining a palpable spirit of adventure. Take a look at ticket availability for Xylouris White.
This Is the Kit
This Is The Kit is the musical project of Kate Stables, one of the most thrilling voices in contemporary folk, and whoever joins her! In a special one-off event for Brighton Festival - Kate joins forces with multi-talented orchestral collective S t a r g a z e - one of today’s most adventurous ensembles. Retaining the intimacy of its well-loved predecessor 2015’s Bashed Out, This is the Kit and S t a r g a z e will perform a specially re-imagined version of Kate’s latest 2017 album Moonshine Freeze, the paris-based songwriter’s loosest, wildest music to date.Take a look at ticket availability for This is the Kit.
Played Twice: Miles Davis Kind of Blue and Electric Miles: Miles Davis through the ‘70s
If you haven’t been to east London’s joyous concept night Played Twice, now's your chance. The concept is simple: take a landmark album, listen to it all the way through, then hear a top-notch band reinterpret that same recording live on stage. And if this is your first time, they don’t come more masterly than Miles Davis’s pioneering jazz fusion . The band will be led by David Okumu of The Invisible and features Byron Wallen on trumpet. Take a look at ticket availability for Played Twice's performances.
Problem in Brighton
First there was a Problem in Toulouse, then there was a Problem in New York, and now that problem is coming to Brighton. Well, Hove actually. Problem in Brighton is an alt-rock/pop pantomime written and directed by Guest Director David Shrigley exclusively for Brighton Festival. Shrigley's artwork is brought to life by the Problem Band (led by Brighton musician Lee Baker) using instruments created from his illustrations. Take a look at ticket availability for Problem in Brighton.
Shrigley on Shrigley
Guest director David Shrigley talks us through his events at the Brighton Festival 2018.
Best known for his darkly humorous works that comment on the inconsequential, bizarre, and disquieting elements of daily life, the artist’s offbeat take is reflected in his own events at this years festival. There's Festival commission Problem in Brighton, a brand new alt rock/pop pantomime, written and directed by Shrigley himself, and Life Model II, a follow-up to the artist’s Turner Prize-nominated installation of the same name which invites visitors to take part in a life drawing class with a sculpture of a nine-foot-tall woman as the ‘model’. Shrigley will also be doing an also an illustrated talk billed as ‘containing numerous rambling anecdotes… not in the slightest bit boring’, and a screening of a documentary about his work titled A Shit Odyssey.
Head to our Whats On page to see the full programme
Video edited by Summer Dean
Five Brighton Festival Spoken Word artists to check out before May
Take some time out to enjoy some of the magnificent wordsmithery and acts you can expect at Brighton Festival this May...
The Last Poets
Energised by the civil rights movement, The Last Poets were formed in 1968. As latter day griots, they fused politically outspoken lyrics with inventive percussion. Their albums have influenced generations of hip-hop & soul artists.
Yomi Sode balances the line between Nigerian and British cultures, which can be humorous, loving, self-reflective and, at times, uncomfortable. Tackling immigration, identity and displacement, his new performance COAT is a humorous and moving response to the mistakes made by elders that leave the next generation uncertain of what is expected of them.
Travis Alabanza is a performance artist, theatre maker, poet and writer. In the last two years they have been noted by numerous publications as one of the most prominent emerging queer artistic voices, and also listed in OUT as an influential queer figure.
Hollie McNish’s poems have challenged stigmas around sex, breastfeeding and young motherhood, earning her a worldwide following. McNish will perform as part of Poets & Illustrators, a one-off event, that pairs some of the finest, freshest poets around with live illustrators.
Toby Thompson is a writer and performer of thoughts and feelings. His poetry displays his delight in life’s uncertainties and absurdities and his uniquely rhythmic and musical style is lyrical, beguiling, playful and poignant. In Brighton Festival, Toby Thompson boldly re-imagines Herman Hesse’s classic fairy-tale I Wish I Was A Mountain.
Spotlight: Calixto Bieito: The String Quartet’s Guide to Sex and Anxiety
In a co-commission with the Birmingham Repertory Theatre and Holland Festival, the Brighton Festival presents The String Quartet’s Guide to Sex and Anxiety.
In this exciting production, the tempestuous relationship between sex, anxiety and music is explored and examined by one of Europe’s most exciting theatre directors, Calixto Bieito.
Music and drama collide as the award-winning string powerhouse The Heath Quartet perform alongside an equally stunning quartet of actors to deliver an unmissable montage of melody and madness. These eight artists will take you on a journey through time to explore how our innermost thoughts battle with our artistic impulses.
Spotlight: Cuckmere: A Portrait
Discover more about Cuckmere: A Portrait, a Brighton Festival Co-commission.
For centuries the Cuckmere River has inspired artists, sheltered smugglers and preserved a host of rare habitats and wildlife as it charts a course through some of the most evocative landscapes in southern England.
In a work of beauty and eloquence, the filmmaker Cesca Eaton and the composer/conductor Ed Hughes trace the changing moods of the Cuckmere river, from its source in the Sussex Downs to its dramatic twists and turns as it meanders to the sea at Cuckmere Haven. The score, specially composed by Ed Hughes, is played live by The Orchestra of Sound and Light in this world premiere.
Spotlight: Gob Squad: Creation (Pictures for Dorian)
Creation is the realm of gods and artists, who create beauty through sheer will and their own bare hands. But who decides what is beautiful?
British/German arts collective Gob Squad have performed all over the world for 25 years. Now middle-aged, they have no desire to exit the stage just yet. UK Premiere and Brighton Festival co-commission, Creation (Pictures for Dorian), is inspired by Oscar Wilde’s iconic character Dorian Gray, who remains eternally youthful at a terrible cost to his soul.
There’s probably a little bit of Dorian in all of us. Joined onstage by older and younger local performers, Gob Squad peeps behind the vanity mirror to question beauty, morality and power - and ask why we so crave the eye of the beholder.
Spotlight: The Arms of Sleep
Discover more about The Arms of Sleep, a Brighton Festival Co-commission with Norfolk and Norwich Festival.
In one of its most ambitious and magical productions to date, The Voice Project takes us on an epic 10-hour immersive overnight experience of choral music, film and animation set in the beautiful grounds of historic stately home Firle Place.
Through dusk and darkness to dawn, drift and dream with The Voice Project Brighton Choir as you travel into the space of sleep.
Spotlight: Your Place
Your Place returns to the Brighton Festival with another exciting programme of free theatre, art, dance, music, outdoor games and workshops. For the past year, the community steering committees of East Brighton & Hangleton have been working together to create a vibrant weekend of arts and activities for their local communities.
Brighton Festival, Brighton People’s Theatre and the community steering groups are proud to bring back Your Place for a second year following its wonderful success in 2017. Expect new and exciting additions including bouncy castles, delicious food and more activities for people of all ages.
Artists joining us this year include David Shrigley, The Ragroof Players, The Future is Unwritten Theatre Company, Herringbone Arts, Joanna Neary, Kate McCoy, Culture Clash, Touched Theatre, Dundu and Worldbeaters, Brighton & Hove Music & Arts and many more.
Video produced by echovideo.co.uk
Meet David Shrigley, our 2018 Guest Director
We're delighted to welcome visual artist and Brighton resident David Shrigley as the Guest Director for Brighton Festival 2018.
Best known for his distinctive drawing style and works that make satirical comments on the absurdity of 21st-century society, his work also spans an extensive range of media including sculpture, large-scale installation, animation, painting, photography and music.
Nominated for the prestigious Turner Prize in 2013, Shrigley’s Really Good, a 7 metre-high elongated bronze sculpture of a thumbs-up, is the current incumbent of Trafalgar Square's Fourth Plinth.
David Shrigley says:
“The great thing about Brighton Festival is that you see things that are really thrilling and wonderful that you’ve never heard of before. What I’m looking forward to about the role of Guest Director is having the opportunity to not only see a lot of stuff and programme stuff but also make some artwork myself and have it presented in the place where I live. I think it’s a really nice way to communicate with people, to meet people and to invite people to come to Brighton.”
British Council Arts created a great 'About the Artist' video, which sees David discussing his working practices and briefly discussing his career as you can watch below.
Brighton Festival 2018: 5 – 27 May
Full programme announced: Thu 15 Feb
Members’ priority booking opens: Fri 16 Feb
Public booking opens: Fri 23 Feb
Brighton Dome & Brighton Festival retains Arts Council NPO funding
Brighton Dome & Brighton Festival is pleased to be confirmed as a continuing part of Arts Council England’s National Portfolio for 2018-2022.
Funding has been maintained at current levels during the period, equating to £1,149,921 per year.
As custodians of the Grade 1 Listed Brighton Dome at the cultural heart of the city, Brighton Dome & Brighton Festival is the major arts and cultural provider in Brighton & Hove with an audience reach of over 666,000 annually.
Funding from Arts Council England (ACE) – along with Brighton & Hove City Council and a number of other supporters and donors - allows the delivery of an innovative year round programme spanning music, theatre, dance, comedy, literature, spoken word, visual arts, film, digital and more, as well as Brighton Festival each May; the largest curated annual multi-arts festival in England. Established in 1967, Brighton Festival has become one of the city's most enduring symbols of inventiveness over the past half century, renowned for its pioneering spirit and experimental reputation.
Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “We welcome the continued support and strong endorsement from Arts Council England for our work and our exciting plans ahead. We are also pleased to see continued funding for partners throughout the city and across the region.”
A registered charity, Brighton Dome & Brighton Festival is committed to offering imaginative new ways to discover and participate in the arts. Each year, the work of our Creative Learning team reaches over 22,000 people in Brighton & Hove and beyond.
Brighton Festival 2017 goes down a storm
The 51st Brighton Festival - with acclaimed recording artist, poet, playwright and novelist Kate Tempest as Guest Director - came to a storming conclusion last weekend.
The three-week celebration of the arts saw events take place in more venues across the city than ever before - from the South Downs to Brighton Marina to Woodvale cemetery - drawing a ticketed audience of over 81,000, the largest ever in the Festival’s 51-year-history.
At a political and social moment that feels particularly precarious, the wide-ranging programme paid homage to what Tempest calls the ‘Everyday Epic’ - art that helps us connect to ourselves and others, explores our individual stories and differences, and encourages audiences to take a walk in someone else’s shoes.
None did this more successfully than the UK Premiere of The Gabriels, Tony-award-winning playwright Richard Nelson’s extraordinarily, intimate depiction of one American family, written and set in real time during the turbulent US election year. The plays received a series of 5* reviews and were lauded by critics as ‘deeply moving portraits of the dissolving American dream’ (The Guardian), ‘a quietly stunning theatrical achievement’ (The Stage), and ‘miraculous, almost invisible craft’ (The Arts Desk).
Kate Tempest herself featured in a plethora of performances both large and small: including an exclusive opening gig of music and spoken word, her largest full band performance to date; and a live orchestration of her recent album Let Them Eat Chaos, produced in collaboration with Oscar-nominated artist Mica Levi. All were rapturously received by sell-out audiences – with fans taking to Twitter to proclaim the likes of: “Transcendent doesn't even cover it: Kate you blew my mind. Thank you”.
Reflecting on the experience Tempest says:
“It’s felt crazy - the things that I’ve been doing have been things that I never would have had the opportunity to try out, had it not been for this particular Festival, for example getting the opportunity to play with a string and woodwind ensemble. That was an experience that I’ve dreamed of, but was completely impossible.
To get that many players of that calibre together, and to do it in a way that felt like it was providing something new for the work. It felt like a real moment of artistic endeavour and true collaboration."
With an audience of 15,000 over 16 evenings, one of the Festival’s biggest talking-points was For the Birds, a spectacular night-time trail of sound and light installations at a secret woodland location. The largest ticketed event ever presented at Brighton Festival, this unique event set social media abuzz throughout the month, with audiences dubbing it ‘mesmerising’, ‘fascinating’ and ‘beautiful”.
Reflecting Tempest’s belief that: ‘The arts should be in our communities, not only on elevated platforms or behind red velvet ropes’, two new ventures ensured Brighton Festival 2017 did just that: The Storytelling Army, a dynamic collective of people from all walks of life popped up in unusual locations across the city to tell their ‘Everyday Epic’ stories - in turn humorous, inspiring, thought-provoking, emotional, and rousing; and new initiative Your Place, in partnership with Brighton People’s Theatre, brought a diverse line-up of free performances, workshops and activities Festival artists and local residents to the Hangleton and East Brighton communities. A resounding success, 1500 people took part in Your Place across two weekends.
Brighton Festival audiences were also encouraged to join the Pay-It-Forward movement for the first time in another new initiative which offered the chance to donate £5 on top of ticket prices which was match-funded to create a £10 Festival ticket voucher for someone unable to afford the opportunity. The response was phenomenal with over a thousand people choosing to pay tickets forward in the lead up to the Festival.
As Tempest herself said:
"One of my big hopes was that we could do just what we have done, which is to bring the Festival out a little bit, open it up, and have some events going on in the communities, so people who can’t make it into town for whatever reason, still get to access some of the great programming and some of that feeling of this Festival.”
Other Brighton Festival 2017 highlights included an ethereal promenade performance through Woodvale Cemetery for Circa’s Depart; Kneehigh’s acclaimed production of Emma Rice’s staging of Tristan & Yseult; a special performance from legendary folk singer Shirley Collins; a major new co-commission from sculptor Cathie Pilkington; a virtual exploration of the Australian outback with Lynette Wallworth’s thought-provoking Virtual Reality film experience Collisions; two special events to mark the 450th anniversary of the birth of Monteverdi: and an inspirational sold-out book tour event from US Senator Bernie Sanders.
As ever this year’s Festival has been a triumph of partnership working, made possible through collaborations with many major organisations across the city and beyond including Attenborough Centre for Creative Arts, Lighthouse, Fabrica, University of Brighton, Onca Gallery, Theatre Royal Brighton and Without Walls amongst others.
2017 also saw the highest number of shows yet live-streamed to audiences around the world for free, thanks to the on-going partnership with Greater Brighton Metropolitan College with highlights including Kate Tempest’s collaboration with Mica Levi and Orchestrate, an extravaganza of music and performance by queer artists of colour headlined by Mykki Blanco, and playful dance theatre by Joan Clevillé Dance with Plan B for Utopia.
Sponsorship and corporate support has also been vital this year with generous contributions from new and returning sponsors and supporters including London Gatwick Airport, University of Sussex, Brighton and Sussex Medical School, GM Building, Griffith Smith Farringdon Webb, Lulu.com, Nutshell Construction, Yeomans Toyota Brighton, Selits, and ZSTa.
Andrew Comben, Chief Executive of Brighton Dome & Brighton Festival says: “Bringing Brighton Festival together is a great privilege and this year with Kate Tempest’s inspiration we’ve been thrilled to have reached new audiences and achieved some fantastic new records. But it is only possible because of the extraordinary support we have from funders, patrons, supporters, sponsors, members, partners and artists. We are also blessed with one of the most adventurous, curious and experimental audiences anywhere. I would like to thank everyone for their invaluable contributions, for making Brighton Festival what it is and for bringing this wonderful city and its wonderful festival to life.”